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Analysis of Beauty, Plate 1, 1753 (engraving)
Analysis of Beauty, Plate 1, 1753 (engraving)

XJF397648: Analysis of Beauty, Plate 1, 1753 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397648

Analysis of Beauty, Plate 1, 1753 (engraving)

Hogarth, William (1697-1764)

Satan, illustration from 'Paradise Lost' by John Milton, fourth edition 1688 (engraving)
Satan, illustration from 'Paradise Lost' by John Milton, fourth edition 1688 (engraving)

XJF396638: Satan, illustration from 'Paradise Lost' by John Milton, fourth edition 1688 (engraving), Medina, John Baptist de (1659-1710) / Bridgeman Images

ID: XJF396638

Satan, illustration from 'Paradise Lost' by John Milton, fourth edition 1688 (engraving)

Medina, John Baptist de (1659-1710)

The Alchemist at Work, copy of an illustration from 'Coelum Philosophorum' by Philippus Ulstadius, Paris 1544, used in a 'History of Magic', published late 19th century (woodcut)
The Alchemist at Work, copy of an illustration from 'Coelum Philosophorum' by Philippus Ulstadius, Paris 1544, used in a 'History of Magic', published late 19th century (woodcut)

XJF396082: The Alchemist at Work, copy of an illustration from 'Coelum Philosophorum' by Philippus Ulstadius, Paris 1544, used in a 'History of Magic', published late 19th century (woodcut), French School, (16th century) (after) / Bridgeman Images

ID: XJF396082

The Alchemist at Work, copy of an illustration from 'Coelum Philosophorum' by Philippus Ulstadius, Paris 1544, used in a 'History of Magic', published late 19th century (woodcut)

French School, (16th century) (after)

The archangel Uriel informs Gabriel that Satan is in the Garden of Eden, illustration from 'Paradise Lost' by John Milton, engraved by P.P Bouche, sixth edition, 1695 (engraving)
The archangel Uriel informs Gabriel that Satan is in the Garden of Eden, illustration from 'Paradise Lost' by John Milton, engraved by P.P Bouche, sixth edition, 1695 (engraving)

XJF396640: The archangel Uriel informs Gabriel that Satan is in the Garden of Eden, illustration from 'Paradise Lost' by John Milton, engraved by P.P Bouche, sixth edition, 1695 (engraving), Lens, Bernard I (1631-1708) (after) / Bridgeman Images

ID: XJF396640

The archangel Uriel informs Gabriel that Satan is in the Garden of Eden, illustration from 'Paradise Lost' by John Milton, engraved by P.P Bouche, sixth edition, 1695 (engraving)

Lens, Bernard I (1631-1708) (after)

The Serpentine, Hyde Park, London, 1858 (oil on canvas)
The Serpentine, Hyde Park, London, 1858 (oil on canvas)

NUM396493: The Serpentine, Hyde Park, London, 1858 (oil on canvas), Cropsey, Jasper Francis (1823-1900) / Bridgeman Images

ID: NUM396493

The Serpentine, Hyde Park, London, 1858 (oil on canvas)

Cropsey, Jasper Francis (1823-1900)

Meeting of the Central Committee of the Bolshevik Party, 23rd October 1917 (litho)
Meeting of the Central Committee of the Bolshevik Party, 23rd October 1917 (litho)

STC400596: Meeting of the Central Committee of the Bolshevik Party, 23rd October 1917 (litho), Lupov (20th century) (attr. to) / Bridgeman Images

ID: STC400596

Meeting of the Central Committee of the Bolshevik Party, 23rd October 1917 (litho)

Lupov (20th century) (attr. to)

Portrait of Geoffrey Chaucer, mid to late 16th century (oil on panel)
Portrait of Geoffrey Chaucer, mid to late 16th century (oil on panel)

MOU398969: Portrait of Geoffrey Chaucer, mid to late 16th century (oil on panel), English School, (16th century) / Bridgeman Images

ID: MOU398969

Portrait of Geoffrey Chaucer, mid to late 16th century (oil on panel)

English School, (16th century)

Gustave Dore, 1855 (photogravure)
Gustave Dore, 1855 (photogravure)

STC398865: Gustave Dore, 1855 (photogravure), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: STC398865

Gustave Dore, 1855 (photogravure)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

Posters for the Argyle Theatre of Varieties, Birkenhead, 1898 (litho)
Posters for the Argyle Theatre of Varieties, Birkenhead, 1898 (litho)

XJF448219: Posters for the Argyle Theatre of Varieties, Birkenhead, 1898 (litho), English School, (19th century) / Bridgeman Images

ID: XJF448219

Posters for the Argyle Theatre of Varieties, Birkenhead, 1898 (litho)

English School, (19th century)

Oleum Olivarum, plate 12 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)
Oleum Olivarum, plate 12 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

XJF448294: Oleum Olivarum, plate 12 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: XJF448294

Oleum Olivarum, plate 12 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Workington, c.1840-50 (engraving)
Workington, c.1840-50 (engraving)

XJF448254: Workington, c.1840-50 (engraving), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: XJF448254

Workington, c.1840-50 (engraving)

Bartlett, William Henry (1809-54)

'Down came two fearful monsters, the like of whom man never saw' (colour litho)
'Down came two fearful monsters, the like of whom man never saw' (colour litho)

STC445084: 'Down came two fearful monsters, the like of whom man never saw' (colour litho), Davie, Howard (fl.1914-44) / Bridgeman Images

ID: STC445084

'Down came two fearful monsters, the like of whom man never saw' (colour litho)

Davie, Howard (fl.1914-44)

Princess Elizabeth and Princess Margaret Rose returning to London, January 1936 (b/w photo)
Princess Elizabeth and Princess Margaret Rose returning to London, January 1936 (b/w photo)

STC444627: Princess Elizabeth and Princess Margaret Rose returning to London, January 1936 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: STC444627

Princess Elizabeth and Princess Margaret Rose returning to London, January 1936 (b/w photo)

English Photographer, (20th century)

Kosem Sultan, (hand-coloured engraving)
Kosem Sultan, (hand-coloured engraving)

STC433494: Kosem Sultan, (hand-coloured engraving), French School / Bridgeman Images

ID: STC433494

Kosem Sultan, (hand-coloured engraving)

French School

The Rialto Bridge, Venice, engraved by Edward Finden, c.1830 (engraving)
The Rialto Bridge, Venice, engraved by Edward Finden, c.1830 (engraving)

XJF417338: The Rialto Bridge, Venice, engraved by Edward Finden, c.1830 (engraving), Prout, Samuel (1783-1852) (after) / Bridgeman Images

ID: XJF417338

The Rialto Bridge, Venice, engraved by Edward Finden, c.1830 (engraving)

Prout, Samuel (1783-1852) (after)

The Catilinarian Conspirators before the Senate (litho)
The Catilinarian Conspirators before the Senate (litho)

STC416061: The Catilinarian Conspirators before the Senate (litho), English School, (19th century) / Bridgeman Images

ID: STC416061

The Catilinarian Conspirators before the Senate (litho)

English School, (19th century)

Rose McNamara in Cumann na mBan uniform (sepia photo)
Rose McNamara in Cumann na mBan uniform (sepia photo)

STC412013: Rose McNamara in Cumann na mBan uniform (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC412013

Rose McNamara in Cumann na mBan uniform (sepia photo)

English Photographer, (20th century)

St. Jerome in the Wilderness, c.1496 (engraving)
St. Jerome in the Wilderness, c.1496 (engraving)

XJF417369: St. Jerome in the Wilderness, c.1496 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XJF417369

St. Jerome in the Wilderness, c.1496 (engraving)

Dürer or Duerer, Albrecht (1471-1528)

The banquet of Philip (litho)
The banquet of Philip (litho)

STC416128: The banquet of Philip (litho), English School, (19th century) / Bridgeman Images

ID: STC416128

The banquet of Philip (litho)

English School, (19th century)

Women Barrowing Coke at a Gas Works, War Office photographs, 1916 (b/w photo)
Women Barrowing Coke at a Gas Works, War Office photographs, 1916 (b/w photo)

XJF425316: Women Barrowing Coke at a Gas Works, War Office photographs, 1916 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF425316

Women Barrowing Coke at a Gas Works, War Office photographs, 1916 (b/w photo)

English Photographer, (20th century)

A Calender of a philosophy of History (printed paper)
A Calender of a philosophy of History (printed paper)

XJF439981: A Calender of a philosophy of History (printed paper), Chenavard, Paul Marc Joseph (1807-1895) / Bridgeman Images

ID: XJF439981

A Calender of a philosophy of History (printed paper)

Chenavard, Paul Marc Joseph (1807-1895)

The Rhinoceros, 1515 (woodcut)
The Rhinoceros, 1515 (woodcut)

XJF437432: The Rhinoceros, 1515 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XJF437432

The Rhinoceros, 1515 (woodcut)

Dürer or Duerer, Albrecht (1471-1528)

Japanese Women Reading and Writing (colour woodblock print)
Japanese Women Reading and Writing (colour woodblock print)

STC437634: Japanese Women Reading and Writing (colour woodblock print), Shunsho, Katsukawa (1726-93) (after) / Bridgeman Images

ID: STC437634

Japanese Women Reading and Writing (colour woodblock print)

Shunsho, Katsukawa (1726-93) (after)

Shakespeare or Bacon (w/c on paper)
Shakespeare or Bacon (w/c on paper)

PNH351995: Shakespeare or Bacon (w/c on paper), Emslie, Alfred Edward (1848-1897) / Bridgeman Images

ID: PNH351995

Shakespeare or Bacon (w/c on paper)

Emslie, Alfred Edward (1848-1897)

Guinevere (w/c on paper)
Guinevere (w/c on paper)

PNH352729: Guinevere (w/c on paper), Ford, Henry Justice (1860-1941) / Bridgeman Images

ID: PNH352729

Guinevere (w/c on paper)

Ford, Henry Justice (1860-1941)

Portrait of Ferdinand Marie de Lesseps (1805-94), from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)
Portrait of Ferdinand Marie de Lesseps (1805-94), from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)

GDG345746: Portrait of Ferdinand Marie de Lesseps (1805-94), from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving), German School, (19th century) / Bridgeman Images

ID: GDG345746

Portrait of Ferdinand Marie de Lesseps (1805-94), from 'L'Egypte' of Georg Moritz Ebers (1837-98), 1881 (b/w engraving)

German School, (19th century)

Smith trading with the Indians, from 'A Brief History of the United States', published by A. S. Barnes & Co. in 1885 (litho)
Smith trading with the Indians, from 'A Brief History of the United States', published by A. S. Barnes & Co. in 1885 (litho)

KWE348515: Smith trading with the Indians, from 'A Brief History of the United States', published by A. S. Barnes & Co. in 1885 (litho), American School, (19th century) / Bridgeman Images

ID: KWE348515

Smith trading with the Indians, from 'A Brief History of the United States', published by A. S. Barnes & Co. in 1885 (litho)

American School, (19th century)

The Feast of Agriculture in 1796 at Paris (coloured engraving)
The Feast of Agriculture in 1796 at Paris (coloured engraving)

XIR347315: The Feast of Agriculture in 1796 at Paris (coloured engraving), Lesueur, P. A. (1770-1850) & Lesueur, J.B. (1750-1850) / Bridgeman Images

ID: XIR347315

The Feast of Agriculture in 1796 at Paris (coloured engraving)

Lesueur, P. A. (1770-1850) & Lesueur, J.B. (1750-1850)

The middle man is the enemy of transport, the enemy of the republic, 1921 (colour litho)
The middle man is the enemy of transport, the enemy of the republic, 1921 (colour litho)

XCF347802: The middle man is the enemy of transport, the enemy of the republic, 1921 (colour litho), Russian School, (20th century) / Bridgeman Images

ID: XCF347802

The middle man is the enemy of transport, the enemy of the republic, 1921 (colour litho)

Russian School, (20th century)

Spring Early Morning (oil on board)
Spring Early Morning (oil on board)

PNH354652: Spring Early Morning (oil on board), Ovenden, Graham (b.1943) / Bridgeman Images

ID: PNH354652

Spring Early Morning (oil on board)

Ovenden, Graham (b.1943)

Lincoln and Tad, 1864 (b/w photo)
Lincoln and Tad, 1864 (b/w photo)

STC355105: Lincoln and Tad, 1864 (b/w photo), Anthony Berger (fl.1860s) Studio of Mathew Brady (1823-96) / Bridgeman Images

ID: STC355105

Lincoln and Tad, 1864 (b/w photo)

Anthony Berger (fl.1860s) Studio of Mathew Brady (1823-96)

Lincoln's Funeral Procession, 1865 (b/w photo)
Lincoln's Funeral Procession, 1865 (b/w photo)

STC355103: Lincoln's Funeral Procession, 1865 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

ID: STC355103

Lincoln's Funeral Procession, 1865 (b/w photo)

Brady, Mathew (1823-96) & studio

The Gnomes Repast (w/c on paper)
The Gnomes Repast (w/c on paper)

PNH353185: The Gnomes Repast (w/c on paper), Gresley, Harold (1892-1967) / Bridgeman Images

ID: PNH353185

The Gnomes Repast (w/c on paper)

Gresley, Harold (1892-1967)

Charles A. Lindbergh in St. Louis, Missouri, USA 1923 (photo)
Charles A. Lindbergh in St. Louis, Missouri, USA 1923 (photo)

DGC418677: Charles A. Lindbergh in St. Louis, Missouri, USA 1923 (photo), American Photographer, (20th century) / Bridgeman Images

ID: DGC418677

Charles A. Lindbergh in St. Louis, Missouri, USA 1923 (photo)

American Photographer, (20th century)

The fighting round Tientsin: Charge of the Japanese Cavalry, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)
The fighting round Tientsin: Charge of the Japanese Cavalry, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

STC403944: The fighting round Tientsin: Charge of the Japanese Cavalry, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho), Woodville, Richard Caton (1825-55) (after) / Bridgeman Images

ID: STC403944

The fighting round Tientsin: Charge of the Japanese Cavalry, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

Woodville, Richard Caton (1825-55) (after)

Russian Cossack Artillery engaging the Chinese outside Peking, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)
Russian Cossack Artillery engaging the Chinese outside Peking, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

STC403943: Russian Cossack Artillery engaging the Chinese outside Peking, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho), Woodville, Richard Caton (1825-55) (after) / Bridgeman Images

ID: STC403943

Russian Cossack Artillery engaging the Chinese outside Peking, illustration from 'Battles of the Nineteenth Century: Vol. VII, The Chinese War of 1900-1901' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho)

Woodville, Richard Caton (1825-55) (after)


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