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Contemplation (oil on panel)
Contemplation (oil on panel)

PFA191131: Contemplation (oil on panel), Beyschlag, Robert Julius (1838-1903) / Bridgeman Images

ID: PFA191131

Contemplation (oil on panel)

Beyschlag, Robert Julius (1838-1903)

Cotton Mule Spinning (engraving)
Cotton Mule Spinning (engraving)

STC189211: Cotton Mule Spinning (engraving), English School, (19th century) / Bridgeman Images

ID: STC189211

Cotton Mule Spinning (engraving)

English School, (19th century)

Country House at Oostakker, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)
Country House at Oostakker, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

STC189225: Country House at Oostakker, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint), Goetghebuer, Pierre Jacques (1788-1866) / Bridgeman Images

ID: STC189225

Country House at Oostakker, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

Goetghebuer, Pierre Jacques (1788-1866)

Cross Section of Palace of the Prince of Orange, Brussels, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186055)
Cross Section of Palace of the Prince of Orange, Brussels, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186055)

STC189233: Cross Section of Palace of the Prince of Orange, Brussels, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186055), Goetghebuer, Pierre Jacques (1788-1866) / Bridgeman Images

ID: STC189233

Cross Section of Palace of the Prince of Orange, Brussels, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186055)

Goetghebuer, Pierre Jacques (1788-1866)

Cross Section of Chateau at Ronse, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186086)
Cross Section of Chateau at Ronse, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186086)

STC189234: Cross Section of Chateau at Ronse, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186086), Goetghebuer, Pierre Jacques (1788-1866) / Bridgeman Images

ID: STC189234

Cross Section of Chateau at Ronse, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint) (see also 186086)

Goetghebuer, Pierre Jacques (1788-1866)

Tarot card made by Piatnik, Vienna, (colour litho)
Tarot card made by Piatnik, Vienna, (colour litho)

CHT189347: Tarot card made by Piatnik, Vienna, (colour litho), Austrian School, (19th century) / Bridgeman Images

ID: CHT189347

Tarot card made by Piatnik, Vienna, (colour litho)

Austrian School, (19th century)

The Physiology of the Nose, anti-alcoholism caricature (colour litho)
The Physiology of the Nose, anti-alcoholism caricature (colour litho)

CHT189359: The Physiology of the Nose, anti-alcoholism caricature (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT189359

The Physiology of the Nose, anti-alcoholism caricature (colour litho)

French School, (19th century)

Le Grand Saint Lundi, Holy Monday, cartoon on workers and tradesmen who devote Mondays to alcohol instead of their work, mid 19th century (colour litho)
Le Grand Saint Lundi, Holy Monday, cartoon on workers and tradesmen who devote Mondays to alcohol instead of their work, mid 19th century (colour litho)

CHT189377: Le Grand Saint Lundi, Holy Monday, cartoon on workers and tradesmen who devote Mondays to alcohol instead of their work, mid 19th century (colour litho), French School, (19th century) (after) / Bridgeman Images

ID: CHT189377

Le Grand Saint Lundi, Holy Monday, cartoon on workers and tradesmen who devote Mondays to alcohol instead of their work, mid 19th century (colour litho)

French School, (19th century) (after)

Postcard depicting the stock yards & abattoirs of Chicago and workers with lunch pails on their break in 'Whiskey Row', c.1910 (coloured photo)
Postcard depicting the stock yards & abattoirs of Chicago and workers with lunch pails on their break in 'Whiskey Row', c.1910 (coloured photo)

CHT189399: Postcard depicting the stock yards & abattoirs of Chicago and workers with lunch pails on their break in 'Whiskey Row', c.1910 (coloured photo), American School, (20th century) / Bridgeman Images

ID: CHT189399

Postcard depicting the stock yards & abattoirs of Chicago and workers with lunch pails on their break in 'Whiskey Row', c.1910 (coloured photo)

American School, (20th century)

Young Man of Angraca with a Young Woman and Baby from Pano, Goa School (oil on canvas)
Young Man of Angraca with a Young Woman and Baby from Pano, Goa School (oil on canvas)

EDI190536: Young Man of Angraca with a Young Woman and Baby from Pano, Goa School (oil on canvas), Indian School, (18th century) / Bridgeman Images

ID: EDI190536

Young Man of Angraca with a Young Woman and Baby from Pano, Goa School (oil on canvas)

Indian School, (18th century)

British Guyana, from a Series of World Maps published by John Tallis & Co., New York & London, 1850s (engraving)
British Guyana, from a Series of World Maps published by John Tallis & Co., New York & London, 1850s (engraving)

STC190609: British Guyana, from a Series of World Maps published by John Tallis & Co., New York & London, 1850s (engraving), Rapkin, John (fl.1839-77) / Bridgeman Images

ID: STC190609

British Guyana, from a Series of World Maps published by John Tallis & Co., New York & London, 1850s (engraving)

Rapkin, John (fl.1839-77)

View of the Lake from the Centre Walk in the garden at West Wycombe, Buckinghamshire, engraved by William Woollett (1735-85) (engraving)
View of the Lake from the Centre Walk in the garden at West Wycombe, Buckinghamshire, engraved by William Woollett (1735-85) (engraving)

STC190646: View of the Lake from the Centre Walk in the garden at West Wycombe, Buckinghamshire, engraved by William Woollett (1735-85) (engraving), Hannan, William (1720-75) (after) / Bridgeman Images

ID: STC190646

View of the Lake from the Centre Walk in the garden at West Wycombe, Buckinghamshire, engraved by William Woollett (1735-85) (engraving)

Hannan, William (1720-75) (after)

Victoria Terminus, Bombay, engraved by Gillot, c.1910 (colour litho)
Victoria Terminus, Bombay, engraved by Gillot, c.1910 (colour litho)

CHT190344: Victoria Terminus, Bombay, engraved by Gillot, c.1910 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT190344

Victoria Terminus, Bombay, engraved by Gillot, c.1910 (colour litho)

French School, (20th century)

Strada Mercanti (oil on canvas)
Strada Mercanti (oil on canvas)

PFA191165: Strada Mercanti (oil on canvas), Schranz, John or Giovanni (1794-1882) (attr. to) / Bridgeman Images

ID: PFA191165

Strada Mercanti (oil on canvas)

Schranz, John or Giovanni (1794-1882) (attr. to)

Cossacks on Horseback, 1874 (oil on canvas)
Cossacks on Horseback, 1874 (oil on canvas)

PFA191178: Cossacks on Horseback, 1874 (oil on canvas), Chelminski, Jan van (1851-1925) / Bridgeman Images

ID: PFA191178

Cossacks on Horseback, 1874 (oil on canvas)

Chelminski, Jan van (1851-1925)

Country Courtship (oil on panel)
Country Courtship (oil on panel)

PFA191186: Country Courtship (oil on panel), Smith, George (1829-1901) / Bridgeman Images

ID: PFA191186

Country Courtship (oil on panel)

Smith, George (1829-1901)

Twilight, 1894 (oil on canvas)
Twilight, 1894 (oil on canvas)

PFA191143: Twilight, 1894 (oil on canvas), Spence, Thomas Ralph (1848-1918) / Bridgeman Images

ID: PFA191143

Twilight, 1894 (oil on canvas)

Spence, Thomas Ralph (1848-1918)

Introducing the Heir (oil on canvas)
Introducing the Heir (oil on canvas)

PFA191154: Introducing the Heir (oil on canvas), Zoffoli, A. (19th century) / Bridgeman Images

ID: PFA191154

Introducing the Heir (oil on canvas)

Zoffoli, A. (19th century)

Temptation, 1868 (oil on canvas)
Temptation, 1868 (oil on canvas)

PFA191157: Temptation, 1868 (oil on canvas), Lidderdale, Charles Sillem (1831-95) / Bridgeman Images

ID: PFA191157

Temptation, 1868 (oil on canvas)

Lidderdale, Charles Sillem (1831-95)

La Porte St. Martin (oil on canvas board)
La Porte St. Martin (oil on canvas board)

PFA191160: La Porte St. Martin (oil on canvas board), Blanche, Jacques-Emile (1861-1942) / Bridgeman Images

ID: PFA191160

La Porte St. Martin (oil on canvas board)

Blanche, Jacques-Emile (1861-1942)

Postcard depicting the Vienna State Opera House, c.1900 (colour litho)
Postcard depicting the Vienna State Opera House, c.1900 (colour litho)

CHT191432: Postcard depicting the Vienna State Opera House, c.1900 (colour litho), Austrian School, (20th century) / Bridgeman Images

ID: CHT191432

Postcard depicting the Vienna State Opera House, c.1900 (colour litho)

Austrian School, (20th century)

Fishing on the Dee, 1861 (oil on canvas)
Fishing on the Dee, 1861 (oil on canvas)

NUM112400: Fishing on the Dee, 1861 (oil on canvas), Baker, Thomas (1808-64) / Bridgeman Images

ID: NUM112400

Fishing on the Dee, 1861 (oil on canvas)

Baker, Thomas (1808-64)

Cello made by William Forster II, English (recto) (for verso see 112606)
Cello made by William Forster II, English (recto) (for verso see 112606)

BON112605: Cello made by William Forster II, English (recto) (for verso see 112606) / Bridgeman Images

ID: BON112605

Cello made by William Forster II, English (recto) (for verso see 112606)

The Wedding Dress (oil on board) (see also 126768)
The Wedding Dress (oil on board) (see also 126768)

RAF112995: The Wedding Dress (oil on board) (see also 126768), Solomon, Abraham (1824-62) / Bridgeman Images

ID: RAF112995

The Wedding Dress (oil on board) (see also 126768)

Solomon, Abraham (1824-62)

The Falls of Tummel (oil canvas)
The Falls of Tummel (oil canvas)

PFA109535: The Falls of Tummel (oil canvas), Breanski, Alfred de (1852-1928) / Bridgeman Images

ID: PFA109535

The Falls of Tummel (oil canvas)

Breanski, Alfred de (1852-1928)

A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas)
A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas)

PFA109542: A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas), Boursse, Esaias (1631-72) (attr. to) / Bridgeman Images

ID: PFA109542

A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas)

Boursse, Esaias (1631-72) (attr. to)

A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel)
A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel)

PFA109547: A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel), Netherlandish School, (17th century) / Bridgeman Images

ID: PFA109547

A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel)

Netherlandish School, (17th century)

Portrait of a Lady in a Yellow Dress (oil on canvas)
Portrait of a Lady in a Yellow Dress (oil on canvas)

PFA109563: Portrait of a Lady in a Yellow Dress (oil on canvas), Bray, Jan de (1627-1697) (attr. to) / Bridgeman Images

ID: PFA109563

Portrait of a Lady in a Yellow Dress (oil on canvas)

Bray, Jan de (1627-1697) (attr. to)

Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather)
Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather)

BON109576: Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather) / Bridgeman Images

ID: BON109576

Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather)

The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base)
The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base)

BON109581: The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base) / Bridgeman Images

ID: BON109581

The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base)

Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)
Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)

BON109582: Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass), Daum, Auguste (1853-1909) / Bridgeman Images

ID: BON109582

Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)

Daum, Auguste (1853-1909)

The First Letter, 1857 (oil on canvas)
The First Letter, 1857 (oil on canvas)

VFS109703: The First Letter, 1857 (oil on canvas), Chapman, R.W. (fl.1855-1861) / Bridgeman Images

ID: VFS109703

The First Letter, 1857 (oil on canvas)

Chapman, R.W. (fl.1855-1861)

The Soldier's Return (oil on prepared board)
The Soldier's Return (oil on prepared board)

VFS109711: The Soldier's Return (oil on prepared board), Faed, Thomas (1826-1900) / Bridgeman Images

ID: VFS109711

The Soldier's Return (oil on prepared board)

Faed, Thomas (1826-1900)

Farewell, Dear Old Chillingham (pen & ink on paper)
Farewell, Dear Old Chillingham (pen & ink on paper)

VFS109760: Farewell, Dear Old Chillingham (pen & ink on paper), Landseer, Edwin (1802-73) / Bridgeman Images

ID: VFS109760

Farewell, Dear Old Chillingham (pen & ink on paper)

Landseer, Edwin (1802-73)

Changing Weather, 1862 (w/c on paper)
Changing Weather, 1862 (w/c on paper)

VFS109762: Changing Weather, 1862 (w/c on paper), Nicol, Erskine (1825-1904) / Bridgeman Images

ID: VFS109762

Changing Weather, 1862 (w/c on paper)

Nicol, Erskine (1825-1904)

The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)
The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

ELB109817: The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images

ID: ELB109817

The Very Tame Lamb, from 'The Square Book of Animals', published by William Heinemann, 1899 (hand-coloured woodcut)

Nicholson, William (1872-1949)


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