CH1198087:
To South Africa in Seventeen Days; an advertising poster for Union Castle Line, (colour lithograph), Randall, Maurice (1865-1950) / Bridgeman Images
ID: CH1198087
To South Africa in Seventeen Days; an advertising poster for Union Castle Line, (colour lithograph)
Randall, Maurice (1865-1950)
CUD2653355:
Walcot Parade, 2010 (oil on canvas), Cudworth, Nick (1947-2021) / Bridgeman Images
ID: CUD2653355
Walcot Parade, 2010 (oil on canvas)
Cudworth, Nick (1947-2021)
PNP245583:
General William T. Sherman (1820-91) presides at the Treaty of Fort Laramie with Chief Red Cloud, April 1868 (b/w photo), Gardner, Alexander (1821-82) / Bridgeman Images
ID: PNP245583
General William T. Sherman (1820-91) presides at the Treaty of Fort Laramie with Chief Red Cloud, April 1868 (b/w photo)
LAL304391:
After being trapped in the ice for over two years, John Franklin's men abandoned their ship and set out on foot, Wood, Gerry (b.1938) / Bridgeman Images
ID: LAL304391
After being trapped in the ice for over two years, John Franklin's men abandoned their ship and set out on foot
Wood, Gerry (b.1938)
GPC152711:
Tulips in Two Vases, c.1912 (oil on canvas), Peploe, Samuel John (1871-1935) / Bridgeman Images
DGC2957041:
Cicli Fiat advertisement, c.1910 (litho). / Bridgeman Images
ID: DGC2957041
Cicli Fiat advertisement, c.1910 (litho).
XEE4406739:
The prisoner Abbe Faria enters the cell of the young navigator Edmond Dantes in the prison of the island of Monte Cristo. Illustration of the novel “The Count of Monte Cristo”” by Alexandre Dumas. Chromolithography, 1902., French School, (20th century) / Bridgeman Images
ID: XEE4406739
The prisoner Abbe Faria enters the cell of the young navigator Edmond Dantes in the prison of the island of Monte Cristo. Illustration of the novel “The Count of Monte Cristo”” by Alexandre Dumas. Chromolithography, 1902.
French School, (20th century)
XEE4169412:
The Signing of the Armistice on 11th November 1918 at 5 a.m., 1918 (engraving), Unknown Artist, (20th century) / Bridgeman Images
ID: XEE4169412
The Signing of the Armistice on 11th November 1918 at 5 a.m., 1918 (engraving)
Unknown Artist, (20th century)
GIA4726579:
Ernest Hemingway and Sylvia Beach in front of the 'Shakespeare and Company' bookshop, Paris, 12 rue de l'odeon - 1928, Hemingway has a bandeous head because he has just received his flush on his head. Colorful photo, Unknown photographer, (20th century) / Bridgeman Images
ID: GIA4726579
Ernest Hemingway and Sylvia Beach in front of the 'Shakespeare and Company' bookshop, Paris, 12 rue de l'odeon - 1928, Hemingway has a bandeous head because he has just received his flush on his head. Colorful photo
Unknown photographer, (20th century)
GIA4763188:
War 1939 - 1945: The entry of the partisans in Milan on April 25, 1945., Unknown photographer, (20th century) / Bridgeman Images
ID: GIA4763188
War 1939 - 1945: The entry of the partisans in Milan on April 25, 1945.
Unknown photographer, (20th century)
DBP412941:
Figure of an Oni, Ife (zinc brass), c. 14th c., Yoruba Culture / Bridgeman Images
ID: DBP412941
Figure of an Oni, Ife (zinc brass), c. 14th c.
Yoruba Culture
MGP618792:
Len Deighton, 1985 (photo), Gerson, Mark / Bridgeman Images
PNH480810:
Penelope and the Suitors, 1900 (oil on canvas), Robertson, Victor John (fl.1892-1903) / Bridgeman Images
ID: PNH480810
Penelope and the Suitors, 1900 (oil on canvas)
Robertson, Victor John (fl.1892-1903)
CH656697:
Architektur I, 1922 (oil and silver paint on canvas), Moholy-Nagy, Laszlo (1895-1946) / Bridgeman Images
ID: CH656697
Architektur I, 1922 (oil and silver paint on canvas)
Moholy-Nagy, Laszlo (1895-1946)
CH1197492:
Reclining Turkish Woman; Femme Turque allongee, 1895 (oil on canvas), La Porte, Emile Henri (1841-1919) / Bridgeman Images
ID: CH1197492
Reclining Turkish Woman; Femme Turque allongee, 1895 (oil on canvas)
La Porte, Emile Henri (1841-1919)
XEE4415115:
Jesus' triumphant entry into the holy city of Jerusalem. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images
ID: XEE4415115
Jesus' triumphant entry into the holy city of Jerusalem. Anonymous engraving from the middle of the 19th century.