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13773 Search Results for sword

Japan: The samurai (and subsequently ronin) Yato (Yagashira) Emoshichi, from the series 'Illustrations of the Forty-Seven Loyal Retainers'. Ogata Gekko (1859-1920), 1899
Japan: The samurai (and subsequently ronin) Yato (Yagashira) Emoshichi, from the series 'Illustrations of the Forty-Seven Loyal Retainers'. Ogata Gekko (1859-1920), 1899

PFH1188845: Japan: The samurai (and subsequently ronin) Yato (Yagashira) Emoshichi, from the series 'Illustrations of the Forty-Seven Loyal Retainers'. Ogata Gekko (1859-1920), 1899, Gekko, Ogata (1859-1920) / Bridgeman Images

Portrait of Aman Allah Khan (1892-1960) King of Afghanistan (1919-29) (b/w photo)
Portrait of Aman Allah Khan (1892-1960) King of Afghanistan (1919-29) (b/w photo)

LRS160112: Portrait of Aman Allah Khan (1892-1960) King of Afghanistan (1919-29) (b/w photo), Pirou, Eugene (fl.1884-1925) / Bridgeman Images

King James I (James VI of Scotland)(1566–1625) as a boy (after Arnold van Bronckorst)
King James I (James VI of Scotland)(1566–1625) as a boy (after Arnold van Bronckorst)

USB1161881: King James I (James VI of Scotland)(1566–1625) as a boy (after Arnold van Bronckorst), Lockey, Rowland (c.1565-1616) / Bridgeman Images

Japan: 'Juichidanme'. Members of the 47 Ronin breaking into Lord Kira's compound. Utagawa Kuniyasu (1794-1832), c. 1815
Japan: 'Juichidanme'. Members of the 47 Ronin breaking into Lord Kira's compound. Utagawa Kuniyasu (1794-1832), c. 1815

PFH1188885: Japan: 'Juichidanme'. Members of the 47 Ronin breaking into Lord Kira's compound. Utagawa Kuniyasu (1794-1832), c. 1815, Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

American Revolution, Loyalist -American Dragoon Saber
American Revolution, Loyalist -American Dragoon Saber

DTO3073345: American Revolution, Loyalist -American Dragoon Saber / Bridgeman Images

Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum)
Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum)

CND234187: Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum), French School, (15th century) / Bridgeman Images

Henry de Montherlant in military uniform, c.1915 (photo)
Henry de Montherlant in military uniform, c.1915 (photo)

XRH1699691: Henry de Montherlant in military uniform, c.1915 (photo) / Bridgeman Images

Judith
Judith

LLM454671: Judith, Vernet, Antoine Charles Horace (Carle) (1758-1836) (after) / Bridgeman Images

Confederate States Naval Cutlass.
Confederate States Naval Cutlass.

DTO3028179: Confederate States Naval Cutlass. / Bridgeman Images

The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676941: The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Lord Cardigan (1797-1868) in the Uniform of Colonel, 11th (Prince Albert's Own) Regiment of Hussars, 1855 (b/w photo)
Lord Cardigan (1797-1868) in the Uniform of Colonel, 11th (Prince Albert's Own) Regiment of Hussars, 1855 (b/w photo)

NAM261033: Lord Cardigan (1797-1868) in the Uniform of Colonel, 11th (Prince Albert's Own) Regiment of Hussars, 1855 (b/w photo), English Photographer / Bridgeman Images

Portrait of the Welsh pirate and buccaneer Henry Morgan (1635-1688) Illustration by J N Marchand (1883-1941) from “Sir Henry Morgan Buccaneer” 1903
Portrait of the Welsh pirate and buccaneer Henry Morgan (1635-1688) Illustration by J N Marchand (1883-1941) from “Sir Henry Morgan Buccaneer” 1903

GIA4722792: Portrait of the Welsh pirate and buccaneer Henry Morgan (1635-1688) Illustration by J N Marchand (1883-1941) from “Sir Henry Morgan Buccaneer” 1903, Marchand, Jean (1883-1940) / Bridgeman Images

Paul Methuen (oil on canvas)
Paul Methuen (oil on canvas)

CRS225656: Paul Methuen (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

Imperial Service Troops, illustration from 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)
Imperial Service Troops, illustration from 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)

NAM310830: Imperial Service Troops, illustration from 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper), Lovett, Alfred Crowdy (1862-1919) / Bridgeman Images

An Encounter with Rapiers in 1668, the Duel between the Duke of Buckingham and the Earl of Shrewsbury (litho)
An Encounter with Rapiers in 1668, the Duel between the Duke of Buckingham and the Earl of Shrewsbury (litho)

LIP1042747: An Encounter with Rapiers in 1668, the Duel between the Duke of Buckingham and the Earl of Shrewsbury (litho), Macquoid, Percy (1852-1925) / Bridgeman Images

Relief outside the grottoes depicting the investiture of King Ardeshir II (379-383), from the Sassanian grottoes of Taq-e Bostan (photo)
Relief outside the grottoes depicting the investiture of King Ardeshir II (379-383), from the Sassanian grottoes of Taq-e Bostan (photo)

JCH308854: Relief outside the grottoes depicting the investiture of King Ardeshir II (379-383), from the Sassanian grottoes of Taq-e Bostan (photo), Sasanian School, (4th century) / Bridgeman Images

Japan: Tomoe Gozen (1157-1247), a female samurai or onna-bugeisha known for her bravery and strength
Japan: Tomoe Gozen (1157-1247), a female samurai or onna-bugeisha known for her bravery and strength

PFH1168549: Japan: Tomoe Gozen (1157-1247), a female samurai or onna-bugeisha known for her bravery and strength / Bridgeman Images

The Angry Husband (pen & ink with washes)
The Angry Husband (pen & ink with washes)

MAK79763: The Angry Husband (pen & ink with washes), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Elector Moritz von Sachsen (1521-53) 1578 (oil on panel)
Elector Moritz von Sachsen (1521-53) 1578 (oil on panel)

SKD250693: Elector Moritz von Sachsen (1521-53) 1578 (oil on panel), Goding, Heinrich, the Elder (1531-1606) / Bridgeman Images

Portrait of Count Sertorio
Portrait of Count Sertorio

AII78347: Portrait of Count Sertorio, Passarotti, Bartolomeo (1529-92) / Bridgeman Images

The Parade on the Boulevard, 1760 (etching, with additions in pen & black ink on cream laid paper, laid down on cream laid paper)
The Parade on the Boulevard, 1760 (etching, with additions in pen & black ink on cream laid paper, laid down on cream laid paper)

XCC2972718: The Parade on the Boulevard, 1760 (etching, with additions in pen & black ink on cream laid paper, laid down on cream laid paper), Duclos, Antoine-Jean (1742-1795) / Bridgeman Images

The duke of Brittany Francois II (1435-1488) in tournament is an illumination extracting from the book of tournament by the king Rene of Anjou, c. 1460
The duke of Brittany Francois II (1435-1488) in tournament is an illumination extracting from the book of tournament by the king Rene of Anjou, c. 1460

TAD1747626: The duke of Brittany Francois II (1435-1488) in tournament is an illumination extracting from the book of tournament by the king Rene of Anjou, c. 1460 / Bridgeman Images

Saint Martin Sharing his Coat with a Beggar, c.1737 (oil on canvas)
Saint Martin Sharing his Coat with a Beggar, c.1737 (oil on canvas)

XOS1448793: Saint Martin Sharing his Coat with a Beggar, c.1737 (oil on canvas) , Galloche, Louis (1670-1761) / Bridgeman Images

Lugh's Magic Spear, illustration from 'Celtic Myth and Legend' by Charles Squire, 1905 (litho)
Lugh's Magic Spear, illustration from 'Celtic Myth and Legend' by Charles Squire, 1905 (litho)

STC411951: Lugh's Magic Spear, illustration from 'Celtic Myth and Legend' by Charles Squire, 1905 (litho), Millar, Harold Robert (1869-1940) / Bridgeman Images

L'Emprunt de la Liberation, French Propaganda Poster
L'Emprunt de la Liberation, French Propaganda Poster

PHD31187: L'Emprunt de la Liberation, French Propaganda Poster, Faivre, Jules Abel (1867-1945) / Bridgeman Images

Hunting sword, c.1700 (steel, wood & brass)
Hunting sword, c.1700 (steel, wood & brass)

XCL490847: Hunting sword, c.1700 (steel, wood & brass), Netherlandish School, (18th century) / Bridgeman Images

Portrait of Prince Michele Peretti (oil on canvas)
Portrait of Prince Michele Peretti (oil on canvas)

PRZ704452: Portrait of Prince Michele Peretti (oil on canvas), Facchetti, Pietro (1535/9-1619) / Bridgeman Images

St. George and the Dragon, from 'The Fitzroy Pictures', engraved by James Akerman, published by the Fitzroy Picture Society, London, c.1910 (photo-chromolitho)
St. George and the Dragon, from 'The Fitzroy Pictures', engraved by James Akerman, published by the Fitzroy Picture Society, London, c.1910 (photo-chromolitho)

STC265093: St. George and the Dragon, from 'The Fitzroy Pictures', engraved by James Akerman, published by the Fitzroy Picture Society, London, c.1910 (photo-chromolitho), English School, (20th century) / Bridgeman Images

Lady Justice (b/w photo)
Lady Justice (b/w photo)

SZT3021804: Lady Justice (b/w photo) / Bridgeman Images

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle
Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle

PIX4592500: Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle / Bridgeman Images

The mob roaming the streets of Paris carrying torches at night in July 1789 (colour litho)
The mob roaming the streets of Paris carrying torches at night in July 1789 (colour litho)

XIR171366: The mob roaming the streets of Paris carrying torches at night in July 1789 (colour litho), Sergent-Marceau, Antoine Louis Francois (1751-1847) / Bridgeman Images

Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho)
Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho)

KWE277995: Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho), English School, (19th century) / Bridgeman Images

Count Guy de Dampierre imprisoned by King Philip of France (gouache on paper)
Count Guy de Dampierre imprisoned by King Philip of France (gouache on paper)

LAL724374: Count Guy de Dampierre imprisoned by King Philip of France (gouache on paper), Petts, Kenneth John (1907-92) / Bridgeman Images

On Guard, 1914 (oil on canvas)
On Guard, 1914 (oil on canvas)

CH3598298: On Guard, 1914 (oil on canvas), Vasnetsov, Victor Mikhailovich (1848-1926) / Bridgeman Images

Alexander Victorious, after 1683 (see also 280146) (marble) (b/w photo)
Alexander Victorious, after 1683 (see also 280146) (marble) (b/w photo)

XIR280145: Alexander Victorious, after 1683 (see also 280146) (marble) (b/w photo), Puget, Pierre (1620-94) (after) / Bridgeman Images

Blue Beard. A romance of infantile history, c.1844 (colour litho)
Blue Beard. A romance of infantile history, c.1844 (colour litho)

ATH496282: Blue Beard. A romance of infantile history, c.1844 (colour litho), American School, (19th century) / Bridgeman Images


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