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13773 Search Results for sword

Corner boss with Masonic emblems, c.1760 (fruitwood)
Corner boss with Masonic emblems, c.1760 (fruitwood)

KTH3960427: Corner boss with Masonic emblems, c.1760 (fruitwood), Dutch School, (18th century) / Bridgeman Images

ABC OF BABAR E, 1939 (illustration)
ABC OF BABAR E, 1939 (illustration)

DUV7206791: ABC OF BABAR E, 1939 (illustration), Brunhoff, Jean de (1899-1937) / Bridgeman Images

Valentine Peters
Valentine Peters

SIC743465: Valentine Peters / Bridgeman Images

Thangka of the fierce form of Manjushri with Bodhisattva Crown and a Third Eye, 19th-20th century
Thangka of the fierce form of Manjushri with Bodhisattva Crown and a Third Eye, 19th-20th century

ORM59070: Thangka of the fierce form of Manjushri with Bodhisattva Crown and a Third Eye, 19th-20th century, Tibetan School / Bridgeman Images

Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900
Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900

PCT4281293: Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900 / Bridgeman Images

Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201)
Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201)

BAL58456: Obverse of coin (bronze) depicting helmeted Turk sitting cross-legged holding a sword behind his head in right hand and a helmeted severed head in left hand. minted by Husam al-Din Yuluq Arslan (1184-1201), Turkish School (12th century) / Bridgeman Images

China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted  as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits.
China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted  as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits.

PFH1169099: China: Lu Dongbin, one of the Daoist 'Eight Immortals'. A historical figure who is mentioned in the official 'History of Song', He is depicted as being dressed as a scholar and he often bears a sword on his back that dispels evil spirits. / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Chushingura. Act 2  (Nidanme), 19th century (woodblock print on paper)
Chushingura. Act 2  (Nidanme), 19th century (woodblock print on paper)

MAI6404890: Chushingura. Act 2 (Nidanme), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel)
Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel)

BLH7207470: Portrait of Thomas Howard, Earl of Arundel, K.G. (1586-1646) (oil on panel), Mytens, Daniel (c.1590-a.1648) (circle of) / Bridgeman Images

Admiral Lord Rodney toby jug, c.1782 (creamware)
Admiral Lord Rodney toby jug, c.1782 (creamware)

CH438319: Admiral Lord Rodney toby jug, c.1782 (creamware), English School, (18th century) / Bridgeman Images

World War II Advertisement - Danly Machine Specialties Incorporated
World War II Advertisement - Danly Machine Specialties Incorporated

SIC871221: World War II Advertisement - Danly Machine Specialties Incorporated / Bridgeman Images

Bronze statue of Kaiser William II, 1910
Bronze statue of Kaiser William II, 1910

SZT5174813: Bronze statue of Kaiser William II, 1910 / Bridgeman Images

MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment)
MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment)

FIT5911907: MS 300 f.200v-201r, Suffrage to St Andrew and Suffrage to the Apostles, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment), French School, (13th century) / Bridgeman Images

The Dream of Lancelot,  (coloured chalks on buff paper)
The Dream of Lancelot,  (coloured chalks on buff paper)

CH1199598: The Dream of Lancelot, (coloured chalks on buff paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story
Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story

HGP3526687: Simon Peter, St. Peter, cuts off ear of Malchus, servant of Caiaphas, with sword, in Garden of Gethsemane, for betraying Jesus, stained glass Passion Window by Adolph Didron of Paris, 1860, Feltwell, Norfolk, England, UK, The Easter Story, French School, (19th century) / Bridgeman Images

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)
Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

MPX5157395: Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo) / Bridgeman Images

Paul Milliet 's opera
Paul Milliet 's opera

XLE3777562: Paul Milliet 's opera / Bridgeman Images

Rosenkavalier - Richard Strauss
Rosenkavalier - Richard Strauss

XLE3771802: Rosenkavalier - Richard Strauss / Bridgeman Images

Swords -- Fighting Blades of Europe
Swords -- Fighting Blades of Europe

LAL304376: Swords -- Fighting Blades of Europe, Escott, Dan (1928-87) / Bridgeman Images

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

Mirror, 300-275 BC (bronze)
Mirror, 300-275 BC (bronze)

BST2822056: Mirror, 300-275 BC (bronze), Etruscan (3rd century BC) / Bridgeman Images

Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas)
Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas)

HSP1781600: Sergeant Major A.G. Lynch DCM, c.1920-40 (oil on canvas), Ahlefeldt-Laurvigen, Ingegerd (1900-86) / Bridgeman Images

Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328588: Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326210: The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)
Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)

LRI4567953: Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508), Unknown Artist, (16th century) / Bridgeman Images

Russian postcard printed following the Overthrow of Tsar Nicholas II Satirising a Revolutionary Sailor, 1917
Russian postcard printed following the Overthrow of Tsar Nicholas II Satirising a Revolutionary Sailor, 1917

RPP3588583: Russian postcard printed following the Overthrow of Tsar Nicholas II Satirising a Revolutionary Sailor, 1917, Russian School, (20th century) / Bridgeman Images

Lucia Di Lammermoor -
Lucia Di Lammermoor -

FAD3892770: Lucia Di Lammermoor - / Bridgeman Images

The Marquis of Montcalm at the Battle of Piacenza, late 19th century (Epinal print)
The Marquis of Montcalm at the Battle of Piacenza, late 19th century (Epinal print)

XEE4191613: The Marquis of Montcalm at the Battle of Piacenza, late 19th century (Epinal print), French School, (19th century) / Bridgeman Images

SZT5176928: "Barbarossa's Awakening", 1931 / Bridgeman Images

Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4160537: Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

Evelyn Waugh, in his study at Combe Florey, 1963 (photo)
Evelyn Waugh, in his study at Combe Florey, 1963 (photo)

MGP617762: Evelyn Waugh, in his study at Combe Florey, 1963 (photo), Gerson, Mark / Bridgeman Images

Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) -
Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) -

PCT4281736: Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) - / Bridgeman Images

Chaloner Chute II (1630 -1666)
Chaloner Chute II (1630 -1666)

USB1159213: Chaloner Chute II (1630 -1666), English School, (18th century) / Bridgeman Images

An Unknown Man
An Unknown Man

USB1162931: An Unknown Man, English School, (18th century) / Bridgeman Images

And Hell Followed With Him, 2009 (oil & acrylic on linen)
And Hell Followed With Him, 2009 (oil & acrylic on linen)

RHN3738521: And Hell Followed With Him, 2009 (oil & acrylic on linen), Harrison, Richard (b.1954) / Bridgeman Images


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