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Alice in Wonderland by Lewis Carroll (E. Dodgson). Illustration of the first edition by Tenniel, 1871.
Alice in Wonderland by Lewis Carroll (E. Dodgson). Illustration of the first edition by Tenniel, 1871.

GIA4761922: Alice in Wonderland by Lewis Carroll (E. Dodgson). Illustration of the first edition by Tenniel, 1871., Tenniel, John (1820-1914) / Bridgeman Images

Drinks: a crowd in adoration in front of a bottle of wine and the different types of drinks in Brillat - Savarin illustrated by Bertall. Paris 1840.Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) French gastronome.
Drinks: a crowd in adoration in front of a bottle of wine and the different types of drinks in Brillat - Savarin illustrated by Bertall. Paris 1840.Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) French gastronome.

GIA4762075: Drinks: a crowd in adoration in front of a bottle of wine and the different types of drinks in Brillat - Savarin illustrated by Bertall. Paris 1840.Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) French gastronome., Bertall (Charles Albert d'Arnoux) (1820-82) / Bridgeman Images

Arrival of food so that the members of the Council of Constance (1417) during which Pope Martin V was elected could eat. “Das Concilium”, 1490
Arrival of food so that the members of the Council of Constance (1417) during which Pope Martin V was elected could eat. “Das Concilium”, 1490

GIA4762084: Arrival of food so that the members of the Council of Constance (1417) during which Pope Martin V was elected could eat. “Das Concilium”, 1490, Unknown Artist, (15th century) / Bridgeman Images

Eighty five performances of the Japanese Buddha Amida Bosatsu. Painting on canvas of the 17th century.
Eighty five performances of the Japanese Buddha Amida Bosatsu. Painting on canvas of the 17th century.

GIA4762242: Eighty five performances of the Japanese Buddha Amida Bosatsu. Painting on canvas of the 17th century., Japanese School, (17th century) / Bridgeman Images

Reconstruction of the Greek Theatre of Bachus in Athens. - in “” Le costume ancien et moderne””” by Ferrario, ed. Milan, 1819-20.
Reconstruction of the Greek Theatre of Bachus in Athens. - in “” Le costume ancien et moderne””” by Ferrario, ed. Milan, 1819-20.

GIA4743221: Reconstruction of the Greek Theatre of Bachus in Athens. - in “” Le costume ancien et moderne””” by Ferrario, ed. Milan, 1819-20., Unknown Artist, (19th century) / Bridgeman Images

Partial view of Venice. Xylography of Jacopo de Barbarj in 1500 executed on the commission of the commissionaire Antonio Kolb of Nuremberg.
Partial view of Venice. Xylography of Jacopo de Barbarj in 1500 executed on the commission of the commissionaire Antonio Kolb of Nuremberg.

GIA4743285: Partial view of Venice. Xylography of Jacopo de Barbarj in 1500 executed on the commission of the commissionaire Antonio Kolb of Nuremberg., Barbari, Jacopo de' (1440/50-a.1515) / Bridgeman Images

Palestine and Egypt after the Atlas of Abraham Ortelius, Amsterdam, 1588.
Palestine and Egypt after the Atlas of Abraham Ortelius, Amsterdam, 1588.

GIA4743416: Palestine and Egypt after the Atlas of Abraham Ortelius, Amsterdam, 1588., Ortelius, Abraham (1527-98) / Bridgeman Images

Cover of the book for Russolo's Futurist concert
Cover of the book for Russolo's Futurist concert

GIA4743576: Cover of the book for Russolo's Futurist concert"" L'arte dei Rumori"" designed by Umberto Boccioni. Private Collection Milan, Boccioni, Umberto (1882-1916) / Bridgeman Images

A shoemaker, engraving by Carle Vernet.
A shoemaker, engraving by Carle Vernet.

GIA4743646: A shoemaker, engraving by Carle Vernet., Vernet, Carle (1758-1836) (after) / Bridgeman Images

Portrait of Louis IX or Saint Louis (1214 - 1270).
Portrait of Louis IX or Saint Louis (1214 - 1270).

GIA4743756: Portrait of Louis IX or Saint Louis (1214 - 1270)., Unknown Artist, (19th century) / Bridgeman Images

Le Cancer - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489
Le Cancer - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489

GIA4743958: Le Cancer - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489, German School, (15th century) / Bridgeman Images

Le Aquarius - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489
Le Aquarius - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489

GIA4744015: Le Aquarius - in Treatise by Johannes Angeli De Magnisconnectionibue annorum revolutionibus ac eorum pefectionibus. Augsburg, Erhard Ratdolt, 1489, German School, (15th century) / Bridgeman Images

“Woman's tears, fountain of malice. Watch a woman crying.” 18th century engraving illustrating a series of proverbs.
“Woman's tears, fountain of malice. Watch a woman crying.” 18th century engraving illustrating a series of proverbs.

GIA4786411: “Woman's tears, fountain of malice. Watch a woman crying.” 18th century engraving illustrating a series of proverbs., Unknown artist, (18th century) / Bridgeman Images

The saying: “” He who does not consume, does not renew himself”” Illustration from a collection of proverbs from the 18th century
The saying: “” He who does not consume, does not renew himself”” Illustration from a collection of proverbs from the 18th century

GIA4786441: The saying: “” He who does not consume, does not renew himself”” Illustration from a collection of proverbs from the 18th century, Unknown artist, (18th century) / Bridgeman Images

Alcide in “” Alceste (or Le Triomphe d'Alcide)”” opera by Jean Baptiste Lully (Giovanni Battista Lulli) (1632-1687) in 1674.
Alcide in “” Alceste (or Le Triomphe d'Alcide)”” opera by Jean Baptiste Lully (Giovanni Battista Lulli) (1632-1687) in 1674.

GIA4786569: Alcide in “” Alceste (or Le Triomphe d'Alcide)”” opera by Jean Baptiste Lully (Giovanni Battista Lulli) (1632-1687) in 1674., Unknown Artist, (19th century) / Bridgeman Images

Illustration for “” La Maratre””, drama in five acts and eight paintings written by Honore de Balzac.
Illustration for “” La Maratre””, drama in five acts and eight paintings written by Honore de Balzac.

GIA4786644: Illustration for “” La Maratre””, drama in five acts and eight paintings written by Honore de Balzac., French School, (19th century) / Bridgeman Images

Portrait of Philipp Aureolus Theophrast Bombast von Hohenheim Paracelsus, (Paracelsus Aracelsus) Swiss philosopher, alchemist and physician (1493 to 1541). Engraving of the 18th century.
Portrait of Philipp Aureolus Theophrast Bombast von Hohenheim Paracelsus, (Paracelsus Aracelsus) Swiss philosopher, alchemist and physician (1493 to 1541). Engraving of the 18th century.

GIA4768149: Portrait of Philipp Aureolus Theophrast Bombast von Hohenheim Paracelsus, (Paracelsus Aracelsus) Swiss philosopher, alchemist and physician (1493 to 1541). Engraving of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Portrait of Wolfang Amadeus Mozart (1756 - 1791).
Portrait of Wolfang Amadeus Mozart (1756 - 1791).

GIA4768245: Portrait of Wolfang Amadeus Mozart (1756 - 1791)., Unknown Artist, (19th century) / Bridgeman Images

Philosopher Jean Jacques Rousseau (1712-1778) and his friend Louise d'Epinay (1726-1783), french saloniste and writer in the cottage named the Hermitage she furnished for him in 1756 in the valley of Montmorency. 19th century (engraving)
Philosopher Jean Jacques Rousseau (1712-1778) and his friend Louise d'Epinay (1726-1783), french saloniste and writer in the cottage named the Hermitage she furnished for him in 1756 in the valley of Montmorency. 19th century (engraving)

ELD4905856: Philosopher Jean Jacques Rousseau (1712-1778) and his friend Louise d'Epinay (1726-1783), french saloniste and writer in the cottage named the Hermitage she furnished for him in 1756 in the valley of Montmorency. 19th century (engraving) / Bridgeman Images

Collection of the seaweed, Brittany. 19th century (chromolithograph)
Collection of the seaweed, Brittany. 19th century (chromolithograph)

ELD4906088: Collection of the seaweed, Brittany. 19th century (chromolithograph) / Bridgeman Images

Old dealers: coal makers, coal seller and charcoal manufacturer (coal cutters and charcoal sellers). 19th century (chromolithograph)
Old dealers: coal makers, coal seller and charcoal manufacturer (coal cutters and charcoal sellers). 19th century (chromolithograph)

ELD4906144: Old dealers: coal makers, coal seller and charcoal manufacturer (coal cutters and charcoal sellers). 19th century (chromolithograph) / Bridgeman Images

View of the London Stone (London Stone) stone found at Cannon Street. 19th century, (engraving).
View of the London Stone (London Stone) stone found at Cannon Street. 19th century, (engraving).

ELD4902666: View of the London Stone (London Stone) stone found at Cannon Street. 19th century, (engraving). / Bridgeman Images

Ruth working in the field of Boaz (Booz) (Ruth and Boaz). 19th century (engraving)
Ruth working in the field of Boaz (Booz) (Ruth and Boaz). 19th century (engraving)

ELD4902860: Ruth working in the field of Boaz (Booz) (Ruth and Boaz). 19th century (engraving) / Bridgeman Images

Portrait of Roman Emperor Augustus (Caius Julius Caesar Octavianus Augustus) (63 BC-14 AD) and his wife Livie (55 BC- 29 AD) (Livia Drusilla Augusta). 19th century (chromolithograph)
Portrait of Roman Emperor Augustus (Caius Julius Caesar Octavianus Augustus) (63 BC-14 AD) and his wife Livie (55 BC- 29 AD) (Livia Drusilla Augusta). 19th century (chromolithograph)

ELD4902961: Portrait of Roman Emperor Augustus (Caius Julius Caesar Octavianus Augustus) (63 BC-14 AD) and his wife Livie (55 BC- 29 AD) (Livia Drusilla Augusta). 19th century (chromolithograph) / Bridgeman Images

Portrait of Thibaut I of Navarre (Thibaut of Champagne) (1201-1253) and the White Queen of Castile (1188-1252). 19th century (chromolithograph)
Portrait of Thibaut I of Navarre (Thibaut of Champagne) (1201-1253) and the White Queen of Castile (1188-1252). 19th century (chromolithograph)

ELD4902999: Portrait of Thibaut I of Navarre (Thibaut of Champagne) (1201-1253) and the White Queen of Castile (1188-1252). 19th century (chromolithograph) / Bridgeman Images

The trial of William Russell (1639-1683) English politician of the Whig party, 1683. 19th century (engraving)
The trial of William Russell (1639-1683) English politician of the Whig party, 1683. 19th century (engraving)

ELD4904813: The trial of William Russell (1639-1683) English politician of the Whig party, 1683. 19th century (engraving) / Bridgeman Images

Portrait of the French Woman of Letters Madeleine de Scudery (1607-1701). 19th century (engraving)
Portrait of the French Woman of Letters Madeleine de Scudery (1607-1701). 19th century (engraving)

ELD4905050: Portrait of the French Woman of Letters Madeleine de Scudery (1607-1701). 19th century (engraving) / Bridgeman Images

Human body: description of venous and arterial systems. 19th century, (engraving).
Human body: description of venous and arterial systems. 19th century, (engraving).

ELD4905481: Human body: description of venous and arterial systems. 19th century, (engraving). / Bridgeman Images

Affair of the Poisons: Marie-Madeleine-Marguerite d'Auinvay, Marquise de Brilliers (1630-1676) arrested by a policeman pretending to be a priest, in a convent near Liege, 25th march 1676. 19th century (engraving)
Affair of the Poisons: Marie-Madeleine-Marguerite d'Auinvay, Marquise de Brilliers (1630-1676) arrested by a policeman pretending to be a priest, in a convent near Liege, 25th march 1676. 19th century (engraving)

ELD4905701: Affair of the Poisons: Marie-Madeleine-Marguerite d'Auinvay, Marquise de Brilliers (1630-1676) arrested by a policeman pretending to be a priest, in a convent near Liege, 25th march 1676. 19th century (engraving) / Bridgeman Images

Peacock Yellow, 2019 (mixed media digital)
Peacock Yellow, 2019 (mixed media digital)

ACN5667173: Peacock Yellow, 2019 (mixed media digital), Newton, David / Bridgeman Images

Entrance courtyard of Imperiale Imperial Imprimerie then settled in the hotel de Rohan - (engraving) 1864
Entrance courtyard of Imperiale Imperial Imprimerie then settled in the hotel de Rohan - (engraving) 1864

ELD5620176: Entrance courtyard of Imperiale Imperial Imprimerie then settled in the hotel de Rohan - (engraving) 1864, French School, (19th century) / Bridgeman Images

The farewell of Hector and Andromaque (engraving) 1864
The farewell of Hector and Andromaque (engraving) 1864

ELD5620181: The farewell of Hector and Andromaque (engraving) 1864, French School, (19th century) / Bridgeman Images

The Roman General Caius Marius says the sage (157-86 BC) on the island of Carthage. 1864 (engraving from Decembre-Allonier's “Dictionary of History and Geography”))
The Roman General Caius Marius says the sage (157-86 BC) on the island of Carthage. 1864 (engraving from Decembre-Allonier's “Dictionary of History and Geography”))

ELD5620194: The Roman General Caius Marius says the sage (157-86 BC) on the island of Carthage. 1864 (engraving from Decembre-Allonier's “Dictionary of History and Geography”)) / Bridgeman Images

Map of the territory of Verona (Veneto, Italy), 1717 (etching)
Map of the territory of Verona (Veneto, Italy), 1717 (etching)

LRI5621881: Map of the territory of Verona (Veneto, Italy), 1717 (etching), Nolin, Jean-Baptiste (c.1657-1708) / Bridgeman Images

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632864: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph) / Bridgeman Images

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632884: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph) / Bridgeman Images


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