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13773 Search Results for sword

Three Peasants in Converation, c.1497 (engraving)
Three Peasants in Converation, c.1497 (engraving)

XJF867965: Three Peasants in Converation, c.1497 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

IL955990: "Stand up then", said Wieland (colour litho), Reid, Stephen (1873-1948) / Bridgeman Images

The Interpreter then called for a Manservant of his, named Greatheart, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)
The Interpreter then called for a Manservant of his, named Greatheart, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho)

STC308575: The Interpreter then called for a Manservant of his, named Greatheart, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

All Saints' Day, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
All Saints' Day, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)

REV326687: All Saints' Day, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment), Fuente del Saz, Julian (d.1601) & Leon, Andres de (d.1580) / Bridgeman Images

An early English embassy to India, 1599, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho)
An early English embassy to India, 1599, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho)

STC373636: An early English embassy to India, 1599, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho), Woodville, Richard Caton II (1856-1927) (after) / Bridgeman Images

Captain of the Bikanir State Forces, Indian Princely States, 1938 (colour litho)
Captain of the Bikanir State Forces, Indian Princely States, 1938 (colour litho)

KDC469450: Captain of the Bikanir State Forces, Indian Princely States, 1938 (colour litho) / Bridgeman Images

Mou-Ka-Ush-Ka or 'The Trembling Earth', a Yankton Sioux Chief, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Mou-Ka-Ush-Ka or 'The Trembling Earth', a Yankton Sioux Chief, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122961: Mou-Ka-Ush-Ka or 'The Trembling Earth', a Yankton Sioux Chief, illustration from 'The Indian Tribes of North America', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), Cooke, George (1793-1849) (after) / Bridgeman Images

Roman Soldiers using the testudo method during an attack, detail from the column of Marcus Aurelius, AD 180-196 (marble) (b/w photo)
Roman Soldiers using the testudo method during an attack, detail from the column of Marcus Aurelius, AD 180-196 (marble) (b/w photo)

FAF207880: Roman Soldiers using the testudo method during an attack, detail from the column of Marcus Aurelius, AD 180-196 (marble) (b/w photo), Roman, (2nd century) / Bridgeman Images

Group of French and Italian officers that intervened in the Chinese Civil War, 1926-1929. (b/w photo)
Group of French and Italian officers that intervened in the Chinese Civil War, 1926-1929. (b/w photo)

FAF1249711: Group of French and Italian officers that intervened in the Chinese Civil War, 1926-1929. (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

Japan: The Kabuki artist Ichikawa Danzo I dressed as a samurai with katana long sword. Katsukawa Shunsho (1727-1793), c. 1770
Japan: The Kabuki artist Ichikawa Danzo I dressed as a samurai with katana long sword. Katsukawa Shunsho (1727-1793), c. 1770

PFH1188898: Japan: The Kabuki artist Ichikawa Danzo I dressed as a samurai with katana long sword. Katsukawa Shunsho (1727-1793), c. 1770 / Bridgeman Images

Habit of the King of Poland and Elector of Saxony in 1700 (engraving)
Habit of the King of Poland and Elector of Saxony in 1700 (engraving)

LLR3640527: Habit of the King of Poland and Elector of Saxony in 1700 (engraving), English School, (18th century) / Bridgeman Images

Auxiliary Cavalry attacking German Tribesmen (litho)
Auxiliary Cavalry attacking German Tribesmen (litho)

LLM2794633: Auxiliary Cavalry attacking German Tribesmen (litho), Forestier, Amedee (1854-1930) (after) / Bridgeman Images

STC3804283: "Stewart", from The Clans of the Scottish Highlands, pub.1845 (colour litho), McIan, Robert Ronald (1803-56) / Bridgeman Images

Brig.-Genl. Michael Corcoran - of the Irish Brigade late colonel of the gallant N.Y.
Brig.-Genl. Michael Corcoran - of the Irish Brigade late colonel of the gallant N.Y.

STC2958303: Brig.-Genl. Michael Corcoran - of the Irish Brigade late colonel of the gallant N.Y. "Sixty Ninth", pub. 1860 (colour litho), American School, (19th century) / Bridgeman Images

Vice Admiral de Ruyter, 1656 (oil on canvas)
Vice Admiral de Ruyter, 1656 (oil on canvas)

XOS3087121: Vice Admiral de Ruyter, 1656 (oil on canvas), Mander, Karel van III (1610-70) / Bridgeman Images

Parade for a tournament, c.1640 (pen and ink, watercolour and washes)
Parade for a tournament, c.1640 (pen and ink, watercolour and washes)

XOS3493031: Parade for a tournament, c.1640 (pen and ink, watercolour and washes), German School, (17th century) / Bridgeman Images

The baptismal font of the Baptistry of Chiavenna, city in province of Sondrio
The baptismal font of the Baptistry of Chiavenna, city in province of Sondrio

FAF3559428: The baptismal font of the Baptistry of Chiavenna, city in province of Sondrio / Bridgeman Images

Fol 80, Li Patenostre que nostre seigneur Jesuchrist fist, 1560 (engraving)
Fol 80, Li Patenostre que nostre seigneur Jesuchrist fist, 1560 (engraving)

AND2919634: Fol 80, Li Patenostre que nostre seigneur Jesuchrist fist, 1560 (engraving) / Bridgeman Images

Nawab Mozaffir Khan (Multani), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)
Nawab Mozaffir Khan (Multani), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)

NAM310649: Nawab Mozaffir Khan (Multani), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper), Indian School, (19th century) / Bridgeman Images

German mercenary soldier, Early 16th century (engraving)
German mercenary soldier, Early 16th century (engraving)

TRK3737424: German mercenary soldier, Early 16th century (engraving) / Bridgeman Images

Subadar-Major of the 6th Rajputana Rifles, Indian Army, 1938 (colour litho)
Subadar-Major of the 6th Rajputana Rifles, Indian Army, 1938 (colour litho)

KDC469440: Subadar-Major of the 6th Rajputana Rifles, Indian Army, 1938 (colour litho) / Bridgeman Images

King Arthur led the Britons to overwhelming victory against the Saxons
King Arthur led the Britons to overwhelming victory against the Saxons

LAL295632: King Arthur led the Britons to overwhelming victory against the Saxons, English School, (20th century) / Bridgeman Images

Death comes for the Robber, from 'Der Todten Tanz', published Basel, 1843 (litho)
Death comes for the Robber, from 'Der Todten Tanz', published Basel, 1843 (litho)

KWE278054: Death comes for the Robber, from 'Der Todten Tanz', published Basel, 1843 (litho), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

An English Archer, from 'Art of Archerie' by Gervase Markham (1568-1637), pub. 1634 (engraving)
An English Archer, from 'Art of Archerie' by Gervase Markham (1568-1637), pub. 1634 (engraving)

STC347524: An English Archer, from 'Art of Archerie' by Gervase Markham (1568-1637), pub. 1634 (engraving), English School, (17th century) / Bridgeman Images

Cossacks. Chromolithography of the beginning of the 20th century.
Cossacks. Chromolithography of the beginning of the 20th century.

XEE4137023: Cossacks. Chromolithography of the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

Sir George Felbridge, 1400. In suit of plate armour with bassinet helmet and camail, armorial surcoat with crimson lion rampant, decorated girdle and armour. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir George Felbridge, 1400. In suit of plate armour with bassinet helmet and camail, armorial surcoat with crimson lion rampant, decorated girdle and armour. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678388: Sir George Felbridge, 1400. In suit of plate armour with bassinet helmet and camail, armorial surcoat with crimson lion rampant, decorated girdle and armour. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Weapons used by the Mughal soldiers: scimitar, lance, axe and musket. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Weapons used by the Mughal soldiers: scimitar, lance, axe and musket. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623693: Weapons used by the Mughal soldiers: scimitar, lance, axe and musket. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Portrait of Amador Salazar during the Mexican revolution of 1910. Xylography by Jose Guadalupe Posada (1852-1913).
Portrait of Amador Salazar during the Mexican revolution of 1910. Xylography by Jose Guadalupe Posada (1852-1913).

GIA4784306: Portrait of Amador Salazar during the Mexican revolution of 1910. Xylography by Jose Guadalupe Posada (1852-1913)., Posada, Jose Guadalupe (1851-1913) / Bridgeman Images

Albert Brasseur, Frenchcomedian and operetta singer. Illustration for Le Rire (colour litho)
Albert Brasseur, Frenchcomedian and operetta singer. Illustration for Le Rire (colour litho)

LLM2786103: Albert Brasseur, Frenchcomedian and operetta singer. Illustration for Le Rire (colour litho), de Losques, Daniel (Thouroude) (1880-1915) / Bridgeman Images

Hungarian wedding (chromolitho)
Hungarian wedding (chromolitho)

LLM2782650: Hungarian wedding (chromolitho), European School, (19th century) / Bridgeman Images

Terrific Combat between Richard Coeur de Lion and Saladin from The Comic History of England, pub. 1864 (hand coloured etching)
Terrific Combat between Richard Coeur de Lion and Saladin from The Comic History of England, pub. 1864 (hand coloured etching)

STC3075746: Terrific Combat between Richard Coeur de Lion and Saladin from The Comic History of England, pub. 1864 (hand coloured etching), Leech, John (1817-64) / Bridgeman Images

Romans conquer Britain, pub. 1890 (colour lithograph)
Romans conquer Britain, pub. 1890 (colour lithograph)

STC3035177: Romans conquer Britain, pub. 1890 (colour lithograph), English School, (19th century) / Bridgeman Images

Girl with a soldier (colour photo)
Girl with a soldier (colour photo)

LLM3095555: Girl with a soldier (colour photo), French Photographer, (20th century) / Bridgeman Images

Habit of a Mandarin of War in Chinese Tartary in 1700 (engraving)
Habit of a Mandarin of War in Chinese Tartary in 1700 (engraving)

LLR3640489: Habit of a Mandarin of War in Chinese Tartary in 1700 (engraving), English School, (18th century) / Bridgeman Images

French and Scottish put differences behind them (coloured photo)
French and Scottish put differences behind them (coloured photo)

LLM3643111: French and Scottish put differences behind them (coloured photo), English Photographer, (20th century) / Bridgeman Images

Icon of St. George, 1130-50 (tempera on panel)
Icon of St. George, 1130-50 (tempera on panel)

XIR162375: Icon of St. George, 1130-50 (tempera on panel), Novgorod School, (12th century) / Bridgeman Images


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