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13773 Search Results for sword

The Battle
The Battle

PRZ3433532: The Battle, Rosa, Salvator (1615-73) / Bridgeman Images

Brussels: Portrait of the Persian consul, 1877
Brussels: Portrait of the Persian consul, 1877

LUX4712738: Brussels: Portrait of the Persian consul, 1877 / Bridgeman Images

United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching
United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching

AVE6327201: United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching / Bridgeman Images

The Last Judgement, detail, The Weigher of Souls, 1863 (stained glass)
The Last Judgement, detail, The Weigher of Souls, 1863 (stained glass)

CCX3474787: The Last Judgement, detail, The Weigher of Souls, 1863 (stained glass), Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868) / Bridgeman Images

Portrait of an Unidentified Revolutionary Officer (oil on canvas)
Portrait of an Unidentified Revolutionary Officer (oil on canvas)

VAH350279: Portrait of an Unidentified Revolutionary Officer (oil on canvas), Peale, Charles Willson (1741-1827) / Bridgeman Images

Austria 19th century. Labour movement.
Austria 19th century. Labour movement.

TRK562410: Austria 19th century. Labour movement. / Bridgeman Images

Miyamoto Susashi, the swordsman, engraved by (Tada) Takichi, c.1848 (woodcut print)
Miyamoto Susashi, the swordsman, engraved by (Tada) Takichi, c.1848 (woodcut print)

BYD3870910: Miyamoto Susashi, the swordsman, engraved by (Tada) Takichi, c.1848 (woodcut print), Kuniyoshi, Ichiyusai (1797-1861) / Bridgeman Images

St. Paul with Sword, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)
St. Paul with Sword, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)

HGP443959: St. Paul with Sword, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood), English School, (15th century) / Bridgeman Images

St Michael the Archangel, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)
St Michael the Archangel, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)

HGP444131: St Michael the Archangel, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images

St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)
St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)

HGP444132: St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images

St Paul, detail from the rood screen, All Saints' Church, Thornham, Norfolk, UK (tempera on wood)
St Paul, detail from the rood screen, All Saints' Church, Thornham, Norfolk, UK (tempera on wood)

HGP444182: St Paul, detail from the rood screen, All Saints' Church, Thornham, Norfolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images

Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence.
Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence.

JEB4880322: Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence. / Bridgeman Images

Hussars, A view near Mont St Jean (coloured aquatint)
Hussars, A view near Mont St Jean (coloured aquatint)

NAM1268533: Hussars, A view near Mont St Jean (coloured aquatint), English School, (19th century) / Bridgeman Images

The Abduction of Rebecca, 1873 (w/c heightened with gouache over pencil on paper)
The Abduction of Rebecca, 1873 (w/c heightened with gouache over pencil on paper)

HST1270398: The Abduction of Rebecca, 1873 (w/c heightened with gouache over pencil on paper), Lami, Eugene-Louis (1800-90) / Bridgeman Images

Angels Of Judgement, 1887 (stained glass)
Angels Of Judgement, 1887 (stained glass)

CCX3475432: Angels Of Judgement, 1887 (stained glass), Holiday, Henry (1839-1927) / Bridgeman Images

Portrait of the Moorish princes of Morocco, North Africa. 19th century lithograph.
Portrait of the Moorish princes of Morocco, North Africa. 19th century lithograph.

NWI4855140: Portrait of the Moorish princes of Morocco, North Africa. 19th century lithograph. / Bridgeman Images

Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori and Mario Gentilini,  Milan, Italy
Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori and Mario Gentilini,  Milan, Italy

MEP2516894: Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori and Mario Gentilini, Milan, Italy / Bridgeman Images

The Barber-Surgeons' Picture (engraving)
The Barber-Surgeons' Picture (engraving)

STC619555: The Barber-Surgeons' Picture (engraving), English School, (19th century) / Bridgeman Images

Found Out (oil on canvas) (one of pair - See 195725  'The Cheat')
Found Out (oil on canvas) (one of pair - See 195725  'The Cheat')

PFA195726: Found Out (oil on canvas) (one of pair - See 195725 'The Cheat'), Segoni, Alcide (1847-94) / Bridgeman Images

St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692)
St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692)

ESN197691: St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692), Rode, Hermen (c.1468-1504) / Bridgeman Images

Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho)
Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho)

KDC469418: Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho) / Bridgeman Images

Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)
Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)

STC489612: Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho), English School, (18th century) (after) / Bridgeman Images

Pink gladioli (Gladioli rosa), by Balla Giacomo, 1940, 20th Century, oil on board
Pink gladioli (Gladioli rosa), by Balla Giacomo, 1940, 20th Century, oil on board

ELC851670: Pink gladioli (Gladioli rosa), by Balla Giacomo, 1940, 20th Century, oil on board, Balla, Giacomo (1871-1958) / Bridgeman Images

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852486: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

The Grenadier Guards saluting the Colours before going on guard for the day (colour litho)
The Grenadier Guards saluting the Colours before going on guard for the day (colour litho)

STC311023: The Grenadier Guards saluting the Colours before going on guard for the day (colour litho), Macpherson, Douglas (1871-1951) (after) / Bridgeman Images

Publius Scipio Africanus (237-183 BC)
Publius Scipio Africanus (237-183 BC)

XNR86713: Publius Scipio Africanus (237-183 BC), Teniers, David the Younger (1610-90) / Bridgeman Images

Alphonso of Aragon leads an army against the Moors (litho)
Alphonso of Aragon leads an army against the Moors (litho)

STC357980: Alphonso of Aragon leads an army against the Moors (litho), Granville-Baker, Bernard (1870-1957) / Bridgeman Images

Tabernacle Boldrone, by Jacopo Carrucci known as Pontormo, 1526, 16th century, fresco.
Tabernacle Boldrone, by Jacopo Carrucci known as Pontormo, 1526, 16th century, fresco.

MEP1125092: Tabernacle Boldrone, by Jacopo Carrucci known as Pontormo, 1526, 16th century, fresco., Pontormo, Jacopo (1494-1557) / Bridgeman Images

A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho)
A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho)

XCF136707: A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)
Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)

PFH1188894: Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -
Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -

PCT4287636: Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -, Damblans, Eugene (1865-1945) / Bridgeman Images

Letter U Uniform. Engraving in
Letter U Uniform. Engraving in

DUV4210138: Letter U Uniform. Engraving in "Alphabet des jeux"”. Mr. Vagne, editor, Pont-a-Mousson, late 19th century. Pink series. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 16,5x11cm, French School, (19th century) / Bridgeman Images

Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm.
Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm.

DUV4218272: Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm. / Bridgeman Images

Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643746: Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706751: A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

FLO4655487: Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher. / Bridgeman Images


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