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Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151466: Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151466

Angelique (Angelica) rescue Medor (Medoro) wesse - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Marphise (Marfisa) and the old woman meet Pinabel (Pinabello) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Marphise (Marfisa) and the old woman meet Pinabel (Pinabello) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151474: Marphise (Marfisa) and the old woman meet Pinabel (Pinabello) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151474

Marphise (Marfisa) and the old woman meet Pinabel (Pinabello) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151477: Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151477

Astolphe on the edge of a fountain - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Roland pursuing Angelique (Angelica) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Roland pursuing Angelique (Angelica) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151513: Roland pursuing Angelique (Angelica) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151513

Roland pursuing Angelique (Angelica) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151517: Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151517

Renaud returning to his family - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151525: Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151525

Argie attacked by the orders of his bridegroom - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895
Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895

XEE4151647: Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151647

Marriage between Helene (Elena) d'Orleans (1871-1951) and Emanuele Filiberto di Savoia Aosta (Emmanuel-Philibert de Savoie (Savoie-Aosta) (Emmanuel Philibert de Savoie Aosta) (1869-1931) (Emanuele Filiberto di Savoia-Aosta) in Kingston-upon-Thames in 1895 - Engraving in 1895 - Engraving in “The Illustrated World”” of 1895

Unknown Artist, (19th century)

Children's songs of the 18th century - Malbrough s'en va-t-en guerre - (John Churchill - 1st Duke of Marlborough) engraving in “” La musique populaire””” illustrious weekly newspaper - 1882
Children's songs of the 18th century - Malbrough s'en va-t-en guerre - (John Churchill - 1st Duke of Marlborough) engraving in “” La musique populaire””” illustrious weekly newspaper - 1882

XEE4151653: Children's songs of the 18th century - Malbrough s'en va-t-en guerre - (John Churchill - 1st Duke of Marlborough) engraving in “” La musique populaire””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151653

Children's songs of the 18th century - Malbrough s'en va-t-en guerre - (John Churchill - 1st Duke of Marlborough) engraving in “” La musique populaire””” illustrious weekly newspaper - 1882

Unknown Artist, (19th century)

The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection
The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection

XEE4151734: The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151734

The Donkey and the Little Dog - Fables by Jean de La Fontaine (1621-95) Chromolithography of the end of the 19th century Private collection

Unknown Artist, (19th century)

The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection
The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection

XEE4151742: The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151742

The Lion and the Rat - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection

Unknown Artist, (19th century)

Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882
Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882

XEE4151766: Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151766

Wolfang Amadeus Mozart writing a concerto for harpsichord in the presence of his father Leopold and Andreas Schachtner in 1762 - engraving in “” Popular Music””” illustrated weekly newspaper - 1882

Unknown Artist, (19th century)

Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882
Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882

XEE4151801: Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151801

Jean de La Fontaine (Lafontaine) at the premiere performance of the opera “” Astree”” by Pascal Collasse (Colasse) (1649-1709) - engraving in “La musique populaire”” weekly illustrious newspaper - 1882

Unknown Artist, (19th century)

Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882
Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

XEE4151802: Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151802

Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

Unknown Artist, (19th century)

View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861.
View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861.

XEE4151846: View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861., French School, (19th century) / Bridgeman Images

ID: XEE4151846

View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861.

French School, (19th century)

Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882
Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882

XEE4151851: Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151851

Marie Justine Benoite Duronceray (Madame Favart) in “” Ninette a la cour ou le Caprice amoureux”” - comedy in three acts and verse, melee d'ariettes, by Charles Simon (Charles-Simon) Favart - engraving in “La musique populaire””” - illustrated weekly newspaper - 1882

Unknown Artist, (19th century)

Portrait of John Pascoe Grenfell (1800-1869) navy officer and diplomat of the Empire of Brazil - Engraving 1852
Portrait of John Pascoe Grenfell (1800-1869) navy officer and diplomat of the Empire of Brazil - Engraving 1852

XEE4151870: Portrait of John Pascoe Grenfell (1800-1869) navy officer and diplomat of the Empire of Brazil - Engraving 1852, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151870

Portrait of John Pascoe Grenfell (1800-1869) navy officer and diplomat of the Empire of Brazil - Engraving 1852

Unknown Artist, (19th century)

Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852
Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852

XEE4151875: Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151875

Jean-Jacques (Jean Jacques) Berger (1790-1859) PREFECT OF THE SEINE, PROclaiming THE VOTES FOR THE EMPIRE TO THE MAYORS OF THE ARRONDISSENSES, PARIS, 1852

Unknown Artist, (19th century)

Felix Faure, President of the French Republic, 1895 - Portrait of Felix Faure (1841-1899) President of the French Republic - engraving in “Le Progres illustrious” de 1895
Felix Faure, President of the French Republic, 1895 - Portrait of Felix Faure (1841-1899) President of the French Republic - engraving in “Le Progres illustrious” de 1895

XEE4151909: Felix Faure, President of the French Republic, 1895 - Portrait of Felix Faure (1841-1899) President of the French Republic - engraving in “Le Progres illustrious” de 1895, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151909

Felix Faure, President of the French Republic, 1895 - Portrait of Felix Faure (1841-1899) President of the French Republic - engraving in “Le Progres illustrious” de 1895

Unknown Artist, (19th century)

Portrait of Antoine Wiertz, Belgian painter (1806-1865) - engraving
Portrait of Antoine Wiertz, Belgian painter (1806-1865) - engraving

XEE4151912: Portrait of Antoine Wiertz, Belgian painter (1806-1865) - engraving, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151912

Portrait of Antoine Wiertz, Belgian painter (1806-1865) - engraving

Unknown Artist, (19th century)

Sadi Carnot (1837-1894) visits a workshop in Canut, October 8, 1888 - Interior of a workshop of silk weaver in Lyon during a crisis at the end of the 19th century - engraving of 1895 in “The Progres illustrious””
Sadi Carnot (1837-1894) visits a workshop in Canut, October 8, 1888 - Interior of a workshop of silk weaver in Lyon during a crisis at the end of the 19th century - engraving of 1895 in “The Progres illustrious””

XEE4151915: Sadi Carnot (1837-1894) visits a workshop in Canut, October 8, 1888 - Interior of a workshop of silk weaver in Lyon during a crisis at the end of the 19th century - engraving of 1895 in “The Progres illustrious””, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151915

Sadi Carnot (1837-1894) visits a workshop in Canut, October 8, 1888 - Interior of a workshop of silk weaver in Lyon during a crisis at the end of the 19th century - engraving of 1895 in “The Progres illustrious””

Unknown Artist, (19th century)

Around a score - Jules Massenet (1842-1912), French composer, playing with friends “Le portrait de Manon” - Engraving in “Le Progres illustrious” de 1895
Around a score - Jules Massenet (1842-1912), French composer, playing with friends “Le portrait de Manon” - Engraving in “Le Progres illustrious” de 1895

XEE4151937: Around a score - Jules Massenet (1842-1912), French composer, playing with friends “Le portrait de Manon” - Engraving in “Le Progres illustrious” de 1895, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151937

Around a score - Jules Massenet (1842-1912), French composer, playing with friends “Le portrait de Manon” - Engraving in “Le Progres illustrious” de 1895

Unknown Artist, (19th century)

Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895
Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895

XEE4151938: Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151938

Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895

Unknown Artist, (19th century)

Portrait of Charlemagne (Charles I called the Great, Carolus Magnus, 742-814), King of the Franks - Charles the Great, King of the Franks - engraving
Portrait of Charlemagne (Charles I called the Great, Carolus Magnus, 742-814), King of the Franks - Charles the Great, King of the Franks - engraving

XEE4151977: Portrait of Charlemagne (Charles I called the Great, Carolus Magnus, 742-814), King of the Franks - Charles the Great, King of the Franks - engraving, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151977

Portrait of Charlemagne (Charles I called the Great, Carolus Magnus, 742-814), King of the Franks - Charles the Great, King of the Franks - engraving

Unknown Artist, (19th century)

Portrait of Jean Baptiste (Jean-Baptiste) Massillon (1663-1742), French Catholic bishop and preacher, Bishop of Clermont - Portrait of the French Preacher and Church Man Jean Baptiste (Jean-Baptiste) Massillon (1663-1742)
Portrait of Jean Baptiste (Jean-Baptiste) Massillon (1663-1742), French Catholic bishop and preacher, Bishop of Clermont - Portrait of the French Preacher and Church Man Jean Baptiste (Jean-Baptiste) Massillon (1663-1742)

XEE4151987: Portrait of Jean Baptiste (Jean-Baptiste) Massillon (1663-1742), French Catholic bishop and preacher, Bishop of Clermont - Portrait of the French Preacher and Church Man Jean Baptiste (Jean-Baptiste) Massillon (1663-1742), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151987

Portrait of Jean Baptiste (Jean-Baptiste) Massillon (1663-1742), French Catholic bishop and preacher, Bishop of Clermont - Portrait of the French Preacher and Church Man Jean Baptiste (Jean-Baptiste) Massillon (1663-1742)

Unknown Artist, (19th century)

Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving
Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving

XEE4151995: Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151995

Portrait of Abraham by Fabert by Esternay Marshal (1599-1662) of France (marechal de France) - engraving

Unknown Artist, (19th century)

Portrait of Etienne Jodelle (Paris, 1532-1573), French writer, Engraving - Portrait of Etienne Jodelle (1532-1573), French poet member of the Pleiade movement.
Portrait of Etienne Jodelle (Paris, 1532-1573), French writer, Engraving - Portrait of Etienne Jodelle (1532-1573), French poet member of the Pleiade movement.

XEE4152002: Portrait of Etienne Jodelle (Paris, 1532-1573), French writer, Engraving - Portrait of Etienne Jodelle (1532-1573), French poet member of the Pleiade movement., French School, (19th century) / Bridgeman Images

ID: XEE4152002

Portrait of Etienne Jodelle (Paris, 1532-1573), French writer, Engraving - Portrait of Etienne Jodelle (1532-1573), French poet member of the Pleiade movement.

French School, (19th century)

Queen Jeanne d'Albret of Navarre 1528-72 mother of King Henry IV of France - Portrait of Joan of Albret (or Joan III of Albret), Queen of Navarre (1528-1572)
Queen Jeanne d'Albret of Navarre 1528-72 mother of King Henry IV of France - Portrait of Joan of Albret (or Joan III of Albret), Queen of Navarre (1528-1572)

XEE4152027: Queen Jeanne d'Albret of Navarre 1528-72 mother of King Henry IV of France - Portrait of Joan of Albret (or Joan III of Albret), Queen of Navarre (1528-1572), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4152027

Queen Jeanne d'Albret of Navarre 1528-72 mother of King Henry IV of France - Portrait of Joan of Albret (or Joan III of Albret), Queen of Navarre (1528-1572)

Unknown Artist, (19th century)

Christmas races: an elegant young woman knocks at the door of a house with a parcel in hand, illustration from a drawing by Abraham Solomon (1824-1862), 1857 - “The Christmas Errand”, from a drawing by Abraham Solomon (1824-1862), 1857
Christmas races: an elegant young woman knocks at the door of a house with a parcel in hand, illustration from a drawing by Abraham Solomon (1824-1862), 1857 - “The Christmas Errand”, from a drawing by Abraham Solomon (1824-1862), 1857

XEE4152029: Christmas races: an elegant young woman knocks at the door of a house with a parcel in hand, illustration from a drawing by Abraham Solomon (1824-1862), 1857 - “The Christmas Errand”, from a drawing by Abraham Solomon (1824-1862), 1857, Solomon, Abraham (1824-62) (after) / Bridgeman Images

ID: XEE4152029

Christmas races: an elegant young woman knocks at the door of a house with a parcel in hand, illustration from a drawing by Abraham Solomon (1824-1862), 1857 - “The Christmas Errand”, from a drawing by Abraham Solomon (1824-1862), 1857

Solomon, Abraham (1824-62) (after)

Portrait of Marc David Alba Lasource (1763-1793) depute du Tarn at the National Convention - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Marc David Alba Lasource (1763-1793) depute du Tarn at the National Convention - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150584: Portrait of Marc David Alba Lasource (1763-1793) depute du Tarn at the National Convention - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4150584

Portrait of Marc David Alba Lasource (1763-1793) depute du Tarn at the National Convention - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150588: Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4150588

Portrait of Pierre Florent (Pierre-Florent) Louvet, dit Louvet de la Somme (1757-1818), French politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.
Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.

XEE4150606: Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861., French School, (19th century) / Bridgeman Images

ID: XEE4150606

Exterior view of the Incurable Women's Hospital, built between 1634 and 1757, and restored in 1861. Also call Laennec Hospital. Paris, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.

French School, (19th century)

JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150612: JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4150612

JEAN-MARIE ROLAND DE LA PLATIERE English statesman, depicted at the moment of his self- inflicted death by falling on his own sword - Suicide by Jean Marie Roland, Viscount de la Platiere (1734-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee
Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee

XEE4150708: Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee, French School, (19th century) / Bridgeman Images

ID: XEE4150708

Antoine, Count Drouot, general francais (1774-1847) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection privee

French School, (19th century)

Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150727: Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4150727

Charles Francois du Perier dit Dumouriez (1739-1823), French General at Madame Roland (Manon Roland) (1754-1793) - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150733: Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4150733

Antoine Quentin Fouquier de Tinville, dit Fouquier-Tinville (1746-1795), French lawmaker and revolutionary, public accuser of the Revolutionary Tribunal - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150748: Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

ID: XEE4150748

Battle of Laon, 9-19 March 1814 (allied victory under Blucher over Napoleon I) - Battle of Laon, Marechal Ney, at the head of a division, takes over the suburb of Semilly - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

French School, (19th century)


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