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The Negro Scholar of Jamaica, c.1740 (oil on canvas)
The Negro Scholar of Jamaica, c.1740 (oil on canvas)

STC167415: The Negro Scholar of Jamaica, c.1740 (oil on canvas), English School, (18th century) / Bridgeman Images

ID: STC167415

The Negro Scholar of Jamaica, c.1740 (oil on canvas)

English School, (18th century)

Retreat of Major Marcus Reno's command (ink on paper)
Retreat of Major Marcus Reno's command (ink on paper)

STC168267: Retreat of Major Marcus Reno's command (ink on paper), Amos Bad Heart Buffalo (1869-1913) / Bridgeman Images

ID: STC168267

Retreat of Major Marcus Reno's command (ink on paper)

Amos Bad Heart Buffalo (1869-1913)

A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)
A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)

STC170826: A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo), French School, (20th century) / Bridgeman Images

ID: STC170826

A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)

French School, (20th century)

Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)
Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

KWE171055: Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE171055

Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

English School, (19th century)

Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)
Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)

STC169739: Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC169739

Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)
Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)

STC170340: Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint), Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after) / Bridgeman Images

ID: STC170340

Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)

Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after)

Public dance in honour of the warrior He Dog (ink on paper)
Public dance in honour of the warrior He Dog (ink on paper)

STC168276: Public dance in honour of the warrior He Dog (ink on paper), Amos Bad Heart Buffalo (1869-1913) / Bridgeman Images

ID: STC168276

Public dance in honour of the warrior He Dog (ink on paper)

Amos Bad Heart Buffalo (1869-1913)

Boats Anchored on the Seine (oil on canvas)
Boats Anchored on the Seine (oil on canvas)

BRM156238: Boats Anchored on the Seine (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: BRM156238

Boats Anchored on the Seine (oil on canvas)

Caillebotte, Gustave (1848-94)

Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)
Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)

XJF156130: Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF156130

Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)

English School, (19th century)

Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)
Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)

STC156435: Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper), Webb, Philip (1831-1915) / Bridgeman Images

ID: STC156435

Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)

Webb, Philip (1831-1915)

A Secret, 1889 (pastel on paper)
A Secret, 1889 (pastel on paper)

COG172172: A Secret, 1889 (pastel on paper), Hennessy, William John (1839-1917) / Bridgeman Images

ID: COG172172

A Secret, 1889 (pastel on paper)

Hennessy, William John (1839-1917)

Visiting Uncle John and Aunt Josephine, 1974 (oil on canvasboard)
Visiting Uncle John and Aunt Josephine, 1974 (oil on canvasboard)

PFA172094: Visiting Uncle John and Aunt Josephine, 1974 (oil on canvasboard), Bradley, Helen (1900-79) / Bridgeman Images

ID: PFA172094

Visiting Uncle John and Aunt Josephine, 1974 (oil on canvasboard)

Bradley, Helen (1900-79)

Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)
Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)

STC173832: Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper), Murphy, James Cavanagh (1760-1814) / Bridgeman Images

ID: STC173832

Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)

Murphy, James Cavanagh (1760-1814)

Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)
Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)

PFA174369: Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board), Minton, John (1917-57) / Bridgeman Images

ID: PFA174369

Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)

Minton, John (1917-57)

Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174268: Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174268

Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)
Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)

STC172979: Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho), Persian School, (13th century) (after) / Bridgeman Images

ID: STC172979

Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)

Persian School, (13th century) (after)

Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)
Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)

STC173813: Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

ID: STC173813

Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)

Prisse d'Avennes, Emile (1807-79) (after)

A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)
A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)

STC173870: A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving), Morland, George (1763-1804) (after) / Bridgeman Images

ID: STC173870

A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)

Morland, George (1763-1804) (after)

Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)
Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)

STC122448: Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho), Nicholl, Andrew (1804-66) (after) / Bridgeman Images

ID: STC122448

Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)

Nicholl, Andrew (1804-66) (after)

Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)
Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)

XJF121252: Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving), English School, (19th century) / Bridgeman Images

ID: XJF121252

Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)

English School, (19th century)

Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)
Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)

WH122043: Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: WH122043

Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)

Armfield, Maxwell Ashby (1882-1972)

The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113461: The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF113461

The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)
Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)

PFA107917: Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas), Adam, Albrecht (1786-1862) / Bridgeman Images

ID: PFA107917

Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)

Adam, Albrecht (1786-1862)

The Head of Christ, 1735 (engraving)
The Head of Christ, 1735 (engraving)

XJF141188: The Head of Christ, 1735 (engraving), Mellan, Claude (1598-1688) / Bridgeman Images

ID: XJF141188

The Head of Christ, 1735 (engraving)

Mellan, Claude (1598-1688)

Knights Assembling, from 'Sir Nigel and the White Company' by Sir Arthur Conan Doyle's (1859-1930) (oil on canvas laid down on board) (see also 141515)
Knights Assembling, from 'Sir Nigel and the White Company' by Sir Arthur Conan Doyle's (1859-1930) (oil on canvas laid down on board) (see also 141515)

CW140868: Knights Assembling, from 'Sir Nigel and the White Company' by Sir Arthur Conan Doyle's (1859-1930) (oil on canvas laid down on board) (see also 141515), Butler, George Edmund (1872-1936) / Bridgeman Images

ID: CW140868

Knights Assembling, from 'Sir Nigel and the White Company' by Sir Arthur Conan Doyle's (1859-1930) (oil on canvas laid down on board) (see also 141515)

Butler, George Edmund (1872-1936)

Her Majesty's Royal Palace at Kensington, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving)
Her Majesty's Royal Palace at Kensington, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving)

STC137601: Her Majesty's Royal Palace at Kensington, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving), Knyff, Leonard (1650-1721) (after) / Bridgeman Images

ID: STC137601

Her Majesty's Royal Palace at Kensington, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving)

Knyff, Leonard (1650-1721) (after)

Map of Padua, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Padua, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138956: Map of Padua, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138956

Map of Padua, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Reproduction of a poster advertising the toyshop 'Aux Buttes Chaumont' (colour litho)
Reproduction of a poster advertising the toyshop 'Aux Buttes Chaumont' (colour litho)

STC139174: Reproduction of a poster advertising the toyshop 'Aux Buttes Chaumont' (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: STC139174

Reproduction of a poster advertising the toyshop 'Aux Buttes Chaumont' (colour litho)

Cheret, Jules (1836-1932)

Map of Northern Europe, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Northern Europe, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138976: Map of Northern Europe, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138976

Map of Northern Europe, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Portrait of Robert Dudley (c.1532-88) Earl of Leicester, from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Robert Dudley (c.1532-88) Earl of Leicester, from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146716: Portrait of Robert Dudley (c.1532-88) Earl of Leicester, from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146716

Portrait of Robert Dudley (c.1532-88) Earl of Leicester, from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

From the smoke ascending out of the abyss are born scorpions which scourge men', from a Commentary upon the Apocalypse by the Asturian monk Beatus of Liebana, c.776, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written by Paul Lacroix, engraved by Hoyot, 1878 (engraving)
From the smoke ascending out of the abyss are born scorpions which scourge men', from a Commentary upon the Apocalypse by the Asturian monk Beatus of Liebana, c.776, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written by Paul Lacroix, engraved by Hoyot, 1878 (engraving)

XJF147334: From the smoke ascending out of the abyss are born scorpions which scourge men', from a Commentary upon the Apocalypse by the Asturian monk Beatus of Liebana, c.776, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written by Paul Lacroix, engraved by Hoyot, 1878 (engraving), Spanish School, (12th century) (after) / Bridgeman Images

ID: XJF147334

From the smoke ascending out of the abyss are born scorpions which scourge men', from a Commentary upon the Apocalypse by the Asturian monk Beatus of Liebana, c.776, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written by Paul Lacroix, engraved by Hoyot, 1878 (engraving)

Spanish School, (12th century) (after)

Wedding Couple in a Chariot of Gods, black figure vase, 500 BC
Wedding Couple in a Chariot of Gods, black figure vase, 500 BC

ANC149194: Wedding Couple in a Chariot of Gods, black figure vase, 500 BC, Greek school, (6th century BC) / Bridgeman Images

ID: ANC149194

Wedding Couple in a Chariot of Gods, black figure vase, 500 BC

Greek school, (6th century BC)

View of Stocks Market, City of London (oil on canvas) (see 145739 for pair)
View of Stocks Market, City of London (oil on canvas) (see 145739 for pair)

RAF145738: View of Stocks Market, City of London (oil on canvas) (see 145739 for pair), Aken, Joseph van (c.1700-49) / Bridgeman Images

ID: RAF145738

View of Stocks Market, City of London (oil on canvas) (see 145739 for pair)

Aken, Joseph van (c.1700-49)

The Valkhof at Nijmegen, 1650 (oil on canvas)
The Valkhof at Nijmegen, 1650 (oil on canvas)

MFI145695: The Valkhof at Nijmegen, 1650 (oil on canvas), Cuyp, Aelbert (1620-91) (attr.to) / Bridgeman Images

ID: MFI145695

The Valkhof at Nijmegen, 1650 (oil on canvas)

Cuyp, Aelbert (1620-91) (attr.to)

The Lake District, c.1830 (w/c on paper)
The Lake District, c.1830 (w/c on paper)

AGN150773: The Lake District, c.1830 (w/c on paper), Constable, John (1776-1837) / Bridgeman Images

ID: AGN150773

The Lake District, c.1830 (w/c on paper)

Constable, John (1776-1837)

Portrait of Lady Jane Grey (1537-54) 'Nine-Days Queen' from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Lady Jane Grey (1537-54) 'Nine-Days Queen' from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146711: Portrait of Lady Jane Grey (1537-54) 'Nine-Days Queen' from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146711

Portrait of Lady Jane Grey (1537-54) 'Nine-Days Queen' from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)


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