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Portrait of Masaccio (Tommaso di Ser Giovanni di Simone), 1401 1428. Artist of the Quattrocento period of the Italian Renaissance
Portrait of Masaccio (Tommaso di Ser Giovanni di Simone), 1401 1428. Artist of the Quattrocento period of the Italian Renaissance

XEE4155869: Portrait of Masaccio (Tommaso di Ser Giovanni di Simone), 1401 1428. Artist of the Quattrocento period of the Italian Renaissance, Unknown Artist, (19th century) / Bridgeman Images

Joseph Francois Dupleix (1697-1763) French colonial administrator in India
Joseph Francois Dupleix (1697-1763) French colonial administrator in India

XEE4155878: Joseph Francois Dupleix (1697-1763) French colonial administrator in India, Unknown Artist, (19th century) / Bridgeman Images

Victor Jean (Victor-Jean) Adam (1801-1866). “The journey of Saint Cloud by the steamboat”
Victor Jean (Victor-Jean) Adam (1801-1866). “The journey of Saint Cloud by the steamboat”

XEE4155879: Victor Jean (Victor-Jean) Adam (1801-1866). “The journey of Saint Cloud by the steamboat”, Unknown Artist, (19th century) / Bridgeman Images

Aeneas Tacticus or the Tactician Invents Phased Signaling System 336BC - Enee le Taccien - Aeneas le tactician invents the art of phrasiques signals in 336 BC - Aeneas the Tactician invented the art of phrasiques signals in 336 BC.
Aeneas Tacticus or the Tactician Invents Phased Signaling System 336BC - Enee le Taccien - Aeneas le tactician invents the art of phrasiques signals in 336 BC - Aeneas the Tactician invented the art of phrasiques signals in 336 BC.

XEE4155916: Aeneas Tacticus or the Tactician Invents Phased Signaling System 336BC - Enee le Taccien - Aeneas le tactician invents the art of phrasiques signals in 336 BC - Aeneas the Tactician invented the art of phrasiques signals in 336 BC., Unknown Artist, (19th century) / Bridgeman Images

The Peacock Complaining To Juno - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection
The Peacock Complaining To Juno - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection

XEE4155945: The Peacock Complaining To Juno - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection, Dore, Gustave (1832-83) (after) / Bridgeman Images

Le Lion et le Moucheron - the lion and the gnat - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engravin after Gustave Dore (1832-83) - Private collection
Le Lion et le Moucheron - the lion and the gnat - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engravin after Gustave Dore (1832-83) - Private collection

XEE4155953: Le Lion et le Moucheron - the lion and the gnat - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engravin after Gustave Dore (1832-83) - Private collection, Dore, Gustave (1832-83) (after) / Bridgeman Images

The Judge Referee, the Hospitaller and the Solitaire - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection
The Judge Referee, the Hospitaller and the Solitaire - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection

XEE4155957: The Judge Referee, the Hospitaller and the Solitaire - from 'Fables' by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection, Dore, Gustave (1832-83) (after) / Bridgeman Images

Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156215: Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156222: One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156239: Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156244: Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156251: Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156255: Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156274: Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Augustin Louis Cauchy 1789-1857 English mathematician - engraving
Augustin Louis Cauchy 1789-1857 English mathematician - engraving

XEE4156322: Augustin Louis Cauchy 1789-1857 English mathematician - engraving, Unknown Artist, (19th century) / Bridgeman Images

Abdulmecid I (Abdul Medjid) (1823-1861) Ottoman Sultan
Abdulmecid I (Abdul Medjid) (1823-1861) Ottoman Sultan

XEE4156332: Abdulmecid I (Abdul Medjid) (1823-1861) Ottoman Sultan, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Claude Perrault (1613-1688), French architect, physician and anatomist
Portrait of Claude Perrault (1613-1688), French architect, physician and anatomist

XEE4156343: Portrait of Claude Perrault (1613-1688), French architect, physician and anatomist, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nicolas Edme Restif de La Bretonne (1734-1806) (also Retif de La Bretone) - by Binet, engraving, 1785.
Portrait of Nicolas Edme Restif de La Bretonne (1734-1806) (also Retif de La Bretone) - by Binet, engraving, 1785.

XEE4156369: Portrait of Nicolas Edme Restif de La Bretonne (1734-1806) (also Retif de La Bretone) - by Binet, engraving, 1785., Binet, Louis (1744-c.1800) (after) / Bridgeman Images

musical automatons - Mechanical concert invented by R. Richard dedicated to Louis Phelypeaux, Comte de Saint-Florentin (1705-1777) - Engraving on copper, 1769, by Joseph de Longueil (1730-1792) after Charles Eisen (1720-1778)
musical automatons - Mechanical concert invented by R. Richard dedicated to Louis Phelypeaux, Comte de Saint-Florentin (1705-1777) - Engraving on copper, 1769, by Joseph de Longueil (1730-1792) after Charles Eisen (1720-1778)

XEE4156396: musical automatons - Mechanical concert invented by R. Richard dedicated to Louis Phelypeaux, Comte de Saint-Florentin (1705-1777) - Engraving on copper, 1769, by Joseph de Longueil (1730-1792) after Charles Eisen (1720-1778), Longueil, Joseph de (1730-1792) / Bridgeman Images

Villegiatures and sea bath - At the beach. Humorous drawing by Abel Faivre (1867-1945). “The Laughter”, August 17, 1895.
Villegiatures and sea bath - At the beach. Humorous drawing by Abel Faivre (1867-1945). “The Laughter”, August 17, 1895.

XEE4156432: Villegiatures and sea bath - At the beach. Humorous drawing by Abel Faivre (1867-1945). “The Laughter”, August 17, 1895., Faivre, Jules Abel (1867-1945) / Bridgeman Images

Louis XIV sent to cast his golden tableware - Illustration by Sylvain Sauvage (1888-1948) for the book 'Louis XIV' by Frantz Funck-Brentano (1862-1947) of 1938.
Louis XIV sent to cast his golden tableware - Illustration by Sylvain Sauvage (1888-1948) for the book 'Louis XIV' by Frantz Funck-Brentano (1862-1947) of 1938.

XEE4156437: Louis XIV sent to cast his golden tableware - Illustration by Sylvain Sauvage (1888-1948) for the book 'Louis XIV' by Frantz Funck-Brentano (1862-1947) of 1938., Sauvage, Sylvain (1888-1948) / Bridgeman Images

Japanese weddings - Wedding ceremony of the Japanese - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Japanese weddings - Wedding ceremony of the Japanese - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4156453: Japanese weddings - Wedding ceremony of the Japanese - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Pat Garrett (1850-1908), James Brent and John William Poe (1850-1923), sheriffs of Lincoln County, c1880-1882 (1954).
Pat Garrett (1850-1908), James Brent and John William Poe (1850-1923), sheriffs of Lincoln County, c1880-1882 (1954).

XEE4159780: Pat Garrett (1850-1908), James Brent and John William Poe (1850-1923), sheriffs of Lincoln County, c1880-1882 (1954)., Unknown Artist, (19th century) / Bridgeman Images

La Voix de France (New York) journal francais d'Amerique - organ des pays de langue francaise - Robert Goffin (1898-1984) - journal of July 1942
La Voix de France (New York) journal francais d'Amerique - organ des pays de langue francaise - Robert Goffin (1898-1984) - journal of July 1942

XEE4159782: La Voix de France (New York) journal francais d'Amerique - organ des pays de langue francaise - Robert Goffin (1898-1984) - journal of July 1942, French School, (20th century) / Bridgeman Images

The attack on Pierre Laval (1883-1945) August 27, 1941 - Le petit Parisien de Thursday, August 28, 1941 -
The attack on Pierre Laval (1883-1945) August 27, 1941 - Le petit Parisien de Thursday, August 28, 1941 -

XEE4159794: The attack on Pierre Laval (1883-1945) August 27, 1941 - Le petit Parisien de Thursday, August 28, 1941 -, French School, (20th century) / Bridgeman Images

Liberation of Paris - Le FRANC TIROUR number 38 du 21 august 1944 - Paris lutte, paris ce liberere
Liberation of Paris - Le FRANC TIROUR number 38 du 21 august 1944 - Paris lutte, paris ce liberere

XEE4159833: Liberation of Paris - Le FRANC TIROUR number 38 du 21 august 1944 - Paris lutte, paris ce liberere, French School, (20th century) / Bridgeman Images

Second World War (1939-1945) - World War II (WWII or WW2): L'echo de nancy, 5th edition, Wednesday, December 10, 1941: Japanese attack all Anglo-American bases in the Pacific - Pearl Harbor -
Second World War (1939-1945) - World War II (WWII or WW2): L'echo de nancy, 5th edition, Wednesday, December 10, 1941: Japanese attack all Anglo-American bases in the Pacific - Pearl Harbor -

XEE4159912: Second World War (1939-1945) - World War II (WWII or WW2): L'echo de nancy, 5th edition, Wednesday, December 10, 1941: Japanese attack all Anglo-American bases in the Pacific - Pearl Harbor -, Anonymous / Bridgeman Images

Journal COMBAT - number 54 - February 1944 - organ of the united resistance movements. (clandestine newspaper) - Where will the resistance go
Journal COMBAT - number 54 - February 1944 - organ of the united resistance movements. (clandestine newspaper) - Where will the resistance go

XEE4159929: Journal COMBAT - number 54 - February 1944 - organ of the united resistance movements. (clandestine newspaper) - Where will the resistance go, French School, (20th century) / Bridgeman Images

Father Goriot. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850).
Father Goriot. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850).

XEE4159952: Father Goriot. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850)., French School, (19th century) / Bridgeman Images

Eugene de Rastignac presented to Madame de Nucingen by the Marquis of Adjuda. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850).
Eugene de Rastignac presented to Madame de Nucingen by the Marquis of Adjuda. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850).

XEE4159974: Eugene de Rastignac presented to Madame de Nucingen by the Marquis of Adjuda. Engraving mid 19th century. Illustration for “The Father Goriot” by Honore de Balzac (1799-1850)., French School, (19th century) / Bridgeman Images

Pierre Antoine Antonelle (Pierre-Antoine Antonelle) (1747-1817) and his friends arreted by order of Lafayette - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -
Pierre Antoine Antonelle (Pierre-Antoine Antonelle) (1747-1817) and his friends arreted by order of Lafayette - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -

XEE4160008: Pierre Antoine Antonelle (Pierre-Antoine Antonelle) (1747-1817) and his friends arreted by order of Lafayette - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -, Unknown Artist, (19th century) / Bridgeman Images

Etienne Francois d'Aligre (1727-1798) saved by his servant after seeking to block the convocation of the general states - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -
Etienne Francois d'Aligre (1727-1798) saved by his servant after seeking to block the convocation of the general states - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -

XEE4160018: Etienne Francois d'Aligre (1727-1798) saved by his servant after seeking to block the convocation of the general states - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre and Edmond Allonier -, Unknown Artist, (19th century) / Bridgeman Images

Monolithic church in Saint-Emilion - Church monolithe of Saint Emilion en Gironde - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre et Edmond Allonier -
Monolithic church in Saint-Emilion - Church monolithe of Saint Emilion en Gironde - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre et Edmond Allonier -

XEE4160062: Monolithic church in Saint-Emilion - Church monolithe of Saint Emilion en Gironde - engraving in “Dictionnaire populaire illustrious” - 1864 - by Joseph Decembre et Edmond Allonier -, Unknown Artist, (19th century) / Bridgeman Images

Vue du Conservatoire des Arts et metiers (Cnam) a Paris, rue saint Martin a Paris - (View on the Conservatory of the arts and crafts in Paris - engraving in “Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre et Edmond Allonier -
Vue du Conservatoire des Arts et metiers (Cnam) a Paris, rue saint Martin a Paris - (View on the Conservatory of the arts and crafts in Paris - engraving in “Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre et Edmond Allonier -

XEE4160082: Vue du Conservatoire des Arts et metiers (Cnam) a Paris, rue saint Martin a Paris - (View on the Conservatory of the arts and crafts in Paris - engraving in “Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre et Edmond Allonier -, Unknown Artist, (19th century) / Bridgeman Images

Arch of Constantine in Rome (315 CE) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Arch of Constantine in Rome (315 CE) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4160086: Arch of Constantine in Rome (315 CE) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Italian School, (19th century) / Bridgeman Images


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