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DGP421148: Oliver Cromwell by Sir Hamo Thornycroft (photo) / Bridgeman Images
MAI6404853: Chushingura. Act 4 (Yodanme), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images
MAI6404903: Chushingura. Act 1 (Daijo), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images
MEP849685: Horses on the Beach (Cavalli in riva al mare), by Giorgio de Chirico, 1963, 20th Century, oil on canvas, Chirico, Giorgio de (1888-1978) / Bridgeman Images
LSE4328598: The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
TRK562460: Sancho I of Portugal (1154-1212). Statue. Silves. Algarve. Portugal. / Bridgeman Images
LZT1012515: The Washing-Tub Expedition, London, 1803, Napoleon I Wearing an Oversized Hat and Holding a Large Sword Leading a French Fleet of Washing Tubs Filled with French Soldiers in an Invasion of England. / Bridgeman Images
FBU4242575: Erotes hunting wild beast - Detail from a frieze depicting scenes from a hunt next tothe panel representing the first bath of Achilles - Paphos Mosaics, Villa of Theseus, 5th Century AD - Cyprus - Eros, gods of love, a la chasse - Detail of a frieze depicting hunting scenes around the Mosaic representing the first bath of Achilles - Mosaiques de Paphos, Maison de thesee - Fifth Century after JC - UNESCO Site - Cyprus / Bridgeman Images
LSE4087735: Central Asian warrior, deb. 19th century, Unknown Artist, (19th century) / Bridgeman Images
STC312804: Member of the Grd du Corps, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho), French School, (18th century) / Bridgeman Images
PNP310583: Lt Roberts winning his V.C., January 2nd 1858, illustration from 'The History of the Nation' (litho), Payne, Henry (Harry) (1868-1940) (after) / Bridgeman Images
XIR246058: The Silver Wedding Anniversary of the King of Greece, from 'Le Petit Journal', 29th October 1892 (colour litho), Meyer, Henri (1841-99) / Bridgeman Images
JB3243617: Embroidered motif bearing the Keys of St Peter and the Sword of St Paul, Exeter Cathedral (photo) / Bridgeman Images
LLM3093975: Regalia in Strong Room, Queen's Dolls' House (colour litho), English School, (20th century) / Bridgeman Images
KWE3052967: Don Quixote and Sampson Carrasco. From an original drawing by J.M. Wright. / Bridgeman Images
PC2921626: Window depicting the Coronation of the Virgin with St Paul and the families of donors, 1460-70 (stained glass), French School, (15th century) / Bridgeman Images
PFH2641574: Germany / Lebanon: left to right, Maronite man, Zeybek militiaman, Christian woman, "Munchner Bilderbogen", Braun & Schneider, 1861-1890 / Bridgeman Images
LLM2786030: The Russo-Japanese War. Illustration for Le Rire (colour litho), Leandre, Charles (1862-1934) / Bridgeman Images
DGC872591: One of the carved stones found in the Roman theatre of Patara. It shows gladiatorial armour and sword, Patara, Turkey (photo) / Bridgeman Images
LAL724428: The French invade Algeria (gouache on paper), McBride, Angus (1931-2007) / Bridgeman Images
XIR897579: Portrait of Alexander Farnese (1545-1592), Duke of Parma, Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77) / Bridgeman Images
XIR661391: The sword of a brave man, how Captain Fiegenschuh's father received the relic of a hero killed for France, front cover illustration from 'Le Petit Journal', supplement illustre, 8th March 1914 (colour litho), French School, (20th century) / Bridgeman Images
SZT2980142: Czar Nicholas II. congratulates to the officers appointment in Pavlovsk (b/w photo) / Bridgeman Images
DUV4211887: The Marquis de Carabas (imaginary name of one of the characters of Charles Perrault's Boot Cat). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images
FLO4573450: Military of the antiquite: general roman 1, bearer 2, roman cavalry 3, numide 4 and dace 6, and an archer on his horse, wearing armor 5 - Roman general 1, fasces bearer 2, Roman cavalry 3, Numidian cavalry 4, rider and horse in suit of scale armour 5, and Dacian cavalry 6. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795. / Bridgeman Images
XIR61398: First Meeting between Faust and Mephistopheles: `Why all this Noise?', from Goethe's Faust, 1828, (illustration), (b/w photo of lithograph), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images
AGC3736607: Europe Will Be Free!, 1944 (colour litho), Koretsky, Viktor (1909-1998) / Bridgeman Images
JEB4857211: God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention, Chinese School (20th century) / Bridgeman Images
TRK1149813: Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain / Bridgeman Images
STM620997: Two-Handed Sword, dated 1617 (steel with etching, iron, wood & leather) / Bridgeman Images
BRN195811: Archangel Saint Michael, c. 1810 (water-based paint on wood panel), Fresquis, Pedro Antonio (1749-1831) / Bridgeman Images
FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images
FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images
MEB1191369: The Judgement of Solomon, by unknown artist, 55-79, 1st Century A.D., ripped fresco, 55 x 164 cm / Bridgeman Images
STC373319: Lt Roberts winning his V.C., January 2nd 1858 (litho), Payne, Henry (Harry) (1868-1940) (after) / Bridgeman Images