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Douvana, visionary reading in the lines of hand, in the streets of Samarkand (or Samarkand), the capital of Uzbekistan, engraved after a drawing by Sedoff, to illustrate Basile Vereschagine's journey to Central Asia in 1867-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.
Douvana, visionary reading in the lines of hand, in the streets of Samarkand (or Samarkand), the capital of Uzbekistan, engraved after a drawing by Sedoff, to illustrate Basile Vereschagine's journey to Central Asia in 1867-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.

LSE4329404: Douvana, visionary reading in the lines of hand, in the streets of Samarkand (or Samarkand), the capital of Uzbekistan, engraved after a drawing by Sedoff, to illustrate Basile Vereschagine's journey to Central Asia in 1867-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection., Sedoff, (19th century) / Bridgeman Images

ID: LSE4329404

Douvana, visionary reading in the lines of hand, in the streets of Samarkand (or Samarkand), the capital of Uzbekistan, engraved after a drawing by Sedoff, to illustrate Basile Vereschagine's journey to Central Asia in 1867-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.

Sedoff, (19th century)

A Greenlandic parliament, made up of twelve deputes (each wearing the official hat of their office, red and gold), exercises its privileges granted by the King of Denmark, mainly concerning the hunting and fishing of the indigenous people and the relief of the needy, engraved after a drawing by H.Castelli, to illustrate the story “” the land of desolation”” by Isaac J. Hayes, doctor embarked on the ship the panthere for a voyage to Greenland, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A Greenlandic parliament, made up of twelve deputes (each wearing the official hat of their office, red and gold), exercises its privileges granted by the King of Denmark, mainly concerning the hunting and fishing of the indigenous people and the relief of the needy, engraved after a drawing by H.Castelli, to illustrate the story “” the land of desolation”” by Isaac J. Hayes, doctor embarked on the ship the panthere for a voyage to Greenland, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329433: A Greenlandic parliament, made up of twelve deputes (each wearing the official hat of their office, red and gold), exercises its privileges granted by the King of Denmark, mainly concerning the hunting and fishing of the indigenous people and the relief of the needy, engraved after a drawing by H.Castelli, to illustrate the story “” the land of desolation”” by Isaac J. Hayes, doctor embarked on the ship the panthere for a voyage to Greenland, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Castelli, H. (19th Century) / Bridgeman Images

ID: LSE4329433

A Greenlandic parliament, made up of twelve deputes (each wearing the official hat of their office, red and gold), exercises its privileges granted by the King of Denmark, mainly concerning the hunting and fishing of the indigenous people and the relief of the needy, engraved after a drawing by H.Castelli, to illustrate the story “” the land of desolation”” by Isaac J. Hayes, doctor embarked on the ship the panthere for a voyage to Greenland, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Castelli, H. (19th Century)

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329477

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.
Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.

LSE4329513: Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329513

Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329542: Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329542

Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329561: Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329561

Joguis fakirs, at the Bhopal Fair, are religious beggars who almost bare and their hair spars, walk around shouting and performing a kind of macabre dance, wielding long acere daggers trimmed with steel chainettes, which they sink hallucines into the chest, arms and thighs, until the gifts of auds They seem sufficient, etched after the drawing of A. de Neuville, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874
An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874

LSE4329639: An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874, Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4329639

An Indigo factory near Allahabad, engraving after E. Therond illustrating the journey of 184-68 by Louis Rousselet, published in Le Tour du Monde, 1874

Therond, Emile Theodore (b.1821)

View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329673: View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4329673

View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Therond, Emile Theodore (b.1821)

Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection
Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection

LSE4329912: Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection, Keller, Franz (19th century) / Bridgeman Images

ID: LSE4329912

Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection

Keller, Franz (19th century)

Indigenous baris (population of Sudan) weapons of bows and arrows, fleeing with the herds confiscated by Sir Baker, to prevent them from attacking other tribes in the region, in order to plunder them and enslavement, an engraving illustrating an armed expedition to Central Africa, for the suppression of the black trade, 1869 a 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Indigenous baris (population of Sudan) weapons of bows and arrows, fleeing with the herds confiscated by Sir Baker, to prevent them from attacking other tribes in the region, in order to plunder them and enslavement, an engraving illustrating an armed expedition to Central Africa, for the suppression of the black trade, 1869 a 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329931: Indigenous baris (population of Sudan) weapons of bows and arrows, fleeing with the herds confiscated by Sir Baker, to prevent them from attacking other tribes in the region, in order to plunder them and enslavement, an engraving illustrating an armed expedition to Central Africa, for the suppression of the black trade, 1869 a 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329931

Indigenous baris (population of Sudan) weapons of bows and arrows, fleeing with the herds confiscated by Sir Baker, to prevent them from attacking other tribes in the region, in order to plunder them and enslavement, an engraving illustrating an armed expedition to Central Africa, for the suppression of the black trade, 1869 a 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329992: La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329992

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329632: A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

ID: LSE4329632

A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Duvivier, A. (19th century)

Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329642: Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

ID: LSE4329642

Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Duvivier, A. (19th century)

The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329929: The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4329929

The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329792: The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329792

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Tragedians of a Pekinese theatre, specialising in historical and mythological dramas. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Tragedians of a Pekinese theatre, specialising in historical and mythological dramas. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330506: Tragedians of a Pekinese theatre, specialising in historical and mythological dramas. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330506

Tragedians of a Pekinese theatre, specialising in historical and mythological dramas. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330526: The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Fritel, Pierre (1853-1942) / Bridgeman Images

ID: LSE4330526

The Krivoscians, mountaineers of the Bouches de Cattaro (or Kotor, bay on the ocidental coast of Montenegro), weapons to resist the force of encroachment in the Austrian troops. Engraving after P.Fritel's drawing, to illustrate the voyage to Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Fritel, Pierre (1853-1942)

Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330554: Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330554

Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330587: Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330587

Page costumes and troubadour in the 13th century. Colour engraving after a drawing of the manuscript of the miracles of Saint Louis (Louis IX 1214-1270), in “France et les francais à travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330603: Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330603

Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Costume of lackey runner in the 15th century, charged with running in front of the carriage to free the road and announce the passage of a noble or lord. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume of lackey runner in the 15th century, charged with running in front of the carriage to free the road and announce the passage of a noble or lord. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330617: Costume of lackey runner in the 15th century, charged with running in front of the carriage to free the road and announce the passage of a noble or lord. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330617

Costume of lackey runner in the 15th century, charged with running in front of the carriage to free the road and announce the passage of a noble or lord. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330626: Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330626

Portrait of Henry II (1519-1559) King of France from 1547, in a light horse suit of the guard. Colour engraving after Wilhem's antiiquites, in “France et les francais a travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330645: Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330645

Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330691: Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., Lechevallier-Chevignard, Edmond (1825-1902) (after) / Bridgeman Images

ID: LSE4330691

Veneur's costume, in charge of hunting common dogs, in the 17th century. Colour engraving after a drawing by Lechevaller-Chevignard, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

Lechevallier-Chevignard, Edmond (1825-1902) (after)

Dalmatian pandours, 19th century (engraving)
Dalmatian pandours, 19th century (engraving)

LSE4330302: Dalmatian pandours, 19th century (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330302

Dalmatian pandours, 19th century (engraving)

Bayard, Emile Antoine (1837-91)

View of San Gimignano (Tuscany, Italy). Engraving after the drawing by Ph. Benoist, to illustrate the voyage to Tuscany and Umbria, by Francis Wey, in 1875, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
View of San Gimignano (Tuscany, Italy). Engraving after the drawing by Ph. Benoist, to illustrate the voyage to Tuscany and Umbria, by Francis Wey, in 1875, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330339: View of San Gimignano (Tuscany, Italy). Engraving after the drawing by Ph. Benoist, to illustrate the voyage to Tuscany and Umbria, by Francis Wey, in 1875, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Benoist, Philippe (1813-c.1905) / Bridgeman Images

ID: LSE4330339

View of San Gimignano (Tuscany, Italy). Engraving after the drawing by Ph. Benoist, to illustrate the voyage to Tuscany and Umbria, by Francis Wey, in 1875, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Benoist, Philippe (1813-c.1905)

The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330354: The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330354

The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330400: The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330400

The metropolitan eveque of the new cathedral of Athenes. Engraving after the drawing of E.Ronjat, to illustrate the voyage to Greece, by Henri Belle, in 1861-1868-1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330455: Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Houssot, Louis (1824-1890) / Bridgeman Images

ID: LSE4330455

Cartoon depicting American president Ulysses Grant (1822-1885), climbing on the shelves of Uncle Sam's officine to derober a jar of “third term””, spills a pot of habeas corpus (guarantee of personal freedom), caught on the fact, it is ushed by means of a stick mark “public opinion”. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Houssot, Louis (1824-1890)

The sugar merchant hitting a flat drum to draw attention to his dried apricots, candied apples and caramel berlingots, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The sugar merchant hitting a flat drum to draw attention to his dried apricots, candied apples and caramel berlingots, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330485: The sugar merchant hitting a flat drum to draw attention to his dried apricots, candied apples and caramel berlingots, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330485

The sugar merchant hitting a flat drum to draw attention to his dried apricots, candied apples and caramel berlingots, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after the drawing of E.Ronjat, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

L'embarras des conpotes, feminine headdresses. Colour engraving, after the fashion cabinet of Harlem, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
L'embarras des conpotes, feminine headdresses. Colour engraving, after the fashion cabinet of Harlem, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330710: L'embarras des conpotes, feminine headdresses. Colour engraving, after the fashion cabinet of Harlem, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4330710

L'embarras des conpotes, feminine headdresses. Colour engraving, after the fashion cabinet of Harlem, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

French School, (19th century)

Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection.
Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

LSE4330790: Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection., Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

ID: LSE4330790

Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

Bertall, Charles Albert d'Arnoux (1820-82)

The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection.
The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection.

LSE4330822: The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4330822

The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection.

Unknown photographer, (20th century)

L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection.
L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection.

LSE4330845: L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4330845

L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection.

French School, (20th century)

Illustration of Sara Ginst, representing a fighter F.F.I (Forces Francaises de l'Interieur), walking at the rhythm of her song, in front of a map of France marked with the cross of Lorraine (or cross of Anjou), emblem of free France. Cover of the libretto du “” chant des F.F.I.”, lyrics by Valentin Tarault, music by Camille Robert, Salabert edition, Paris. Selva Collection.
Illustration of Sara Ginst, representing a fighter F.F.I (Forces Francaises de l'Interieur), walking at the rhythm of her song, in front of a map of France marked with the cross of Lorraine (or cross of Anjou), emblem of free France. Cover of the libretto du “” chant des F.F.I.”, lyrics by Valentin Tarault, music by Camille Robert, Salabert edition, Paris. Selva Collection.

LSE4330854: Illustration of Sara Ginst, representing a fighter F.F.I (Forces Francaises de l'Interieur), walking at the rhythm of her song, in front of a map of France marked with the cross of Lorraine (or cross of Anjou), emblem of free France. Cover of the libretto du “” chant des F.F.I.”, lyrics by Valentin Tarault, music by Camille Robert, Salabert edition, Paris. Selva Collection., Ginst, Sarah (20th century) / Bridgeman Images

ID: LSE4330854

Illustration of Sara Ginst, representing a fighter F.F.I (Forces Francaises de l'Interieur), walking at the rhythm of her song, in front of a map of France marked with the cross of Lorraine (or cross of Anjou), emblem of free France. Cover of the libretto du “” chant des F.F.I.”, lyrics by Valentin Tarault, music by Camille Robert, Salabert edition, Paris. Selva Collection.

Ginst, Sarah (20th century)

The collection of olives in the Amphissa region, drawing by E.Guillaume, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The collection of olives in the Amphissa region, drawing by E.Guillaume, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330974: The collection of olives in the Amphissa region, drawing by E.Guillaume, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Guillaume, Eugene (1822-1905) / Bridgeman Images

ID: LSE4330974

The collection of olives in the Amphissa region, drawing by E.Guillaume, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Guillaume, Eugene (1822-1905)


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