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Reception of James II in Dublin, published in 'Cassell's Illustrated History of England, vol IV', 1874 (engraving)
Reception of James II in Dublin, published in 'Cassell's Illustrated History of England, vol IV', 1874 (engraving)

XJF441201: Reception of James II in Dublin, published in 'Cassell's Illustrated History of England, vol IV', 1874 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF441201

Reception of James II in Dublin, published in 'Cassell's Illustrated History of England, vol IV', 1874 (engraving)

English School, (19th century)

Title Page for 'The Boke of Phyllyp Sparowe' by John Skelton, published c.1550 (printed paper)
Title Page for 'The Boke of Phyllyp Sparowe' by John Skelton, published c.1550 (printed paper)

XJF441211: Title Page for 'The Boke of Phyllyp Sparowe' by John Skelton, published c.1550 (printed paper), English School, (16th century) / Bridgeman Images

ID: XJF441211

Title Page for 'The Boke of Phyllyp Sparowe' by John Skelton, published c.1550 (printed paper)

English School, (16th century)

Publishing contract between Joseph Sheridan Le Fanu and Richard Bentley for 'The Chronicles of Golden Friars', 1870 (ink on paper)
Publishing contract between Joseph Sheridan Le Fanu and Richard Bentley for 'The Chronicles of Golden Friars', 1870 (ink on paper)

XJF441217: Publishing contract between Joseph Sheridan Le Fanu and Richard Bentley for 'The Chronicles of Golden Friars', 1870 (ink on paper), English School, (19th century) / Bridgeman Images

ID: XJF441217

Publishing contract between Joseph Sheridan Le Fanu and Richard Bentley for 'The Chronicles of Golden Friars', 1870 (ink on paper)

English School, (19th century)

Title Page for 'Colin Cloute' by John Skelton, published c.1550 (printed paper)
Title Page for 'Colin Cloute' by John Skelton, published c.1550 (printed paper)

XJF441218: Title Page for 'Colin Cloute' by John Skelton, published c.1550 (printed paper), English School, (16th century) / Bridgeman Images

ID: XJF441218

Title Page for 'Colin Cloute' by John Skelton, published c.1550 (printed paper)

English School, (16th century)

James Hervey, engraved by John Dixon, c.1770 (mezzotint)
James Hervey, engraved by John Dixon, c.1770 (mezzotint)

XJF441236: James Hervey, engraved by John Dixon, c.1770 (mezzotint), Williams, J. (18th century) (after) / Bridgeman Images

ID: XJF441236

James Hervey, engraved by John Dixon, c.1770 (mezzotint)

Williams, J. (18th century) (after)

Home of Dick Whittington, South East View of the Old House lately standing in Sweedon's Passage, Grubb Street, 1811 (engraving)
Home of Dick Whittington, South East View of the Old House lately standing in Sweedon's Passage, Grubb Street, 1811 (engraving)

XJF441254: Home of Dick Whittington, South East View of the Old House lately standing in Sweedon's Passage, Grubb Street, 1811 (engraving), Smith, John Thomas (1766-1833) / Bridgeman Images

ID: XJF441254

Home of Dick Whittington, South East View of the Old House lately standing in Sweedon's Passage, Grubb Street, 1811 (engraving)

Smith, John Thomas (1766-1833)

At the Baths of Rosenlaui- July, c.1867 (pencil on paper)
At the Baths of Rosenlaui- July, c.1867 (pencil on paper)

XJF441265: At the Baths of Rosenlaui- July, c.1867 (pencil on paper), Manley Hopkins, Gerard (1844-1889) / Bridgeman Images

ID: XJF441265

At the Baths of Rosenlaui- July, c.1867 (pencil on paper)

Manley Hopkins, Gerard (1844-1889)

The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving)
The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving)

XJF441266: The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF441266

The New Reading-Room, British Museum, published in 'The Illustrated London News', May 9 1857 (engraving)

English School, (19th century)

Boy Playing a Fife, 1638 (carved wood)
Boy Playing a Fife, 1638 (carved wood)

XJF441270: Boy Playing a Fife, 1638 (carved wood), English School, (17th century) / Bridgeman Images

ID: XJF441270

Boy Playing a Fife, 1638 (carved wood)

English School, (17th century)

Drummer, 1638 (carved wood)
Drummer, 1638 (carved wood)

XJF441272: Drummer, 1638 (carved wood), English School, (17th century) / Bridgeman Images

ID: XJF441272

Drummer, 1638 (carved wood)

English School, (17th century)

Targetteer, 1638 (carved wood)
Targetteer, 1638 (carved wood)

XJF441273: Targetteer, 1638 (carved wood), English School, (17th century) / Bridgeman Images

ID: XJF441273

Targetteer, 1638 (carved wood)

English School, (17th century)

The Manner of Thrashing of Corn at the Cape, illustration from 'The Present State of the Cape of Good Hope: vol. II', published 1731 (engraving)
The Manner of Thrashing of Corn at the Cape, illustration from 'The Present State of the Cape of Good Hope: vol. II', published 1731 (engraving)

XJF439206: The Manner of Thrashing of Corn at the Cape, illustration from 'The Present State of the Cape of Good Hope: vol. II', published 1731 (engraving), German School, (18th century) / Bridgeman Images

ID: XJF439206

The Manner of Thrashing of Corn at the Cape, illustration from 'The Present State of the Cape of Good Hope: vol. II', published 1731 (engraving)

German School, (18th century)

Sir Jeffery Dunstan (engraving)
Sir Jeffery Dunstan (engraving)

XJF412200: Sir Jeffery Dunstan (engraving), English School, (18th century) / Bridgeman Images

ID: XJF412200

Sir Jeffery Dunstan (engraving)

English School, (18th century)

Dr. Joseph Black, 1787 (etching)
Dr. Joseph Black, 1787 (etching)

XJF412216: Dr. Joseph Black, 1787 (etching), Kay, John (1742-1826) / Bridgeman Images

ID: XJF412216

Dr. Joseph Black, 1787 (etching)

Kay, John (1742-1826)

Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)
Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)

XJF412239: Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo), Muybridge, Eadweard (1830-1904) / Bridgeman Images

ID: XJF412239

Jumping over three horses...chestnut horse Hornet, from 'Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movement', c.1872-85 (b/w photo)

Muybridge, Eadweard (1830-1904)

A View of Santi Apostoli, Venice (engraving)
A View of Santi Apostoli, Venice (engraving)

XJF412243: A View of Santi Apostoli, Venice (engraving), Italian School, (18th century) / Bridgeman Images

ID: XJF412243

A View of Santi Apostoli, Venice (engraving)

Italian School, (18th century)

A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)
A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)

XJF412247: A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412247

A Drummer and Commander mounted on mules, c.1638 (pen, ink & wash on paper)

Rembrandt Harmensz. van Rijn (1606-69)

The Entombment, c.1654 (etching)
The Entombment, c.1654 (etching)

XJF412259: The Entombment, c.1654 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412259

The Entombment, c.1654 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Lieven Willemsz van Coppenol, c.1658 (etching)
Lieven Willemsz van Coppenol, c.1658 (etching)

XJF412274: Lieven Willemsz van Coppenol, c.1658 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412274

Lieven Willemsz van Coppenol, c.1658 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Thomas Haaringh, c.1655 (etching)
Thomas Haaringh, c.1655 (etching)

XJF412275: Thomas Haaringh, c.1655 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412275

Thomas Haaringh, c.1655 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Head of a woman, 1637 (etching)
Head of a woman, 1637 (etching)

XJF412276: Head of a woman, 1637 (etching), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images

ID: XJF412276

Head of a woman, 1637 (etching)

Rembrandt Harmensz. van Rijn (1606-69) (school of)

Old man with a snub nose, c.1629 (etching)
Old man with a snub nose, c.1629 (etching)

XJF412297: Old man with a snub nose, c.1629 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF412297

Old man with a snub nose, c.1629 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Being devoured by a lion, front cover illustration from 'Le Petit Journal', supplement illustre, 29th September 1895 (colour litho)
Being devoured by a lion, front cover illustration from 'Le Petit Journal', supplement illustre, 29th September 1895 (colour litho)

XIR414530: Being devoured by a lion, front cover illustration from 'Le Petit Journal', supplement illustre, 29th September 1895 (colour litho), Meyer, Henri (1841-99) / Bridgeman Images

ID: XIR414530

Being devoured by a lion, front cover illustration from 'Le Petit Journal', supplement illustre, 29th September 1895 (colour litho)

Meyer, Henri (1841-99)

St. Jerome in an Italian landscape, c.1653 (etching)
St. Jerome in an Italian landscape, c.1653 (etching)

XJF416598: St. Jerome in an Italian landscape, c.1653 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XJF416598

St. Jerome in an Italian landscape, c.1653 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Algernon Charles Swinburne and Adah Menken (b/w photo)
Algernon Charles Swinburne and Adah Menken (b/w photo)

XJF417300: Algernon Charles Swinburne and Adah Menken (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: XJF417300

Algernon Charles Swinburne and Adah Menken (b/w photo)

English Photographer, (19th century)

Illuminated text from Rossetti's 'House of Life' sonnet sequence, c.1880 (pen & ink on paper)
Illuminated text from Rossetti's 'House of Life' sonnet sequence, c.1880 (pen & ink on paper)

XJF417304: Illuminated text from Rossetti's 'House of Life' sonnet sequence, c.1880 (pen & ink on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: XJF417304

Illuminated text from Rossetti's 'House of Life' sonnet sequence, c.1880 (pen & ink on paper)

Rossetti, Dante Gabriel Charles (1828-82)

Illustration to Thomas Woolner's 'My Beautiful Lady', published in 'The Germ', 1850 (engraving)
Illustration to Thomas Woolner's 'My Beautiful Lady', published in 'The Germ', 1850 (engraving)

XJF417308: Illustration to Thomas Woolner's 'My Beautiful Lady', published in 'The Germ', 1850 (engraving), Hunt, William Holman (1827-1910) / Bridgeman Images

ID: XJF417308

Illustration to Thomas Woolner's 'My Beautiful Lady', published in 'The Germ', 1850 (engraving)

Hunt, William Holman (1827-1910)

Arch of Titus, part of a series of 'Views of Rome', 1845 (engraving)
Arch of Titus, part of a series of 'Views of Rome', 1845 (engraving)

XJF417328: Arch of Titus, part of a series of 'Views of Rome', 1845 (engraving), Piccoli, Carlo (fl.1845) / Bridgeman Images

ID: XJF417328

Arch of Titus, part of a series of 'Views of Rome', 1845 (engraving)

Piccoli, Carlo (fl.1845)

Moscow from the Esplanade of the Kremlin, engraved by J. T. Willmore (engraving)
Moscow from the Esplanade of the Kremlin, engraved by J. T. Willmore (engraving)

XJF417353: Moscow from the Esplanade of the Kremlin, engraved by J. T. Willmore (engraving), Vickers, Alfred Gomersal (1810-37) (after) / Bridgeman Images

ID: XJF417353

Moscow from the Esplanade of the Kremlin, engraved by J. T. Willmore (engraving)

Vickers, Alfred Gomersal (1810-37) (after)

Christ before Pilate, engraved by Nicolaes Braeu (engraving)
Christ before Pilate, engraved by Nicolaes Braeu (engraving)

XJF417360: Christ before Pilate, engraved by Nicolaes Braeu (engraving), Tintoretto, Jacopo Robusti (1518-94) (after) / Bridgeman Images

ID: XJF417360

Christ before Pilate, engraved by Nicolaes Braeu (engraving)

Tintoretto, Jacopo Robusti (1518-94) (after)

The Holy Family, engraved by Cornelis Cort, 1577 (engraving)
The Holy Family, engraved by Cornelis Cort, 1577 (engraving)

XJF417362: The Holy Family, engraved by Cornelis Cort, 1577 (engraving), Barocci or Baroccio, Federico Fiori (c.1535-1612) (after) / Bridgeman Images

ID: XJF417362

The Holy Family, engraved by Cornelis Cort, 1577 (engraving)

Barocci or Baroccio, Federico Fiori (c.1535-1612) (after)

The Nativity, c.1645 (etching)
The Nativity, c.1645 (etching)

XJF417367: The Nativity, c.1645 (etching), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

ID: XJF417367

The Nativity, c.1645 (etching)

Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

The Romantic Landscape, 1893 (litho)
The Romantic Landscape, 1893 (litho)

XJF417391: The Romantic Landscape, 1893 (litho), Shannon, Charles Haslewood (1863-1937) / Bridgeman Images

ID: XJF417391

The Romantic Landscape, 1893 (litho)

Shannon, Charles Haslewood (1863-1937)

Veronica holding the Sudarium, 1581 (engraving)
Veronica holding the Sudarium, 1581 (engraving)

XJF417393: Veronica holding the Sudarium, 1581 (engraving), Carracci, Agostino (1557-1602) / Bridgeman Images

ID: XJF417393

Veronica holding the Sudarium, 1581 (engraving)

Carracci, Agostino (1557-1602)

Frontispiece to 'Astrologaster, or the Figure-Caster' by John Melton, published in 1620 (engraving)
Frontispiece to 'Astrologaster, or the Figure-Caster' by John Melton, published in 1620 (engraving)

XJF419676: Frontispiece to 'Astrologaster, or the Figure-Caster' by John Melton, published in 1620 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF419676

Frontispiece to 'Astrologaster, or the Figure-Caster' by John Melton, published in 1620 (engraving)

English School, (17th century)

Title page depicting the procession of the mad cow, mid-Lent in Montmartre, illustration from the illustrated supplement of Le Petit Journal, 22nd March, 1896 (colour litho)
Title page depicting the procession of the mad cow, mid-Lent in Montmartre, illustration from the illustrated supplement of Le Petit Journal, 22nd March, 1896 (colour litho)

XIR386406: Title page depicting the procession of the mad cow, mid-Lent in Montmartre, illustration from the illustrated supplement of Le Petit Journal, 22nd March, 1896 (colour litho), Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: XIR386406

Title page depicting the procession of the mad cow, mid-Lent in Montmartre, illustration from the illustrated supplement of Le Petit Journal, 22nd March, 1896 (colour litho)

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)


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