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XEE4139406: July 14: Allegorie de la Republique Francaise. A woman crowned with laurels and holding a sword. At his feet, a lion, a palm and the table of laws. Above it, the motto of the Republic “” Liberte, Equality, Fraternity””. On the odds, intellectual and political of the years 1789 (French Revolution) and 1880. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images
XLF3780370: German Noble - male costume from 15th century / Bridgeman Images
PCT4286032: Store Page Picturesque from 1834 presenting the mortuary mask of Napoleon (Bonaparte) mould to Saint Helene by Dr. Antommarchi, after the engraving of Calamatta - evocation of different portraits of the emperor - face - figure - traits - beauty - physiognomy - / Bridgeman Images
FLO4703258: Rider performing carousel exercises with lance, sword and pistol, jousting at a ring and a dummy head. Copied from Francois Robichon de La Gueriniere's Ecole de Cavalerie, 1730. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images
IBE5351839: Handle of the sword of Duke Arthur Wellesley of Wellington (1769-1852) during the Spanish War of Independence (1808-1814) (photo) / Bridgeman Images
LLM6006254: A sword dance; A street entertainment (litho), Barfield, Thomas Charles (1858-1942) / Bridgeman Images
CDR5942493: St Thomas Becket, 1896 (stained glass), Hemming, Alfred O. (1843-1907) / Bridgeman Images
FAS45456: King Cophetua and the Beggar Maid, Maclise, Daniel (Croquis, Alfred) (1806-70) / Bridgeman Images
NWI4958410: Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century. / Bridgeman Images
NWI4959439: King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century. / Bridgeman Images
AKM210045: Battle of Antietam in 1862, 1865 (litho) (b/w photo), Rosenthal, Max (1833-1918) / Bridgeman Images
TRK1018100: Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland. / Bridgeman Images
LZT1003037: Sword of the Emperor Napoleon, at Windsor Castle, UK / Bridgeman Images
TRK3482583: Sigurd stories, The sword Gram finished which is tried on the anvil and it breaks, Relief, Wood, Stave-church portal, c.1200, Hylestad church, Setesdal, Norway / Bridgeman Images
TRK3708281: Marshal General Claude Louis Hector de Villars at the Siege of Freiburg, 1713 (engraving), Copein, (19th century) / Bridgeman Images
TRK2973370: Banner of the Inquisition in Goa, 1692 (coloured engraving) / Bridgeman Images
LSE4089004: L'exercice impossible - Lithographie, extracted from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863, Duranty, Louis Edmond (1833-1880) / Bridgeman Images
RUS495005: Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images
LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LRI4583062: Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century, Unknown Artist, (13th century) / Bridgeman Images
NCR3576928: Mercury Lulling Argus to Sleep, c.1770-1775 (oil on canvas), Gandolfi, Ubaldo (1728-81) / Bridgeman Images
GIU5894646: Numerus Batavorum (or cohors Germanorum), Rava, Giuseppe (b.1963) / Bridgeman Images
STC397026: Seizure of the Spy, illustration from 'Bayard: The Good Knight Without Fear and Without Reproach' by Christopher Hare, pub. 1911 (sepia photo), Cole, Herbert (1867-1930) / Bridgeman Images
PNP256366: Equestrian statue of General Andrew Jackson, 1853 (photo), Mills, Clark (1810-83) / Bridgeman Images
STC255276: Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving), Jones, George (1786-1869) (after) / Bridgeman Images
XCF306876: Two Benin Plaques, Nigeria (brass), Beninois School / Bridgeman Images
LAL297007: The Wonderful Story of Britain: Drake Sails Round the World, Jackson, Peter (1922-2003) / Bridgeman Images
CH19386: Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images
LIP1620049: The Funeral of His late Royal Highness the Prince Consort (engraving), English School, (19th century) / Bridgeman Images
IL3482347: Then was she girt with a noble sword where of the king had marvel, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images
PCT4281550: Gant Gargantua as a child - we give him gifts: a toy rabbit playing the drum and an epee - Illustration by Robida for the complete works of Francois Rabelais published by the Illustree Bookshop in 1885 - childhood - toy - weapons / Bridgeman Images
DUV4211706: The Cossack. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Impeatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images
XEE4148917: Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932, French School, (20th century) / Bridgeman Images
FLO4708459: Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images
FLO4675726: The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4686539: Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images