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Earth
Earth

SSI2196517: Earth, Ong, Diana (b.1940) / Bridgeman Images

ID: SSI2196517

Earth

Ong, Diana (b.1940)

Birddog (computer graphics)
Birddog (computer graphics)

SSI2196487: Birddog (computer graphics), Ong, Diana (b.1940) / Bridgeman Images

ID: SSI2196487

Birddog (computer graphics)

Ong, Diana (b.1940)

Couple Dancing in Moonlight, 2004 (acrylic on canvas)
Couple Dancing in Moonlight, 2004 (acrylic on canvas)

SSI2198392: Couple Dancing in Moonlight, 2004 (acrylic on canvas), Manning, Hyacinth (b.1954) / Bridgeman Images

ID: SSI2198392

Couple Dancing in Moonlight, 2004 (acrylic on canvas)

Manning, Hyacinth (b.1954)

Seated Woman 1991 (painting)
Seated Woman 1991 (painting)

SSI2198277: Seated Woman 1991 (painting), Manning, Hyacinth (b.1954) / Bridgeman Images

ID: SSI2198277

Seated Woman 1991 (painting)

Manning, Hyacinth (b.1954)

Tumbling Flowers (oil on canvas)
Tumbling Flowers (oil on canvas)

SSI2198316: Tumbling Flowers (oil on canvas), Manning, Hyacinth (b.1954) / Bridgeman Images

ID: SSI2198316

Tumbling Flowers (oil on canvas)

Manning, Hyacinth (b.1954)

The Gunsil S.d, 1966 (sculpture)
The Gunsil S.d, 1966 (sculpture)

SSI2202024: The Gunsil S.d, 1966 (sculpture), Jackson, Harry (1924-2011) / Bridgeman Images

ID: SSI2202024

The Gunsil S.d, 1966 (sculpture)

Jackson, Harry (1924-2011)

Serrieres, 1923 (oil on canvas)
Serrieres, 1923 (oil on canvas)

SSI2202382: Serrieres, 1923 (oil on canvas), Gleizes, Albert (1881-1953) / Bridgeman Images

ID: SSI2202382

Serrieres, 1923 (oil on canvas)

Gleizes, Albert (1881-1953)

Portrait - After Van der Weyden (airbrush on wood)
Portrait - After Van der Weyden (airbrush on wood)

SSI2210021: Portrait - After Van der Weyden (airbrush on wood), Donald, Martin (b.20th) / Bridgeman Images

ID: SSI2210021

Portrait - After Van der Weyden (airbrush on wood)

Donald, Martin (b.20th)

Merry December 2005 (oil on canvas)
Merry December 2005 (oil on canvas)

SSI2210909: Merry December 2005 (oil on canvas), Robinson, Michael Mortimer (b.1949) / Bridgeman Images

ID: SSI2210909

Merry December 2005 (oil on canvas)

Robinson, Michael Mortimer (b.1949)

Jaunty January 2005 (oil on canvas)
Jaunty January 2005 (oil on canvas)

SSI2210910: Jaunty January 2005 (oil on canvas), Robinson, Michael Mortimer (b.1949) / Bridgeman Images

ID: SSI2210910

Jaunty January 2005 (oil on canvas)

Robinson, Michael Mortimer (b.1949)

March Magic 2005 (oil on canvas)
March Magic 2005 (oil on canvas)

SSI2210913: March Magic 2005 (oil on canvas), Robinson, Michael Mortimer (b.1949) / Bridgeman Images

ID: SSI2210913

March Magic 2005 (oil on canvas)

Robinson, Michael Mortimer (b.1949)

Amazing April 2005 (oil on canvas)
Amazing April 2005 (oil on canvas)

SSI2210914: Amazing April 2005 (oil on canvas), Robinson, Michael Mortimer (b.1949) / Bridgeman Images

ID: SSI2210914

Amazing April 2005 (oil on canvas)

Robinson, Michael Mortimer (b.1949)

August Blaze 2005 (oil on canvas)
August Blaze 2005 (oil on canvas)

SSI2210918: August Blaze 2005 (oil on canvas), Robinson, Michael Mortimer (b.1949) / Bridgeman Images

ID: SSI2210918

August Blaze 2005 (oil on canvas)

Robinson, Michael Mortimer (b.1949)

Alice in Wonderland: Father William and the Young Man, Alice in Wonderland, 19th century (engraving)
Alice in Wonderland: Father William and the Young Man, Alice in Wonderland, 19th century (engraving)

SSI2423798: Alice in Wonderland: Father William and the Young Man, Alice in Wonderland, 19th century (engraving), Tenniel, John (1820-1914) / Bridgeman Images

ID: SSI2423798

Alice in Wonderland: Father William and the Young Man, Alice in Wonderland, 19th century (engraving)

Tenniel, John (1820-1914)

'In her Wheatless Kitchen', US Food Administration propaganda poster, c.1939-45 (poster)
'In her Wheatless Kitchen', US Food Administration propaganda poster, c.1939-45 (poster)

SSI2445455: 'In her Wheatless Kitchen', US Food Administration propaganda poster, c.1939-45 (poster), American School, (20th century) / Bridgeman Images

ID: SSI2445455

'In her Wheatless Kitchen', US Food Administration propaganda poster, c.1939-45 (poster)

American School, (20th century)

Sitting Up With a Sick Friend, c.1905 (oil on canvas)
Sitting Up With a Sick Friend, c.1905 (oil on canvas)

SSI2442653: Sitting Up With a Sick Friend, c.1905 (oil on canvas), Coolidge, Cassius Marcellus (1844-1934) / Bridgeman Images

ID: SSI2442653

Sitting Up With a Sick Friend, c.1905 (oil on canvas)

Coolidge, Cassius Marcellus (1844-1934)

The Harlots Nurse or Modern Procuress, pub. 1750 (b/w engraving)
The Harlots Nurse or Modern Procuress, pub. 1750 (b/w engraving)

STC2488919: The Harlots Nurse or Modern Procuress, pub. 1750 (b/w engraving), Boitard, Louis Philippe (fl.1738-63) / Bridgeman Images

ID: STC2488919

The Harlots Nurse or Modern Procuress, pub. 1750 (b/w engraving)

Boitard, Louis Philippe (fl.1738-63)

Taming a Shrew or Petruchio's Patent Family Bedstead, Gag & Thumscrews, pub. London 1815 (engraving)
Taming a Shrew or Petruchio's Patent Family Bedstead, Gag & Thumscrews, pub. London 1815 (engraving)

STC2489088: Taming a Shrew or Petruchio's Patent Family Bedstead, Gag & Thumscrews, pub. London 1815 (engraving), English School, (19th century) / Bridgeman Images

ID: STC2489088

Taming a Shrew or Petruchio's Patent Family Bedstead, Gag & Thumscrews, pub. London 1815 (engraving)

English School, (19th century)

'An escape à la Francois', pub. London 1791 (hand coloured engraving)
'An escape à la Francois', pub. London 1791 (hand coloured engraving)

STC2488366: 'An escape à la Francois', pub. London 1791 (hand coloured engraving), English School, (18th century) / Bridgeman Images

ID: STC2488366

'An escape à la Francois', pub. London 1791 (hand coloured engraving)

English School, (18th century)

The people of Paris pay their first tribute to the Royal Family, Wednesday 7 October, 1789, the day after their arrival at the city, pub. 1789 (hand colured engraving)
The people of Paris pay their first tribute to the Royal Family, Wednesday 7 October, 1789, the day after their arrival at the city, pub. 1789 (hand colured engraving)

STC2488536: The people of Paris pay their first tribute to the Royal Family, Wednesday 7 October, 1789, the day after their arrival at the city, pub. 1789 (hand colured engraving), French School, (18th century) / Bridgeman Images

ID: STC2488536

The people of Paris pay their first tribute to the Royal Family, Wednesday 7 October, 1789, the day after their arrival at the city, pub. 1789 (hand colured engraving)

French School, (18th century)

A Sketch for the Regents Speech on Mad-Ass-Son's Insanity, pub. 1812 (hand coloured engraving)
A Sketch for the Regents Speech on Mad-Ass-Son's Insanity, pub. 1812 (hand coloured engraving)

STC2489406: A Sketch for the Regents Speech on Mad-Ass-Son's Insanity, pub. 1812 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: STC2489406

A Sketch for the Regents Speech on Mad-Ass-Son's Insanity, pub. 1812 (hand coloured engraving)

Cruikshank, George (1792-1878)

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)
Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

STC2490672: Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2490672

Advantages of wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, pub. 1802 (hand coloured engraving)

Gillray, James (1757-1815)

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

STC2490075: A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2490075

A Peep at Christies, or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)

Gillray, James (1757-1815)

The Christian Amazon, with her Invincible Target, alias, the Focus of Genial Rays, or Dian of the Rushes, to much for 300,000, Infidels, 1787 (engraving)
The Christian Amazon, with her Invincible Target, alias, the Focus of Genial Rays, or Dian of the Rushes, to much for 300,000, Infidels, 1787 (engraving)

STC2562138: The Christian Amazon, with her Invincible Target, alias, the Focus of Genial Rays, or Dian of the Rushes, to much for 300,000, Infidels, 1787 (engraving), English School, (18th century) / Bridgeman Images

ID: STC2562138

The Christian Amazon, with her Invincible Target, alias, the Focus of Genial Rays, or Dian of the Rushes, to much for 300,000, Infidels, 1787 (engraving)

English School, (18th century)

Picture of Europe for July 1772, c.1772 (engraving)
Picture of Europe for July 1772, c.1772 (engraving)

STC2562139: Picture of Europe for July 1772, c.1772 (engraving), English School, (18th century) / Bridgeman Images

ID: STC2562139

Picture of Europe for July 1772, c.1772 (engraving)

English School, (18th century)

Saint Catherine and St George, 1791 (hand-coloured etching)
Saint Catherine and St George, 1791 (hand-coloured etching)

STC2562143: Saint Catherine and St George, 1791 (hand-coloured etching), English School, (18th century) / Bridgeman Images

ID: STC2562143

Saint Catherine and St George, 1791 (hand-coloured etching)

English School, (18th century)

The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends, 1794 (hand-coloured engraving)
The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends, 1794 (hand-coloured engraving)

STC2562147: The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends, 1794 (hand-coloured engraving), English School, (18th century) / Bridgeman Images

ID: STC2562147

The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends, 1794 (hand-coloured engraving)

English School, (18th century)

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)
High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

STC2562156: High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562156

High Change in Bond Street or la Politesse du Grande Monde, 1796 (hand-coloured engraving)

Gillray, James (1757-1815)

Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)
Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)

STC2562157: Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562157

Hero's recruiting at Kelsey's or Guard Day at St James's, 1797 (hand-coloured engraving)

Gillray, James (1757-1815)

Treason, 1798 (hand-coloured engraving)
Treason, 1798 (hand-coloured engraving)

STC2562162: Treason, 1798 (hand-coloured engraving), Newton, Richard (1777-98) / Bridgeman Images

ID: STC2562162

Treason, 1798 (hand-coloured engraving)

Newton, Richard (1777-98)

Indecency, 1799 (hand-coloured engraving)
Indecency, 1799 (hand-coloured engraving)

STC2562163: Indecency, 1799 (hand-coloured engraving), Cruikshank, Isaac (1756-1811) / Bridgeman Images

ID: STC2562163

Indecency, 1799 (hand-coloured engraving)

Cruikshank, Isaac (1756-1811)

A Bundle of Truths, 1811 (hand-coloured engraving)
A Bundle of Truths, 1811 (hand-coloured engraving)

STC2562170: A Bundle of Truths, 1811 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: STC2562170

A Bundle of Truths, 1811 (hand-coloured engraving)

Cruikshank, George (1792-1878)

Tom Tack's Ghost, 1808 (hand-coloured engraving)
Tom Tack's Ghost, 1808 (hand-coloured engraving)

STC2562186: Tom Tack's Ghost, 1808 (hand-coloured engraving), Cruikshank, Isaac Robert (1789-1856) & George (1792-1878) / Bridgeman Images

ID: STC2562186

Tom Tack's Ghost, 1808 (hand-coloured engraving)

Cruikshank, Isaac Robert (1789-1856) & George (1792-1878)

A Curious Junto of Slandering Elves - or 'Listeners Seldom Hear Good of Themselves', 1835 (hand-coloured engraving)
A Curious Junto of Slandering Elves - or 'Listeners Seldom Hear Good of Themselves', 1835 (hand-coloured engraving)

STC2562195: A Curious Junto of Slandering Elves - or 'Listeners Seldom Hear Good of Themselves', 1835 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: STC2562195

A Curious Junto of Slandering Elves - or 'Listeners Seldom Hear Good of Themselves', 1835 (hand-coloured engraving)

Cruikshank, George (1792-1878)

The Cobbler and the Poet, or Learning vs. Leather, 1808 (hand-coloured engraving)
The Cobbler and the Poet, or Learning vs. Leather, 1808 (hand-coloured engraving)

STC2562202: The Cobbler and the Poet, or Learning vs. Leather, 1808 (hand-coloured engraving), Cruikshank, Isaac Robert (1789-1856) & George (1792-1878) / Bridgeman Images

ID: STC2562202

The Cobbler and the Poet, or Learning vs. Leather, 1808 (hand-coloured engraving)

Cruikshank, Isaac Robert (1789-1856) & George (1792-1878)

La Promenade, 1835 (hand-coloured engraving)
La Promenade, 1835 (hand-coloured engraving)

STC2562206: La Promenade, 1835 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: STC2562206

La Promenade, 1835 (hand-coloured engraving)

Cruikshank, George (1792-1878)


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