1. Home
  2. Search "sword"
  3. Print Page

Print Friendly Version Page

Print this page or go back to standard view.

13773 Search Results for sword

islamic art-candlestick-copper alloy inlaid with silver-inv.n.16361-Jazira mid 13th century-MIA - 01 12 10 033
islamic art-candlestick-copper alloy inlaid with silver-inv.n.16361-Jazira mid 13th century-MIA - 01 12 10 033

VIS693503: islamic art-candlestick-copper alloy inlaid with silver-inv.n.16361-Jazira mid 13th century-MIA - 01 12 10 033 / Bridgeman Images

ID: VIS693503

islamic art-candlestick-copper alloy inlaid with silver-inv.n.16361-Jazira mid 13th century-MIA - 01 12 10 033

The angel of Jehovah kills Assyrian soldiers - Bible
The angel of Jehovah kills Assyrian soldiers - Bible

XLF3780723: The angel of Jehovah kills Assyrian soldiers - Bible / Bridgeman Images

ID: XLF3780723

The angel of Jehovah kills Assyrian soldiers - Bible

Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563240: Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563240

Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Section tent pegging team, 1909 (b/w photo)
Section tent pegging team, 1909 (b/w photo)

NAM5924637: Section tent pegging team, 1909 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: NAM5924637

Section tent pegging team, 1909 (b/w photo)

Unknown photographer, (20th century)

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553974: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553974

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Captain William Brett, Bombay Horse Artillery, 1845 circa (w/c)
Captain William Brett, Bombay Horse Artillery, 1845 circa (w/c)

NAM5926775: Captain William Brett, Bombay Horse Artillery, 1845 circa (w/c), Unknown Artist, (19th century) / Bridgeman Images

ID: NAM5926775

Captain William Brett, Bombay Horse Artillery, 1845 circa (w/c)

Unknown Artist, (19th century)

A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328841: A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328841

A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Comic.100 Turns of the Rosary from 100 Wildnesses by Kyosai, 1864 (woodblock print on paper)
Comic.100 Turns of the Rosary from 100 Wildnesses by Kyosai, 1864 (woodblock print on paper)

MAI6437529: Comic.100 Turns of the Rosary from 100 Wildnesses by Kyosai, 1864 (woodblock print on paper), Kyosai, Shofu (1831-89) / Bridgeman Images

ID: MAI6437529

Comic.100 Turns of the Rosary from 100 Wildnesses by Kyosai, 1864 (woodblock print on paper)

Kyosai, Shofu (1831-89)

A Gentleman in Armour, called 'Mr Clutton'
A Gentleman in Armour, called 'Mr Clutton'

USB1161543: A Gentleman in Armour, called 'Mr Clutton', English School, (17th century) / Bridgeman Images

ID: USB1161543

A Gentleman in Armour, called 'Mr Clutton'

English School, (17th century)

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676058: Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676058

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Sir Barnard Turner, MP (1742-1784)
Sir Barnard Turner, MP (1742-1784)

USB1162905: Sir Barnard Turner, MP (1742-1784), Wheatley, Francis (1747-1801) / Bridgeman Images

ID: USB1162905

Sir Barnard Turner, MP (1742-1784)

Wheatley, Francis (1747-1801)

Sahara Costumes: Desert Moors and Touareg in leather clothing and ordinary traditional costume. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Saharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Sahara Costumes: Desert Moors and Touareg in leather clothing and ordinary traditional costume. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Saharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635034: Sahara Costumes: Desert Moors and Touareg in leather clothing and ordinary traditional costume. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Saharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635034

Sahara Costumes: Desert Moors and Touareg in leather clothing and ordinary traditional costume. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Saharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Two Heroes, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 44 x 44 cm
Two Heroes, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 44 x 44 cm

MEB1191217: Two Heroes, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 44 x 44 cm / Bridgeman Images

ID: MEB1191217

Two Heroes, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 44 x 44 cm

Le Morte Darthur - compiled by Thomas Malory
Le Morte Darthur - compiled by Thomas Malory

XLA3761322: Le Morte Darthur - compiled by Thomas Malory, Flint, William Russell (1880-1969) / Bridgeman Images

ID: XLA3761322

Le Morte Darthur - compiled by Thomas Malory

Flint, William Russell (1880-1969)

Vietnamese puppets dancing on water, Hanoi, Vietman (photo)
Vietnamese puppets dancing on water, Hanoi, Vietman (photo)

PFH5846113: Vietnamese puppets dancing on water, Hanoi, Vietman (photo) / Bridgeman Images

ID: PFH5846113

Vietnamese puppets dancing on water, Hanoi, Vietman (photo)

Study on a warrior
Study on a warrior

PRX3117975: Study on a warrior, Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: PRX3117975

Study on a warrior

Rubens, Peter Paul (1577-1640)

Henry Yelverton, 15th Lord Grey of Ruthin & 1st Viscount de Longueville (c.1664 - 1703/4)
Henry Yelverton, 15th Lord Grey of Ruthin & 1st Viscount de Longueville (c.1664 - 1703/4)

USB1157148: Henry Yelverton, 15th Lord Grey of Ruthin & 1st Viscount de Longueville (c.1664 - 1703/4), Kneller, Godfrey (1646-1723) (manner of) / Bridgeman Images

ID: USB1157148

Henry Yelverton, 15th Lord Grey of Ruthin & 1st Viscount de Longueville (c.1664 - 1703/4)

Kneller, Godfrey (1646-1723) (manner of)

Sir John Harpur, 4th Bt (1680-1741)
Sir John Harpur, 4th Bt (1680-1741)

USB1161219: Sir John Harpur, 4th Bt (1680-1741), D'Agar, Charles (1669-1723) (attr. to) / Bridgeman Images

ID: USB1161219

Sir John Harpur, 4th Bt (1680-1741)

D'Agar, Charles (1669-1723) (attr. to)

Admiral Thomas Davers (1689-1746/7)
Admiral Thomas Davers (1689-1746/7)

USB1156614: Admiral Thomas Davers (1689-1746/7), Seeman, Enoch (1694-1744) / Bridgeman Images

ID: USB1156614

Admiral Thomas Davers (1689-1746/7)

Seeman, Enoch (1694-1744)

Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676611: Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676611

Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

The Scarlet Letter, a Romance by Nathaniel Hawthorme
The Scarlet Letter, a Romance by Nathaniel Hawthorme

XLA3765049: The Scarlet Letter, a Romance by Nathaniel Hawthorme, Thomson, Hugh (1860-1920) / Bridgeman Images

ID: XLA3765049

The Scarlet Letter, a Romance by Nathaniel Hawthorme

Thomson, Hugh (1860-1920)

The angel of Jehovah kills Assyrian soldiers - Bible
The angel of Jehovah kills Assyrian soldiers - Bible

XLF3780554: The angel of Jehovah kills Assyrian soldiers - Bible / Bridgeman Images

ID: XLF3780554

The angel of Jehovah kills Assyrian soldiers - Bible

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633952: A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633952

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.
Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.

LZT1112551: Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1112551

Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.

Kuniyasu, Utagawa (1794-1832)

Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, early 20th century (circa 1900)
Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, early 20th century (circa 1900)

PCT4296255: Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, early 20th century (circa 1900) / Bridgeman Images

ID: PCT4296255

Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, early 20th century (circa 1900)

Italy: Icon of Magnus Decentius (-353), usurper emperor, from the book
Italy: Icon of Magnus Decentius (-353), usurper emperor, from the book

PFH4072430: Italy: Icon of Magnus Decentius (-353), usurper emperor, from the book "Icones imperatorvm romanorvm" (Icons of Roman Emperors), Antwerp, 1645 / Bridgeman Images

ID: PFH4072430

Italy: Icon of Magnus Decentius (-353), usurper emperor, from the book "Icones imperatorvm romanorvm" (Icons of Roman Emperors), Antwerp, 1645

Samuel F.B. Morse, 1866 (b/w photo)
Samuel F.B. Morse, 1866 (b/w photo)

XOS778461: Samuel F.B. Morse, 1866 (b/w photo), Brady, Mathew (1823-96) / Bridgeman Images

ID: XOS778461

Samuel F.B. Morse, 1866 (b/w photo)

Brady, Mathew (1823-96)

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675962: Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675962

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Girl from St. John of Patmos, from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving) 88:Recueil de Cent Estampes Representant Differentes Nations du Levant; Charles, Marquis de Ferriol (1652-1722) French ambassador for Louis XIV to the Ottoman Empire; sword bearer to the Emperor;
Girl from St. John of Patmos, from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving) 88:Recueil de Cent Estampes Representant Differentes Nations du Levant; Charles, Marquis de Ferriol (1652-1722) French ambassador for Louis XIV to the Ottoman Empire; sword bearer to the Emperor;

STC444674: Girl from St. John of Patmos, from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving) 88:Recueil de Cent Estampes Representant Differentes Nations du Levant; Charles, Marquis de Ferriol (1652-1722) French ambassador for Louis XIV to the Ottoman Empire; sword bearer to the Emperor;, French School, (18th century) / Bridgeman Images

ID: STC444674

Girl from St. John of Patmos, from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving) 88:Recueil de Cent Estampes Representant Differentes Nations du Levant; Charles, Marquis de Ferriol (1652-1722) French ambassador for Louis XIV to the Ottoman Empire; sword bearer to the Emperor;

French School, (18th century)

William Calverley (b.1557), as a young boy
William Calverley (b.1557), as a young boy

USB1159482: William Calverley (b.1557), as a young boy, English School / Bridgeman Images

ID: USB1159482

William Calverley (b.1557), as a young boy

English School

Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634766: Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634766

Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676182: Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676182

Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401113: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

ID: JOC4401113

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

Sir Richard Hoare, Kt (1648 - 1718) as Lord Mayor
Sir Richard Hoare, Kt (1648 - 1718) as Lord Mayor

USB1158915: Sir Richard Hoare, Kt (1648 - 1718) as Lord Mayor, Richardson, Jonathan II (1694-1771) / Bridgeman Images

ID: USB1158915

Sir Richard Hoare, Kt (1648 - 1718) as Lord Mayor

Richardson, Jonathan II (1694-1771)

Prince Frederick Henry, Crown Prince Palatine, aged 9 (oil on panel)
Prince Frederick Henry, Crown Prince Palatine, aged 9 (oil on panel)

USB1162885: Prince Frederick Henry, Crown Prince Palatine, aged 9 (oil on panel), Ravesteyn, Jan Anthonisz. van (c.1570-1657) (after) / Bridgeman Images

ID: USB1162885

Prince Frederick Henry, Crown Prince Palatine, aged 9 (oil on panel)

Ravesteyn, Jan Anthonisz. van (c.1570-1657) (after)

An Unknown Gentleman, aged 35, formerly called William Herbert, 3rd Earl of Pembroke KG, PC (1580-1630), possibly a member of the Meller family
An Unknown Gentleman, aged 35, formerly called William Herbert, 3rd Earl of Pembroke KG, PC (1580-1630), possibly a member of the Meller family

USB1162888: An Unknown Gentleman, aged 35, formerly called William Herbert, 3rd Earl of Pembroke KG, PC (1580-1630), possibly a member of the Meller family, Gheeraerts, Marcus (c.1561-1635) / Bridgeman Images

ID: USB1162888

An Unknown Gentleman, aged 35, formerly called William Herbert, 3rd Earl of Pembroke KG, PC (1580-1630), possibly a member of the Meller family

Gheeraerts, Marcus (c.1561-1635)


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.