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Of contempt, or dispisynge of holy scripture, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of contempt, or dispisynge of holy scripture, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486403: Of contempt, or dispisynge of holy scripture, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486403

Of contempt, or dispisynge of holy scripture, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486411: Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486411

Of to moche spekynge or bablynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486413: Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486413

Of hym that fyndeth ought of another mannys it nat restorynge to the owner, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486417: Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486417

Of them that ar alway borowynge, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of them that gyue jugement on other, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of them that gyue jugement on other, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486421: Of them that gyue jugement on other, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486421

Of them that gyue jugement on other, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486422: Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486422

Of pluralitees that is to say of them whiche charge them selfe with many benefycis, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486428: Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486428

Of the mutabylyte of fortune, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of them that forceth or careth for the bacbytynge of lewde people, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of them that forceth or careth for the bacbytynge of lewde people, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486430: Of them that forceth or careth for the bacbytynge of lewde people, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486430

Of them that forceth or careth for the bacbytynge of lewde people, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of bodely pleasour or corporall voluptuosyte, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of bodely pleasour or corporall voluptuosyte, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486439: Of bodely pleasour or corporall voluptuosyte, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486439

Of bodely pleasour or corporall voluptuosyte, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of yonge folys that take olde wymen to theyr wyues, for theyr ryches, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of yonge folys that take olde wymen to theyr wyues, for theyr ryches, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486442: Of yonge folys that take olde wymen to theyr wyues, for theyr ryches, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486442

Of yonge folys that take olde wymen to theyr wyues, for theyr ryches, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486446: Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486446

Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486459: Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486459

Of great stryuers in the lawe for thynges of nought, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

Of foles abhomynable in fowle wordes of rybawdry, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)
Of foles abhomynable in fowle wordes of rybawdry, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

XJF486460: Of foles abhomynable in fowle wordes of rybawdry, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving), German School, (15th century) (after) / Bridgeman Images

ID: XJF486460

Of foles abhomynable in fowle wordes of rybawdry, illustration from Alexander Barclay's English translation of 'The Ship of Fools', from an edition published in 1874 (engraving)

German School, (15th century) (after)

The Seven Against Thebes, 1795 (engraving)
The Seven Against Thebes, 1795 (engraving)

XJF486476: The Seven Against Thebes, 1795 (engraving), Flaxman, John (1755-1826) / Bridgeman Images

ID: XJF486476

The Seven Against Thebes, 1795 (engraving)

Flaxman, John (1755-1826)

Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)
Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)

XJF486490: Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF486490

Illustration from 'Theatrum Chemicum Britannicum' by Elias Ashmole, first published in 1652 (engraving)

English School, (17th century)

Robert Bloomfield (engraving)
Robert Bloomfield (engraving)

XJF486497: Robert Bloomfield (engraving), English School, (19th century) / Bridgeman Images

ID: XJF486497

Robert Bloomfield (engraving)

English School, (19th century)

Happy party in the trenches, Song Time, front cover illustration from 'Le Petit Journal', supplement illustre, 6th December 1914 (colour litho)
Happy party in the trenches, Song Time, front cover illustration from 'Le Petit Journal', supplement illustre, 6th December 1914 (colour litho)

XIR486933: Happy party in the trenches, Song Time, front cover illustration from 'Le Petit Journal', supplement illustre, 6th December 1914 (colour litho), Damblans, Eugene (1865-1945) / Bridgeman Images

ID: XIR486933

Happy party in the trenches, Song Time, front cover illustration from 'Le Petit Journal', supplement illustre, 6th December 1914 (colour litho)

Damblans, Eugene (1865-1945)

Poster for 'Soyer's Symposium', 1851 (printed paper)
Poster for 'Soyer's Symposium', 1851 (printed paper)

XJF468507: Poster for 'Soyer's Symposium', 1851 (printed paper), English School, (19th century) / Bridgeman Images

ID: XJF468507

Poster for 'Soyer's Symposium', 1851 (printed paper)

English School, (19th century)

Frontispiece for 'Paradisi in Sole Paradisus Terrestris' by John Parkinson, published 1629 (engraving)
Frontispiece for 'Paradisi in Sole Paradisus Terrestris' by John Parkinson, published 1629 (engraving)

XJF468512: Frontispiece for 'Paradisi in Sole Paradisus Terrestris' by John Parkinson, published 1629 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF468512

Frontispiece for 'Paradisi in Sole Paradisus Terrestris' by John Parkinson, published 1629 (engraving)

English School, (17th century)

William Hedges (oil on canvas)
William Hedges (oil on canvas)

XCF472194: William Hedges (oil on canvas), English School, (19th century) / Bridgeman Images

ID: XCF472194

William Hedges (oil on canvas)

English School, (19th century)

The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut)
The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut)

XJF472217: The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut), German School, (15th century) / Bridgeman Images

ID: XJF472217

The Fall of Man, illustration from the Quentell Bible, published in 1478 (woodcut)

German School, (15th century)

The Creation of Eve, from The Luther Bible, 1550 (woodcut)
The Creation of Eve, from The Luther Bible, 1550 (woodcut)

XJF472221: The Creation of Eve, from The Luther Bible, 1550 (woodcut), Brosamer, Hans (c.1495-c.1554) / Bridgeman Images

ID: XJF472221

The Creation of Eve, from The Luther Bible, 1550 (woodcut)

Brosamer, Hans (c.1495-c.1554)

The Expulsion from the Garden of Eden, illustration from Cranmer's Bible, 1540 (woodcut)
The Expulsion from the Garden of Eden, illustration from Cranmer's Bible, 1540 (woodcut)

XJF472222: The Expulsion from the Garden of Eden, illustration from Cranmer's Bible, 1540 (woodcut), English School, (15th century) / Bridgeman Images

ID: XJF472222

The Expulsion from the Garden of Eden, illustration from Cranmer's Bible, 1540 (woodcut)

English School, (15th century)

General Gebhard Leberecht von Blücher, engraved by Adam Smith (engraving)
General Gebhard Leberecht von Blücher, engraved by Adam Smith (engraving)

XJF472244: General Gebhard Leberecht von Blücher, engraved by Adam Smith (engraving), Dahling, Heinrich Anton (1773-1850) (after) / Bridgeman Images

ID: XJF472244

General Gebhard Leberecht von Blücher, engraved by Adam Smith (engraving)

Dahling, Heinrich Anton (1773-1850) (after)

The triumphal arrival of Charles V, Holy Roman Emperor, in Bruges, 1515 (woodcut)
The triumphal arrival of Charles V, Holy Roman Emperor, in Bruges, 1515 (woodcut)

XJF472257: The triumphal arrival of Charles V, Holy Roman Emperor, in Bruges, 1515 (woodcut), Anglo-French School, (16th century) / Bridgeman Images

ID: XJF472257

The triumphal arrival of Charles V, Holy Roman Emperor, in Bruges, 1515 (woodcut)

Anglo-French School, (16th century)

Alphonse de Lamartine (engraving)
Alphonse de Lamartine (engraving)

XJF472264: Alphonse de Lamartine (engraving), French School, (19th century) / Bridgeman Images

ID: XJF472264

Alphonse de Lamartine (engraving)

French School, (19th century)

Plate 12 and 13 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)
Plate 12 and 13 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)

XJF472275: Plate 12 and 13 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving), Hogenberg, Nicholas (c.1500-1539) / Bridgeman Images

ID: XJF472275

Plate 12 and 13 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)

Hogenberg, Nicholas (c.1500-1539)

The entrance of Henri IV in to Rouen, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)
The entrance of Henri IV in to Rouen, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)

XJF472282: The entrance of Henri IV in to Rouen, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut), French School, (16th century) / Bridgeman Images

ID: XJF472282

The entrance of Henri IV in to Rouen, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)

French School, (16th century)

The Thames in Winter, 1895 (b/w photo)
The Thames in Winter, 1895 (b/w photo)

XJF472285: The Thames in Winter, 1895 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: XJF472285

The Thames in Winter, 1895 (b/w photo)

English Photographer, (19th century)

Illustration from 'The Tale of Genji' (colour woodblock print)
Illustration from 'The Tale of Genji' (colour woodblock print)

XZO473088: Illustration from 'The Tale of Genji' (colour woodblock print), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: XZO473088

Illustration from 'The Tale of Genji' (colour woodblock print)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

The Labyrinth of Crete and The Temple of Venus at Paphos in Cyprus, from 'A plan of Civil and Historical Architecture', 1721 (engraving)
The Labyrinth of Crete and The Temple of Venus at Paphos in Cyprus, from 'A plan of Civil and Historical Architecture', 1721 (engraving)

XJF473750: The Labyrinth of Crete and The Temple of Venus at Paphos in Cyprus, from 'A plan of Civil and Historical Architecture', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: XJF473750

The Labyrinth of Crete and The Temple of Venus at Paphos in Cyprus, from 'A plan of Civil and Historical Architecture', 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Colla di Parma, print made by Francesco Bartolozzi, c.1775 (etching)
Colla di Parma, print made by Francesco Bartolozzi, c.1775 (etching)

XJF473763: Colla di Parma, print made by Francesco Bartolozzi, c.1775 (etching), Loutherbourg, Philippe de (1740-1812) (after) / Bridgeman Images

ID: XJF473763

Colla di Parma, print made by Francesco Bartolozzi, c.1775 (etching)

Loutherbourg, Philippe de (1740-1812) (after)

The Devonshire Minuet, danced to Ancient British Music through Westminster during the Election, print made by William Paulet Carey, 1784 (engraving)
The Devonshire Minuet, danced to Ancient British Music through Westminster during the Election, print made by William Paulet Carey, 1784 (engraving)

XJF473764: The Devonshire Minuet, danced to Ancient British Music through Westminster during the Election, print made by William Paulet Carey, 1784 (engraving), English School, (18th century) (after) / Bridgeman Images

ID: XJF473764

The Devonshire Minuet, danced to Ancient British Music through Westminster during the Election, print made by William Paulet Carey, 1784 (engraving)

English School, (18th century) (after)

The Two Patriotic Duchess's on their Canvass, 1784 (engraving)
The Two Patriotic Duchess's on their Canvass, 1784 (engraving)

XJF473767: The Two Patriotic Duchess's on their Canvass, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF473767

The Two Patriotic Duchess's on their Canvass, 1784 (engraving)

Rowlandson, Thomas (1756-1827)

James Stuart, the Chevalier de S. George, print made by S. Freeman, c.1845 (engraving)
James Stuart, the Chevalier de S. George, print made by S. Freeman, c.1845 (engraving)

XJF488905: James Stuart, the Chevalier de S. George, print made by S. Freeman, c.1845 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: XJF488905

James Stuart, the Chevalier de S. George, print made by S. Freeman, c.1845 (engraving)

Kneller, Godfrey (1646-1723) (after)

Lit fires in the Tower of London and cannon fire in honour of the arrival of Queen Marie de Medici, illustration from 'Histoire de l'entrée de la Reyne Mère dans la Grande Brétaigne' by Jean Puget de la Serre, published 1639 (etching)
Lit fires in the Tower of London and cannon fire in honour of the arrival of Queen Marie de Medici, illustration from 'Histoire de l'entrée de la Reyne Mère dans la Grande Brétaigne' by Jean Puget de la Serre, published 1639 (etching)

XJF488913: Lit fires in the Tower of London and cannon fire in honour of the arrival of Queen Marie de Medici, illustration from 'Histoire de l'entrée de la Reyne Mère dans la Grande Brétaigne' by Jean Puget de la Serre, published 1639 (etching), English School, (17th century) / Bridgeman Images

ID: XJF488913

Lit fires in the Tower of London and cannon fire in honour of the arrival of Queen Marie de Medici, illustration from 'Histoire de l'entrée de la Reyne Mère dans la Grande Brétaigne' by Jean Puget de la Serre, published 1639 (etching)

English School, (17th century)


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