1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

792458 Search Results

Friedrich I of Prussia, 1692 (engraving)
Friedrich I of Prussia, 1692 (engraving)

XJF396693: Friedrich I of Prussia, 1692 (engraving), German School, (17th century) / Bridgeman Images

ID: XJF396693

Friedrich I of Prussia, 1692 (engraving)

German School, (17th century)

Karl August, Grand Duke of Saxe-Weimar-Eisenach (engraving)
Karl August, Grand Duke of Saxe-Weimar-Eisenach (engraving)

XJF396695: Karl August, Grand Duke of Saxe-Weimar-Eisenach (engraving), German School, (19th century) / Bridgeman Images

ID: XJF396695

Karl August, Grand Duke of Saxe-Weimar-Eisenach (engraving)

German School, (19th century)

Garden of St. Thomas's Hospital, Southwark, London (w/c on paper)
Garden of St. Thomas's Hospital, Southwark, London (w/c on paper)

XCF397301: Garden of St. Thomas's Hospital, Southwark, London (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

ID: XCF397301

Garden of St. Thomas's Hospital, Southwark, London (w/c on paper)

Shepherd, Thomas Hosmer (1792-1864)

The Bench, 1758 (engraving)
The Bench, 1758 (engraving)

XJF397610: The Bench, 1758 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397610

The Bench, 1758 (engraving)

Hogarth, William (1697-1764)

A Harlot's Progress, Plate III,, 1732 (engraving)
A Harlot's Progress, Plate III,, 1732 (engraving)

XJF397612: A Harlot's Progress, Plate III,, 1732 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397612

A Harlot's Progress, Plate III,, 1732 (engraving)

Hogarth, William (1697-1764)

Scene II: The Rake's Levee, 1735 (engraving)
Scene II: The Rake's Levee, 1735 (engraving)

XJF397621: Scene II: The Rake's Levee, 1735 (engraving), Hogarth, William (1697-1764) (after) / Bridgeman Images

ID: XJF397621

Scene II: The Rake's Levee, 1735 (engraving)

Hogarth, William (1697-1764) (after)

Masquerades and Operas, Burlington Gate, 1724 (engraving)
Masquerades and Operas, Burlington Gate, 1724 (engraving)

XJF397627: Masquerades and Operas, Burlington Gate, 1724 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397627

Masquerades and Operas, Burlington Gate, 1724 (engraving)

Hogarth, William (1697-1764)

The Distressed Poet, 1740 (engraving)
The Distressed Poet, 1740 (engraving)

XJF397630: The Distressed Poet, 1740 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397630

The Distressed Poet, 1740 (engraving)

Hogarth, William (1697-1764)

Clara Novello (1818-1908) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Clara Novello (1818-1908) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

XJF397675: Clara Novello (1818-1908) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: XJF397675

Clara Novello (1818-1908) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Madame Caroline Marie Felix Miolan-Carvalho (c.1827-95) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Madame Caroline Marie Felix Miolan-Carvalho (c.1827-95) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

XJF397677: Madame Caroline Marie Felix Miolan-Carvalho (c.1827-95) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: XJF397677

Madame Caroline Marie Felix Miolan-Carvalho (c.1827-95) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (engraving)
Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (engraving)

XJF397683: Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (engraving), Back, George (1796-1878) (after) / Bridgeman Images

ID: XJF397683

Launching Boats across a Reef opposite to Mount Conybeare, from 'Narrative of a Journey to the Shores of the Polar Sea in the Years 1819-22' by Sir John Franklin (1786-1847) engraved by Edward Finden (1791-1857) published 1823-28 (engraving)

Back, George (1796-1878) (after)

The Wine Harvest (engraving)
The Wine Harvest (engraving)

XJF397696: The Wine Harvest (engraving), French School, (17th century) / Bridgeman Images

ID: XJF397696

The Wine Harvest (engraving)

French School, (17th century)

Oratory Chappel, c.1746 (etching)
Oratory Chappel, c.1746 (etching)

XJF397698: Oratory Chappel, c.1746 (etching), Hogarth, William (1697-1764) (after) / Bridgeman Images

ID: XJF397698

Oratory Chappel, c.1746 (etching)

Hogarth, William (1697-1764) (after)

Portrait of Erasmus (engraving)
Portrait of Erasmus (engraving)

XJF397965: Portrait of Erasmus (engraving), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF397965

Portrait of Erasmus (engraving)

Holbein the Younger, Hans (1497/8-1543) (after)

Caricature of visitors to an Art Exhibition before a painting by Gustave Moreau, from 'Le Charivari', 3 June, 1864 (litho)
Caricature of visitors to an Art Exhibition before a painting by Gustave Moreau, from 'Le Charivari', 3 June, 1864 (litho)

XJF397987: Caricature of visitors to an Art Exhibition before a painting by Gustave Moreau, from 'Le Charivari', 3 June, 1864 (litho), Daumier, Honore (1808-79) / Bridgeman Images

ID: XJF397987

Caricature of visitors to an Art Exhibition before a painting by Gustave Moreau, from 'Le Charivari', 3 June, 1864 (litho)

Daumier, Honore (1808-79)

Titlepage to 'The Whole Works of Homer' translated by George Chapman, published in 1614-16 (engraving)
Titlepage to 'The Whole Works of Homer' translated by George Chapman, published in 1614-16 (engraving)

XJF400601: Titlepage to 'The Whole Works of Homer' translated by George Chapman, published in 1614-16 (engraving), Hole, William (fl. 1607-24) / Bridgeman Images

ID: XJF400601

Titlepage to 'The Whole Works of Homer' translated by George Chapman, published in 1614-16 (engraving)

Hole, William (fl. 1607-24)

Pectoral, Quimbaya (gold)
Pectoral, Quimbaya (gold)

XBP350976: Pectoral, Quimbaya (gold), Pre-Columbian / Bridgeman Images

ID: XBP350976

Pectoral, Quimbaya (gold)

Pre-Columbian

The Confession (oil on canvas)
The Confession (oil on canvas)

XAB351651: The Confession (oil on canvas), Novoskoltsev, Alexander Nikanorovich (1853-1919) / Bridgeman Images

ID: XAB351651

The Confession (oil on canvas)

Novoskoltsev, Alexander Nikanorovich (1853-1919)

Erecting the Ancient Egyptian Obelisk in St. Peter's Square (engraving)
Erecting the Ancient Egyptian Obelisk in St. Peter's Square (engraving)

XJF354205: Erecting the Ancient Egyptian Obelisk in St. Peter's Square (engraving), Fontana, Carlo (c.1636-1714) (after) / Bridgeman Images

ID: XJF354205

Erecting the Ancient Egyptian Obelisk in St. Peter's Square (engraving)

Fontana, Carlo (c.1636-1714) (after)

Joanna Southcott, 1812 (engraving)
Joanna Southcott, 1812 (engraving)

XJF354216: Joanna Southcott, 1812 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF354216

Joanna Southcott, 1812 (engraving)

English School, (19th century)

Mary Ethel Gill, 1940 (pencil & sanguine on paper)
Mary Ethel Gill, 1940 (pencil & sanguine on paper)

XJF354231: Mary Ethel Gill, 1940 (pencil & sanguine on paper), Gill, Eric (1882-1940) / Bridgeman Images

ID: XJF354231

Mary Ethel Gill, 1940 (pencil & sanguine on paper)

Gill, Eric (1882-1940)

The exterior of Issac's House being painted, 1843 (pencil on paper)
The exterior of Issac's House being painted, 1843 (pencil on paper)

XJF354235: The exterior of Issac's House being painted, 1843 (pencil on paper), Scharf, George the Elder (1788-1860) / Bridgeman Images

ID: XJF354235

The exterior of Issac's House being painted, 1843 (pencil on paper)

Scharf, George the Elder (1788-1860)

Digging a hole for the foundations of the Royal College of Surgeons, 1834 (w/c on paper)
Digging a hole for the foundations of the Royal College of Surgeons, 1834 (w/c on paper)

XJF354237: Digging a hole for the foundations of the Royal College of Surgeons, 1834 (w/c on paper), Scharf, George the Elder (1788-1860) / Bridgeman Images

ID: XJF354237

Digging a hole for the foundations of the Royal College of Surgeons, 1834 (w/c on paper)

Scharf, George the Elder (1788-1860)

Moving the Iron Girders used to construct the Hunterian Museum at the Royal College of Surgeons, 1835 (pencil on paper)
Moving the Iron Girders used to construct the Hunterian Museum at the Royal College of Surgeons, 1835 (pencil on paper)

XJF354239: Moving the Iron Girders used to construct the Hunterian Museum at the Royal College of Surgeons, 1835 (pencil on paper), Scharf, George the Elder (1788-1860) / Bridgeman Images

ID: XJF354239

Moving the Iron Girders used to construct the Hunterian Museum at the Royal College of Surgeons, 1835 (pencil on paper)

Scharf, George the Elder (1788-1860)

The introduction of split cane brooms for London street sweepers, 1840 (pencil on paper)
The introduction of split cane brooms for London street sweepers, 1840 (pencil on paper)

XJF354252: The introduction of split cane brooms for London street sweepers, 1840 (pencil on paper), Scharf, George the Elder (1788-1860) / Bridgeman Images

ID: XJF354252

The introduction of split cane brooms for London street sweepers, 1840 (pencil on paper)

Scharf, George the Elder (1788-1860)

Delivering Dinner, 1841 (pencil on paper)
Delivering Dinner, 1841 (pencil on paper)

XJF354257: Delivering Dinner, 1841 (pencil on paper), Scharf, George the Elder (1788-1860) / Bridgeman Images

ID: XJF354257

Delivering Dinner, 1841 (pencil on paper)

Scharf, George the Elder (1788-1860)

Riddling Cinders, War Office photographs, 1916 (b/w photo)
Riddling Cinders, War Office photographs, 1916 (b/w photo)

XJF425321: Riddling Cinders, War Office photographs, 1916 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF425321

Riddling Cinders, War Office photographs, 1916 (b/w photo)

English Photographer, (20th century)

A Charterhouse Schoolroom (engraving)
A Charterhouse Schoolroom (engraving)

XJF425352: A Charterhouse Schoolroom (engraving), English School, (19th century) / Bridgeman Images

ID: XJF425352

A Charterhouse Schoolroom (engraving)

English School, (19th century)

Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)
Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)

XJF425354: Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving), Smith, Charles John (1803-38) / Bridgeman Images

ID: XJF425354

Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)

Smith, Charles John (1803-38)

A Leicester Tup, engraved by Thomas Landseer (engraving)
A Leicester Tup, engraved by Thomas Landseer (engraving)

XJF425364: A Leicester Tup, engraved by Thomas Landseer (engraving), Sheriff, John (1816-44) (after) / Bridgeman Images

ID: XJF425364

A Leicester Tup, engraved by Thomas Landseer (engraving)

Sheriff, John (1816-44) (after)

Wimbledon election contrasts, 1907 (b/w photo)
Wimbledon election contrasts, 1907 (b/w photo)

XJF425375: Wimbledon election contrasts, 1907 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF425375

Wimbledon election contrasts, 1907 (b/w photo)

English Photographer, (20th century)

Ann Siggs, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', published in 1819 (engraving)
Ann Siggs, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', published in 1819 (engraving)

XJF425387: Ann Siggs, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', published in 1819 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF425387

Ann Siggs, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', published in 1819 (engraving)

English School, (19th century)

The Miraculous Intervention of St. James the Apostle in the Conquest of the Americas (woodcut)
The Miraculous Intervention of St. James the Apostle in the Conquest of the Americas (woodcut)

XJF425615: The Miraculous Intervention of St. James the Apostle in the Conquest of the Americas (woodcut), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

ID: XJF425615

The Miraculous Intervention of St. James the Apostle in the Conquest of the Americas (woodcut)

Poma de Ayala, Felipe Huaman (1526-1613)

Death of Cardinal Beaufort, illustration from Shakespeare's 'Henry VI', 1772 (pen, ink & wash on paper)
Death of Cardinal Beaufort, illustration from Shakespeare's 'Henry VI', 1772 (pen, ink & wash on paper)

XJF425650: Death of Cardinal Beaufort, illustration from Shakespeare's 'Henry VI', 1772 (pen, ink & wash on paper), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

ID: XJF425650

Death of Cardinal Beaufort, illustration from Shakespeare's 'Henry VI', 1772 (pen, ink & wash on paper)

Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825)

A Mother with her Family in the Country, engraved by Richard Rhodes, 1807 (engraving)
A Mother with her Family in the Country, engraved by Richard Rhodes, 1807 (engraving)

XJF425653: A Mother with her Family in the Country, engraved by Richard Rhodes, 1807 (engraving), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after) / Bridgeman Images

ID: XJF425653

A Mother with her Family in the Country, engraved by Richard Rhodes, 1807 (engraving)

Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after)

The Sebra, or Wild Ass, engraved by George Townley Stubbs, 1771 (mezzotint)
The Sebra, or Wild Ass, engraved by George Townley Stubbs, 1771 (mezzotint)

XJF425656: The Sebra, or Wild Ass, engraved by George Townley Stubbs, 1771 (mezzotint), Stubbs, George (1724-1806) (after) / Bridgeman Images

ID: XJF425656

The Sebra, or Wild Ass, engraved by George Townley Stubbs, 1771 (mezzotint)

Stubbs, George (1724-1806) (after)


Back to top