XJF396098:
Mademoiselle Victoire Balfe (1837-71) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images
ID: XJF396098
Mademoiselle Victoire Balfe (1837-71) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Mayall, John Jabez Edwin Paisley (1813-1901) (after)
XJF396612:
A London Knife Grinder, 1894 (b/w photo), Martin, Paul (1864-1942) / Bridgeman Images
ID: XJF396612
A London Knife Grinder, 1894 (b/w photo)
Martin, Paul (1864-1942)
XJF396619:
The Jubilee in the East- An Allegory, 1887 (litho), Durand, Godefroy (1832-96) / Bridgeman Images
ID: XJF396619
The Jubilee in the East- An Allegory, 1887 (litho)
XJF396637:
The House of Mercy, Clewer (engraving), English School, (19th century) / Bridgeman Images
ID: XJF396637
The House of Mercy, Clewer (engraving)
English School, (19th century)
XJF396643:
William Smith O'Brien, lithograph by Henry O'Neil, 1848 (litho), Irish Photographer (19th century) (after) / Bridgeman Images
ID: XJF396643
William Smith O'Brien, lithograph by Henry O'Neil, 1848 (litho)
Irish Photographer (19th century) (after)
XJF396646:
Brampton Park, Huntingdonshire, 1852 (litho), Austin, John Sunman (c.1806-60) / Bridgeman Images
ID: XJF396646
Brampton Park, Huntingdonshire, 1852 (litho)
Austin, John Sunman (c.1806-60)
XJF396649:
Cornelius Jansen, Bishop of Ypres (etching), Morin, Jean (1600-50) / Bridgeman Images
ID: XJF396649
Cornelius Jansen, Bishop of Ypres (etching)
Morin, Jean (1600-50)
XJF396654:
Andrea Doria (engraving), French School, (16th century) / Bridgeman Images
ID: XJF396654
Andrea Doria (engraving)
French School, (16th century)
XJF396661:
Peking, an illustration from Jan Nieuhof's 'An Embassy to China', published 1665 (engraving), Ogilby, John (1600-1676) / Bridgeman Images
ID: XJF396661
Peking, an illustration from Jan Nieuhof's 'An Embassy to China', published 1665 (engraving)
Ogilby, John (1600-1676)
XJF396663:
Nicola Cosimo, engraved by John Smith, 1706 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images
ID: XJF396663
Nicola Cosimo, engraved by John Smith, 1706 (engraving)
Kneller, Godfrey (1646-1723) (after)
XJF396668:
Ferdinand II, Holy Roman Emperor, engraved by Pieter van Sompel, 1644 (engraving), Soutman, Pieter Claesz (c.1593-1657) (after) / Bridgeman Images
ID: XJF396668
Ferdinand II, Holy Roman Emperor, engraved by Pieter van Sompel, 1644 (engraving)
Soutman, Pieter Claesz (c.1593-1657) (after)
XJF396679:
Maximilian II Emanuel, Elector of Bavaria, engraved by Cornelis Vermeulen (engraving), Vivien, Joseph (1657-1734) (after) / Bridgeman Images
ID: XJF396679
Maximilian II Emanuel, Elector of Bavaria, engraved by Cornelis Vermeulen (engraving)
Vivien, Joseph (1657-1734) (after)
XJF396687:
Friedrich II, King of Prussia, 1797 (engraving), Graff, Anton (1736-1813) (after) / Bridgeman Images
ID: XJF396687
Friedrich II, King of Prussia, 1797 (engraving)
Graff, Anton (1736-1813) (after)
XCF397305:
St. Thomas's Hospital, Southwark, London (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images
ID: XCF397305
St. Thomas's Hospital, Southwark, London (w/c on paper)
Shepherd, Thomas Hosmer (1792-1864)
XJF397600:
England, Plate II of 'The Invasion', 1756 (engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: XJF397600
England, Plate II of 'The Invasion', 1756 (engraving)
Hogarth, William (1697-1764)
XJF397655:
Portrait of Sir John More (c.1451-1530), engraved by W.T.Mote (engraving), Vermeyen, Jan Cornelisz (1500-1559) (after) / Bridgeman Images
ID: XJF397655
Portrait of Sir John More (c.1451-1530), engraved by W.T.Mote (engraving)
Vermeyen, Jan Cornelisz (1500-1559) (after)
XJF397977:
'Les Saltimbanques', illustration from 'La caricature' magazine, 28 April 1839 (litho), Daumier, Honore (1808-79) / Bridgeman Images
ID: XJF397977
'Les Saltimbanques', illustration from 'La caricature' magazine, 28 April 1839 (litho)
Daumier, Honore (1808-79)
XJF468501:
Title Page for 'A Treatise on Adulterations of Food and Culinary Poisons' by Frederick Accum, published 1820 (printed paper), English School, (19th century) / Bridgeman Images
ID: XJF468501
Title Page for 'A Treatise on Adulterations of Food and Culinary Poisons' by Frederick Accum, published 1820 (printed paper)
English School, (19th century)
XJF468503:
Title Page for 'E. Kidder's Receipts of Pastry and Cookery', by Edward Kidder, published c.1730 (engraving), English School, (18th century) / Bridgeman Images
ID: XJF468503
Title Page for 'E. Kidder's Receipts of Pastry and Cookery', by Edward Kidder, published c.1730 (engraving)
English School, (18th century)
XJF468514:
William Butler, after an original portrait at Clare Hall, Cambridge, 1620 (engraving), English School, (17th century) / Bridgeman Images
ID: XJF468514
William Butler, after an original portrait at Clare Hall, Cambridge, 1620 (engraving)
English School, (17th century)
XJF468516:
Francois Rabelais (engraving), Lasne, Michel (1590-1667) / Bridgeman Images
ID: XJF468516
Francois Rabelais (engraving)
Lasne, Michel (1590-1667)
XJF468550:
Architectural Details of Grecian Chambers, 336-356 Sauchiehall Street, Glasgow, designed by Alexander 'Greek' Thomson, 1869 (engraving), Scottish School, (19th century) / Bridgeman Images
ID: XJF468550
Architectural Details of Grecian Chambers, 336-356 Sauchiehall Street, Glasgow, designed by Alexander 'Greek' Thomson, 1869 (engraving)
Scottish School, (19th century)
XJF468557:
The New Iron and Glass Warehouse at Glasgow, c.1856 (engraving), Scottish School, (19th century) / Bridgeman Images
ID: XJF468557
The New Iron and Glass Warehouse at Glasgow, c.1856 (engraving)
The Grecian Building, 336-56 Sauchiehall Street, Glasgow (engraving)
Scottish School, (19th century)
XJF468560:
Kirkoswald and Tam O'Shanter's Grave, engraved by W. Richardson, illustration from 'The Land of Burns - A series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet', published 1846 (engraving), Hill, David Octavius (1802-70) / Bridgeman Images
ID: XJF468560
Kirkoswald and Tam O'Shanter's Grave, engraved by W. Richardson, illustration from 'The Land of Burns - A series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet', published 1846 (engraving)
Hill, David Octavius (1802-70)
XJF468567:
Bridge of Doon, engraved by G. K. Richardson (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images
ID: XJF468567
Bridge of Doon, engraved by G. K. Richardson (engraving)
Bartlett, William Henry (1809-54) (after)
XJF468568:
Coilsfield, engraved by J. Giles, illustration from 'Land of Burns' by John Wilson, published 1840 (engraving), Hill, David Octavius (1802-70) (after) / Bridgeman Images
ID: XJF468568
Coilsfield, engraved by J. Giles, illustration from 'Land of Burns' by John Wilson, published 1840 (engraving)
Hill, David Octavius (1802-70) (after)
XJF468569:
Exchange Buildings, Leith, engraved by T. Higham, 1830 (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images
ID: XJF468569
Exchange Buildings, Leith, engraved by T. Higham, 1830 (engraving)
XJF472212:
Temptation of Eve by the serpent (litho), Tissot, James Jacques Joseph (1836-1902) (after) / Bridgeman Images
ID: XJF472212
Temptation of Eve by the serpent (litho)
Tissot, James Jacques Joseph (1836-1902) (after)
XJF472213:
Adam and Eve, illustration from John Lydgate's translation of Boccaccio’s 'De Casibus Virorum Illustrium', 1527 (woodcut), English School, (15th century) / Bridgeman Images
ID: XJF472213
Adam and Eve, illustration from John Lydgate's translation of Boccaccio’s 'De Casibus Virorum Illustrium', 1527 (woodcut)
English School, (15th century)
XJF472229:
Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut), Schaufelein, Hans Leonard (c.1480-c.1539) (after) / Bridgeman Images
ID: XJF472229
Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut)
Schaufelein, Hans Leonard (c.1480-c.1539) (after)
XJF472230:
Creation, first page of Genesis, from the Lugduni Bible, 1538 (woodcut), Italian School, (16th century) / Bridgeman Images
ID: XJF472230
Creation, first page of Genesis, from the Lugduni Bible, 1538 (woodcut)
Italian School, (16th century)
XJF472238:
Pride comes before a Fall, c.1600 (engraving), Goltzius, Conraad (c.1560-1617) / Bridgeman Images