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The Large Trees at Jas de Bouffan, c.1885-87 (w/c on paper)
The Large Trees at Jas de Bouffan, c.1885-87 (w/c on paper)

NUM116751: The Large Trees at Jas de Bouffan, c.1885-87 (w/c on paper), Cezanne, Paul (1839-1906) / Bridgeman Images

The Basin of the Barre, Le Havre, 1895 (oil on panel)
The Basin of the Barre, Le Havre, 1895 (oil on panel)

NUM116789: The Basin of the Barre, Le Havre, 1895 (oil on panel), Boudin, Eugene Louis (1824-98) / Bridgeman Images

The Creuse, (oil on canvas)
The Creuse, (oil on canvas)

NUM115386: The Creuse, (oil on canvas), Guillaumin, Jean Baptiste Armand (1841-1927) / Bridgeman Images

The Banks of the Eure, 1920 (oil on canvas)
The Banks of the Eure, 1920 (oil on canvas)

NUM117898: The Banks of the Eure, 1920 (oil on canvas), Loiseau, Gustave (1865-1935) / Bridgeman Images

The Banks of the Eure (oil on canvas)
The Banks of the Eure (oil on canvas)

NUM117899: The Banks of the Eure (oil on canvas), Loiseau, Gustave (1865-1935) / Bridgeman Images

The Bastide du Vert, c.1909 (oil on canvas)
The Bastide du Vert, c.1909 (oil on canvas)

NUM118039: The Bastide du Vert, c.1909 (oil on canvas), Martin, Henri Jean Guillaume (1860-1943) / Bridgeman Images

Madame M. Castaing, c.1928 (oil on canvas)
Madame M. Castaing, c.1928 (oil on canvas)

NUM118046: Madame M. Castaing, c.1928 (oil on canvas), Soutine, Chaim (1894-1943) / Bridgeman Images

Portrait of a Dandy with a White Cravat, c.1815 (oil on canvas)
Portrait of a Dandy with a White Cravat, c.1815 (oil on canvas)

CJP108745: Portrait of a Dandy with a White Cravat, c.1815 (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

Reading the Declaration before Washington's Army, New York, July 9th, 1776, illustration from 'How the Declaration was Received in the Old Thirteen' by Charles D. Deshler, pub. in Harper's Magazine, 1892 (litho)
Reading the Declaration before Washington's Army, New York, July 9th, 1776, illustration from 'How the Declaration was Received in the Old Thirteen' by Charles D. Deshler, pub. in Harper's Magazine, 1892 (litho)

BAL108966: Reading the Declaration before Washington's Army, New York, July 9th, 1776, illustration from 'How the Declaration was Received in the Old Thirteen' by Charles D. Deshler, pub. in Harper's Magazine, 1892 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

Henry Hunt Esquire (1773-1835) 1816 (etching) (b&w photo)
Henry Hunt Esquire (1773-1835) 1816 (etching) (b&w photo)

XJF108996: Henry Hunt Esquire (1773-1835) 1816 (etching) (b&w photo), Cruikshank, George (1792-1878) / Bridgeman Images

A raft leaving the port of Guayaquil, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 9, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)
A raft leaving the port of Guayaquil, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 9, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)

STC109005: A raft leaving the port of Guayaquil, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 9, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

Ludgate Circus, London, prepared for the Queen's Jubilee, 1897 (b&w photo)
Ludgate Circus, London, prepared for the Queen's Jubilee, 1897 (b&w photo)

STC112429: Ludgate Circus, London, prepared for the Queen's Jubilee, 1897 (b&w photo), Martin, Paul (1864-1942) / Bridgeman Images

Bill Poster-man, London, 1894 (b&w photo)
Bill Poster-man, London, 1894 (b&w photo)

STC112440: Bill Poster-man, London, 1894 (b&w photo), Martin, Paul (1864-1942) / Bridgeman Images

Classical Garden, 1997 (oil on panel)
Classical Garden, 1997 (oil on panel)

LIZ112640: Classical Garden, 1997 (oil on panel), Riches, Lizzie (b.1950) / Bridgeman Images

On the Terrace, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)
On the Terrace, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)

PT112213: On the Terrace, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print), French School, (20th century) / Bridgeman Images

The March of Miles Standish, engraved by Armstrong & Co., 1873 (engraving) (b&w photo)
The March of Miles Standish, engraved by Armstrong & Co., 1873 (engraving) (b&w photo)

BAL111691: The March of Miles Standish, engraved by Armstrong & Co., 1873 (engraving) (b&w photo), Baker, Joseph, E. (fl.1857-67) (after) / Bridgeman Images

Petra in the Rosenhag, 1931 (w/c, crayon and pencil on paper)
Petra in the Rosenhag, 1931 (w/c, crayon and pencil on paper)

FAS110994: Petra in the Rosenhag, 1931 (w/c, crayon and pencil on paper), Jones, David Michael (1895-1974) / Bridgeman Images

Scene from the Upper Terrace of the Great Pagoda at Rangoon, to the South East, engraved by H. Pyall, pub. by Kingsbury & Co., 1826 (coloured aquatint)
Scene from the Upper Terrace of the Great Pagoda at Rangoon, to the South East, engraved by H. Pyall, pub. by Kingsbury & Co., 1826 (coloured aquatint)

BON111189: Scene from the Upper Terrace of the Great Pagoda at Rangoon, to the South East, engraved by H. Pyall, pub. by Kingsbury & Co., 1826 (coloured aquatint), Moore, Joseph (fl.1825) (after) / Bridgeman Images

After the Storm, 1980 (oil on canvas)
After the Storm, 1980 (oil on canvas)

RM112860: After the Storm, 1980 (oil on canvas), Chepik, Sergei (1953-2011) / Bridgeman Images

Magic Money, detail (oil on canvas)
Magic Money, detail (oil on canvas)

SEL112999: Magic Money, detail (oil on canvas), Seligman, Lincoln / Bridgeman Images

Two soldiers carrying an injured comrade in the trenches at Fort-de-Vaux, 1914-18 (b&w photo)
Two soldiers carrying an injured comrade in the trenches at Fort-de-Vaux, 1914-18 (b&w photo)

NUM114088: Two soldiers carrying an injured comrade in the trenches at Fort-de-Vaux, 1914-18 (b&w photo), Unknown photographer, (20th century) / Bridgeman Images

Lead Mining at Leadhills, the smelting of the lead (oil on canvas)
Lead Mining at Leadhills, the smelting of the lead (oil on canvas)

JHB114309: Lead Mining at Leadhills, the smelting of the lead (oil on canvas), Allan, David (1744-96) / Bridgeman Images

Portrait of Johan de Witt (1625-72), engraved by Edward Scriven (1775-1841)
Portrait of Johan de Witt (1625-72), engraved by Edward Scriven (1775-1841)

PML114367: Portrait of Johan de Witt (1625-72), engraved by Edward Scriven (1775-1841), Netscher, Caspar (1639-84) (after) / Bridgeman Images

The Continental Army Marching Down the Old Bowery, New York, 25th November 1783, illustration from 'The Evacuation, 1783' by Eugene Lawrence, pub. in Harper's Weekly, 24th November 1883 (litho)
The Continental Army Marching Down the Old Bowery, New York, 25th November 1783, illustration from 'The Evacuation, 1783' by Eugene Lawrence, pub. in Harper's Weekly, 24th November 1883 (litho)

BAL108087: The Continental Army Marching Down the Old Bowery, New York, 25th November 1783, illustration from 'The Evacuation, 1783' by Eugene Lawrence, pub. in Harper's Weekly, 24th November 1883 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

Alberich Shows how he can use the Magic Tarnhelm to change his Shape, Loge Feigns Fear: illustration for 'Das Rheingold' (linocut)
Alberich Shows how he can use the Magic Tarnhelm to change his Shape, Loge Feigns Fear: illustration for 'Das Rheingold' (linocut)

RFD108253: Alberich Shows how he can use the Magic Tarnhelm to change his Shape, Loge Feigns Fear: illustration for 'Das Rheingold' (linocut), Redford, Phil (b.1943) / Bridgeman Images

Sunburst, American quilt, 19th century (cotton patchwork)
Sunburst, American quilt, 19th century (cotton patchwork)

KSM108272: Sunburst, American quilt, 19th century (cotton patchwork) / Bridgeman Images

The Escape of the Young Pretender (engraving) (b&w photo)
The Escape of the Young Pretender (engraving) (b&w photo)

XJF107400: The Escape of the Young Pretender (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

Winter Landscape, 1920 (w/c on paper)
Winter Landscape, 1920 (w/c on paper)

LCN110385: Winter Landscape, 1920 (w/c on paper), Royle, Stanley (1888-1961) / Bridgeman Images

May (w/c on paper)
May (w/c on paper)

CBB110441: May (w/c on paper), Bradbury, Catherine / Bridgeman Images

Tortoiseshell Cat and Flowers, 1984 (w/c on paper)
Tortoiseshell Cat and Flowers, 1984 (w/c on paper)

BON110535: Tortoiseshell Cat and Flowers, 1984 (w/c on paper), Blackadder, Dame Elizabeth (1931-2021) / Bridgeman Images

Iron-Making with a General View of Rolling Iron (engraving) (b&w photo)
Iron-Making with a General View of Rolling Iron (engraving) (b&w photo)

XJF105859: Iron-Making with a General View of Rolling Iron (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

Portrait of a Young Man with a Ruby Stick-Pin, c.1835 (oil on canvas)
Portrait of a Young Man with a Ruby Stick-Pin, c.1835 (oil on canvas)

CJP107713: Portrait of a Young Man with a Ruby Stick-Pin, c.1835 (oil on canvas), Austrian School, (19th century) / Bridgeman Images

The Column of Marcus Aurelius, Rome (w/c on paper)
The Column of Marcus Aurelius, Rome (w/c on paper)

CJP107764: The Column of Marcus Aurelius, Rome (w/c on paper), Nicolle, Victor Jean (1754-1826) / Bridgeman Images

All Persons Are Forbidden, 1984 (oil on panel)
All Persons Are Forbidden, 1984 (oil on panel)

MAX103562: All Persons Are Forbidden, 1984 (oil on panel), Ferguson, Max (b.1959) / Bridgeman Images

The Landing of a French Auxiliary Army at Rhode Island in America, 11 July 1780 (engraving) (b&w photo)
The Landing of a French Auxiliary Army at Rhode Island in America, 11 July 1780 (engraving) (b&w photo)

XJF103762: The Landing of a French Auxiliary Army at Rhode Island in America, 11 July 1780 (engraving) (b&w photo), German School, (18th century) / Bridgeman Images

Portugese Flags, from a French book of Flags, c.1819 (colour litho)
Portugese Flags, from a French book of Flags, c.1819 (colour litho)

STC103825: Portugese Flags, from a French book of Flags, c.1819 (colour litho), French School, (19th century) / Bridgeman Images


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