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The Library of Alexandria - View of the interior of the Library of Alexandria in Egypt.
The Library of Alexandria - View of the interior of the Library of Alexandria in Egypt.

GIA4807270: The Library of Alexandria - View of the interior of the Library of Alexandria in Egypt., Anonymous / Bridgeman Images

ID: GIA4807270

The Library of Alexandria - View of the interior of the Library of Alexandria in Egypt.

Anonymous

Portrait of Antonio Gramsci (1891-1937), Italian philosopher and politician. sd. 20th century. Photography.
Portrait of Antonio Gramsci (1891-1937), Italian philosopher and politician. sd. 20th century. Photography.

GIA4807988: Portrait of Antonio Gramsci (1891-1937), Italian philosopher and politician. sd. 20th century. Photography. / Bridgeman Images

ID: GIA4807988

Portrait of Antonio Gramsci (1891-1937), Italian philosopher and politician. sd. 20th century. Photography.

Representation of a siren and a triton, a fantastic marine creature described in an atlas of zoology. Detail. 17th century
Representation of a siren and a triton, a fantastic marine creature described in an atlas of zoology. Detail. 17th century

GIA4808443: Representation of a siren and a triton, a fantastic marine creature described in an atlas of zoology. Detail. 17th century, Unknown Artist, (17th century) / Bridgeman Images

ID: GIA4808443

Representation of a siren and a triton, a fantastic marine creature described in an atlas of zoology. Detail. 17th century

Unknown Artist, (17th century)

Humbert I (1844-1900), King of Italy from 1878 to 1900 and Margarita of Savoy Genes (Margherita di Savoia, 1851-1926), Queen of Italy (1878-1900) during an official ceremony in 1892.
Humbert I (1844-1900), King of Italy from 1878 to 1900 and Margarita of Savoy Genes (Margherita di Savoia, 1851-1926), Queen of Italy (1878-1900) during an official ceremony in 1892.

GIA4788921: Humbert I (1844-1900), King of Italy from 1878 to 1900 and Margarita of Savoy Genes (Margherita di Savoia, 1851-1926), Queen of Italy (1878-1900) during an official ceremony in 1892., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4788921

Humbert I (1844-1900), King of Italy from 1878 to 1900 and Margarita of Savoy Genes (Margherita di Savoia, 1851-1926), Queen of Italy (1878-1900) during an official ceremony in 1892.

Unknown Artist, (19th century)

The main illustration depicts the scene: “A tear was heard, separate blows followed. Francoise, agitated by a tremor, had carried her hands to her ears.”” for “L'Attack du Moulin””, a lyrical drama by Emile Zola (1840-1902) in four acts. Music by Alfred Bruneau (1857-1934).
The main illustration depicts the scene: “A tear was heard, separate blows followed. Francoise, agitated by a tremor, had carried her hands to her ears.”” for “L'Attack du Moulin””, a lyrical drama by Emile Zola (1840-1902) in four acts. Music by Alfred Bruneau (1857-1934).

GIA4786103: The main illustration depicts the scene: “A tear was heard, separate blows followed. Francoise, agitated by a tremor, had carried her hands to her ears.”” for “L'Attack du Moulin””, a lyrical drama by Emile Zola (1840-1902) in four acts. Music by Alfred Bruneau (1857-1934)., French School, (19th century) / Bridgeman Images

ID: GIA4786103

The main illustration depicts the scene: “A tear was heard, separate blows followed. Francoise, agitated by a tremor, had carried her hands to her ears.”” for “L'Attack du Moulin””, a lyrical drama by Emile Zola (1840-1902) in four acts. Music by Alfred Bruneau (1857-1934).

French School, (19th century)

Thomas Edward Lawrence, (Laurence of Arabia or Lawrence of Arabia, 1888 - 1935) - photography, Akaba 1917
Thomas Edward Lawrence, (Laurence of Arabia or Lawrence of Arabia, 1888 - 1935) - photography, Akaba 1917

GIA4792674: Thomas Edward Lawrence, (Laurence of Arabia or Lawrence of Arabia, 1888 - 1935) - photography, Akaba 1917, Unknown photographer, (20th century) / Bridgeman Images

ID: GIA4792674

Thomas Edward Lawrence, (Laurence of Arabia or Lawrence of Arabia, 1888 - 1935) - photography, Akaba 1917

Unknown photographer, (20th century)

Portrait of Auguste Rodin (1840-1917) photographed around 1885.
Portrait of Auguste Rodin (1840-1917) photographed around 1885.

GIA4784843: Portrait of Auguste Rodin (1840-1917) photographed around 1885., Unknown photographer, (19th century) / Bridgeman Images

ID: GIA4784843

Portrait of Auguste Rodin (1840-1917) photographed around 1885.

Unknown photographer, (19th century)

portrait of Friedrich Engels (1820-1895), German socialist theorist and politician.
portrait of Friedrich Engels (1820-1895), German socialist theorist and politician.

GIA4809199: portrait of Friedrich Engels (1820-1895), German socialist theorist and politician., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4809199

portrait of Friedrich Engels (1820-1895), German socialist theorist and politician.

Unknown Artist, (19th century)

Set by Schinkel, 1841, for “” The Magic Flute”, 1791, by Mozart. Act I, Scene VI.
Set by Schinkel, 1841, for “” The Magic Flute”, 1791, by Mozart. Act I, Scene VI.

GIA4774014: Set by Schinkel, 1841, for “” The Magic Flute”, 1791, by Mozart. Act I, Scene VI., Schinkel, Karl Friedrich (1781-1841) / Bridgeman Images

ID: GIA4774014

Set by Schinkel, 1841, for “” The Magic Flute”, 1791, by Mozart. Act I, Scene VI.

Schinkel, Karl Friedrich (1781-1841)

Fascist team burning socialist newspapers “Il Paese” after devastating the siege, 1920.
Fascist team burning socialist newspapers “Il Paese” after devastating the siege, 1920.

GIA4694698: Fascist team burning socialist newspapers “Il Paese” after devastating the siege, 1920., Italian Photographer, (20th century) / Bridgeman Images

ID: GIA4694698

Fascist team burning socialist newspapers “Il Paese” after devastating the siege, 1920.

Italian Photographer, (20th century)

Don Quixote and Sancho Pança. Painting by Atalaya. late 19th century.
Don Quixote and Sancho Pança. Painting by Atalaya. late 19th century.

GIA4695115: Don Quixote and Sancho Pança. Painting by Atalaya. late 19th century., Atalaya, Enrique (1851-1913) / Bridgeman Images

ID: GIA4695115

Don Quixote and Sancho Pança. Painting by Atalaya. late 19th century.

Atalaya, Enrique (1851-1913)

Portrait de Staline vers 1945.
Portrait de Staline vers 1945.

GIA4694814: Portrait de Staline vers 1945., Russian School, (20th century) / Bridgeman Images

ID: GIA4694814

Portrait de Staline vers 1945.

Russian School, (20th century)

The Divine Comedy, Paradiso, Canto 31: The queen of heaven - by Dante Alighieri, 1885
The Divine Comedy, Paradiso, Canto 31: The queen of heaven - by Dante Alighieri, 1885

XEE4145316: The Divine Comedy, Paradiso, Canto 31: The queen of heaven - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145316

The Divine Comedy, Paradiso, Canto 31: The queen of heaven - by Dante Alighieri, 1885

Dore, Gustave (1832-83)

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892

XEE4145798: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145798

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du bust - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the bust - Engraving from “” La Science francaise”, 1892

Unknown Artist, (19th century)

The Divine Comedy, Purgatorio, Canto 19: The poets ascend to the fifth circle - by Dante Alighieri, 1885
The Divine Comedy, Purgatorio, Canto 19: The poets ascend to the fifth circle - by Dante Alighieri, 1885

XEE4145491: The Divine Comedy, Purgatorio, Canto 19: The poets ascend to the fifth circle - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145491

The Divine Comedy, Purgatorio, Canto 19: The poets ascend to the fifth circle - by Dante Alighieri, 1885

Dore, Gustave (1832-83)

Portrait of composer Richard Wagner - Portrait of Richard Wagner, German composer.
Portrait of composer Richard Wagner - Portrait of Richard Wagner, German composer.

XEE4146873: Portrait of composer Richard Wagner - Portrait of Richard Wagner, German composer., Anonymous / Bridgeman Images

ID: XEE4146873

Portrait of composer Richard Wagner - Portrait of Richard Wagner, German composer.

Anonymous

Napoleon contemple the fire of Moscow - He watches Moscow burn, 1893 (litho)
Napoleon contemple the fire of Moscow - He watches Moscow burn, 1893 (litho)

XEE4160590: Napoleon contemple the fire of Moscow - He watches Moscow burn, 1893 (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4160590

Napoleon contemple the fire of Moscow - He watches Moscow burn, 1893 (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Portrait of Vladimir Ilyich Lenin (Lenin) 1918 (photo)
Portrait of Vladimir Ilyich Lenin (Lenin) 1918 (photo)

XEE4163438: Portrait of Vladimir Ilyich Lenin (Lenin) 1918 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4163438

Portrait of Vladimir Ilyich Lenin (Lenin) 1918 (photo)

Unknown photographer, (20th century)

Construction of the Grand Palais, in Paris in 1898, on the occasion of the 1900 Universal Exhibition - the completion of the facade -
Construction of the Grand Palais, in Paris in 1898, on the occasion of the 1900 Universal Exhibition - the completion of the facade -

XEE4163581: Construction of the Grand Palais, in Paris in 1898, on the occasion of the 1900 Universal Exhibition - the completion of the facade - "le Pelerin" of 1899 - (engraving), Feuillet, Maurice (1873-1968) / Bridgeman Images

ID: XEE4163581

Construction of the Grand Palais, in Paris in 1898, on the occasion of the 1900 Universal Exhibition - the completion of the facade - "le Pelerin" of 1899 - (engraving)

Feuillet, Maurice (1873-1968)

Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)
Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)

XEE4162081: Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4162081

Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)

Dore, Gustave (1832-83)

Napoleon III by Olympe Aguado de las Marismas (1827-1894)
Napoleon III by Olympe Aguado de las Marismas (1827-1894)

XEE4162049: Napoleon III by Olympe Aguado de las Marismas (1827-1894), Aguado, Olympe (1827-94) / Bridgeman Images

ID: XEE4162049

Napoleon III by Olympe Aguado de las Marismas (1827-1894)

Aguado, Olympe (1827-94)

Louis VII the Young or the Pious (1120-1180) with his wife Alienor of Aquitaine (1122-1204) (or Eleonore of Guyenne).
Louis VII the Young or the Pious (1120-1180) with his wife Alienor of Aquitaine (1122-1204) (or Eleonore of Guyenne).

XEE4181069: Louis VII the Young or the Pious (1120-1180) with his wife Alienor of Aquitaine (1122-1204) (or Eleonore of Guyenne)., French School, (19th century) / Bridgeman Images

ID: XEE4181069

Louis VII the Young or the Pious (1120-1180) with his wife Alienor of Aquitaine (1122-1204) (or Eleonore of Guyenne).

French School, (19th century)

A sugar factory in Guadeloupe, drawing by Auguste de Berard (1824-1881), to illustrate the voyages to the West Indies, in 1858-1859, by Anthony Trollope (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A sugar factory in Guadeloupe, drawing by Auguste de Berard (1824-1881), to illustrate the voyages to the West Indies, in 1858-1859, by Anthony Trollope (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324303: A sugar factory in Guadeloupe, drawing by Auguste de Berard (1824-1881), to illustrate the voyages to the West Indies, in 1858-1859, by Anthony Trollope (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324303

A sugar factory in Guadeloupe, drawing by Auguste de Berard (1824-1881), to illustrate the voyages to the West Indies, in 1858-1859, by Anthony Trollope (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

The central cafe in Vienna (Austria). Engraving by Kollarz, to illustrate the story Vienna and its suburbs, by M. Newlinski, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The central cafe in Vienna (Austria). Engraving by Kollarz, to illustrate the story Vienna and its suburbs, by M. Newlinski, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332397: The central cafe in Vienna (Austria). Engraving by Kollarz, to illustrate the story Vienna and its suburbs, by M. Newlinski, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Kollarz, Franz (1829-94) (after) / Bridgeman Images

ID: LSE4332397

The central cafe in Vienna (Austria). Engraving by Kollarz, to illustrate the story Vienna and its suburbs, by M. Newlinski, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Kollarz, Franz (1829-94) (after)

Turner - Crafts series, 19th century (print)
Turner - Crafts series, 19th century (print)

XEE4411573: Turner - Crafts series, 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4411573

Turner - Crafts series, 19th century (print)

French School, (19th century)

Tinsmith; Craft series, 19th century (print)
Tinsmith; Craft series, 19th century (print)

XEE4411591: Tinsmith; Craft series, 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4411591

Tinsmith; Craft series, 19th century (print)

French School, (19th century)

Pierre and Marie Curie in their Laboratory. 1904.
Pierre and Marie Curie in their Laboratory. 1904.

XEE4411381: Pierre and Marie Curie in their Laboratory. 1904., French School, (20th century) / Bridgeman Images

ID: XEE4411381

Pierre and Marie Curie in their Laboratory. 1904.

French School, (20th century)

Coronation of Tsar Nicholas II - in Le petit journal du 24/05/1896
Coronation of Tsar Nicholas II - in Le petit journal du 24/05/1896

XEE4412178: Coronation of Tsar Nicholas II - in Le petit journal du 24/05/1896, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4412178

Coronation of Tsar Nicholas II - in Le petit journal du 24/05/1896

Unknown Artist, (19th century)

Cover of
Cover of

XEE4408543: Cover of "The Little Inventor" 1924-1925: the machine for making the truth tell, Berkeley's cardio pneumo psychographer., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4408543

Cover of "The Little Inventor" 1924-1925: the machine for making the truth tell, Berkeley's cardio pneumo psychographer.

Unknown Artist, (20th century)

Potsdamer platz in berlin in 1900.
Potsdamer platz in berlin in 1900.

XEE4405881: Potsdamer platz in berlin in 1900., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4405881

Potsdamer platz in berlin in 1900.

Unknown Artist, (20th century)

Affaire des Poisons: Madame de Brinvilliers testing her poisons on the sick of the Hotel dieu, 1851 (engraving)
Affaire des Poisons: Madame de Brinvilliers testing her poisons on the sick of the Hotel dieu, 1851 (engraving)

XEE4414838: Affaire des Poisons: Madame de Brinvilliers testing her poisons on the sick of the Hotel dieu, 1851 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4414838

Affaire des Poisons: Madame de Brinvilliers testing her poisons on the sick of the Hotel dieu, 1851 (engraving)

Unknown Artist, (19th century)

Two angels guide Loth and his daughters who must leave the city of Sodom, which, like that of Gomorra, is destroyed by God. Loth's wife who returns to the city despite the ban will be petrified as a statue of salt. Anonymous engraving from the middle of the 19th century.
Two angels guide Loth and his daughters who must leave the city of Sodom, which, like that of Gomorra, is destroyed by God. Loth's wife who returns to the city despite the ban will be petrified as a statue of salt. Anonymous engraving from the middle of the 19th century.

XEE4415125: Two angels guide Loth and his daughters who must leave the city of Sodom, which, like that of Gomorra, is destroyed by God. Loth's wife who returns to the city despite the ban will be petrified as a statue of salt. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4415125

Two angels guide Loth and his daughters who must leave the city of Sodom, which, like that of Gomorra, is destroyed by God. Loth's wife who returns to the city despite the ban will be petrified as a statue of salt. Anonymous engraving from the middle of the 19th century.

Unknown Artist, (19th century)

Vercingétorix, Gallic leader, went to Julius Caesar in 52 BC.
Vercingétorix, Gallic leader, went to Julius Caesar in 52 BC.

XEE4412885: Vercingétorix, Gallic leader, went to Julius Caesar in 52 BC., French School, (19th century) / Bridgeman Images

ID: XEE4412885

Vercingétorix, Gallic leader, went to Julius Caesar in 52 BC.

French School, (19th century)

The Battle of Solferino (June 24, 1859)
The Battle of Solferino (June 24, 1859)

XEE4413099: The Battle of Solferino (June 24, 1859), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4413099

The Battle of Solferino (June 24, 1859)

Unknown Artist, (19th century)

Hennig Brand or Hennig Brandt German Alchemist discovering phosphorus.
Hennig Brand or Hennig Brandt German Alchemist discovering phosphorus.

XEE4413390: Hennig Brand or Hennig Brandt German Alchemist discovering phosphorus., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4413390

Hennig Brand or Hennig Brandt German Alchemist discovering phosphorus.

Unknown Artist, (19th century)

Odyssee d'Homere: the fidele Penelope, the wife of the heros Ulysses, constantly making and defending a tapestry waiting for her husband's return to Ithaca. (Homer's Odyssey: the faithful Penelope, the wife of the hero Odysseus, constantly making and breaking a tapestry pending the return of her husband to Ithaca) From “Mythologie de la jeunesse “” by Pierre Blanchard 1803.
Odyssee d'Homere: the fidele Penelope, the wife of the heros Ulysses, constantly making and defending a tapestry waiting for her husband's return to Ithaca. (Homer's Odyssey: the faithful Penelope, the wife of the hero Odysseus, constantly making and breaking a tapestry pending the return of her husband to Ithaca) From “Mythologie de la jeunesse “” by Pierre Blanchard 1803.

XEE4417421: Odyssee d'Homere: the fidele Penelope, the wife of the heros Ulysses, constantly making and defending a tapestry waiting for her husband's return to Ithaca. (Homer's Odyssey: the faithful Penelope, the wife of the hero Odysseus, constantly making and breaking a tapestry pending the return of her husband to Ithaca) From “Mythologie de la jeunesse “” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417421

Odyssee d'Homere: the fidele Penelope, the wife of the heros Ulysses, constantly making and defending a tapestry waiting for her husband's return to Ithaca. (Homer's Odyssey: the faithful Penelope, the wife of the hero Odysseus, constantly making and breaking a tapestry pending the return of her husband to Ithaca) From “Mythologie de la jeunesse “” by Pierre Blanchard 1803.

French School, (19th century)


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