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13773 Search Results for sword

Bayard defends the bridge, illustration from 'Bayard: The Good Knight Without Fear and Without Reproach' by Christopher Hare, pub. 1911 (colour litho)
Bayard defends the bridge, illustration from 'Bayard: The Good Knight Without Fear and Without Reproach' by Christopher Hare, pub. 1911 (colour litho)

STC397024: Bayard defends the bridge, illustration from 'Bayard: The Good Knight Without Fear and Without Reproach' by Christopher Hare, pub. 1911 (colour litho), Cole, Herbert (1867-1930) / Bridgeman Images

Mohammed the Prophet of Islam, illustration from 'The Illustrated History of the World', published c.1880 (digitally enhanced image)
Mohammed the Prophet of Islam, illustration from 'The Illustrated History of the World', published c.1880 (digitally enhanced image)

LLM438682: Mohammed the Prophet of Islam, illustration from 'The Illustrated History of the World', published c.1880 (digitally enhanced image), English School, (19th century) (after) / Bridgeman Images

Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674183: Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Illustration for The Three Musketeers (colour litho)
Illustration for The Three Musketeers (colour litho)

LLM3624381: Illustration for The Three Musketeers (colour litho), Wheelwright, Roland (1870-1955) (after) / Bridgeman Images

Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence
Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence

FAF3563745: Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence / Bridgeman Images

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415846: Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Meeting of Sir Colin Campbell (1792-1863) and General Outram  illustration from 'Glorious Battles of English History' by Major C.H. Wylly, 1920s (colour litho)
The Meeting of Sir Colin Campbell (1792-1863) and General Outram  illustration from 'Glorious Battles of English History' by Major C.H. Wylly, 1920s (colour litho)

IL193444: The Meeting of Sir Colin Campbell (1792-1863) and General Outram illustration from 'Glorious Battles of English History' by Major C.H. Wylly, 1920s (colour litho), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

Representation of the courtiers of Sultan Murad II (Murat) (1404-1451) hunting the Fawn Detail. 17th century miniature. Istanbul, Topkapi Sarayi Museum Library
Representation of the courtiers of Sultan Murad II (Murat) (1404-1451) hunting the Fawn Detail. 17th century miniature. Istanbul, Topkapi Sarayi Museum Library

LRI4646658: Representation of the courtiers of Sultan Murad II (Murat) (1404-1451) hunting the Fawn Detail. 17th century miniature. Istanbul, Topkapi Sarayi Museum Library, Ottoman School, (17th century) / Bridgeman Images

St. Paul, 1426 (tempera on panel)
St. Paul, 1426 (tempera on panel)

BBC199367: St. Paul, 1426 (tempera on panel), Masaccio, Tommaso (1401-28) / Bridgeman Images

The Victories of Charles V, 1527 (engraving)
The Victories of Charles V, 1527 (engraving)

XJF276015: The Victories of Charles V, 1527 (engraving), Italian School, (16th century) / Bridgeman Images

Don Giovanni at the Masked Ball, scene from Don Giovanni (engraving)
Don Giovanni at the Masked Ball, scene from Don Giovanni (engraving)

GIA938495: Don Giovanni at the Masked Ball, scene from Don Giovanni (engraving), French School, (19th century) / Bridgeman Images

Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4572887: Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Saint Euphemia, 1454 (oil on panel)
Saint Euphemia, 1454 (oil on panel)

XIR897125: Saint Euphemia, 1454 (oil on panel), Mantegna, Andrea (1431-1506) / Bridgeman Images

K, k, illustration from The Struwwelpeter Alphabet, verse by Harold Begbie (1871–1929) (colour litho)
K, k, illustration from The Struwwelpeter Alphabet, verse by Harold Begbie (1871–1929) (colour litho)

STC779941: K, k, illustration from The Struwwelpeter Alphabet, verse by Harold Begbie (1871–1929) (colour litho), Gould, Francis Carruthers (1844-1925) / Bridgeman Images

Alim Khan, Emir of Bukhara, seated holding sword, Bukhara, Russian Empire, between 1905 and 1915 (photo)
Alim Khan, Emir of Bukhara, seated holding sword, Bukhara, Russian Empire, between 1905 and 1915 (photo)

GBW698963: Alim Khan, Emir of Bukhara, seated holding sword, Bukhara, Russian Empire, between 1905 and 1915 (photo), Prokudin-Gorsky, Sergey (1863-1944) / Bridgeman Images

Attack of pirates, 19th century (engraving)
Attack of pirates, 19th century (engraving)

BYD3867893: Attack of pirates, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Balaam and the Ass (oil on canvas)
Balaam and the Ass (oil on canvas)

AGN362056: Balaam and the Ass (oil on canvas), Northcote, James (1746-1831) / Bridgeman Images

Arab saddling his horse, 1855 (oil on canvas)
Arab saddling his horse, 1855 (oil on canvas)

XIR5042965: Arab saddling his horse, 1855 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Prudence, Justice, And Peace, 1662 (oil on canvas)
Prudence, Justice, And Peace, 1662 (oil on canvas)

FIA5409998: Prudence, Justice, And Peace, 1662 (oil on canvas), Ovens, Jurgen (1623-78) / Bridgeman Images

Hundred Years' War ”France
Hundred Years' War ”France

XEE4137220: Hundred Years' War ”France", her story told by G. Montorgueil, imaged by Job” 1896 (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

'The Tale of a Glorious End': a Brother-officer tells the story of the Gallant death of the only son, from 'The Illustrated War News' (litho)
'The Tale of a Glorious End': a Brother-officer tells the story of the Gallant death of the only son, from 'The Illustrated War News' (litho)

STC292946: 'The Tale of a Glorious End': a Brother-officer tells the story of the Gallant death of the only son, from 'The Illustrated War News' (litho), English School, (20th century) / Bridgeman Images

David's triumph. (1630. Oil on canvas)
David's triumph. (1630. Oil on canvas)

LRI4662611: David's triumph. (1630. Oil on canvas), Poussin, Nicolas (1594-1665) / Bridgeman Images

Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)
Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)

HGP443978: Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood), English School, (15th century) / Bridgeman Images

The great duel announces between the Maconry and the Church Doubtful Issue - The godfather of the Franc-Macon: You catch him, you put him under, you hold him firm and you hit him until he asks for forgiveness, it's no harder than that! - Cartoon by Achille Lemot (1846-1909) in Le Pelerin, n°1345, October 12, 1902
The great duel announces between the Maconry and the Church Doubtful Issue - The godfather of the Franc-Macon: You catch him, you put him under, you hold him firm and you hit him until he asks for forgiveness, it's no harder than that! - Cartoon by Achille Lemot (1846-1909) in Le Pelerin, n°1345, October 12, 1902

XEE4145301: The great duel announces between the Maconry and the Church Doubtful Issue - The godfather of the Franc-Macon: You catch him, you put him under, you hold him firm and you hit him until he asks for forgiveness, it's no harder than that! - Cartoon by Achille Lemot (1846-1909) in Le Pelerin, n°1345, October 12, 1902, Lemot, Achille (1846-1909) / Bridgeman Images

Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving)
Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving)

CH4969032: Title Page of 'Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill' by Thomas Hobbes, 1651 (engraving), Bosse, Abraham (1602-76) / Bridgeman Images

The Small Courier, c.1496 (engraving) (b/w photo)
The Small Courier, c.1496 (engraving) (b/w photo)

XJF275606: The Small Courier, c.1496 (engraving) (b/w photo), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

The Coronation Ceremony of 1902: The Position of King Edward VII at the taking of the Oath, from 'The Illustrated London News', 1902 (litho)
The Coronation Ceremony of 1902: The Position of King Edward VII at the taking of the Oath, from 'The Illustrated London News', 1902 (litho)

STC360907: The Coronation Ceremony of 1902: The Position of King Edward VII at the taking of the Oath, from 'The Illustrated London News', 1902 (litho), Begg, Samuel (fl.1886-1916) / Bridgeman Images

Duel in Palermo (colour litho)
Duel in Palermo (colour litho)

LLM2778853: Duel in Palermo (colour litho), Molino, Walter (1915-1997) / Bridgeman Images

The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho)
The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho)

LLM3630196: The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho), French School, (20th century) / Bridgeman Images

Prince Albert, 1859 (oil on canvas)
Prince Albert, 1859 (oil on canvas)

ROC399135: Prince Albert, 1859 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching)
Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO193137: Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Boy with a Sword, 1861 (oil on canvas)
Boy with a Sword, 1861 (oil on canvas)

XOS3468936: Boy with a Sword, 1861 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

Messalina, ballet at the Eden-Theatre, Paris (chromolitho)
Messalina, ballet at the Eden-Theatre, Paris (chromolitho)

LLM2817101: Messalina, ballet at the Eden-Theatre, Paris (chromolitho), French School, (19th century) / Bridgeman Images

Portrait of Oscar I (1799-1859), King of Sweden and Norway (oil on canvas)
Portrait of Oscar I (1799-1859), King of Sweden and Norway (oil on canvas)

FIA5408478: Portrait of Oscar I (1799-1859), King of Sweden and Norway (oil on canvas), Westin, Fredric (1782-1862) / Bridgeman Images

Colonel Ellsworth's Volunteer Regiment (coloured engraving)
Colonel Ellsworth's Volunteer Regiment (coloured engraving)

LLP729306: Colonel Ellsworth's Volunteer Regiment (coloured engraving), English School, (19th century) / Bridgeman Images

Portrait of John Charles Spencer, Lord Althorp (oil on canvas)
Portrait of John Charles Spencer, Lord Althorp (oil on canvas)

PWI91071: Portrait of John Charles Spencer, Lord Althorp (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images


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