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..Where often you and I upon faint Primrose-beds were wont to lie, Emptying our bosoms of their counsel sweet, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)
..Where often you and I upon faint Primrose-beds were wont to lie, Emptying our bosoms of their counsel sweet, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)

STC418729: ..Where often you and I upon faint Primrose-beds were wont to lie, Emptying our bosoms of their counsel sweet, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho), Rackham, Arthur (1867-1939) (after) / Bridgeman Images

ID: STC418729

..Where often you and I upon faint Primrose-beds were wont to lie, Emptying our bosoms of their counsel sweet, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)

Rackham, Arthur (1867-1939) (after)

The Three Crosses, 1653 (drypoint)
The Three Crosses, 1653 (drypoint)

XJF416581: The Three Crosses, 1653 (drypoint), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF416581

The Three Crosses, 1653 (drypoint)

Rembrandt Harmensz. van Rijn (1606-69)

Grande Pianta Prospettica - Venice, c.1500 (engraving) (middle section)
Grande Pianta Prospettica - Venice, c.1500 (engraving) (middle section)

XJF416594: Grande Pianta Prospettica - Venice, c.1500 (engraving) (middle section), Barbari, Jacopo de' (1440/50-a.1515) / Bridgeman Images

ID: XJF416594

Grande Pianta Prospettica - Venice, c.1500 (engraving) (middle section)

Barbari, Jacopo de' (1440/50-a.1515)

Ainu Couple outside the traditional Ainu home of a reed thatched hut, late 19th century (b/w photo)
Ainu Couple outside the traditional Ainu home of a reed thatched hut, late 19th century (b/w photo)

KDC418451: Ainu Couple outside the traditional Ainu home of a reed thatched hut, late 19th century (b/w photo), Messrs. Kajima & Suwo / Bridgeman Images

ID: KDC418451

Ainu Couple outside the traditional Ainu home of a reed thatched hut, late 19th century (b/w photo)

Messrs. Kajima & Suwo

'Our Cats' Dinner for the Cats-Meat Men of London, 1900 (b/w photo)
'Our Cats' Dinner for the Cats-Meat Men of London, 1900 (b/w photo)

KDC418452: 'Our Cats' Dinner for the Cats-Meat Men of London, 1900 (b/w photo) / Bridgeman Images

ID: KDC418452

'Our Cats' Dinner for the Cats-Meat Men of London, 1900 (b/w photo)

Lord William Thomson Kelvin, c.1890 (litho)
Lord William Thomson Kelvin, c.1890 (litho)

KWE417943: Lord William Thomson Kelvin, c.1890 (litho), English School, (19th century) / Bridgeman Images

ID: KWE417943

Lord William Thomson Kelvin, c.1890 (litho)

English School, (19th century)

The Village Welll, from 'India Ancient and Modern', 1867 (colour litho)
The Village Welll, from 'India Ancient and Modern', 1867 (colour litho)

STC418226: The Village Welll, from 'India Ancient and Modern', 1867 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC418226

The Village Welll, from 'India Ancient and Modern', 1867 (colour litho)

Simpson, William 'Crimea' (1823-99)

Jews of Tashkent, capital of Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)
Jews of Tashkent, capital of Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)

KWE409932: Jews of Tashkent, capital of Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving) / Bridgeman Images

ID: KWE409932

Jews of Tashkent, capital of Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)

A caravanserai in Tashkent, Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)
A caravanserai in Tashkent, Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)

KWE409934: A caravanserai in Tashkent, Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving), Bayard, Emile Antoine (1837-91) (after) / Bridgeman Images

ID: KWE409934

A caravanserai in Tashkent, Uzbekistan, illustration from 'The World in the Hands', engraved by Charles Laplante (d.1903), published 1878 (engraving)

Bayard, Emile Antoine (1837-91) (after)

Illustration from 'Jewels of the Treasury of Russia' by Aleksander Eugenevich Fersman, 1925 (litho)
Illustration from 'Jewels of the Treasury of Russia' by Aleksander Eugenevich Fersman, 1925 (litho)

CH416699: Illustration from 'Jewels of the Treasury of Russia' by Aleksander Eugenevich Fersman, 1925 (litho), Russian Photographer (20th century) / Bridgeman Images

ID: CH416699

Illustration from 'Jewels of the Treasury of Russia' by Aleksander Eugenevich Fersman, 1925 (litho)

Russian Photographer (20th century)

Neptune, second half of the 17th century (bronze) (detail of 416883)
Neptune, second half of the 17th century (bronze) (detail of 416883)

CH416885: Neptune, second half of the 17th century (bronze) (detail of 416883), Anguier, Michel (1612-86) (after) / Bridgeman Images

ID: CH416885

Neptune, second half of the 17th century (bronze) (detail of 416883)

Anguier, Michel (1612-86) (after)

Pretorian guards hailing Claudius as Imperator (litho)
Pretorian guards hailing Claudius as Imperator (litho)

STC416080: Pretorian guards hailing Claudius as Imperator (litho), English School, (19th century) / Bridgeman Images

ID: STC416080

Pretorian guards hailing Claudius as Imperator (litho)

English School, (19th century)

The Battle of Carchemish (litho)
The Battle of Carchemish (litho)

STC416089: The Battle of Carchemish (litho), English School, (19th century) / Bridgeman Images

ID: STC416089

The Battle of Carchemish (litho)

English School, (19th century)

Ezra reading the law to the Jews (litho)
Ezra reading the law to the Jews (litho)

STC416098: Ezra reading the law to the Jews (litho), English School, (19th century) / Bridgeman Images

ID: STC416098

Ezra reading the law to the Jews (litho)

English School, (19th century)

Interview between Agesilaus and Pharnabazus (litho)
Interview between Agesilaus and Pharnabazus (litho)

STC416121: Interview between Agesilaus and Pharnabazus (litho), English School, (19th century) / Bridgeman Images

ID: STC416121

Interview between Agesilaus and Pharnabazus (litho)

English School, (19th century)

Tavistock Crescent, Westbourne Park (w/c on paper)
Tavistock Crescent, Westbourne Park (w/c on paper)

MPG416242: Tavistock Crescent, Westbourne Park (w/c on paper), Pissarro, Ludovic-Rodolphe (1878-1952) / Bridgeman Images

ID: MPG416242

Tavistock Crescent, Westbourne Park (w/c on paper)

Pissarro, Ludovic-Rodolphe (1878-1952)

Cullercoats looking towards Tynemouth, Northumberland, with fisherfolk in the foreground, 1836 (pencil, pen & ink, w/c and bodycolour on paper)
Cullercoats looking towards Tynemouth, Northumberland, with fisherfolk in the foreground, 1836 (pencil, pen & ink, w/c and bodycolour on paper)

CH407795: Cullercoats looking towards Tynemouth, Northumberland, with fisherfolk in the foreground, 1836 (pencil, pen & ink, w/c and bodycolour on paper), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: CH407795

Cullercoats looking towards Tynemouth, Northumberland, with fisherfolk in the foreground, 1836 (pencil, pen & ink, w/c and bodycolour on paper)

Carmichael, John Wilson (1800-68)

A British frigate riding on her anchor (ink & wash on paper)
A British frigate riding on her anchor (ink & wash on paper)

CH407797: A British frigate riding on her anchor (ink & wash on paper), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: CH407797

A British frigate riding on her anchor (ink & wash on paper)

Carmichael, John Wilson (1800-68)

Fishermen gossiping before a beached vessel, 1846 (pencil, ink, w/c & bodycolour on paper)
Fishermen gossiping before a beached vessel, 1846 (pencil, ink, w/c & bodycolour on paper)

CH407798: Fishermen gossiping before a beached vessel, 1846 (pencil, ink, w/c & bodycolour on paper), Carmichael, John Wilson (1800-68) / Bridgeman Images

ID: CH407798

Fishermen gossiping before a beached vessel, 1846 (pencil, ink, w/c & bodycolour on paper)

Carmichael, John Wilson (1800-68)

Latona and the Frogs (oil on copper)
Latona and the Frogs (oil on copper)

RAF403505: Latona and the Frogs (oil on copper), Govaerts, Abraham (1589-1626) / Bridgeman Images

ID: RAF403505

Latona and the Frogs (oil on copper)

Govaerts, Abraham (1589-1626)

Norton's improved automatic machinery for making tin cans, c.1901 (litho)
Norton's improved automatic machinery for making tin cans, c.1901 (litho)

XJF406269: Norton's improved automatic machinery for making tin cans, c.1901 (litho), American School, (20th century) / Bridgeman Images

ID: XJF406269

Norton's improved automatic machinery for making tin cans, c.1901 (litho)

American School, (20th century)

A curly cypress dining table (wood)
A curly cypress dining table (wood)

CH408341: A curly cypress dining table (wood), Wright, Frank Lloyd (1867-1959) / Bridgeman Images

ID: CH408341

A curly cypress dining table (wood)

Wright, Frank Lloyd (1867-1959)

Abdulmecit I (engraving) (later colouration)
Abdulmecit I (engraving) (later colouration)

TRK406652: Abdulmecit I (engraving) (later colouration) / Bridgeman Images

ID: TRK406652

Abdulmecit I (engraving) (later colouration)

Experiments on the telephone by Dr. Alexander Graham Bell, Boston, 1877 (engraving) (later colouration)
Experiments on the telephone by Dr. Alexander Graham Bell, Boston, 1877 (engraving) (later colouration)

TRK406677: Experiments on the telephone by Dr. Alexander Graham Bell, Boston, 1877 (engraving) (later colouration) / Bridgeman Images

ID: TRK406677

Experiments on the telephone by Dr. Alexander Graham Bell, Boston, 1877 (engraving) (later colouration)

Andres Feuerbach (xylograph) (later colouration)
Andres Feuerbach (xylograph) (later colouration)

TRK406722: Andres Feuerbach (xylograph) (later colouration), Neumann, Adolf (1825-84) / Bridgeman Images

ID: TRK406722

Andres Feuerbach (xylograph) (later colouration)

Neumann, Adolf (1825-84)

The first flag of Argentina presented to the revolutionary army by General Belgrano on February 27, 1812 (engraving) (later colouration)
The first flag of Argentina presented to the revolutionary army by General Belgrano on February 27, 1812 (engraving) (later colouration)

TRK406731: The first flag of Argentina presented to the revolutionary army by General Belgrano on February 27, 1812 (engraving) (later colouration) / Bridgeman Images

ID: TRK406731

The first flag of Argentina presented to the revolutionary army by General Belgrano on February 27, 1812 (engraving) (later colouration)

Heart-breaking farewells (litho) (sepia photo)
Heart-breaking farewells (litho) (sepia photo)

STC400591: Heart-breaking farewells (litho) (sepia photo), English School, (20th century) / Bridgeman Images

ID: STC400591

Heart-breaking farewells (litho) (sepia photo)

English School, (20th century)

General Boulanger (b/w photo)
General Boulanger (b/w photo)

XJF400626: General Boulanger (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: XJF400626

General Boulanger (b/w photo)

French Photographer, (19th century)

Self Portrait, 16th July 1923 (w/c on paper)
Self Portrait, 16th July 1923 (w/c on paper)

MPG400727: Self Portrait, 16th July 1923 (w/c on paper), Beerbohm, Max (1872-1956) / Bridgeman Images

ID: MPG400727

Self Portrait, 16th July 1923 (w/c on paper)

Beerbohm, Max (1872-1956)

Openface keyless lever deck watch and case, 1900 (silver & mahogany)
Openface keyless lever deck watch and case, 1900 (silver & mahogany)

CH408897: Openface keyless lever deck watch and case, 1900 (silver & mahogany), Ditisheim, Paul (1868-1945) / Bridgeman Images

ID: CH408897

Openface keyless lever deck watch and case, 1900 (silver & mahogany)

Ditisheim, Paul (1868-1945)

Study for 'Death in Venice', 1974 (gouache on paper)
Study for 'Death in Venice', 1974 (gouache on paper)

MFA408966: Study for 'Death in Venice', 1974 (gouache on paper), Piper, John (1903-92) / Bridgeman Images

ID: MFA408966

Study for 'Death in Venice', 1974 (gouache on paper)

Piper, John (1903-92)

A Tatar of Crimea, plate 84 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753), 1707-08 (coloured engraving)
A Tatar of Crimea, plate 84 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753), 1707-08 (coloured engraving)

STC409037: A Tatar of Crimea, plate 84 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images

ID: STC409037

A Tatar of Crimea, plate 84 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753), 1707-08 (coloured engraving)

Vanmour, Jean Baptiste (1671-1737) (after)

Young Woman with her Hair Down, c.1897 (oil on board)
Young Woman with her Hair Down, c.1897 (oil on board)

CH402234: Young Woman with her Hair Down, c.1897 (oil on board), Modersohn-Becker, Paula (1876-1907) / Bridgeman Images

ID: CH402234

Young Woman with her Hair Down, c.1897 (oil on board)

Modersohn-Becker, Paula (1876-1907)

The Vision at the Martyr's Well (oil on canvas)
The Vision at the Martyr's Well (oil on canvas)

CH402277: The Vision at the Martyr's Well (oil on canvas), Boughton, George Henry (1833-1905) / Bridgeman Images

ID: CH402277

The Vision at the Martyr's Well (oil on canvas)

Boughton, George Henry (1833-1905)

Radiation and Rotation, 1924 (oil on paper on card mount)
Radiation and Rotation, 1924 (oil on paper on card mount)

MFA404142: Radiation and Rotation, 1924 (oil on paper on card mount), Klee, Paul (1879-1940) / Bridgeman Images

ID: MFA404142

Radiation and Rotation, 1924 (oil on paper on card mount)

Klee, Paul (1879-1940)

Linear Construction No. 2, 1949 (plastic and nylon)
Linear Construction No. 2, 1949 (plastic and nylon)

MFA404190: Linear Construction No. 2, 1949 (plastic and nylon), Gabo, Naum (1890-1977) / Bridgeman Images

ID: MFA404190

Linear Construction No. 2, 1949 (plastic and nylon)

Gabo, Naum (1890-1977)


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