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Equestrian statue of General Andrew Jackson, 1853 (photo)
Equestrian statue of General Andrew Jackson, 1853 (photo)

PNP256366: Equestrian statue of General Andrew Jackson, 1853 (photo), Mills, Clark (1810-83) / Bridgeman Images

ID: PNP256366

Equestrian statue of General Andrew Jackson, 1853 (photo)

Mills, Clark (1810-83)

Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)
Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)

STC255276: Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving), Jones, George (1786-1869) (after) / Bridgeman Images

ID: STC255276

Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)

Jones, George (1786-1869) (after)

Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century
Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century

PFH1174574: Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century, Italian School, (14th century) / Bridgeman Images

ID: PFH1174574

Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century

Italian School, (14th century)

Arrest in Gethsemene (w0) (stained glass)
Arrest in Gethsemene (w0) (stained glass)

PC941069: Arrest in Gethsemene (w0) (stained glass), French School, (13th century) / Bridgeman Images

ID: PC941069

Arrest in Gethsemene (w0) (stained glass)

French School, (13th century)

Brutus throwing himself upon his own sword after the Battle of Philippi (chromolitho)
Brutus throwing himself upon his own sword after the Battle of Philippi (chromolitho)

LLM1091148: Brutus throwing himself upon his own sword after the Battle of Philippi (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1091148

Brutus throwing himself upon his own sword after the Battle of Philippi (chromolitho)

French School, (19th century)

Detail of The Fortune Teller, c.1595 (oil on canvas)
Detail of The Fortune Teller, c.1595 (oil on canvas)

SBL1108915: Detail of The Fortune Teller, c.1595 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: SBL1108915

Detail of The Fortune Teller, c.1595 (oil on canvas)

Caravaggio, Michelangelo Merisi da (1571-1610)

Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)
Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)

XRA1661592: Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo) / Bridgeman Images

ID: XRA1661592

Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)

Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932
Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932

XEE4148917: Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932, French School, (20th century) / Bridgeman Images

ID: XEE4148917

Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932

French School, (20th century)

The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675726: The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675726

The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).
Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).

JAB5035100: Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875). / Bridgeman Images

ID: JAB5035100

Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).

Gant Gargantua as a child - we give him gifts: a toy rabbit playing the drum and an epee - Illustration by Robida for the complete works of Francois Rabelais published by the Illustree Bookshop in 1885 - childhood - toy - weapons
Gant Gargantua as a child - we give him gifts: a toy rabbit playing the drum and an epee - Illustration by Robida for the complete works of Francois Rabelais published by the Illustree Bookshop in 1885 - childhood - toy - weapons

PCT4281550: Gant Gargantua as a child - we give him gifts: a toy rabbit playing the drum and an epee - Illustration by Robida for the complete works of Francois Rabelais published by the Illustree Bookshop in 1885 - childhood - toy - weapons / Bridgeman Images

ID: PCT4281550

Gant Gargantua as a child - we give him gifts: a toy rabbit playing the drum and an epee - Illustration by Robida for the complete works of Francois Rabelais published by the Illustree Bookshop in 1885 - childhood - toy - weapons

The Cossack. Engraving in
The Cossack. Engraving in

DUV4211706: The Cossack. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Impeatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images

ID: DUV4211706

The Cossack. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Impeatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm

French School, (19th century)

Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708459: Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708459

Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686539: Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4686539

Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Then was she girt with a noble sword where of the king had marvel, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
Then was she girt with a noble sword where of the king had marvel, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482347: Then was she girt with a noble sword where of the king had marvel, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

ID: IL3482347

Then was she girt with a noble sword where of the king had marvel, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

Flint, William Russell (1880-1969)

Robin Hood and his merry men -
Robin Hood and his merry men -

XLA3748039: Robin Hood and his merry men -, Theaker, Harry George (1873-1954) / Bridgeman Images

ID: XLA3748039

Robin Hood and his merry men -

Theaker, Harry George (1873-1954)

Captain Holland, c.1860 (b/w photo)
Captain Holland, c.1860 (b/w photo)

JHL701508: Captain Holland, c.1860 (b/w photo), European Photographer, (19th century) / Bridgeman Images

ID: JHL701508

Captain Holland, c.1860 (b/w photo)

European Photographer, (19th century)

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)
Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

PRM479242: Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479242

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Numerus Batavorum (or cohors Germanorum)
Numerus Batavorum (or cohors Germanorum)

GIU5894646: Numerus Batavorum (or cohors Germanorum), Rava, Giuseppe (b.1963) / Bridgeman Images

ID: GIU5894646

Numerus Batavorum (or cohors Germanorum)

Rava, Giuseppe (b.1963)

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328591

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

L'exercice impossible - Lithographie, extracted from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863
L'exercice impossible - Lithographie, extracted from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863

LSE4089004: L'exercice impossible - Lithographie, extracted from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863, Duranty, Louis Edmond (1833-1880) / Bridgeman Images

ID: LSE4089004

L'exercice impossible - Lithographie, extracted from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863

Duranty, Louis Edmond (1833-1880)

Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century
Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century

LRI4583062: Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century, Unknown Artist, (13th century) / Bridgeman Images

ID: LRI4583062

Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century

Unknown Artist, (13th century)

Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

RUS495005: Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images

ID: RUS495005

Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

Japanese School, (19th century)

St Thomas Becket, 1896 (stained glass)
St Thomas Becket, 1896 (stained glass)

CDR5942493: St Thomas Becket, 1896 (stained glass), Hemming, Alfred O. (1843-1907) / Bridgeman Images

ID: CDR5942493

St Thomas Becket, 1896 (stained glass)

Hemming, Alfred O. (1843-1907)

Battle of Antietam in 1862, 1865 (litho) (b/w photo)
Battle of Antietam in 1862, 1865 (litho) (b/w photo)

AKM210045: Battle of Antietam in 1862, 1865 (litho) (b/w photo), Rosenthal, Max (1833-1918) / Bridgeman Images

ID: AKM210045

Battle of Antietam in 1862, 1865 (litho) (b/w photo)

Rosenthal, Max (1833-1918)

King Cophetua and the Beggar Maid
King Cophetua and the Beggar Maid

FAS45456: King Cophetua and the Beggar Maid, Maclise, Daniel (Croquis, Alfred) (1806-70) / Bridgeman Images

ID: FAS45456

King Cophetua and the Beggar Maid

Maclise, Daniel (Croquis, Alfred) (1806-70)

The Funeral of His late Royal Highness the Prince Consort (engraving)
The Funeral of His late Royal Highness the Prince Consort (engraving)

LIP1620049: The Funeral of His late Royal Highness the Prince Consort (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1620049

The Funeral of His late Royal Highness the Prince Consort (engraving)

English School, (19th century)

Madonna and Child with St. Vitalis, St. Jerome and St. Francis
Madonna and Child with St. Vitalis, St. Jerome and St. Francis

AII78320: Madonna and Child with St. Vitalis, St. Jerome and St. Francis, Procaccini, Camillo (c.1560-1629) / Bridgeman Images

ID: AII78320

Madonna and Child with St. Vitalis, St. Jerome and St. Francis

Procaccini, Camillo (c.1560-1629)

Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)
Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)

FIA5344600: Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas), Russian School (18th century) / Bridgeman Images

ID: FIA5344600

Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)

Russian School (18th century)

Punch cartoon: Richard Burton, English explorer, geographer and diplomat (engraving)
Punch cartoon: Richard Burton, English explorer, geographer and diplomat (engraving)

LLD6034906: Punch cartoon: Richard Burton, English explorer, geographer and diplomat (engraving), Sambourne, Edward Linley (1844-1910) (after) / Bridgeman Images

ID: LLD6034906

Punch cartoon: Richard Burton, English explorer, geographer and diplomat (engraving)

Sambourne, Edward Linley (1844-1910) (after)

Illustration from
Illustration from

AGC5958626: Illustration from "The Iron King (Le Roi de fer)" by Maurice Druon, 1957 (colour litho), Endrikson, Evgenia (1907-94) / Bridgeman Images

ID: AGC5958626

Illustration from "The Iron King (Le Roi de fer)" by Maurice Druon, 1957 (colour litho)

Endrikson, Evgenia (1907-94)

The sword Excalibur, illustration from 'The Children's King Arthur...', c.1910 (colour litho)
The sword Excalibur, illustration from 'The Children's King Arthur...', c.1910 (colour litho)

LLM3633907: The sword Excalibur, illustration from 'The Children's King Arthur...', c.1910 (colour litho), Stratton, Helen (1867-1961) / Bridgeman Images

ID: LLM3633907

The sword Excalibur, illustration from 'The Children's King Arthur...', c.1910 (colour litho)

Stratton, Helen (1867-1961)

Siegfried and the Forest Bird, sculpture by Ludwig Habich (b.1872) (bronze)
Siegfried and the Forest Bird, sculpture by Ludwig Habich (b.1872) (bronze)

REY77713: Siegfried and the Forest Bird, sculpture by Ludwig Habich (b.1872) (bronze) / Bridgeman Images

ID: REY77713

Siegfried and the Forest Bird, sculpture by Ludwig Habich (b.1872) (bronze)

Augustus, Duke of Sussex, c.1805-10 (oil on copper)
Augustus, Duke of Sussex, c.1805-10 (oil on copper)

ROC452108: Augustus, Duke of Sussex, c.1805-10 (oil on copper), Stroehling, Peter Eduard (1768-1826) / Bridgeman Images

ID: ROC452108

Augustus, Duke of Sussex, c.1805-10 (oil on copper)

Stroehling, Peter Eduard (1768-1826)

Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

PRM479247: Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479247

Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a twenty–three–year–old Japanese man named Tamaki Mitsuya, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–three–year–old Japanese man named Tamaki Mitsuya, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

PRM479252: Portrait of a twenty–three–year–old Japanese man named Tamaki Mitsuya, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479252

Portrait of a twenty–three–year–old Japanese man named Tamaki Mitsuya, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)


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