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Mademoiselle Victoire Balfe (1837-71) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Mademoiselle Victoire Balfe (1837-71) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

XJF396098: Mademoiselle Victoire Balfe (1837-71) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

A London Knife Grinder, 1894 (b/w photo)
A London Knife Grinder, 1894 (b/w photo)

XJF396612: A London Knife Grinder, 1894 (b/w photo), Martin, Paul (1864-1942) / Bridgeman Images

The Jubilee in the East- An Allegory, 1887 (litho)
The Jubilee in the East- An Allegory, 1887 (litho)

XJF396619: The Jubilee in the East- An Allegory, 1887 (litho), Durand, Godefroy (1832-96) / Bridgeman Images

Valentine Baker (b/w photo)
Valentine Baker (b/w photo)

XJF396628: Valentine Baker (b/w photo), English Photographer, (19th century) / Bridgeman Images

The House of Mercy, Clewer (engraving)
The House of Mercy, Clewer (engraving)

XJF396637: The House of Mercy, Clewer (engraving), English School, (19th century) / Bridgeman Images

William Smith O'Brien, lithograph by Henry O'Neil, 1848 (litho)
William Smith O'Brien, lithograph by Henry O'Neil, 1848 (litho)

XJF396643: William Smith O'Brien, lithograph by Henry O'Neil, 1848 (litho), Irish Photographer (19th century) (after) / Bridgeman Images

Brampton Park, Huntingdonshire, 1852 (litho)
Brampton Park, Huntingdonshire, 1852 (litho)

XJF396646: Brampton Park, Huntingdonshire, 1852 (litho), Austin, John Sunman (c.1806-60) / Bridgeman Images

Cornelius Jansen, Bishop of Ypres (etching)
Cornelius Jansen, Bishop of Ypres (etching)

XJF396649: Cornelius Jansen, Bishop of Ypres (etching), Morin, Jean (1600-50) / Bridgeman Images

Andrea Doria (engraving)
Andrea Doria (engraving)

XJF396654: Andrea Doria (engraving), French School, (16th century) / Bridgeman Images

Peking, an illustration from Jan Nieuhof's 'An Embassy to China', published 1665 (engraving)
Peking, an illustration from Jan Nieuhof's 'An Embassy to China', published 1665 (engraving)

XJF396661: Peking, an illustration from Jan Nieuhof's 'An Embassy to China', published 1665 (engraving), Ogilby, John (1600-1676) / Bridgeman Images

Nicola Cosimo, engraved by John Smith, 1706 (engraving)
Nicola Cosimo, engraved by John Smith, 1706 (engraving)

XJF396663: Nicola Cosimo, engraved by John Smith, 1706 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

Ferdinand II, Holy Roman Emperor, engraved by Pieter van Sompel, 1644 (engraving)
Ferdinand II, Holy Roman Emperor, engraved by Pieter van Sompel, 1644 (engraving)

XJF396668: Ferdinand II, Holy Roman Emperor, engraved by Pieter van Sompel, 1644 (engraving), Soutman, Pieter Claesz (c.1593-1657) (after) / Bridgeman Images

Maximilian II Emanuel, Elector of Bavaria, engraved by Cornelis Vermeulen (engraving)
Maximilian II Emanuel, Elector of Bavaria, engraved by Cornelis Vermeulen (engraving)

XJF396679: Maximilian II Emanuel, Elector of Bavaria, engraved by Cornelis Vermeulen (engraving), Vivien, Joseph (1657-1734) (after) / Bridgeman Images

Friedrich II, King of Prussia, 1797 (engraving)
Friedrich II, King of Prussia, 1797 (engraving)

XJF396687: Friedrich II, King of Prussia, 1797 (engraving), Graff, Anton (1736-1813) (after) / Bridgeman Images

St. Thomas's Hospital, Southwark, London (w/c on paper)
St. Thomas's Hospital, Southwark, London (w/c on paper)

XCF397305: St. Thomas's Hospital, Southwark, London (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

England, Plate II of 'The Invasion', 1756 (engraving)
England, Plate II of 'The Invasion', 1756 (engraving)

XJF397600: England, Plate II of 'The Invasion', 1756 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Portrait of Sir John More (c.1451-1530), engraved by W.T.Mote (engraving)
Portrait of Sir John More (c.1451-1530), engraved by W.T.Mote (engraving)

XJF397655: Portrait of Sir John More (c.1451-1530), engraved by W.T.Mote (engraving), Vermeyen, Jan Cornelisz (1500-1559) (after) / Bridgeman Images

'Les Saltimbanques', illustration from 'La caricature' magazine, 28 April 1839 (litho)
'Les Saltimbanques', illustration from 'La caricature' magazine, 28 April 1839 (litho)

XJF397977: 'Les Saltimbanques', illustration from 'La caricature' magazine, 28 April 1839 (litho), Daumier, Honore (1808-79) / Bridgeman Images

Title Page for 'A Treatise on Adulterations of Food and Culinary Poisons' by Frederick Accum, published 1820 (printed paper)
Title Page for 'A Treatise on Adulterations of Food and Culinary Poisons' by Frederick Accum, published 1820 (printed paper)

XJF468501: Title Page for 'A Treatise on Adulterations of Food and Culinary Poisons' by Frederick Accum, published 1820 (printed paper), English School, (19th century) / Bridgeman Images

Title Page for 'E. Kidder's Receipts of Pastry and Cookery', by Edward Kidder, published c.1730 (engraving)
Title Page for 'E. Kidder's Receipts of Pastry and Cookery', by Edward Kidder, published c.1730 (engraving)

XJF468503: Title Page for 'E. Kidder's Receipts of Pastry and Cookery', by Edward Kidder, published c.1730 (engraving), English School, (18th century) / Bridgeman Images

William Butler, after an original portrait at Clare Hall, Cambridge, 1620 (engraving)
William Butler, after an original portrait at Clare Hall, Cambridge, 1620 (engraving)

XJF468514: William Butler, after an original portrait at Clare Hall, Cambridge, 1620 (engraving), English School, (17th century) / Bridgeman Images

Francois Rabelais (engraving)
Francois Rabelais (engraving)

XJF468516: Francois Rabelais (engraving), Lasne, Michel (1590-1667) / Bridgeman Images

Architectural Details of Grecian Chambers, 336-356 Sauchiehall Street, Glasgow, designed by Alexander 'Greek' Thomson, 1869 (engraving)
Architectural Details of Grecian Chambers, 336-356 Sauchiehall Street, Glasgow, designed by Alexander 'Greek' Thomson, 1869 (engraving)

XJF468550: Architectural Details of Grecian Chambers, 336-356 Sauchiehall Street, Glasgow, designed by Alexander 'Greek' Thomson, 1869 (engraving), Scottish School, (19th century) / Bridgeman Images

The New Iron and Glass Warehouse at Glasgow, c.1856 (engraving)
The New Iron and Glass Warehouse at Glasgow, c.1856 (engraving)

XJF468557: The New Iron and Glass Warehouse at Glasgow, c.1856 (engraving), Scottish School, (19th century) / Bridgeman Images

The Grecian Building, 336-56 Sauchiehall Street, Glasgow (engraving)
The Grecian Building, 336-56 Sauchiehall Street, Glasgow (engraving)

XJF468558: The Grecian Building, 336-56 Sauchiehall Street, Glasgow (engraving), Scottish School, (19th century) / Bridgeman Images

Kirkoswald and Tam O'Shanter's Grave, engraved by W. Richardson, illustration from 'The Land of Burns - A series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet', published 1846 (engraving)
Kirkoswald and Tam O'Shanter's Grave, engraved by W. Richardson, illustration from 'The Land of Burns - A series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet', published 1846 (engraving)

XJF468560: Kirkoswald and Tam O'Shanter's Grave, engraved by W. Richardson, illustration from 'The Land of Burns - A series of Landscapes and Portraits, Illustrative of the Life and Writings of the Scottish Poet', published 1846 (engraving), Hill, David Octavius (1802-70) / Bridgeman Images

Bridge of Doon, engraved by G. K. Richardson (engraving)
Bridge of Doon, engraved by G. K. Richardson (engraving)

XJF468567: Bridge of Doon, engraved by G. K. Richardson (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Coilsfield, engraved by J. Giles, illustration from 'Land of Burns' by John Wilson, published 1840 (engraving)
Coilsfield, engraved by J. Giles, illustration from 'Land of Burns' by John Wilson, published 1840 (engraving)

XJF468568: Coilsfield, engraved by J. Giles, illustration from 'Land of Burns' by John Wilson, published 1840 (engraving), Hill, David Octavius (1802-70) (after) / Bridgeman Images

Exchange Buildings, Leith, engraved by T. Higham, 1830 (engraving)
Exchange Buildings, Leith, engraved by T. Higham, 1830 (engraving)

XJF468569: Exchange Buildings, Leith, engraved by T. Higham, 1830 (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images

Circus Performers (b/w photo)
Circus Performers (b/w photo)

XJF468575: Circus Performers (b/w photo), English Photographer, (19th century) / Bridgeman Images

Pieta, engraved by Giulio Bonasone (engraving)
Pieta, engraved by Giulio Bonasone (engraving)

XJF472191: Pieta, engraved by Giulio Bonasone (engraving), Buonarroti, Michelangelo (1475-1564) (after) / Bridgeman Images

Temptation of Eve by the serpent (litho)
Temptation of Eve by the serpent (litho)

XJF472212: Temptation of Eve by the serpent (litho), Tissot, James Jacques Joseph (1836-1902) (after) / Bridgeman Images

Adam and Eve, illustration from John Lydgate's translation of Boccaccio’s 'De Casibus Virorum Illustrium', 1527 (woodcut)
Adam and Eve, illustration from John Lydgate's translation of Boccaccio’s 'De Casibus Virorum Illustrium', 1527 (woodcut)

XJF472213: Adam and Eve, illustration from John Lydgate's translation of Boccaccio’s 'De Casibus Virorum Illustrium', 1527 (woodcut), English School, (15th century) / Bridgeman Images

Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut)
Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut)

XJF472229: Broadside on the withdrawal of the wild men of the woods from a world that has changed for the worse, woodcut made by Hans Guldenmundt, 1545 (woodcut), Schaufelein, Hans Leonard (c.1480-c.1539) (after) / Bridgeman Images

Creation, first page of Genesis, from the Lugduni Bible, 1538 (woodcut)
Creation, first page of Genesis, from the Lugduni Bible, 1538 (woodcut)

XJF472230: Creation, first page of Genesis, from the Lugduni Bible, 1538 (woodcut), Italian School, (16th century) / Bridgeman Images

Pride comes before a Fall, c.1600 (engraving)
Pride comes before a Fall, c.1600 (engraving)

XJF472238: Pride comes before a Fall, c.1600 (engraving), Goltzius, Conraad (c.1560-1617) / Bridgeman Images


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