1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

792441 Search Results

Theatrical representation: 5th act of “Jack” by Alphonse Daudet (1840-1897) and H. Lafontaine with Miss Sisos (Cecile), M. Porel (Dr. Rivals), M. Chelles (Jack), Miss Montaland (Ida de Barancy). Paris, theatre de l'Odeon, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1243 of January 22, 1881.
Theatrical representation: 5th act of “Jack” by Alphonse Daudet (1840-1897) and H. Lafontaine with Miss Sisos (Cecile), M. Porel (Dr. Rivals), M. Chelles (Jack), Miss Montaland (Ida de Barancy). Paris, theatre de l'Odeon, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1243 of January 22, 1881.

XEE4169384: Theatrical representation: 5th act of “Jack” by Alphonse Daudet (1840-1897) and H. Lafontaine with Miss Sisos (Cecile), M. Porel (Dr. Rivals), M. Chelles (Jack), Miss Montaland (Ida de Barancy). Paris, theatre de l'Odeon, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1243 of January 22, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169384

Theatrical representation: 5th act of “Jack” by Alphonse Daudet (1840-1897) and H. Lafontaine with Miss Sisos (Cecile), M. Porel (Dr. Rivals), M. Chelles (Jack), Miss Montaland (Ida de Barancy). Paris, theatre de l'Odeon, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1243 of January 22, 1881.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Nana”” by William Busnach (1832-1907) after Emile Zola (1840-1902) with Louise Massin (1847-1901) (Nana) and Melle Honorine (Pomare). Paris, Theatre de l'Ambigu, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1245 of February 5, 1881.
Theatrical representation: “” Nana”” by William Busnach (1832-1907) after Emile Zola (1840-1902) with Louise Massin (1847-1901) (Nana) and Melle Honorine (Pomare). Paris, Theatre de l'Ambigu, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1245 of February 5, 1881.

XEE4169389: Theatrical representation: “” Nana”” by William Busnach (1832-1907) after Emile Zola (1840-1902) with Louise Massin (1847-1901) (Nana) and Melle Honorine (Pomare). Paris, Theatre de l'Ambigu, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1245 of February 5, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169389

Theatrical representation: “” Nana”” by William Busnach (1832-1907) after Emile Zola (1840-1902) with Louise Massin (1847-1901) (Nana) and Melle Honorine (Pomare). Paris, Theatre de l'Ambigu, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1245 of February 5, 1881.

Marie, Adrien Emmanuel (1848-91)

Offer to God. Engraving after the painting by Jean Eugene Buland (1852-1926). 19th century. In “” The Illustrous World”” n°1240 of January 1, 1881.
Offer to God. Engraving after the painting by Jean Eugene Buland (1852-1926). 19th century. In “” The Illustrous World”” n°1240 of January 1, 1881.

XEE4169393: Offer to God. Engraving after the painting by Jean Eugene Buland (1852-1926). 19th century. In “” The Illustrous World”” n°1240 of January 1, 1881., Buland, Jean Eugene (1851-1927) / Bridgeman Images

ID: XEE4169393

Offer to God. Engraving after the painting by Jean Eugene Buland (1852-1926). 19th century. In “” The Illustrous World”” n°1240 of January 1, 1881.

Buland, Jean Eugene (1851-1927)

King Albert I of Beligium receiving the American General Pershing, 1918 (print)
King Albert I of Beligium receiving the American General Pershing, 1918 (print)

XEE4169429: King Albert I of Beligium receiving the American General Pershing, 1918 (print) / Bridgeman Images

ID: XEE4169429

King Albert I of Beligium receiving the American General Pershing, 1918 (print)

Portrait of Louis II the Begue or the Faineant (846 - 879), King of France - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.
Portrait of Louis II the Begue or the Faineant (846 - 879), King of France - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.

XEE4169479: Portrait of Louis II the Begue or the Faineant (846 - 879), King of France - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4169479

Portrait of Louis II the Begue or the Faineant (846 - 879), King of France - in “Histoire des Francais” by Lavallee, engraving, sd., 19th century.

French School, (19th century)

Portrait of Charles Nicolas Fabvier general, French ambassador and depute. (1782-1855)
Portrait of Charles Nicolas Fabvier general, French ambassador and depute. (1782-1855)

XEE4169517: Portrait of Charles Nicolas Fabvier general, French ambassador and depute. (1782-1855), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4169517

Portrait of Charles Nicolas Fabvier general, French ambassador and depute. (1782-1855)

Unknown Artist, (19th century)

Portrait of Madame Juliette Adam (nee Lambert) (1836-1936), French writer, polemist and feminist in Nice in 1905.
Portrait of Madame Juliette Adam (nee Lambert) (1836-1936), French writer, polemist and feminist in Nice in 1905.

XEE4169521: Portrait of Madame Juliette Adam (nee Lambert) (1836-1936), French writer, polemist and feminist in Nice in 1905., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4169521

Portrait of Madame Juliette Adam (nee Lambert) (1836-1936), French writer, polemist and feminist in Nice in 1905.

Unknown Artist, (19th century)

Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government.
Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government.

XEE4169522: Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4169522

Portrait of Giacomo Antonelli (1808-1878), Italian Cardinal and Secretary of State of the Pontifical Government.

Unknown Artist, (19th century)

Conversation between two stupid soldiers about one's wife who's infidele. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.
Conversation between two stupid soldiers about one's wife who's infidele. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

XEE4169530: Conversation between two stupid soldiers about one's wife who's infidele. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880., Frison, Gustave (b.1850) / Bridgeman Images

ID: XEE4169530

Conversation between two stupid soldiers about one's wife who's infidele. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

Frison, Gustave (b.1850)

An absurd letter from a soldier written to his father, with spelling errors and grammar errors, about money and family. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.
An absurd letter from a soldier written to his father, with spelling errors and grammar errors, about money and family. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

XEE4169533: An absurd letter from a soldier written to his father, with spelling errors and grammar errors, about money and family. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880., Frison, Gustave (b.1850) / Bridgeman Images

ID: XEE4169533

An absurd letter from a soldier written to his father, with spelling errors and grammar errors, about money and family. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

Frison, Gustave (b.1850)

Conversation of a woman with the smell of a man's feet sitting beside her on board a boat. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.
Conversation of a woman with the smell of a man's feet sitting beside her on board a boat. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

XEE4169535: Conversation of a woman with the smell of a man's feet sitting beside her on board a boat. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880., Frison, Gustave (b.1850) / Bridgeman Images

ID: XEE4169535

Conversation of a woman with the smell of a man's feet sitting beside her on board a boat. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

Frison, Gustave (b.1850)

War of the Pacific (1879-1884) between Peru and Bolivia and Chile - Battle of Los Angeles - March 22, 1880: Chilean battalions of Atakana and Santiago seized the Peruvian trench. Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.
War of the Pacific (1879-1884) between Peru and Bolivia and Chile - Battle of Los Angeles - March 22, 1880: Chilean battalions of Atakana and Santiago seized the Peruvian trench. Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.

XEE4168555: War of the Pacific (1879-1884) between Peru and Bolivia and Chile - Battle of Los Angeles - March 22, 1880: Chilean battalions of Atakana and Santiago seized the Peruvian trench. Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168555

War of the Pacific (1879-1884) between Peru and Bolivia and Chile - Battle of Los Angeles - March 22, 1880: Chilean battalions of Atakana and Santiago seized the Peruvian trench. Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.

French School, (19th century)

Henriette Rosine Bernard called Sarah Bernhardt (1844-1923) recitating “The Battle of Hernani” by Francois Coppee, in front of the bust of Victor Hugo (1802-1885) on the occasion of the fiftieth anniversary of the play “Hernani””. Paris, Comedie Francaise, 1880. Engraving in “” Le Monde Illustré”” n°1197 of 6 March 1880.
Henriette Rosine Bernard called Sarah Bernhardt (1844-1923) recitating “The Battle of Hernani” by Francois Coppee, in front of the bust of Victor Hugo (1802-1885) on the occasion of the fiftieth anniversary of the play “Hernani””. Paris, Comedie Francaise, 1880. Engraving in “” Le Monde Illustré”” n°1197 of 6 March 1880.

XEE4168568: Henriette Rosine Bernard called Sarah Bernhardt (1844-1923) recitating “The Battle of Hernani” by Francois Coppee, in front of the bust of Victor Hugo (1802-1885) on the occasion of the fiftieth anniversary of the play “Hernani””. Paris, Comedie Francaise, 1880. Engraving in “” Le Monde Illustré”” n°1197 of 6 March 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168568

Henriette Rosine Bernard called Sarah Bernhardt (1844-1923) recitating “The Battle of Hernani” by Francois Coppee, in front of the bust of Victor Hugo (1802-1885) on the occasion of the fiftieth anniversary of the play “Hernani””. Paris, Comedie Francaise, 1880. Engraving in “” Le Monde Illustré”” n°1197 of 6 March 1880.

French School, (19th century)

Deportation of the Jesuites from the Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the Parisian population shows solidarity with the evictions. June 30, 1880. Engraving by Felix Regamey in “” The Illustrous World”” n°1214 of July 3, 1880.
Deportation of the Jesuites from the Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the Parisian population shows solidarity with the evictions. June 30, 1880. Engraving by Felix Regamey in “” The Illustrous World”” n°1214 of July 3, 1880.

XEE4168570: Deportation of the Jesuites from the Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the Parisian population shows solidarity with the evictions. June 30, 1880. Engraving by Felix Regamey in “” The Illustrous World”” n°1214 of July 3, 1880., Regamey, Felix Elie (1844-1907) / Bridgeman Images

ID: XEE4168570

Deportation of the Jesuites from the Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the Parisian population shows solidarity with the evictions. June 30, 1880. Engraving by Felix Regamey in “” The Illustrous World”” n°1214 of July 3, 1880.

Regamey, Felix Elie (1844-1907)

Inauguration of the statue of Adolphe Thiers (1797-1877) on Place Thiers de Saint Germain en Laye (Saint-Germain-en-Laye), September 19, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1226 of September 25, 1880.
Inauguration of the statue of Adolphe Thiers (1797-1877) on Place Thiers de Saint Germain en Laye (Saint-Germain-en-Laye), September 19, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1226 of September 25, 1880.

XEE4168574: Inauguration of the statue of Adolphe Thiers (1797-1877) on Place Thiers de Saint Germain en Laye (Saint-Germain-en-Laye), September 19, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1226 of September 25, 1880., Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4168574

Inauguration of the statue of Adolphe Thiers (1797-1877) on Place Thiers de Saint Germain en Laye (Saint-Germain-en-Laye), September 19, 1880. Engraving by De Haenen in “” The Illustrous World”” n°1226 of September 25, 1880.

Haenen, Frederic de (1853-1928)

Palm Sunday in Spain: sale of benite palm trees in front of the cathedral of Toledo. Engraving of Virgo in “” The Illustrous World”” n°1200 of 27 March 1880.
Palm Sunday in Spain: sale of benite palm trees in front of the cathedral of Toledo. Engraving of Virgo in “” The Illustrous World”” n°1200 of 27 March 1880.

XEE4168578: Palm Sunday in Spain: sale of benite palm trees in front of the cathedral of Toledo. Engraving of Virgo in “” The Illustrous World”” n°1200 of 27 March 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168578

Palm Sunday in Spain: sale of benite palm trees in front of the cathedral of Toledo. Engraving of Virgo in “” The Illustrous World”” n°1200 of 27 March 1880.

French School, (19th century)

Engagement of Princess Stephanie of Belgium (1864-1945) and Archduke Rodolphe of Austria (1858-1889) to Laeken Castle, March 7, 1880. Engraving by Gustave Janet in “” Le Monde Illustre”” n°1202 of April 10, 1880.
Engagement of Princess Stephanie of Belgium (1864-1945) and Archduke Rodolphe of Austria (1858-1889) to Laeken Castle, March 7, 1880. Engraving by Gustave Janet in “” Le Monde Illustre”” n°1202 of April 10, 1880.

XEE4168600: Engagement of Princess Stephanie of Belgium (1864-1945) and Archduke Rodolphe of Austria (1858-1889) to Laeken Castle, March 7, 1880. Engraving by Gustave Janet in “” Le Monde Illustre”” n°1202 of April 10, 1880., Janet, Gustave (b. 1829) / Bridgeman Images

ID: XEE4168600

Engagement of Princess Stephanie of Belgium (1864-1945) and Archduke Rodolphe of Austria (1858-1889) to Laeken Castle, March 7, 1880. Engraving by Gustave Janet in “” Le Monde Illustre”” n°1202 of April 10, 1880.

Janet, Gustave (b. 1829)

Benediction of the faithful in the court of the Capuchins in the rue de la Sante in Paris on 30 October 1880, before their expulsion following the decrees of March 1880 issued by Jules Ferry, which removed the right to teach members of unauthorized religious congregations. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.
Benediction of the faithful in the court of the Capuchins in the rue de la Sante in Paris on 30 October 1880, before their expulsion following the decrees of March 1880 issued by Jules Ferry, which removed the right to teach members of unauthorized religious congregations. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

XEE4168626: Benediction of the faithful in the court of the Capuchins in the rue de la Sante in Paris on 30 October 1880, before their expulsion following the decrees of March 1880 issued by Jules Ferry, which removed the right to teach members of unauthorized religious congregations. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168626

Benediction of the faithful in the court of the Capuchins in the rue de la Sante in Paris on 30 October 1880, before their expulsion following the decrees of March 1880 issued by Jules Ferry, which removed the right to teach members of unauthorized religious congregations. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

French School, (19th century)

Theatrical representation: “Charlotte Corday” by Francois Ponsard (1814-1867). Scene of Act 3: Charlotte Corday in the garden of the Royal Palace. Paris, Theatre de l'Odeon, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.
Theatrical representation: “Charlotte Corday” by Francois Ponsard (1814-1867). Scene of Act 3: Charlotte Corday in the garden of the Royal Palace. Paris, Theatre de l'Odeon, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

XEE4168631: Theatrical representation: “Charlotte Corday” by Francois Ponsard (1814-1867). Scene of Act 3: Charlotte Corday in the garden of the Royal Palace. Paris, Theatre de l'Odeon, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168631

Theatrical representation: “Charlotte Corday” by Francois Ponsard (1814-1867). Scene of Act 3: Charlotte Corday in the garden of the Royal Palace. Paris, Theatre de l'Odeon, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

French School, (19th century)

Portrait of Jean Antoine Theodore, Baron Gudin (1802-1880), French painter. Engraving in “” Le Monde Illustré”” n°1206 of 8 April 1880.
Portrait of Jean Antoine Theodore, Baron Gudin (1802-1880), French painter. Engraving in “” Le Monde Illustré”” n°1206 of 8 April 1880.

XEE4168632: Portrait of Jean Antoine Theodore, Baron Gudin (1802-1880), French painter. Engraving in “” Le Monde Illustré”” n°1206 of 8 April 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168632

Portrait of Jean Antoine Theodore, Baron Gudin (1802-1880), French painter. Engraving in “” Le Monde Illustré”” n°1206 of 8 April 1880.

French School, (19th century)

The Debacle (Frost) of the Neva River at St. Petersburg, 1880. Engraving in “” Le Monde Illustré”” n°1207 of 15 May 1880.
The Debacle (Frost) of the Neva River at St. Petersburg, 1880. Engraving in “” Le Monde Illustré”” n°1207 of 15 May 1880.

XEE4168637: The Debacle (Frost) of the Neva River at St. Petersburg, 1880. Engraving in “” Le Monde Illustré”” n°1207 of 15 May 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168637

The Debacle (Frost) of the Neva River at St. Petersburg, 1880. Engraving in “” Le Monde Illustré”” n°1207 of 15 May 1880.

French School, (19th century)

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.
Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.

XEE4168651: Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168651

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.

Marie, Adrien Emmanuel (1848-91)

Portrait of Marthe Camille Bachasson, Count of Montalivet (1801-1880), French politician. Engraving in “” Le Monde Illustré”” n°1190 of 17 January 1880.
Portrait of Marthe Camille Bachasson, Count of Montalivet (1801-1880), French politician. Engraving in “” Le Monde Illustré”” n°1190 of 17 January 1880.

XEE4168656: Portrait of Marthe Camille Bachasson, Count of Montalivet (1801-1880), French politician. Engraving in “” Le Monde Illustré”” n°1190 of 17 January 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168656

Portrait of Marthe Camille Bachasson, Count of Montalivet (1801-1880), French politician. Engraving in “” Le Monde Illustré”” n°1190 of 17 January 1880.

French School, (19th century)

Location of the camps of the troops of General Guyon Vernier (Guyon-Vernier) during the siege of Prewatches Abbey in Frigolet, Bouches du Rhone (13), 1880. This religious community refused their expulsion following the decrees of March 1880 issued by Jules Ferry to deny the right to teach members of unauthorized religious congregations. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.
Location of the camps of the troops of General Guyon Vernier (Guyon-Vernier) during the siege of Prewatches Abbey in Frigolet, Bouches du Rhone (13), 1880. This religious community refused their expulsion following the decrees of March 1880 issued by Jules Ferry to deny the right to teach members of unauthorized religious congregations. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.

XEE4168659: Location of the camps of the troops of General Guyon Vernier (Guyon-Vernier) during the siege of Prewatches Abbey in Frigolet, Bouches du Rhone (13), 1880. This religious community refused their expulsion following the decrees of March 1880 issued by Jules Ferry to deny the right to teach members of unauthorized religious congregations. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880., Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4168659

Location of the camps of the troops of General Guyon Vernier (Guyon-Vernier) during the siege of Prewatches Abbey in Frigolet, Bouches du Rhone (13), 1880. This religious community refused their expulsion following the decrees of March 1880 issued by Jules Ferry to deny the right to teach members of unauthorized religious congregations. Engraving by De Haenen in “” The Illustrous World”” n°1235 of November 27, 1880.

Haenen, Frederic de (1853-1928)

Portrait of the Russian Impress Maria Alexandrovna (1824-1880), nee Princess Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie). Engraving in “” Le Monde Illustré”” n°1211 of 12 June 1880.
Portrait of the Russian Impress Maria Alexandrovna (1824-1880), nee Princess Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie). Engraving in “” Le Monde Illustré”” n°1211 of 12 June 1880.

XEE4168677: Portrait of the Russian Impress Maria Alexandrovna (1824-1880), nee Princess Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie). Engraving in “” Le Monde Illustré”” n°1211 of 12 June 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168677

Portrait of the Russian Impress Maria Alexandrovna (1824-1880), nee Princess Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie). Engraving in “” Le Monde Illustré”” n°1211 of 12 June 1880.

French School, (19th century)

Roman serial: “” The Red Room”” by Countess Dash (Anne Gabrielle de Cisternes de Cutiras, Viscount of Poilloue de Saint Mars said) (1804-1872). Women of French high society during a walk. Engraving in “” Les bons romances””, 1870. Private collection.
Roman serial: “” The Red Room”” by Countess Dash (Anne Gabrielle de Cisternes de Cutiras, Viscount of Poilloue de Saint Mars said) (1804-1872). Women of French high society during a walk. Engraving in “” Les bons romances””, 1870. Private collection.

XEE4168729: Roman serial: “” The Red Room”” by Countess Dash (Anne Gabrielle de Cisternes de Cutiras, Viscount of Poilloue de Saint Mars said) (1804-1872). Women of French high society during a walk. Engraving in “” Les bons romances””, 1870. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168729

Roman serial: “” The Red Room”” by Countess Dash (Anne Gabrielle de Cisternes de Cutiras, Viscount of Poilloue de Saint Mars said) (1804-1872). Women of French high society during a walk. Engraving in “” Les bons romances””, 1870. Private collection.

French School, (19th century)

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.
View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

XEE4168047: View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860., Thorigny, Felix (1824-70) / Bridgeman Images

ID: XEE4168047

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

Thorigny, Felix (1824-70)

Portrait of Gustave I Wasa (Gustav Vasa, 1496-1560), King of Sweden. Engraving by Foulquier, 1864-1865.
Portrait of Gustave I Wasa (Gustav Vasa, 1496-1560), King of Sweden. Engraving by Foulquier, 1864-1865.

XEE4168056: Portrait of Gustave I Wasa (Gustav Vasa, 1496-1560), King of Sweden. Engraving by Foulquier, 1864-1865., Foulquier, Jean Antoine Valentin (1822-1896) / Bridgeman Images

ID: XEE4168056

Portrait of Gustave I Wasa (Gustav Vasa, 1496-1560), King of Sweden. Engraving by Foulquier, 1864-1865.

Foulquier, Jean Antoine Valentin (1822-1896)

First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), designing commander-in-chief of the British forces in France, in 1915. In the photo on his horse in 1916.
First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), designing commander-in-chief of the British forces in France, in 1915. In the photo on his horse in 1916.

XEE4168101: First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), designing commander-in-chief of the British forces in France, in 1915. In the photo on his horse in 1916., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168101

First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), designing commander-in-chief of the British forces in France, in 1915. In the photo on his horse in 1916.

Unknown photographer, (19th-20th century)

Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). Quasimodo's arrest. Engraving in “” Les bons romances””, 1860. Private collection.
Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). Quasimodo's arrest. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168193: Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). Quasimodo's arrest. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168193

Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). Quasimodo's arrest. Engraving in “” Les bons romances””, 1860. Private collection.

French School, (19th century)

Funeral of the Queen of Spain Mercedes d'Orleans (Maria de las Mercedes de Orleans) (1860-1878): the funeral train of the Escurial. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.
Funeral of the Queen of Spain Mercedes d'Orleans (Maria de las Mercedes de Orleans) (1860-1878): the funeral train of the Escurial. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.

XEE4168260: Funeral of the Queen of Spain Mercedes d'Orleans (Maria de las Mercedes de Orleans) (1860-1878): the funeral train of the Escurial. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878., French School, (19th century) / Bridgeman Images

ID: XEE4168260

Funeral of the Queen of Spain Mercedes d'Orleans (Maria de las Mercedes de Orleans) (1860-1878): the funeral train of the Escurial. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.

French School, (19th century)

Portrait of Richard Cobden. British economist and politician (1804 -1865). Engraving from 1866.
Portrait of Richard Cobden. British economist and politician (1804 -1865). Engraving from 1866.

XEE4168457: Portrait of Richard Cobden. British economist and politician (1804 -1865). Engraving from 1866., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4168457

Portrait of Richard Cobden. British economist and politician (1804 -1865). Engraving from 1866.

Unknown Artist, (19th century)

Walkers try to calculate the age of a dead oak by studying the tree's strain. Engraving late 19th century.
Walkers try to calculate the age of a dead oak by studying the tree's strain. Engraving late 19th century.

XEE4168462: Walkers try to calculate the age of a dead oak by studying the tree's strain. Engraving late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4168462

Walkers try to calculate the age of a dead oak by studying the tree's strain. Engraving late 19th century.

Unknown Artist, (19th century)

Manufacture of a brick in the 19th century: the mould worker fills his mold with clay paste, then the apprentice places the brick on the floor to dry it. Engraving late 19th century.
Manufacture of a brick in the 19th century: the mould worker fills his mold with clay paste, then the apprentice places the brick on the floor to dry it. Engraving late 19th century.

XEE4168465: Manufacture of a brick in the 19th century: the mould worker fills his mold with clay paste, then the apprentice places the brick on the floor to dry it. Engraving late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4168465

Manufacture of a brick in the 19th century: the mould worker fills his mold with clay paste, then the apprentice places the brick on the floor to dry it. Engraving late 19th century.

Unknown Artist, (19th century)

Pierre Corneille (1606-1684) at the saver. Engraving by Jules Duvaux, 1860.
Pierre Corneille (1606-1684) at the saver. Engraving by Jules Duvaux, 1860.

XEE4168046: Pierre Corneille (1606-1684) at the saver. Engraving by Jules Duvaux, 1860., Duvaux, Jules Antoine (1818-84) (after) / Bridgeman Images

ID: XEE4168046

Pierre Corneille (1606-1684) at the saver. Engraving by Jules Duvaux, 1860.

Duvaux, Jules Antoine (1818-84) (after)

Roman serial: “The Three Musketeers” by Alexandre Dumas (1802-1870). Monsieur de Treville boldly returns to the king's office. Engraving in “” Les bons romances””, 1860. Private collection.
Roman serial: “The Three Musketeers” by Alexandre Dumas (1802-1870). Monsieur de Treville boldly returns to the king's office. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168158: Roman serial: “The Three Musketeers” by Alexandre Dumas (1802-1870). Monsieur de Treville boldly returns to the king's office. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168158

Roman serial: “The Three Musketeers” by Alexandre Dumas (1802-1870). Monsieur de Treville boldly returns to the king's office. Engraving in “” Les bons romances””, 1860. Private collection.

French School, (19th century)


Back to top