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View of the City of Hong Kong (Hong Kong) (Canton Bay Island) in 1857. Engraving in “” Le Monde Illustré”” n°29 of 31 October 1857.
View of the City of Hong Kong (Hong Kong) (Canton Bay Island) in 1857. Engraving in “” Le Monde Illustré”” n°29 of 31 October 1857.

XEE4136815: View of the City of Hong Kong (Hong Kong) (Canton Bay Island) in 1857. Engraving in “” Le Monde Illustré”” n°29 of 31 October 1857., French School, (19th century) / Bridgeman Images

Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection
Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection

XEE4136865: Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection, French School, (19th century) / Bridgeman Images

A sick young woman, with feverish eyes, holds a piggy bank in her hand and faces with fatigue a big doctor who wield an instrument to check her ears. On the knees of the young woman sitting near the fireplace, as well as on the furniture, white fabrics are dragged. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939) for Serieuse Morin by Lucien Descaves (1861-1949). Engraving by Fortune Meaulle (1844-1901), 1890. Engraving in “La vie populaire””, 1890. Private Collection
A sick young woman, with feverish eyes, holds a piggy bank in her hand and faces with fatigue a big doctor who wield an instrument to check her ears. On the knees of the young woman sitting near the fireplace, as well as on the furniture, white fabrics are dragged. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939) for Serieuse Morin by Lucien Descaves (1861-1949). Engraving by Fortune Meaulle (1844-1901), 1890. Engraving in “La vie populaire””, 1890. Private Collection

XEE4136872: A sick young woman, with feverish eyes, holds a piggy bank in her hand and faces with fatigue a big doctor who wield an instrument to check her ears. On the knees of the young woman sitting near the fireplace, as well as on the furniture, white fabrics are dragged. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939) for Serieuse Morin by Lucien Descaves (1861-1949). Engraving by Fortune Meaulle (1844-1901), 1890. Engraving in “La vie populaire””, 1890. Private Collection, Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection
A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection

XEE4136901: A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136902: In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136914: In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136930: A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136937: Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection
Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection

XEE4136943: Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection, Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

Royaumont Bible, New Testament: Circumcision of Jesus Christ. Illustration from 1811.
Royaumont Bible, New Testament: Circumcision of Jesus Christ. Illustration from 1811.

XEE4138608: Royaumont Bible, New Testament: Circumcision of Jesus Christ. Illustration from 1811., Unknown Artist, (19th century) / Bridgeman Images

Sled in New York (New York), United States (United States), winter 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.
Sled in New York (New York), United States (United States), winter 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.

XEE4138621: Sled in New York (New York), United States (United States), winter 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858., French School, (19th century) / Bridgeman Images

Vercingetorix (72-46 BC), leader of the Gallic rebellion, lays down arms at the feet of Cesar (100-44 BC), after definitively losing the city of Alesia - In General History of Coins - Chocolate-Foal Chromolithography of the late 19th century - Private Collection
Vercingetorix (72-46 BC), leader of the Gallic rebellion, lays down arms at the feet of Cesar (100-44 BC), after definitively losing the city of Alesia - In General History of Coins - Chocolate-Foal Chromolithography of the late 19th century - Private Collection

XEE4138752: Vercingetorix (72-46 BC), leader of the Gallic rebellion, lays down arms at the feet of Cesar (100-44 BC), after definitively losing the city of Alesia - In General History of Coins - Chocolate-Foal Chromolithography of the late 19th century - Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Pyrrhus I (or Pyrrhos) king of Epire from 306 to 272 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.
Pyrrhus I (or Pyrrhos) king of Epire from 306 to 272 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

XEE4138758: Pyrrhus I (or Pyrrhos) king of Epire from 306 to 272 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Merovingiens: Clovis 1st shooting down the soldier who had broken the vessel of Soissons, in 486. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.
Merovingiens: Clovis 1st shooting down the soldier who had broken the vessel of Soissons, in 486. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

XEE4138765: Merovingiens: Clovis 1st shooting down the soldier who had broken the vessel of Soissons, in 486. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of the soprano Elisabeth Janvier in “Le Tribut de Zamora”” by Charles Gounod in 1881.
Portrait of the soprano Elisabeth Janvier in “Le Tribut de Zamora”” by Charles Gounod in 1881.

XEE4138784: Portrait of the soprano Elisabeth Janvier in “Le Tribut de Zamora”” by Charles Gounod in 1881., Unknown photographer, (19th century) / Bridgeman Images

Andorra (Andorra) in the Pyrenees around 1910: Vallee d'Andorra San julia de Loria, the place one day of celebration.
Andorra (Andorra) in the Pyrenees around 1910: Vallee d'Andorra San julia de Loria, the place one day of celebration.

XEE4138787: Andorra (Andorra) in the Pyrenees around 1910: Vallee d'Andorra San julia de Loria, the place one day of celebration., Unknown photographer, (20th century) / Bridgeman Images

Andorra (Andorra) in the Pyrenees around 1910: mule makers of Andorra.
Andorra (Andorra) in the Pyrenees around 1910: mule makers of Andorra.

XEE4138811: Andorra (Andorra) in the Pyrenees around 1910: mule makers of Andorra., Unknown photographer, (20th century) / Bridgeman Images

French
French

XOS4072605: French "Le Tricolore" balloon, 1874 (colour lithograph), French School, (19th century) / Bridgeman Images

National League for Limitations of Armament, 1922 (b/w photo)
National League for Limitations of Armament, 1922 (b/w photo)

XOS4072608: National League for Limitations of Armament, 1922 (b/w photo), National Photo Company (c.1850-1945) / Bridgeman Images

Daisy Harriman addresses a Democratic rally in Union Square, New York City, 1912 (b/w photo)
Daisy Harriman addresses a Democratic rally in Union Square, New York City, 1912 (b/w photo)

XOS4072610: Daisy Harriman addresses a Democratic rally in Union Square, New York City, 1912 (b/w photo), Bain, George Grantham - Bain News Service (1865-1944) / Bridgeman Images

Group of Nurses aboard the SS Red Cross at the start of World War I, New York, 1914 (b/w photo)
Group of Nurses aboard the SS Red Cross at the start of World War I, New York, 1914 (b/w photo)

XOS4072614: Group of Nurses aboard the SS Red Cross at the start of World War I, New York, 1914 (b/w photo), Bain, George Grantham - Bain News Service (1865-1944) / Bridgeman Images

Harriet Chalmers Adams, c.1925 (b/w photo)
Harriet Chalmers Adams, c.1925 (b/w photo)

XOS4072664: Harriet Chalmers Adams, c.1925 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Community center diet kitchen for influenza patients, Salt Lake City (b/w photo)
Community center diet kitchen for influenza patients, Salt Lake City (b/w photo)

XOS4072727: Community center diet kitchen for influenza patients, Salt Lake City (b/w photo), American Photographer, (20th century) / Bridgeman Images

The Quran
The Quran

XEE4103587: The Quran, Anonymous / Bridgeman Images

View of the Mount Fuji and the Yedo bay from Rokusozan, 19th century  (pwoodcut)
View of the Mount Fuji and the Yedo bay from Rokusozan, 19th century  (pwoodcut)

XEE4103833: View of the Mount Fuji and the Yedo bay from Rokusozan, 19th century (pwoodcut), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

Ice skating, 19th century (Epinal print)
Ice skating, 19th century (Epinal print)

XEE4104396: Ice skating, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Penguins - in “” La vita degli animali”” by A E Brehm, Torino, 1897
Penguins - in “” La vita degli animali”” by A E Brehm, Torino, 1897

XEE4105230: Penguins - in “” La vita degli animali”” by A E Brehm, Torino, 1897, Unknown Artist, (19th century) / Bridgeman Images

Dogs (Levary) - Painting, Oil on canvas, 18th century
Dogs (Levary) - Painting, Oil on canvas, 18th century

XEE4105285: Dogs (Levary) - Painting, Oil on canvas, 18th century, Unknown artist, (18th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105698: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105715: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105735: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105747: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105759: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105760: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105763: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' -  A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105767: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images


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