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13773 Search Results for sword

Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal)
Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal)

NAM5921044: Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal), British School, (20th century) / Bridgeman Images

Japan: Hand-tinted photograph of a seated samurai, c. 1895.
Japan: Hand-tinted photograph of a seated samurai, c. 1895.

PFH1170685: Japan: Hand-tinted photograph of a seated samurai, c. 1895. / Bridgeman Images

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa
Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa

NAM5920078: Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa, British School, (19th century) / Bridgeman Images

Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa
Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa

NAM5920079: Officer’s Sabretache, 4th (or The Queen’s Own) Regiment of (Light) Dragoons, 1815 circa, British School, (19th century) / Bridgeman Images

The artist's youngest son, John, in 1861 (oil on canvas)
The artist's youngest son, John, in 1861 (oil on canvas)

MAA2956808: The artist's youngest son, John, in 1861 (oil on canvas), Richmond, George (1809-96) / Bridgeman Images

Elias I, Count of Maine, died 1110. He wears a tunic and stockings of chainmail, iron helmet and triangular escutcheon (shield) with gold cross. Sword in a large scabbard hanging from his neck. Taken from his tomb in Abbey Saint-Pierre de la Couture, Le Mans. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Elias I, Count of Maine, died 1110. He wears a tunic and stockings of chainmail, iron helmet and triangular escutcheon (shield) with gold cross. Sword in a large scabbard hanging from his neck. Taken from his tomb in Abbey Saint-Pierre de la Couture, Le Mans. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674010: Elias I, Count of Maine, died 1110. He wears a tunic and stockings of chainmail, iron helmet and triangular escutcheon (shield) with gold cross. Sword in a large scabbard hanging from his neck. Taken from his tomb in Abbey Saint-Pierre de la Couture, Le Mans. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charlemagne, King of France, Caroligian Emperor, 742-814. He wears a white mitre and crown, green cape, steel armour, chainmail suit, iron spurs and black shoes. He holds a sword in scarlet and gold scabbard and iron orb. From a 14th century manuscript of the kings of the House of Bavaria. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charlemagne, King of France, Caroligian Emperor, 742-814. He wears a white mitre and crown, green cape, steel armour, chainmail suit, iron spurs and black shoes. He holds a sword in scarlet and gold scabbard and iron orb. From a 14th century manuscript of the kings of the House of Bavaria. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673794: Charlemagne, King of France, Caroligian Emperor, 742-814. He wears a white mitre and crown, green cape, steel armour, chainmail suit, iron spurs and black shoes. He holds a sword in scarlet and gold scabbard and iron orb. From a 14th century manuscript of the kings of the House of Bavaria. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Japan: Awata no Mahito (?-719 CE), Japanese noble of the late Asuka Period (538-710) and early Nara Period (710-794). Kikuchi Yosai, mid-19th century
Japan: Awata no Mahito (?-719 CE), Japanese noble of the late Asuka Period (538-710) and early Nara Period (710-794). Kikuchi Yosai, mid-19th century

PFH2635630: Japan: Awata no Mahito (?-719 CE), Japanese noble of the late Asuka Period (538-710) and early Nara Period (710-794). Kikuchi Yosai, mid-19th century / Bridgeman Images

Japan: Samurai warrior in full armour, c. 18th century
Japan: Samurai warrior in full armour, c. 18th century

PFH1182569: Japan: Samurai warrior in full armour, c. 18th century / Bridgeman Images

An Unknown Man, aged 27
An Unknown Man, aged 27

USB1162707: An Unknown Man, aged 27, British School, (17th century) / Bridgeman Images

William II Blathwayt as a child, 1691 (oil on canvas)
William II Blathwayt as a child, 1691 (oil on canvas)

USB1162714: William II Blathwayt as a child, 1691 (oil on canvas), Tilson, Henry (c.1659-1695) / Bridgeman Images

Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa
Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa

NAM5919996: Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa, British School, (18th Century) / Bridgeman Images

Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa
Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa

NAM5919997: Officer’s sabretache, 16th (or The Queen’s) Regiment of (Light) Dragoons, 1799 circa, British School, (18th Century) / Bridgeman Images

Corner boss with Masonic emblems, c.1760 (fruitwood)
Corner boss with Masonic emblems, c.1760 (fruitwood)

KTH3960429: Corner boss with Masonic emblems, c.1760 (fruitwood), Dutch School, (18th century) / Bridgeman Images

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719760: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719761: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

Thomas Bewick, 1884 (oil on canvas)
Thomas Bewick, 1884 (oil on canvas)

TW427005: Thomas Bewick, 1884 (oil on canvas), Guthrie, James (1859-1930) / Bridgeman Images

Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal)
Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal)

NAM5921045: Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Corporal F Peacey, No 2 Army Commando (metal), British School, (20th century) / Bridgeman Images

Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal)
Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal)

NAM5921046: Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal), British School, (20th century) / Bridgeman Images

Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal)
Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal)

NAM5921047: Fairbairn-Sykes fighting knife, 1st pattern 1941, used by Major Alan Smallman, No 3 Commando, 1941 circa (metal), British School, (20th century) / Bridgeman Images

Guerre italo turque. Italo Turkish war.
Guerre italo turque. Italo Turkish war.

CCI5674974: Guerre italo turque. Italo Turkish war. / Bridgeman Images

Buff leather jerkin, 1640 circa (leather)
Buff leather jerkin, 1640 circa (leather)

NAM5921716: Buff leather jerkin, 1640 circa (leather), English School, (17th century) / Bridgeman Images

Colonel William Stewart
Colonel William Stewart

USB1157531: Colonel William Stewart, French School, (17th century) / Bridgeman Images

An Unknown Man in Black, aged 50 (previously called James I)
An Unknown Man in Black, aged 50 (previously called James I)

USB1159574: An Unknown Man in Black, aged 50 (previously called James I), English School / Bridgeman Images

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677157: Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya.
Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya.

XRH1740233: Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya. / Bridgeman Images

William Herbert, Lord Herbert (oil on canvas)
William Herbert, Lord Herbert (oil on canvas)

USB1162011: William Herbert, Lord Herbert (oil on canvas), Troy, François de (1645-1730) (attr.to) / Bridgeman Images

Buff leather jerkin, 1640 circa (leather)
Buff leather jerkin, 1640 circa (leather)

NAM5921717: Buff leather jerkin, 1640 circa (leather), English School, (17th century) / Bridgeman Images

Buff leather jerkin, 1640 circa (leather)
Buff leather jerkin, 1640 circa (leather)

NAM5921718: Buff leather jerkin, 1640 circa (leather), English School, (17th century) / Bridgeman Images

Officers’ sabretache, 1st Cavalry, Gwalior Contingent or 1st Regiment Scindian Cavalry, 1848 circa
Officers’ sabretache, 1st Cavalry, Gwalior Contingent or 1st Regiment Scindian Cavalry, 1848 circa

NAM5925797: Officers’ sabretache, 1st Cavalry, Gwalior Contingent or 1st Regiment Scindian Cavalry, 1848 circa, British School, (19th century) / Bridgeman Images

Captain John Clayton Cowell (1762-1819), 1st Battalion, 1st (or the Royal) Regiment of Foot, c.1796 (oil on canvas)
Captain John Clayton Cowell (1762-1819), 1st Battalion, 1st (or the Royal) Regiment of Foot, c.1796 (oil on canvas)

NAM3037565: Captain John Clayton Cowell (1762-1819), 1st Battalion, 1st (or the Royal) Regiment of Foot, c.1796 (oil on canvas), Beechey, William (1753-1839) (attr. to) / Bridgeman Images

Madonna and Child Jesus among four angels and Crucifixion between Our Lady and Saints, c.1335-45 (tempera on parchment)
Madonna and Child Jesus among four angels and Crucifixion between Our Lady and Saints, c.1335-45 (tempera on parchment)

GNU6349723: Madonna and Child Jesus among four angels and Crucifixion between Our Lady and Saints, c.1335-45 (tempera on parchment), Capanna, Puccio (fl.1350) / Bridgeman Images

Emperor Maximilian I, of Habsburg
Emperor Maximilian I, of Habsburg

XLF3780377: Emperor Maximilian I, of Habsburg / Bridgeman Images

Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line
Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line

PIX4572539: Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line / Bridgeman Images

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill pictured 18th December 1971 (b/w photo)
Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill pictured 18th December 1971 (b/w photo)

MPX5130656: Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill pictured 18th December 1971 (b/w photo) / Bridgeman Images


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