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Dance of the Camacans, Indians of Brazil - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820.
Dance of the Camacans, Indians of Brazil - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820.

GIA4775727: Dance of the Camacans, Indians of Brazil - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4775727

Dance of the Camacans, Indians of Brazil - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820.

Unknown Artist, (19th century)

Satirical vignette of 1938 referring to the crisis of the Italian government of 1924 attributed to the Maconic Communist Jewish conspiracy. Drawing.
Satirical vignette of 1938 referring to the crisis of the Italian government of 1924 attributed to the Maconic Communist Jewish conspiracy. Drawing.

GIA4775765: Satirical vignette of 1938 referring to the crisis of the Italian government of 1924 attributed to the Maconic Communist Jewish conspiracy. Drawing., Italian School, (20th century) / Bridgeman Images

ID: GIA4775765

Satirical vignette of 1938 referring to the crisis of the Italian government of 1924 attributed to the Maconic Communist Jewish conspiracy. Drawing.

Italian School, (20th century)

Portrait of [Teresa] De Giuli Borsi soprano Italian.
Portrait of [Teresa] De Giuli Borsi soprano Italian.

GIA4779078: Portrait of [Teresa] De Giuli Borsi soprano Italian., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4779078

Portrait of [Teresa] De Giuli Borsi soprano Italian.

Unknown Artist, (19th century)

Portrait of Louis de la Tremoille - Count of Joigny.
Portrait of Louis de la Tremoille - Count of Joigny.

GIA4779192: Portrait of Louis de la Tremoille - Count of Joigny., Massard, Leopold (1812-1889) / Bridgeman Images

ID: GIA4779192

Portrait of Louis de la Tremoille - Count of Joigny.

Massard, Leopold (1812-1889)

Chinese pirate junk of Canton, early 19th century.
Chinese pirate junk of Canton, early 19th century.

GIA4779260: Chinese pirate junk of Canton, early 19th century., Anonymous / Bridgeman Images

ID: GIA4779260

Chinese pirate junk of Canton, early 19th century.

Anonymous

Time measurement: 18th century oil clock.
Time measurement: 18th century oil clock.

GIA4779264: Time measurement: 18th century oil clock., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4779264

Time measurement: 18th century oil clock.

Unknown artist, (18th century)

The Thespis tank (6th century BC). Greek tragic poet. Thanks to his famous cart, he would have transported to Attica first and then to Athenes the first troop of travelling actors, introducing the tragedies into the city. Engraving by Gustave Dore. sd. 19th century.
The Thespis tank (6th century BC). Greek tragic poet. Thanks to his famous cart, he would have transported to Attica first and then to Athenes the first troop of travelling actors, introducing the tragedies into the city. Engraving by Gustave Dore. sd. 19th century.

GIA4779284: The Thespis tank (6th century BC). Greek tragic poet. Thanks to his famous cart, he would have transported to Attica first and then to Athenes the first troop of travelling actors, introducing the tragedies into the city. Engraving by Gustave Dore. sd. 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4779284

The Thespis tank (6th century BC). Greek tragic poet. Thanks to his famous cart, he would have transported to Attica first and then to Athenes the first troop of travelling actors, introducing the tragedies into the city. Engraving by Gustave Dore. sd. 19th century.

Unknown Artist, (19th century)

Circe changes Ulysses' companions into swine. Illustration for book X de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.
Circe changes Ulysses' companions into swine. Illustration for book X de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.

GIA4779659: Circe changes Ulysses' companions into swine. Illustration for book X de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan., Flemish School, (18th century) / Bridgeman Images

ID: GIA4779659

Circe changes Ulysses' companions into swine. Illustration for book X de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.

Flemish School, (18th century)

Jupiter, touch the affront made to Achilles, and wishing to raise his glory, sends, while Juno is asleep, a seductive dream to Agamemnon, to force him to fight against the Trojans. Illustration of book II of the Iliad of Homere, French edition, 1751.
Jupiter, touch the affront made to Achilles, and wishing to raise his glory, sends, while Juno is asleep, a seductive dream to Agamemnon, to force him to fight against the Trojans. Illustration of book II of the Iliad of Homere, French edition, 1751.

GIA4779698: Jupiter, touch the affront made to Achilles, and wishing to raise his glory, sends, while Juno is asleep, a seductive dream to Agamemnon, to force him to fight against the Trojans. Illustration of book II of the Iliad of Homere, French edition, 1751., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4779698

Jupiter, touch the affront made to Achilles, and wishing to raise his glory, sends, while Juno is asleep, a seductive dream to Agamemnon, to force him to fight against the Trojans. Illustration of book II of the Iliad of Homere, French edition, 1751.

Unknown artist, (18th century)

With the two armies joining the rise of the dawn, Jupiter sent Iris to tell Hector to withdraw from the battle and to return only when Agamemnon hurts, would be forced to move away from the battlefield. Illustration of book XI of the Iliad of Homere, French edition, 1751.
With the two armies joining the rise of the dawn, Jupiter sent Iris to tell Hector to withdraw from the battle and to return only when Agamemnon hurts, would be forced to move away from the battlefield. Illustration of book XI of the Iliad of Homere, French edition, 1751.

GIA4779784: With the two armies joining the rise of the dawn, Jupiter sent Iris to tell Hector to withdraw from the battle and to return only when Agamemnon hurts, would be forced to move away from the battlefield. Illustration of book XI of the Iliad of Homere, French edition, 1751., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4779784

With the two armies joining the rise of the dawn, Jupiter sent Iris to tell Hector to withdraw from the battle and to return only when Agamemnon hurts, would be forced to move away from the battlefield. Illustration of book XI of the Iliad of Homere, French edition, 1751.

Unknown artist, (18th century)

Hector, back after pushing the Greeks back to their entrenches, attacks them with fury, sinks a door with a huge stone, enters it at the head of his troops, and pursues them to their ships. Illustration of book XII of the Iliad of Homere, French edition, 1751.
Hector, back after pushing the Greeks back to their entrenches, attacks them with fury, sinks a door with a huge stone, enters it at the head of his troops, and pursues them to their ships. Illustration of book XII of the Iliad of Homere, French edition, 1751.

GIA4779789: Hector, back after pushing the Greeks back to their entrenches, attacks them with fury, sinks a door with a huge stone, enters it at the head of his troops, and pursues them to their ships. Illustration of book XII of the Iliad of Homere, French edition, 1751., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4779789

Hector, back after pushing the Greeks back to their entrenches, attacks them with fury, sinks a door with a huge stone, enters it at the head of his troops, and pursues them to their ships. Illustration of book XII of the Iliad of Homere, French edition, 1751.

Unknown artist, (18th century)

Patroclus, touches the misfortune of the Greeks, having obtained permission from Achilles to go and rescue them, covers himself with the weapons of this prince, who makes libations to Jupiter for his happy return. Illustration of book XVI of the Iliad of Homere, French edition, 1751.
Patroclus, touches the misfortune of the Greeks, having obtained permission from Achilles to go and rescue them, covers himself with the weapons of this prince, who makes libations to Jupiter for his happy return. Illustration of book XVI of the Iliad of Homere, French edition, 1751.

GIA4779827: Patroclus, touches the misfortune of the Greeks, having obtained permission from Achilles to go and rescue them, covers himself with the weapons of this prince, who makes libations to Jupiter for his happy return. Illustration of book XVI of the Iliad of Homere, French edition, 1751., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4779827

Patroclus, touches the misfortune of the Greeks, having obtained permission from Achilles to go and rescue them, covers himself with the weapons of this prince, who makes libations to Jupiter for his happy return. Illustration of book XVI of the Iliad of Homere, French edition, 1751.

Unknown artist, (18th century)

Monkey temple the monkey temple in Varanasi (formerly Benares) in 1877.
Monkey temple the monkey temple in Varanasi (formerly Benares) in 1877.

GIA4778976: Monkey temple the monkey temple in Varanasi (formerly Benares) in 1877., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778976

Monkey temple the monkey temple in Varanasi (formerly Benares) in 1877.

Unknown Artist, (19th century)

Culture, civilization and Indian society: Portrait of a fakir (faquir) with long nails, India.
Culture, civilization and Indian society: Portrait of a fakir (faquir) with long nails, India.

GIA4778767: Culture, civilization and Indian society: Portrait of a fakir (faquir) with long nails, India., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778767

Culture, civilization and Indian society: Portrait of a fakir (faquir) with long nails, India.

Unknown Artist, (19th century)

Panic in New York when the aliens arrived. Scene from the movie “The War of Worlds” by B. Haskin, 1953.
Panic in New York when the aliens arrived. Scene from the movie “The War of Worlds” by B. Haskin, 1953.

GIA4778827: Panic in New York when the aliens arrived. Scene from the movie “The War of Worlds” by B. Haskin, 1953., American School, (20th century) / Bridgeman Images

ID: GIA4778827

Panic in New York when the aliens arrived. Scene from the movie “The War of Worlds” by B. Haskin, 1953.

American School, (20th century)

Representation of an Ornithorynch (Ornithorhynchus paradoxus, Blum.). engraving from “Universal Dictionary of Natural History”” by C. D'Orbigny.
Representation of an Ornithorynch (Ornithorhynchus paradoxus, Blum.). engraving from “Universal Dictionary of Natural History”” by C. D'Orbigny.

GIA4778844: Representation of an Ornithorynch (Ornithorhynchus paradoxus, Blum.). engraving from “Universal Dictionary of Natural History”” by C. D'Orbigny., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778844

Representation of an Ornithorynch (Ornithorhynchus paradoxus, Blum.). engraving from “Universal Dictionary of Natural History”” by C. D'Orbigny.

Unknown Artist, (19th century)

Portrait of Mary Lescszinska, Queen of France (1703-1768) (Leczinska; Lescszinka; Leszinka).Engraving from 1830.
Portrait of Mary Lescszinska, Queen of France (1703-1768) (Leczinska; Lescszinka; Leszinka).Engraving from 1830.

GIA4779412: Portrait of Mary Lescszinska, Queen of France (1703-1768) (Leczinska; Lescszinka; Leszinka).Engraving from 1830., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4779412

Portrait of Mary Lescszinska, Queen of France (1703-1768) (Leczinska; Lescszinka; Leszinka).Engraving from 1830.

Unknown Artist, (19th century)

Representation of the pirate Howell Davis, active around 1718-1719.
Representation of the pirate Howell Davis, active around 1718-1719.

GIA4779471: Representation of the pirate Howell Davis, active around 1718-1719., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4779471

Representation of the pirate Howell Davis, active around 1718-1719.

Unknown Artist, (19th century)

Telemaque is received in Lacedemone in the palace of Menelas with Pisistrate. Illustration for book IV of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Milan.
Telemaque is received in Lacedemone in the palace of Menelas with Pisistrate. Illustration for book IV of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Milan.

GIA4779522: Telemaque is received in Lacedemone in the palace of Menelas with Pisistrate. Illustration for book IV of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Milan., Flemish School, (18th century) / Bridgeman Images

ID: GIA4779522

Telemaque is received in Lacedemone in the palace of Menelas with Pisistrate. Illustration for book IV of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Milan.

Flemish School, (18th century)

Ulysses interview with Penelope, who does not recognize him for what he was. Lilustration for the book XIX of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.
Ulysses interview with Penelope, who does not recognize him for what he was. Lilustration for the book XIX of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.

GIA4779592: Ulysses interview with Penelope, who does not recognize him for what he was. Lilustration for the book XIX of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan., Flemish School, (18th century) / Bridgeman Images

ID: GIA4779592

Ulysses interview with Penelope, who does not recognize him for what he was. Lilustration for the book XIX of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.

Flemish School, (18th century)

Ulysses fists with beggar Iros (Iros) and wins the victory. The pursuers enjoy dancing and music. Ilustration for the book XVIII of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.
Ulysses fists with beggar Iros (Iros) and wins the victory. The pursuers enjoy dancing and music. Ilustration for the book XVIII of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.

GIA4779597: Ulysses fists with beggar Iros (Iros) and wins the victory. The pursuers enjoy dancing and music. Ilustration for the book XVIII of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan., Flemish School, (18th century) / Bridgeman Images

ID: GIA4779597

Ulysses fists with beggar Iros (Iros) and wins the victory. The pursuers enjoy dancing and music. Ilustration for the book XVIII of the Odyssee of Homere, in the Odyssee, published in Amsterdam in 1731, Collection privee Milan.

Flemish School, (18th century)

Interview with Telemaque and his mother Penelope. Illustration for the book XVII de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.
Interview with Telemaque and his mother Penelope. Illustration for the book XVII de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.

GIA4779603: Interview with Telemaque and his mother Penelope. Illustration for the book XVII de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan., Flemish School, (18th century) / Bridgeman Images

ID: GIA4779603

Interview with Telemaque and his mother Penelope. Illustration for the book XVII de l'Odyssee d'Homere, in l'Odyssee, published in Amsterdam in 1731, Collection privee Milan.

Flemish School, (18th century)

Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.
Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.

GIA4778530: Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy., Unknown Artist, (17th century) / Bridgeman Images

ID: GIA4778530

Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.

Unknown Artist, (17th century)

Portrait of Sir Rowland Hill (1795-1879) inventor of the postal stamp.
Portrait of Sir Rowland Hill (1795-1879) inventor of the postal stamp.

GIA4778555: Portrait of Sir Rowland Hill (1795-1879) inventor of the postal stamp., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778555

Portrait of Sir Rowland Hill (1795-1879) inventor of the postal stamp.

Unknown Artist, (19th century)

Napoleonic War: Battle of Marengo, June 14, 1800, north of Genes, which concluded the war of the Second Coalition. Illustration of the 19th century.
Napoleonic War: Battle of Marengo, June 14, 1800, north of Genes, which concluded the war of the Second Coalition. Illustration of the 19th century.

GIA4778591: Napoleonic War: Battle of Marengo, June 14, 1800, north of Genes, which concluded the war of the Second Coalition. Illustration of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778591

Napoleonic War: Battle of Marengo, June 14, 1800, north of Genes, which concluded the war of the Second Coalition. Illustration of the 19th century.

Unknown Artist, (19th century)

Flight over Trieste by Gabriele D'annunzio (1863 - 1938): 08/1915 he makes a flight and drops leaflets over the martyred city. Drawing by Ambrogio Lombardi.
Flight over Trieste by Gabriele D'annunzio (1863 - 1938): 08/1915 he makes a flight and drops leaflets over the martyred city. Drawing by Ambrogio Lombardi.

GIA4778614: Flight over Trieste by Gabriele D'annunzio (1863 - 1938): 08/1915 he makes a flight and drops leaflets over the martyred city. Drawing by Ambrogio Lombardi., Lombardi, Ambrogio (1887-1934) / Bridgeman Images

ID: GIA4778614

Flight over Trieste by Gabriele D'annunzio (1863 - 1938): 08/1915 he makes a flight and drops leaflets over the martyred city. Drawing by Ambrogio Lombardi.

Lombardi, Ambrogio (1887-1934)

Portrait of Pope Donus II (Pope 973).
Portrait of Pope Donus II (Pope 973).

GIA4778681: Portrait of Pope Donus II (Pope 973)., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778681

Portrait of Pope Donus II (Pope 973).

Unknown Artist, (19th century)

Portrait of Pope John XIX (1024-1032).
Portrait of Pope John XIX (1024-1032).

GIA4778690: Portrait of Pope John XIX (1024-1032)., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778690

Portrait of Pope John XIX (1024-1032).

Unknown Artist, (19th century)

Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.
Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.

GIA4778504: Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy., Unknown Artist / Bridgeman Images

ID: GIA4778504

Theodoric I the Great (v. 454-526), king of the Ostrogoths (474-526) and founder of the Ostrogoth kingdom in Italy.

Unknown Artist

The Theatre Regio in Turin in 1800.
The Theatre Regio in Turin in 1800.

GIA4778526: The Theatre Regio in Turin in 1800., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778526

The Theatre Regio in Turin in 1800.

Unknown Artist, (19th century)

Portrait of George Washington de Long, American explorer (1844-1881).
Portrait of George Washington de Long, American explorer (1844-1881).

GIA4778568: Portrait of George Washington de Long, American explorer (1844-1881)., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4778568

Portrait of George Washington de Long, American explorer (1844-1881).

Unknown Artist, (19th century)

Plate of Quinquina (Cinchona Officinalis).
Plate of Quinquina (Cinchona Officinalis).

GIA4769849: Plate of Quinquina (Cinchona Officinalis)., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4769849

Plate of Quinquina (Cinchona Officinalis).

Unknown Artist, (19th century)

Couverture de la partition pour chant et piano de l'opera
Couverture de la partition pour chant et piano de l'opera

GIA4769887: Couverture de la partition pour chant et piano de l'opera ""Ernani"" composé en 1844 par Giuseppe Verdi (1813 - 1901) d'aprés la tragédie de Victor Hugo., Italian School, (19th century) / Bridgeman Images

ID: GIA4769887

Couverture de la partition pour chant et piano de l'opera ""Ernani"" composé en 1844 par Giuseppe Verdi (1813 - 1901) d'aprés la tragédie de Victor Hugo.

Italian School, (19th century)

Character of Lady Macbeth in the opera “Macbeth”” by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.
Character of Lady Macbeth in the opera “Macbeth”” by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.

GIA4769943: Character of Lady Macbeth in the opera “Macbeth”” by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4769943

Character of Lady Macbeth in the opera “Macbeth”” by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.

Unknown Artist, (19th century)

Macbeth character in the opera of the same name by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.
Macbeth character in the opera of the same name by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.

GIA4769968: Macbeth character in the opera of the same name by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4769968

Macbeth character in the opera of the same name by Giuseppe Verdi (1813 - 1901) after the work of William Shakespeare. 1847. Engraving.

Unknown Artist, (19th century)

A gooseberry: 19th century botanical board.
A gooseberry: 19th century botanical board.

GIA4770050: A gooseberry: 19th century botanical board., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4770050

A gooseberry: 19th century botanical board.

Unknown Artist, (19th century)


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