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Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658181: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658185: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

Turned Carrots and Turnips for Soups and Garnish (engraving)
Turned Carrots and Turnips for Soups and Garnish (engraving)

LLM3658197: Turned Carrots and Turnips for Soups and Garnish (engraving), English School, (19th century) / Bridgeman Images

Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658208: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)
Illustration for Gentlemen Prefer Blondes by Anita Loos (litho)

LLM3658214: Illustration for Gentlemen Prefer Blondes by Anita Loos (litho), Barton, Ralph (1891-1931) / Bridgeman Images

On entering Sandow's School; Ten months after (b/w photo)
On entering Sandow's School; Ten months after (b/w photo)

LLM3658218: On entering Sandow's School; Ten months after (b/w photo), English Photographer, (19th century) / Bridgeman Images

The Commercial Nose Denotes Shrewdness (colour litho)
The Commercial Nose Denotes Shrewdness (colour litho)

LLM3658244: The Commercial Nose Denotes Shrewdness (colour litho), English School, (20th century) / Bridgeman Images

The Artistic Nose Denotes Refinement (colour litho)
The Artistic Nose Denotes Refinement (colour litho)

LLM3658246: The Artistic Nose Denotes Refinement (colour litho), English School, (20th century) / Bridgeman Images

The Aggressive Nose Denotes Force of Character (colour litho)
The Aggressive Nose Denotes Force of Character (colour litho)

LLM3658168: The Aggressive Nose Denotes Force of Character (colour litho), English School, (20th century) / Bridgeman Images

The Artistic Nose Denotes Refinement (colour litho)
The Artistic Nose Denotes Refinement (colour litho)

LLM3658173: The Artistic Nose Denotes Refinement (colour litho), English School, (20th century) / Bridgeman Images

Salter Brothers, Boat Builders, Oxford (litho)
Salter Brothers, Boat Builders, Oxford (litho)

LLR3657299: Salter Brothers, Boat Builders, Oxford (litho), English School, (20th century) / Bridgeman Images

Salter Brothers, Boat Builders, Oxford (litho)
Salter Brothers, Boat Builders, Oxford (litho)

LLR3657303: Salter Brothers, Boat Builders, Oxford (litho), English School, (20th century) / Bridgeman Images

The Love Song, 1896 (etching on paper)
The Love Song, 1896 (etching on paper)

HTL3725986: The Love Song, 1896 (etching on paper), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Venus Sending Cupid to Psyche, 1866 (woodcut)
Venus Sending Cupid to Psyche, 1866 (woodcut)

HTL3725989: Venus Sending Cupid to Psyche, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

The Oracle, 1866 (woodcut)
The Oracle, 1866 (woodcut)

HTL3725991: The Oracle, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Psyche Expecting Cupid, 1866 (woodcut)
Psyche Expecting Cupid, 1866 (woodcut)

HTL3725998: Psyche Expecting Cupid, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Comes to the First Sister, 1866 (woodcut)
Comes to the First Sister, 1866 (woodcut)

HTL3726003: Comes to the First Sister, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

The Task of the Reeds, 1866 (woodcut)
The Task of the Reeds, 1866 (woodcut)

HTL3726011: The Task of the Reeds, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

The Black Water, 1866 (woodcut)
The Black Water, 1866 (woodcut)

HTL3726012: The Black Water, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

The Head Rising Up, 1866 (woodcut)
The Head Rising Up, 1866 (woodcut)

HTL3726018: The Head Rising Up, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Cerberus, 1866 (woodcut)
Cerberus, 1866 (woodcut)

HTL3726019: Cerberus, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Entry among the Gods, 1866 (woodcut)
Entry among the Gods, 1866 (woodcut)

HTL3726021: Entry among the Gods, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Entry among the Gods, 1866 (woodcut)
Entry among the Gods, 1866 (woodcut)

HTL3726022: Entry among the Gods, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Psyche Looking into Cupboard, 1866 (woodcut)
Psyche Looking into Cupboard, 1866 (woodcut)

HTL3726026: Psyche Looking into Cupboard, 1866 (woodcut), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Mirror of Venus, 1896 (etching printed on vellum)
Mirror of Venus, 1896 (etching printed on vellum)

HTL3726028: Mirror of Venus, 1896 (etching printed on vellum), Burne-Jones, Edward Coley (1833-98) (after) / Bridgeman Images

Zdeňka Černý, the greatest Bohemian violoncellist, 1913 (colour litho)
Zdeňka Černý, the greatest Bohemian violoncellist, 1913 (colour litho)

XOS3702789: Zdeňka Černý, the greatest Bohemian violoncellist, 1913 (colour litho), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

The City of New York (detail), 1883 (colour lithograph)
The City of New York (detail), 1883 (colour lithograph)

XOS3710005: The City of New York (detail), 1883 (colour lithograph) , Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

The City of New York (detail), 1883 (colour lithograph)
The City of New York (detail), 1883 (colour lithograph)

XOS3710006: The City of New York (detail), 1883 (colour lithograph) , Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

Grand national Whig banner, c.1848 (colour lithograph)
Grand national Whig banner, c.1848 (colour lithograph)

XOS3710022: Grand national Whig banner, c.1848 (colour lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

The
The

XOS3710029: The "secession movement", 1861 (lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

Washington and Lincoln. The father and the saviour of our country, c.1865 (colour lithograph)
Washington and Lincoln. The father and the saviour of our country, c.1865 (colour lithograph)

XOS3710031: Washington and Lincoln. The father and the saviour of our country, c.1865 (colour lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

Eric XIV, 1533-1577, King of Sweden, from Ward and Lock's Illustrated History of the World, pub. c.1882
Eric XIV, 1533-1577, King of Sweden, from Ward and Lock's Illustrated History of the World, pub. c.1882

KWE3714011: Eric XIV, 1533-1577, King of Sweden, from Ward and Lock's Illustrated History of the World, pub. c.1882, English School, (19th century) / Bridgeman Images

The market place at Bruges, Belgium in the 16th century, from Ward and Lock's Illustrated History of the World, pub. c.1882
The market place at Bruges, Belgium in the 16th century, from Ward and Lock's Illustrated History of the World, pub. c.1882

KWE3714024: The market place at Bruges, Belgium in the 16th century, from Ward and Lock's Illustrated History of the World, pub. c.1882, English School, (19th century) / Bridgeman Images

Jeanne d'Albret, left, and her mother Marguerite de Navarre, right, from Ward and Lock's Illustrated History of the World, pub. c.1882
Jeanne d'Albret, left, and her mother Marguerite de Navarre, right, from Ward and Lock's Illustrated History of the World, pub. c.1882

KWE3714030: Jeanne d'Albret, left, and her mother Marguerite de Navarre, right, from Ward and Lock's Illustrated History of the World, pub. c.1882, English School, (19th century) / Bridgeman Images

Marie de' Medici, from Ward and Lock's Illustrated History of the World, published c.1882.
Marie de' Medici, from Ward and Lock's Illustrated History of the World, published c.1882.

KWE3714033: Marie de' Medici, from Ward and Lock's Illustrated History of the World, published c.1882., English School, (19th century) / Bridgeman Images

Miguel de Cervantes Saavedra, from Ward and Lock's Illustrated History of the World, pub. c.1882
Miguel de Cervantes Saavedra, from Ward and Lock's Illustrated History of the World, pub. c.1882

KWE3714036: Miguel de Cervantes Saavedra, from Ward and Lock's Illustrated History of the World, pub. c.1882, English School, (19th century) / Bridgeman Images


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