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St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692)
St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692)

ESN197691: St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692), Rode, Hermen (c.1468-1504) / Bridgeman Images

ID: ESN197691

St. Catherine, the Virgin Mary and St. Barbara, from the High Altar of St. Nicholas' Church, 1481 (oil on wood) (detail) (see 197688-90, 197692)

Rode, Hermen (c.1468-1504)

Found Out (oil on canvas) (one of pair - See 195725 'The Cheat')
Found Out (oil on canvas) (one of pair - See 195725 'The Cheat')

PFA195726: Found Out (oil on canvas) (one of pair - See 195725 'The Cheat'), Segoni, Alcide (1847-94) / Bridgeman Images

ID: PFA195726

Found Out (oil on canvas) (one of pair - See 195725 'The Cheat')

Segoni, Alcide (1847-94)

St. Catherine of Alexandria (oil on panel)
St. Catherine of Alexandria (oil on panel)

XKH204886: St. Catherine of Alexandria (oil on panel), The Master of Kappenberg (Sixteenth Century) / Bridgeman Images

ID: XKH204886

St. Catherine of Alexandria (oil on panel)

The Master of Kappenberg (Sixteenth Century)

The Grenadier Guards saluting the Colours before going on guard for the day (colour litho)
The Grenadier Guards saluting the Colours before going on guard for the day (colour litho)

STC311023: The Grenadier Guards saluting the Colours before going on guard for the day (colour litho), Macpherson, Douglas (1871-1951) (after) / Bridgeman Images

ID: STC311023

The Grenadier Guards saluting the Colours before going on guard for the day (colour litho)

Macpherson, Douglas (1871-1951) (after)

Alphonso of Aragon leads an army against the Moors (litho)
Alphonso of Aragon leads an army against the Moors (litho)

STC357980: Alphonso of Aragon leads an army against the Moors (litho), Granville-Baker, Bernard (1870-1957) / Bridgeman Images

ID: STC357980

Alphonso of Aragon leads an army against the Moors (litho)

Granville-Baker, Bernard (1870-1957)

A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho)
A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho)

XCF136707: A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

ID: XCF136707

A Modern Melodrama, Don't Spoil My Jubilee, from 'St. Stephen's Review Presentation Cartoon', 4 June 1887 (colour litho)

Merry, Tom (c.1852-1902)

Publius Scipio Africanus (237-183 BC)
Publius Scipio Africanus (237-183 BC)

XNR86713: Publius Scipio Africanus (237-183 BC), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: XNR86713

Publius Scipio Africanus (237-183 BC)

Teniers, David the Younger (1610-90)

Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)
Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)

STC489612: Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho), English School, (18th century) (after) / Bridgeman Images

ID: STC489612

Ferragus raises a mighty army and lays siege to the city of Acquitain, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)

English School, (18th century) (after)

Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight.
Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight.

XEE556121: Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight. , French School, (19th century) / Bridgeman Images

ID: XEE556121

Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight.

French School, (19th century)

Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho)
Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho)

KDC469418: Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho) / Bridgeman Images

ID: KDC469418

Curtana, the Sword of Mercy, from the Crown Jewels of the United Kingdom, 1937 (colour litho)

Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)
Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)

PFH1188894: Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

ID: PFH1188894

Japan: Minamoto no Ushiwakamaru battling with Kumasaka Chohan. From 'Courageous Warriors (musha burui)' (1883-1886). Tsukioka Yoshitoshi (1839-1892)

Yoshitoshi, Tsukioka (1839-92)

Guerriers a l'epoque du bronze (engraving)
Guerriers a l'epoque du bronze (engraving)

LLM957783: Guerriers a l'epoque du bronze (engraving), Bayard, Emile Antoine (1837-91) (after) / Bridgeman Images

ID: LLM957783

Guerriers a l'epoque du bronze (engraving)

Bayard, Emile Antoine (1837-91) (after)

The Sword of Damocles (L'Epée de Damoclès), 1842 (litho)
The Sword of Damocles (L'Epée de Damoclès), 1842 (litho)

XDM1071604: The Sword of Damocles (L'Epée de Damoclès), 1842 (litho), Daumier, Honore (1808-79) / Bridgeman Images

ID: XDM1071604

The Sword of Damocles (L'Epée de Damoclès), 1842 (litho)

Daumier, Honore (1808-79)

Odo of France, King of Western Francia (chromolitho)
Odo of France, King of Western Francia (chromolitho)

LLM1094185: Odo of France, King of Western Francia (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1094185

Odo of France, King of Western Francia (chromolitho)

French School, (19th century)

Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

FLO4655487: Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher. / Bridgeman Images

ID: FLO4655487

Costume of Joan of Arc, suit of armour of the period, with helmet and standard, 1431. Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643746: Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643746

Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Italian Knights, 1439-1447, after a low relief in bronze by Simone di Bardi and Antonio Averlino called the Filarete (1400-1469), in the Basilica of St. Peter in Rome (Italy) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end” of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Italian Knights, 1439-1447, after a low relief in bronze by Simone di Bardi and Antonio Averlino called the Filarete (1400-1469), in the Basilica of St. Peter in Rome (Italy) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end” of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643834: Italian Knights, 1439-1447, after a low relief in bronze by Simone di Bardi and Antonio Averlino called the Filarete (1400-1469), in the Basilica of St. Peter in Rome (Italy) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end” of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643834

Italian Knights, 1439-1447, after a low relief in bronze by Simone di Bardi and Antonio Averlino called the Filarete (1400-1469), in the Basilica of St. Peter in Rome (Italy) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end” of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644324: Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644324

Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Philip Hurepel, (Philippe Hurepel de Clermont, ca. 1197-1234) Count of Boulogne and Clermont, 1201. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip Hurepel, (Philippe Hurepel de Clermont, ca. 1197-1234) Count of Boulogne and Clermont, 1201. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674231: Philip Hurepel, (Philippe Hurepel de Clermont, ca. 1197-1234) Count of Boulogne and Clermont, 1201. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674231

Philip Hurepel, (Philippe Hurepel de Clermont, ca. 1197-1234) Count of Boulogne and Clermont, 1201. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -
Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -

PCT4287636: Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: PCT4287636

Engraving of Damblans on the “one” of the Journal Illustrous N¡ 31 of 31 July 1898: duel at the sword between Paul Deroulede (1846-1914) and Gustave Hubbard (1858-1927) - the witnesses intervened -

Damblans, Eugene (1865-1945)

Letter U Uniform. Engraving in
Letter U Uniform. Engraving in

DUV4210138: Letter U Uniform. Engraving in "Alphabet des jeux"”. Mr. Vagne, editor, Pont-a-Mousson, late 19th century. Pink series. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 16,5x11cm, French School, (19th century) / Bridgeman Images

ID: DUV4210138

Letter U Uniform. Engraving in "Alphabet des jeux"”. Mr. Vagne, editor, Pont-a-Mousson, late 19th century. Pink series. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 16,5x11cm

French School, (19th century)

Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm.
Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm.

DUV4218272: Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm. / Bridgeman Images

ID: DUV4218272

Minister of Justice: child dresses as judge. Series of 11 chromolithographs on a dore background: The Ministers. Unknown printer and publisher. Around 1880. Size: 11 x 7.5 cm.

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706751: A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706751

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Bailiff of the imperial chambers, Huissier de la Chambre de l'Empereur, Napoleonic era.Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Bailiff of the imperial chambers, Huissier de la Chambre de l'Empereur, Napoleonic era.Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4572977: Bailiff of the imperial chambers, Huissier de la Chambre de l'Empereur, Napoleonic era.Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4572977

Bailiff of the imperial chambers, Huissier de la Chambre de l'Empereur, Napoleonic era.Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Cover of “” Les Corbeaux (Paris)”, number 10, Satirique en N & B, 1905_6_4: Le cabot Guillaume II defenseur de la cap - Anticlericalisme - Eg avec reactionaries - Guillaume II, Cures
Cover of “” Les Corbeaux (Paris)”, number 10, Satirique en N & B, 1905_6_4: Le cabot Guillaume II defenseur de la cap - Anticlericalisme - Eg avec reactionaries - Guillaume II, Cures

ICA4874023: Cover of “” Les Corbeaux (Paris)”, number 10, Satirique en N & B, 1905_6_4: Le cabot Guillaume II defenseur de la cap - Anticlericalisme - Eg avec reactionaries - Guillaume II, Cures / Bridgeman Images

ID: ICA4874023

Cover of “” Les Corbeaux (Paris)”, number 10, Satirique en N & B, 1905_6_4: Le cabot Guillaume II defenseur de la cap - Anticlericalisme - Eg avec reactionaries - Guillaume II, Cures

L'Assiette au Beurre, number 148, Satirique en couleurs, 1904_1_30: Flag tricolor - Coppee Francois (1842-1908), Lemaitre Jules (1853-1914), Gyp (Sybille Riquetti de Mirabeau, Countess Roger de Martel de Janville) (1849-1932) (lithograph)
L'Assiette au Beurre, number 148, Satirique en couleurs, 1904_1_30: Flag tricolor - Coppee Francois (1842-1908), Lemaitre Jules (1853-1914), Gyp (Sybille Riquetti de Mirabeau, Countess Roger de Martel de Janville) (1849-1932) (lithograph)

ICA4888726: L'Assiette au Beurre, number 148, Satirique en couleurs, 1904_1_30: Flag tricolor - Coppee Francois (1842-1908), Lemaitre Jules (1853-1914), Gyp (Sybille Riquetti de Mirabeau, Countess Roger de Martel de Janville) (1849-1932) (lithograph), Camara, Leal de (1877-1948) / Bridgeman Images

ID: ICA4888726

L'Assiette au Beurre, number 148, Satirique en couleurs, 1904_1_30: Flag tricolor - Coppee Francois (1842-1908), Lemaitre Jules (1853-1914), Gyp (Sybille Riquetti de Mirabeau, Countess Roger de Martel de Janville) (1849-1932) (lithograph)

Camara, Leal de (1877-1948)

King Francis I of France knighted by the Chevalier de Bayard after the Battle of Marignano, Italy, 1515 (colour litho)
King Francis I of France knighted by the Chevalier de Bayard after the Battle of Marignano, Italy, 1515 (colour litho)

LLM5216842: King Francis I of France knighted by the Chevalier de Bayard after the Battle of Marignano, Italy, 1515 (colour litho), Semant, Paul de (1855-1915) / Bridgeman Images

ID: LLM5216842

King Francis I of France knighted by the Chevalier de Bayard after the Battle of Marignano, Italy, 1515 (colour litho)

Semant, Paul de (1855-1915)

Garde Mobile - Officier (coloured engraving)
Garde Mobile - Officier (coloured engraving)

LLM3621746: Garde Mobile - Officier (coloured engraving), French School, (19th century) / Bridgeman Images

ID: LLM3621746

Garde Mobile - Officier (coloured engraving)

French School, (19th century)

The last victory, the Turkish garrison of Rhodes, defeated with significant losses … (colour litho)
The last victory, the Turkish garrison of Rhodes, defeated with significant losses … (colour litho)

LLM2808481: The last victory, the Turkish garrison of Rhodes, defeated with significant losses … (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2808481

The last victory, the Turkish garrison of Rhodes, defeated with significant losses … (colour litho)

Beltrame, Achille (1871-1945)

Private of the Hessian Grenadier Regiment Rall in 1776, 2017 (w/c & gouache on paper)
Private of the Hessian Grenadier Regiment Rall in 1776, 2017 (w/c & gouache on paper)

DTA3424911: Private of the Hessian Grenadier Regiment Rall in 1776, 2017 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3424911

Private of the Hessian Grenadier Regiment Rall in 1776, 2017 (w/c & gouache on paper)

Troiani, Don (b.1949)

Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching)
Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO192599: Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO192599

Sketch for a Monument of Disappointed Justice, published by Hannah Humphrey in 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Head of crozier of William of Wykeham (c.1320-1404): 'Paul side' (silver gilt) (detail) (see 205100-32)
Head of crozier of William of Wykeham (c.1320-1404): 'Paul side' (silver gilt) (detail) (see 205100-32)

NCO205105: Head of crozier of William of Wykeham (c.1320-1404): 'Paul side' (silver gilt) (detail) (see 205100-32), English School, (14th century) / Bridgeman Images

ID: NCO205105

Head of crozier of William of Wykeham (c.1320-1404): 'Paul side' (silver gilt) (detail) (see 205100-32)

English School, (14th century)

Giuseppe Garibaldi during the Battle of Varese (Giuseppe Garibaldi durante la battaglia di Varese), by Johann Erdmann Hummel, 19th Century (engraving)
Giuseppe Garibaldi during the Battle of Varese (Giuseppe Garibaldi durante la battaglia di Varese), by Johann Erdmann Hummel, 19th Century (engraving)

MEP3599742: Giuseppe Garibaldi during the Battle of Varese (Giuseppe Garibaldi durante la battaglia di Varese), by Johann Erdmann Hummel, 19th Century (engraving), Hummel, Johann Erdmann (1769-1852) / Bridgeman Images

ID: MEP3599742

Giuseppe Garibaldi during the Battle of Varese (Giuseppe Garibaldi durante la battaglia di Varese), by Johann Erdmann Hummel, 19th Century (engraving)

Hummel, Johann Erdmann (1769-1852)

Alexander I, Tsar of Russia, 1816 (coloured engraving)
Alexander I, Tsar of Russia, 1816 (coloured engraving)

LLH6032134: Alexander I, Tsar of Russia, 1816 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: LLH6032134

Alexander I, Tsar of Russia, 1816 (coloured engraving)

English School, (19th century)

Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne
Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne

LOR4251824: Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne / Bridgeman Images

ID: LOR4251824

Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne

Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence.
Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence.

JEB4880322: Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence. / Bridgeman Images

ID: JEB4880322

Don Quixote fights the Knight of Mirrors. According to the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” written by Miguel de Cervantes. Tapestry by Charles Joseph Natoire (Charles-Joseph Natoire, 1700-1777). Wool and silk. Dim: 359x258cm. Musee des tapestries, Aix en Provence.


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