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Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini
Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962517: Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

The foundation of Constantinople by Emperor Constantine the great (engraving)
The foundation of Constantinople by Emperor Constantine the great (engraving)

ELD4962602: The foundation of Constantinople by Emperor Constantine the great (engraving) / Bridgeman Images

Portrait of the eight children of Louis-Philippe d'Orleans (1773-1850) and Marie-Amelie de Bourbon-Sicilies: Ferdinand-Philippe, Louise, Marie, Louis, Clementine, Francois, Charles, Henri and Antoine circa 1836-1837 (Portrait of the eight sons of Louis Philippe I with his wife Maria Amalia of Naples and Sicily) political and  by Louis-Philippe”” by Alexandre Dumas, 1852
Portrait of the eight children of Louis-Philippe d'Orleans (1773-1850) and Marie-Amelie de Bourbon-Sicilies: Ferdinand-Philippe, Louise, Marie, Louis, Clementine, Francois, Charles, Henri and Antoine circa 1836-1837 (Portrait of the eight sons of Louis Philippe I with his wife Maria Amalia of Naples and Sicily) political and  by Louis-Philippe”” by Alexandre Dumas, 1852

ELD4963958: Portrait of the eight children of Louis-Philippe d'Orleans (1773-1850) and Marie-Amelie de Bourbon-Sicilies: Ferdinand-Philippe, Louise, Marie, Louis, Clementine, Francois, Charles, Henri and Antoine circa 1836-1837 (Portrait of the eight sons of Louis Philippe I with his wife Maria Amalia of Naples and Sicily) political and by Louis-Philippe”” by Alexandre Dumas, 1852 / Bridgeman Images

Portrait of Napoleon I (1769-1821). Late 19th century (chromolithograph)
Portrait of Napoleon I (1769-1821). Late 19th century (chromolithograph)

ELD4964343: Portrait of Napoleon I (1769-1821). Late 19th century (chromolithograph) / Bridgeman Images

French possessions and colonies: french Asia, protectorate of Cambodia. End of the 19th century (chromolithograph)
French possessions and colonies: french Asia, protectorate of Cambodia. End of the 19th century (chromolithograph)

ELD4964702: French possessions and colonies: french Asia, protectorate of Cambodia. End of the 19th century (chromolithograph) / Bridgeman Images

French possessions and colonies: french east Africa, Madagascar island. End of the 19th century (chromolithograph)
French possessions and colonies: french east Africa, Madagascar island. End of the 19th century (chromolithograph)

ELD4964736: French possessions and colonies: french east Africa, Madagascar island. End of the 19th century (chromolithograph) / Bridgeman Images

Portrait of Henry IV (1553-1610) King of France at the Chateau de Pau (Portrait of king Henry IV of France in castle of Pau) Chromolithograph of the end of the 19th century
Portrait of Henry IV (1553-1610) King of France at the Chateau de Pau (Portrait of king Henry IV of France in castle of Pau) Chromolithograph of the end of the 19th century

ELD4964795: Portrait of Henry IV (1553-1610) King of France at the Chateau de Pau (Portrait of king Henry IV of France in castle of Pau) Chromolithograph of the end of the 19th century / Bridgeman Images

Portrait of Henry III (1551-1589) at the castle of Blois in the Loir et Cher where he had the Duke of Guise murdered in 1588. End of the 19th century (chromolithograph)
Portrait of Henry III (1551-1589) at the castle of Blois in the Loir et Cher where he had the Duke of Guise murdered in 1588. End of the 19th century (chromolithograph)

ELD4964849: Portrait of Henry III (1551-1589) at the castle of Blois in the Loir et Cher where he had the Duke of Guise murdered in 1588. End of the 19th century (chromolithograph) / Bridgeman Images

French possessions and colonies: french colony in north of Africa, Tunisia. End of the 19th century (chromolithograph)
French possessions and colonies: french colony in north of Africa, Tunisia. End of the 19th century (chromolithograph)

ELD4964954: French possessions and colonies: french colony in north of Africa, Tunisia. End of the 19th century (chromolithograph) / Bridgeman Images

French colonial empire: colonies de l'ocean indien, l'archipelago des comores (French possessions and colonies: french east africa, comoros) Chromolithograph of the late 19th century
French colonial empire: colonies de l'ocean indien, l'archipelago des comores (French possessions and colonies: french east africa, comoros) Chromolithograph of the late 19th century

ELD4964962: French colonial empire: colonies de l'ocean indien, l'archipelago des comores (French possessions and colonies: french east africa, comoros) Chromolithograph of the late 19th century / Bridgeman Images

Portrait of Anne of Austria (1601-1666) and the Castle of Saint Germain en Laye, Yvelines. 19th century (chromolithograph)
Portrait of Anne of Austria (1601-1666) and the Castle of Saint Germain en Laye, Yvelines. 19th century (chromolithograph)

ELD4965013: Portrait of Anne of Austria (1601-1666) and the Castle of Saint Germain en Laye, Yvelines. 19th century (chromolithograph) / Bridgeman Images

Portrait of Colonel Jean Cavalier (1681-1740) famous chief of the Camisards, Huguenots of the rugged and isolated Cevennes region. 19th century (engraving from “Crimes celebres” by Alexandre Dumas)
Portrait of Colonel Jean Cavalier (1681-1740) famous chief of the Camisards, Huguenots of the rugged and isolated Cevennes region. 19th century (engraving from “Crimes celebres” by Alexandre Dumas)

ELD4966040: Portrait of Colonel Jean Cavalier (1681-1740) famous chief of the Camisards, Huguenots of the rugged and isolated Cevennes region. 19th century (engraving from “Crimes celebres” by Alexandre Dumas) / Bridgeman Images

Luxury tourism: boarding passengers on a cruise on the Austrian company Lloyd in the port of Suez, Egypt. End of the 19th century (chromolithograph).
Luxury tourism: boarding passengers on a cruise on the Austrian company Lloyd in the port of Suez, Egypt. End of the 19th century (chromolithograph).

ELD4844317: Luxury tourism: boarding passengers on a cruise on the Austrian company Lloyd in the port of Suez, Egypt. End of the 19th century (chromolithograph). / Bridgeman Images

Luxury tourism: Western tourists visiting rich families of Kolkata, India. Late 19th century (chromolithograph).
Luxury tourism: Western tourists visiting rich families of Kolkata, India. Late 19th century (chromolithograph).

ELD4844578: Luxury tourism: Western tourists visiting rich families of Kolkata, India. Late 19th century (chromolithograph). / Bridgeman Images

Representation of the legendary Greek poet Arion by Methymne, dolphin charmer by his cithare. 19th century (chromolithograph)
Representation of the legendary Greek poet Arion by Methymne, dolphin charmer by his cithare. 19th century (chromolithograph)

ELD4844901: Representation of the legendary Greek poet Arion by Methymne, dolphin charmer by his cithare. 19th century (chromolithograph) / Bridgeman Images

Saint Vincent de Paul (1581-1660) in front of the deathbed of King Louis XIII of France in 1643. End of the 19th century (chromolithograph)
Saint Vincent de Paul (1581-1660) in front of the deathbed of King Louis XIII of France in 1643. End of the 19th century (chromolithograph)

ELD4845209: Saint Vincent de Paul (1581-1660) in front of the deathbed of King Louis XIII of France in 1643. End of the 19th century (chromolithograph) / Bridgeman Images

Ancient regime, 18th century: portrait of the king of France Louis XVI (1754-1793) and fashion of the courtiers in Versailles around 1780. End of the 19th century (chromolithograph)
Ancient regime, 18th century: portrait of the king of France Louis XVI (1754-1793) and fashion of the courtiers in Versailles around 1780. End of the 19th century (chromolithograph)

ELD4845258: Ancient regime, 18th century: portrait of the king of France Louis XVI (1754-1793) and fashion of the courtiers in Versailles around 1780. End of the 19th century (chromolithograph) / Bridgeman Images

Gallic chef Vercingetorix (80-46 BC) going to Jules Cesar (100-44 BC) to Alesia in 52 BC - Vercingetorix (72-46 BC) gallic leader, surrendering to Caesar in Alesia (France), 52 BC. End of the 19th century (chromolithograph)
Gallic chef Vercingetorix (80-46 BC) going to Jules Cesar (100-44 BC) to Alesia in 52 BC - Vercingetorix (72-46 BC) gallic leader, surrendering to Caesar in Alesia (France), 52 BC. End of the 19th century (chromolithograph)

ELD4845359: Gallic chef Vercingetorix (80-46 BC) going to Jules Cesar (100-44 BC) to Alesia in 52 BC - Vercingetorix (72-46 BC) gallic leader, surrendering to Caesar in Alesia (France), 52 BC. End of the 19th century (chromolithograph) / Bridgeman Images

Submission to Chester: King Edgar (943-975) climbs up the Dee aboard a barge of which eight kings formed the crew thus proving his loyalty (including Kenneth II of Scotland, Mael Coluim mac Domnall of Strathclyde, the Welsh princes Iago ab Idwal and Hywel ab Ieuaf and the King of the Islands Mac Harald, Bath, 973) The Barge of King Edgar manned by eight kings on the Dee - 973 Kenneth, king of Scotland, his son Malcolm, king of Cumbria, Mac Oric, of the Isles, with Dufnal, of South Wales, Siferth and Howel, of North Wales, Jacob, of Galloway, and Jukel, of Westmoreland who all took the oath of homage to their superior lord at the church of St John the Baptist in Bath) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection
Submission to Chester: King Edgar (943-975) climbs up the Dee aboard a barge of which eight kings formed the crew thus proving his loyalty (including Kenneth II of Scotland, Mael Coluim mac Domnall of Strathclyde, the Welsh princes Iago ab Idwal and Hywel ab Ieuaf and the King of the Islands Mac Harald, Bath, 973) The Barge of King Edgar manned by eight kings on the Dee - 973 Kenneth, king of Scotland, his son Malcolm, king of Cumbria, Mac Oric, of the Isles, with Dufnal, of South Wales, Siferth and Howel, of North Wales, Jacob, of Galloway, and Jukel, of Westmoreland who all took the oath of homage to their superior lord at the church of St John the Baptist in Bath) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection

ELD4873493: Submission to Chester: King Edgar (943-975) climbs up the Dee aboard a barge of which eight kings formed the crew thus proving his loyalty (including Kenneth II of Scotland, Mael Coluim mac Domnall of Strathclyde, the Welsh princes Iago ab Idwal and Hywel ab Ieuaf and the King of the Islands Mac Harald, Bath, 973) The Barge of King Edgar manned by eight kings on the Dee - 973 Kenneth, king of Scotland, his son Malcolm, king of Cumbria, Mac Oric, of the Isles, with Dufnal, of South Wales, Siferth and Howel, of North Wales, Jacob, of Galloway, and Jukel, of Westmoreland who all took the oath of homage to their superior lord at the church of St John the Baptist in Bath) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection / Bridgeman Images

King of Wessex Alfred the Great (846-899) on horseback on the bank of the River Lea twenty miles up the Thames from London where he planned the capture of the invading Danish fleet, 892 Illustration from “” A Chronicle of England” by James Doyle, 1864 Private collection
King of Wessex Alfred the Great (846-899) on horseback on the bank of the River Lea twenty miles up the Thames from London where he planned the capture of the invading Danish fleet, 892 Illustration from “” A Chronicle of England” by James Doyle, 1864 Private collection

ELD4873568: King of Wessex Alfred the Great (846-899) on horseback on the bank of the River Lea twenty miles up the Thames from London where he planned the capture of the invading Danish fleet, 892 Illustration from “” A Chronicle of England” by James Doyle, 1864 Private collection / Bridgeman Images

High Priest Coifi destroys the idols of the Paian temple of Goodmanham when King Edwin of Northumbria converted to Christianity, circa 625 (High priest Coifi (Cofi) profanes the temple of the idols by calling for horse and a spear (both forbidden to him by heathen law) and hurling the spear into the temple - ordering that it be destroyed by fire This act was done after Edwin, a King of the Bretwalda (Northumbria) declared in favour of embracing Christianity, 627 AD) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection
High Priest Coifi destroys the idols of the Paian temple of Goodmanham when King Edwin of Northumbria converted to Christianity, circa 625 (High priest Coifi (Cofi) profanes the temple of the idols by calling for horse and a spear (both forbidden to him by heathen law) and hurling the spear into the temple - ordering that it be destroyed by fire This act was done after Edwin, a King of the Bretwalda (Northumbria) declared in favour of embracing Christianity, 627 AD) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection

ELD4873740: High Priest Coifi destroys the idols of the Paian temple of Goodmanham when King Edwin of Northumbria converted to Christianity, circa 625 (High priest Coifi (Cofi) profanes the temple of the idols by calling for horse and a spear (both forbidden to him by heathen law) and hurling the spear into the temple - ordering that it be destroyed by fire This act was done after Edwin, a King of the Bretwalda (Northumbria) declared in favour of embracing Christianity, 627 AD) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection / Bridgeman Images

Emperesse Matilda (Mathilde) (1102-1167) authorized by King Stephen (Stephen of Blois) (1096-1154) to leave Arundel Castle in 1139 (Matilda (1102-1167), the daughter of Henry I of England, is permitted by Stephen of Blois (1096-1154) to leave Arundel castle and escorted, under the safeguard of the legate, to the outposts of the Earl of Gloucester, 1139) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
Emperesse Matilda (Mathilde) (1102-1167) authorized by King Stephen (Stephen of Blois) (1096-1154) to leave Arundel Castle in 1139 (Matilda (1102-1167), the daughter of Henry I of England, is permitted by Stephen of Blois (1096-1154) to leave Arundel castle and escorted, under the safeguard of the legate, to the outposts of the Earl of Gloucester, 1139) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4873918: Emperesse Matilda (Mathilde) (1102-1167) authorized by King Stephen (Stephen of Blois) (1096-1154) to leave Arundel Castle in 1139 (Matilda (1102-1167), the daughter of Henry I of England, is permitted by Stephen of Blois (1096-1154) to leave Arundel castle and escorted, under the safeguard of the legate, to the outposts of the Earl of Gloucester, 1139) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

King Alfred the Great (849-899) forgets the cakes prepared by the Danish house under her roof in Athelney, and burns them, 878 - Back in the little house, she blames the king for its inattention (Legend has it that Alfred (849-899), offered shelter from the Danes by a woman at Athelney in the Somerset marshes, allowed her cakes because he became distracted while stringing his bow, 878) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
King Alfred the Great (849-899) forgets the cakes prepared by the Danish house under her roof in Athelney, and burns them, 878 - Back in the little house, she blames the king for its inattention (Legend has it that Alfred (849-899), offered shelter from the Danes by a woman at Athelney in the Somerset marshes, allowed her cakes because he became distracted while stringing his bow, 878) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4874045: King Alfred the Great (849-899) forgets the cakes prepared by the Danish house under her roof in Athelney, and burns them, 878 - Back in the little house, she blames the king for its inattention (Legend has it that Alfred (849-899), offered shelter from the Danes by a woman at Athelney in the Somerset marshes, allowed her cakes because he became distracted while stringing his bow, 878) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

Portrait of the British soldier Lord Robert Stephenson Smith Baden Powell (1857-1941), founder of Scouting.
Portrait of the British soldier Lord Robert Stephenson Smith Baden Powell (1857-1941), founder of Scouting.

GIA4801283: Portrait of the British soldier Lord Robert Stephenson Smith Baden Powell (1857-1941), founder of Scouting., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Robert Owen (1771-1858), British philanthropist and socialist.
Portrait of Robert Owen (1771-1858), British philanthropist and socialist.

GIA4801288: Portrait of Robert Owen (1771-1858), British philanthropist and socialist., Unknown Artist, (19th century) / Bridgeman Images

Reconstitution of the Port of Piree in Greece as in the ancient period.
Reconstitution of the Port of Piree in Greece as in the ancient period.

GIA4801312: Reconstitution of the Port of Piree in Greece as in the ancient period., Unknown Artist, (19th century) / Bridgeman Images

boat designed against seasickness by Henry Bessemer (1813-1898).
boat designed against seasickness by Henry Bessemer (1813-1898).

GIA4801632: boat designed against seasickness by Henry Bessemer (1813-1898)., Unknown Artist, (19th century) / Bridgeman Images

View of the fortified city of Tangier and the coast, Morocco. Three ships are anchors near the coast. In “Ciuitates orbis terrarum Liber primus”, by Georgius Braun and franz Hohenberg, Cologne 1582.
View of the fortified city of Tangier and the coast, Morocco. Three ships are anchors near the coast. In “Ciuitates orbis terrarum Liber primus”, by Georgius Braun and franz Hohenberg, Cologne 1582.

GIA4801713: View of the fortified city of Tangier and the coast, Morocco. Three ships are anchors near the coast. In “Ciuitates orbis terrarum Liber primus”, by Georgius Braun and franz Hohenberg, Cologne 1582., Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90) / Bridgeman Images

View of the port of the fortified city of Tangier and the coast, Morocco. Engraving from 1860.
View of the port of the fortified city of Tangier and the coast, Morocco. Engraving from 1860.

GIA4801720: View of the port of the fortified city of Tangier and the coast, Morocco. Engraving from 1860., Unknown Artist, (19th century) / Bridgeman Images

Representation of Saint Felicite, martyrdom in Rome with the heads of his seven children. xylography of Hartmann Schedel “” Chronicles of Nuremberg””” 1493.
Representation of Saint Felicite, martyrdom in Rome with the heads of his seven children. xylography of Hartmann Schedel “” Chronicles of Nuremberg””” 1493.

GIA4801820: Representation of Saint Felicite, martyrdom in Rome with the heads of his seven children. xylography of Hartmann Schedel “” Chronicles of Nuremberg””” 1493., Schedel, Hartmann (1440-1514) / Bridgeman Images

Representation of Saint Perpetuus, martyrdom in Carthage. xylography of Hartmann Schedel “” Chronicles of Nuremberg”” 1493.
Representation of Saint Perpetuus, martyrdom in Carthage. xylography of Hartmann Schedel “” Chronicles of Nuremberg”” 1493.

GIA4801829: Representation of Saint Perpetuus, martyrdom in Carthage. xylography of Hartmann Schedel “” Chronicles of Nuremberg”” 1493., Schedel, Hartmann (1440-1514) / Bridgeman Images

Maple branch. Botanical board from a herbarium from the beginning of the 19th century.
Maple branch. Botanical board from a herbarium from the beginning of the 19th century.

GIA4801878: Maple branch. Botanical board from a herbarium from the beginning of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Haitian Revolution (1791-1803): Revolutionary Guard Corps.
Haitian Revolution (1791-1803): Revolutionary Guard Corps.

GIA4801964: Haitian Revolution (1791-1803): Revolutionary Guard Corps., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving.
Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving.

GIA4801994: Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving.
Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving.

GIA4802003: Portrait of Alfred de Vigny (Alfred Victor, Count of Vigny, 1797-1863) French writer, playwright and poet. Engraving., Unknown Artist, (19th century) / Bridgeman Images

Fire of the Court of Auditors and the Legion d'Honneur on 23 March 1871 during the Commune in Paris. Engraving of the 19th century.
Fire of the Court of Auditors and the Legion d'Honneur on 23 March 1871 during the Commune in Paris. Engraving of the 19th century.

GIA4802011: Fire of the Court of Auditors and the Legion d'Honneur on 23 March 1871 during the Commune in Paris. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images


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