1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

795312 Search Results

A corner of Dublin's Liberties. Engraving by H.Clerget, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.
A corner of Dublin's Liberties. Engraving by H.Clerget, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334856: A corner of Dublin's Liberties. Engraving by H.Clerget, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris., Clerget, Hubert (1818-1899) / Bridgeman Images

ID: LSE4334856

A corner of Dublin's Liberties. Engraving by H.Clerget, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

Clerget, Hubert (1818-1899)

Meet two griots, Captain Binger, sitting in the shade, enjoys the show. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Meet two griots, Captain Binger, sitting in the shade, enjoys the show. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335566: Meet two griots, Captain Binger, sitting in the shade, enjoys the show. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335566

Meet two griots, Captain Binger, sitting in the shade, enjoys the show. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Home Land / Patrie, 2014 (oil on canvas)
Home Land / Patrie, 2014 (oil on canvas)

ASM6364761: Home Land / Patrie, 2014 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

ID: ASM6364761

Home Land / Patrie, 2014 (oil on canvas)

Panetta, Santina Semadar

A Midwinter Birth, 2021, (digital collage)
A Midwinter Birth, 2021, (digital collage)

TSK6373322: A Midwinter Birth, 2021, (digital collage), Skogrand, Trygve / Bridgeman Images

ID: TSK6373322

A Midwinter Birth, 2021, (digital collage)

Skogrand, Trygve

Atmospheres - Tidal Island, 2018 (mixed media on paper)
Atmospheres - Tidal Island, 2018 (mixed media on paper)

NCG6382565: Atmospheres - Tidal Island, 2018 (mixed media on paper), Canning, Neil (b.1960) / Bridgeman Images

ID: NCG6382565

Atmospheres - Tidal Island, 2018 (mixed media on paper)

Canning, Neil (b.1960)

The Face of The Past
The Face of The Past

ASX6382572: The Face of The Past, Valetova, Nina / Bridgeman Images

ID: ASX6382572

The Face of The Past

Valetova, Nina

Atmospheres - Shine, 2018 (mixed media on paper)
Atmospheres - Shine, 2018 (mixed media on paper)

NCG6383125: Atmospheres - Shine, 2018 (mixed media on paper), Canning, Neil (b.1960) / Bridgeman Images

ID: NCG6383125

Atmospheres - Shine, 2018 (mixed media on paper)

Canning, Neil (b.1960)

Poppies and clouds,2020,(mixed media)
Poppies and clouds,2020,(mixed media)

ASV6376955: Poppies and clouds,2020,(mixed media), Makhov, Alexei / Bridgeman Images

ID: ASV6376955

Poppies and clouds,2020,(mixed media)

Makhov, Alexei

Indian Jewel, 2018 (acrylic on canvas)
Indian Jewel, 2018 (acrylic on canvas)

KNB6332275: Indian Jewel, 2018 (acrylic on canvas), Kenber, Angie / Bridgeman Images

ID: KNB6332275

Indian Jewel, 2018 (acrylic on canvas)

Kenber, Angie

Ruby and diamond ring (ruby, diamonds & gold)
Ruby and diamond ring (ruby, diamonds & gold)

CH6332454: Ruby and diamond ring (ruby, diamonds & gold), Chaumet (f.1780) / Bridgeman Images

ID: CH6332454

Ruby and diamond ring (ruby, diamonds & gold)

Chaumet (f.1780)

Sifting Through Life, 2014 (analogue double exposure photograph)
Sifting Through Life, 2014 (analogue double exposure photograph)

APX6317939: Sifting Through Life, 2014 (analogue double exposure photograph), Vrabie, Ioana / Bridgeman Images

ID: APX6317939

Sifting Through Life, 2014 (analogue double exposure photograph)

Vrabie, Ioana

Two Generals at War II, 2020 (digital)
Two Generals at War II, 2020 (digital)

APV6313665: Two Generals at War II, 2020 (digital), Osinachi / Bridgeman Images

ID: APV6313665

Two Generals at War II, 2020 (digital)

Osinachi

Garden Party, 2008 (acrylic on khadi paper)
Garden Party, 2008 (acrylic on khadi paper)

ARU6315018: Garden Party, 2008 (acrylic on khadi paper), Piperger, Justin / Bridgeman Images

ID: ARU6315018

Garden Party, 2008 (acrylic on khadi paper)

Piperger, Justin

Beach and Pine Forest, 2015 (gouache on paper and adobe photoshop)
Beach and Pine Forest, 2015 (gouache on paper and adobe photoshop)

AKK6308904: Beach and Pine Forest, 2015 (gouache on paper and adobe photoshop), Izutsu, Hiroyuki / Bridgeman Images

ID: AKK6308904

Beach and Pine Forest, 2015 (gouache on paper and adobe photoshop)

Izutsu, Hiroyuki

Window, 2020 (w/c on arches)
Window, 2020 (w/c on arches)

GDE6309492: Window, 2020 (w/c on arches), Dean, Graham (b.1951) / Bridgeman Images

ID: GDE6309492

Window, 2020 (w/c on arches)

Dean, Graham (b.1951)

We can only find intimacy with God in prayer if we approach him through the ‘door’ of humility and discover the vast universe within the soul, 2000 (oil on board)
We can only find intimacy with God in prayer if we approach him through the ‘door’ of humility and discover the vast universe within the soul, 2000 (oil on board)

WNG6333122: We can only find intimacy with God in prayer if we approach him through the ‘door’ of humility and discover the vast universe within the soul, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333122

We can only find intimacy with God in prayer if we approach him through the ‘door’ of humility and discover the vast universe within the soul, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

In Holy Communion we can simply lean on Christ’s heart in wordless gratitude and love, 2000 (oil on board)
In Holy Communion we can simply lean on Christ’s heart in wordless gratitude and love, 2000 (oil on board)

WNG6333133: In Holy Communion we can simply lean on Christ’s heart in wordless gratitude and love, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333133

In Holy Communion we can simply lean on Christ’s heart in wordless gratitude and love, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

United with Christ in prayer, we are raised up by His Spirit to the Father's embrace, 2000 (oil on board)
United with Christ in prayer, we are raised up by His Spirit to the Father's embrace, 2000 (oil on board)

WNG6333188: United with Christ in prayer, we are raised up by His Spirit to the Father's embrace, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333188

United with Christ in prayer, we are raised up by His Spirit to the Father's embrace, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

Christ is with His Church, during the Holy Sacrifice of the Mass, praying on our behalf, 2002 (w/c on paper)
Christ is with His Church, during the Holy Sacrifice of the Mass, praying on our behalf, 2002 (w/c on paper)

WNG6341183: Christ is with His Church, during the Holy Sacrifice of the Mass, praying on our behalf, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6341183

Christ is with His Church, during the Holy Sacrifice of the Mass, praying on our behalf, 2002 (w/c on paper)

Wang, Elizabeth (1942-2016)

Paris Lakililie (oil on panel)
Paris Lakililie (oil on panel)

ASI6344229: Paris Lakililie (oil on panel), Bevan-Bailey, Aaron / Bridgeman Images

ID: ASI6344229

Paris Lakililie (oil on panel)

Bevan-Bailey, Aaron

Mother (oil on ikea table top)
Mother (oil on ikea table top)

ASI6344232: Mother (oil on ikea table top), Bevan-Bailey, Aaron / Bridgeman Images

ID: ASI6344232

Mother (oil on ikea table top)

Bevan-Bailey, Aaron

Pacific Heights to the Bay, 2019, (oil on canvas)
Pacific Heights to the Bay, 2019, (oil on canvas)

ASL6353318: Pacific Heights to the Bay, 2019, (oil on canvas), Fox, Richard H. (b.1960) / Bridgeman Images

ID: ASL6353318

Pacific Heights to the Bay, 2019, (oil on canvas)

Fox, Richard H. (b.1960)

Esaltazione, 2016 (oil on canvas)
Esaltazione, 2016 (oil on canvas)

ASM6354200: Esaltazione, 2016 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

ID: ASM6354200

Esaltazione, 2016 (oil on canvas)

Panetta, Santina Semadar

Mon Jardin, 2015 (oil on canvas)
Mon Jardin, 2015 (oil on canvas)

ASM6354611: Mon Jardin, 2015 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

ID: ASM6354611

Mon Jardin, 2015 (oil on canvas)

Panetta, Santina Semadar

Venus, 2014 (oil on canvas)
Venus, 2014 (oil on canvas)

ASM6355982: Venus, 2014 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

ID: ASM6355982

Venus, 2014 (oil on canvas)

Panetta, Santina Semadar

Flowing Streams, 2012 (oil on canvas)
Flowing Streams, 2012 (oil on canvas)

ASM6355986: Flowing Streams, 2012 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

ID: ASM6355986

Flowing Streams, 2012 (oil on canvas)

Panetta, Santina Semadar

The angels rejoice at Jesus's Ascension as He returns to the Father in Glory, 2000 (oil on board)
The angels rejoice at Jesus's Ascension as He returns to the Father in Glory, 2000 (oil on board)

WNG6335790: The angels rejoice at Jesus's Ascension as He returns to the Father in Glory, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335790

The angels rejoice at Jesus's Ascension as He returns to the Father in Glory, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

For love of us, Christ gave Himself up for us, to pay our debt, 2001 (oil on board)
For love of us, Christ gave Himself up for us, to pay our debt, 2001 (oil on board)

WNG6335407: For love of us, Christ gave Himself up for us, to pay our debt, 2001 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6335407

For love of us, Christ gave Himself up for us, to pay our debt, 2001 (oil on board)

Wang, Elizabeth (1942-2016)

God 'saw that it was good'. Nothing in creation lies 'outside' the love of God, Father, Son and Holy Spirit. In all our travels, and travails, we are in His loving care, 2003 (w/c on paper)
God 'saw that it was good'. Nothing in creation lies 'outside' the love of God, Father, Son and Holy Spirit. In all our travels, and travails, we are in His loving care, 2003 (w/c on paper)

WNG6344844: God 'saw that it was good'. Nothing in creation lies 'outside' the love of God, Father, Son and Holy Spirit. In all our travels, and travails, we are in His loving care, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6344844

God 'saw that it was good'. Nothing in creation lies 'outside' the love of God, Father, Son and Holy Spirit. In all our travels, and travails, we are in His loving care, 2003 (w/c on paper)

Wang, Elizabeth (1942-2016)

Dreams of the Past, 2013 (acrylics on canvas panel)
Dreams of the Past, 2013 (acrylics on canvas panel)

ASX6384893: Dreams of the Past, 2013 (acrylics on canvas panel), Valetova, Nina / Bridgeman Images

ID: ASX6384893

Dreams of the Past, 2013 (acrylics on canvas panel)

Valetova, Nina

Up and Down and All Around, 2019 (acrylic on canvas)
Up and Down and All Around, 2019 (acrylic on canvas)

ATC6387994: Up and Down and All Around, 2019 (acrylic on canvas), Bridgwater, Faye / Bridgeman Images

ID: ATC6387994

Up and Down and All Around, 2019 (acrylic on canvas)

Bridgwater, Faye

Oh Those Cliffs, 2018 (acrylic on canvas)
Oh Those Cliffs, 2018 (acrylic on canvas)

ATC6388001: Oh Those Cliffs, 2018 (acrylic on canvas), Bridgwater, Faye / Bridgeman Images

ID: ATC6388001

Oh Those Cliffs, 2018 (acrylic on canvas)

Bridgwater, Faye

Women living in placers, mineral deposits. Engraving by Barbant to illustrate the story “” chez nos indiens, quatre annees de voyage dans la Guiane francaise”, 1887-1891, by Henri Coudreau (1859-1899), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Women living in placers, mineral deposits. Engraving by Barbant to illustrate the story “” chez nos indiens, quatre annees de voyage dans la Guiane francaise”, 1887-1891, by Henri Coudreau (1859-1899), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335740: Women living in placers, mineral deposits. Engraving by Barbant to illustrate the story “” chez nos indiens, quatre annees de voyage dans la Guiane francaise”, 1887-1891, by Henri Coudreau (1859-1899), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Barbant, Charles (d.1922) / Bridgeman Images

ID: LSE4335740

Women living in placers, mineral deposits. Engraving by Barbant to illustrate the story “” chez nos indiens, quatre annees de voyage dans la Guiane francaise”, 1887-1891, by Henri Coudreau (1859-1899), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Barbant, Charles (d.1922)

Bradamante tears Brunel her enchanting ring, thanks to which she detrays the power of Atlante and delivre Roger (Ruggero, Ruggiero), scene of the knight poem of “Orlando Furioso” (The Furious Roland) by Ludovico Ariosto (1474 - 1533) dit L'Arioste, Chant IV
Bradamante tears Brunel her enchanting ring, thanks to which she detrays the power of Atlante and delivre Roger (Ruggero, Ruggiero), scene of the knight poem of “Orlando Furioso” (The Furious Roland) by Ludovico Ariosto (1474 - 1533) dit L'Arioste, Chant IV

GIA4731587: Bradamante tears Brunel her enchanting ring, thanks to which she detrays the power of Atlante and delivre Roger (Ruggero, Ruggiero), scene of the knight poem of “Orlando Furioso” (The Furious Roland) by Ludovico Ariosto (1474 - 1533) dit L'Arioste, Chant IV, Italian School / Bridgeman Images

ID: GIA4731587

Bradamante tears Brunel her enchanting ring, thanks to which she detrays the power of Atlante and delivre Roger (Ruggero, Ruggiero), scene of the knight poem of “Orlando Furioso” (The Furious Roland) by Ludovico Ariosto (1474 - 1533) dit L'Arioste, Chant IV

Italian School

Botanical board representing the pera campana. 1820 - 1822.
Botanical board representing the pera campana. 1820 - 1822.

GIA4732330: Botanical board representing the pera campana. 1820 - 1822., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4732330

Botanical board representing the pera campana. 1820 - 1822.

Unknown Artist, (19th century)

Siecle des Lumieres: allegory of Reason and Knowledge in the form of a young woman holding a coat of arms “” discover and teach”””. It is surrounded by little Amours using the tools and instruments of Science (compas, binoculars, world map). Coloree engraving of the 19th century
Siecle des Lumieres: allegory of Reason and Knowledge in the form of a young woman holding a coat of arms “” discover and teach”””. It is surrounded by little Amours using the tools and instruments of Science (compas, binoculars, world map). Coloree engraving of the 19th century

GIA4787211: Siecle des Lumieres: allegory of Reason and Knowledge in the form of a young woman holding a coat of arms “” discover and teach”””. It is surrounded by little Amours using the tools and instruments of Science (compas, binoculars, world map). Coloree engraving of the 19th century, French School, (19th century) / Bridgeman Images

ID: GIA4787211

Siecle des Lumieres: allegory of Reason and Knowledge in the form of a young woman holding a coat of arms “” discover and teach”””. It is surrounded by little Amours using the tools and instruments of Science (compas, binoculars, world map). Coloree engraving of the 19th century

French School, (19th century)


Back to top