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13772 Search Results for sword

Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543)
Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543)

PFH1176270: Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543) / Bridgeman Images

The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)
The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)

LRI4601514: The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

David holding the head of Goliath, 1621 (Painting)
David holding the head of Goliath, 1621 (Painting)

LRI4699121: David holding the head of Goliath, 1621 (Painting), Vouet, Simon (1590-1649) / Bridgeman Images

Hans Makart (1840 – 1884). Austrian academic history painter, designer, and decorator, coloured engraving.
Hans Makart (1840 – 1884). Austrian academic history painter, designer, and decorator, coloured engraving.

TRK1150008: Hans Makart (1840 – 1884). Austrian academic history painter, designer, and decorator, coloured engraving. / Bridgeman Images

Saint Callixtus I or Callistus I. Pope from about 217 to about 222. Engraving.
Saint Callixtus I or Callistus I. Pope from about 217 to about 222. Engraving.

TRK561201: Saint Callixtus I or Callistus I. Pope from about 217 to about 222. Engraving. / Bridgeman Images

General Thomas F. Meagher , 2018 (oil on panel)
General Thomas F. Meagher , 2018 (oil on panel)

MMO5307124: General Thomas F. Meagher , 2018 (oil on panel), Maritato, Mark / Bridgeman Images

William Wallace, 1888 (bronze)
William Wallace, 1888 (bronze)

HGP362573: William Wallace, 1888 (bronze) / Bridgeman Images

William I, from 'Das Evangelium in der Verfolgung' by Bernhard Rogge, published in 1920 (litho)
William I, from 'Das Evangelium in der Verfolgung' by Bernhard Rogge, published in 1920 (litho)

KWE349642: William I, from 'Das Evangelium in der Verfolgung' by Bernhard Rogge, published in 1920 (litho), German School, (20th century) / Bridgeman Images

The Sail Fish, illustration from 'Fish and Sea Animals' by Eric Fitch Daglish, 1929 (woodcut)
The Sail Fish, illustration from 'Fish and Sea Animals' by Eric Fitch Daglish, 1929 (woodcut)

STC397035: The Sail Fish, illustration from 'Fish and Sea Animals' by Eric Fitch Daglish, 1929 (woodcut), Daglish, Eric Fitch (1892-1966) / Bridgeman Images

An Indian Prince on a White Elephant, illustration of the musical mode 'Deepak Raga', early 19th century (gouache on paper)
An Indian Prince on a White Elephant, illustration of the musical mode 'Deepak Raga', early 19th century (gouache on paper)

CHT177478: An Indian Prince on a White Elephant, illustration of the musical mode 'Deepak Raga', early 19th century (gouache on paper), Deccani School, (19th century) / Bridgeman Images

A siver carrier, 1827-35 (colour litho)
A siver carrier, 1827-35 (colour litho)

STC478544: A siver carrier, 1827-35 (colour litho), Burnouf, M.E. (fl.1827-35) / Bridgeman Images

Heroism of a woman facing Vendean robbers having gained control of Saint-Mithier, 1793 (engraving) (see also 217884)
Heroism of a woman facing Vendean robbers having gained control of Saint-Mithier, 1793 (engraving) (see also 217884)

XIR438881: Heroism of a woman facing Vendean robbers having gained control of Saint-Mithier, 1793 (engraving) (see also 217884), French School, (18th century) / Bridgeman Images

Risaldar-Major in Full Dress of the Poona Horse, Indian Army, 1938 (colour litho)
Risaldar-Major in Full Dress of the Poona Horse, Indian Army, 1938 (colour litho)

KDC469436: Risaldar-Major in Full Dress of the Poona Horse, Indian Army, 1938 (colour litho) / Bridgeman Images

George II at Dettingen, 1981 (gouache on paper)
George II at Dettingen, 1981 (gouache on paper)

LAL278524: George II at Dettingen, 1981 (gouache on paper), Uptton, Clive (1911-2006) / Bridgeman Images

David Victorious, 1780 (oil on canvas)
David Victorious, 1780 (oil on canvas)

XIR222475: David Victorious, 1780 (oil on canvas), Lagrenee, Jean Jacques II (1739-1821) / Bridgeman Images

Monument to Gaspar de Portolà in his hometown, Balaguer, Catalonia, Spain (photo)
Monument to Gaspar de Portolà in his hometown, Balaguer, Catalonia, Spain (photo)

AIS6348961: Monument to Gaspar de Portolà in his hometown, Balaguer, Catalonia, Spain (photo) / Bridgeman Images

Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo)
Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo)

TMA396360: Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo) / Bridgeman Images

Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)

HBY868576: Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi)
Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi)

CGS6380393: Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi), Giannopolous, Christos / Bridgeman Images

The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone)
The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone)

SQ158304: The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone), Italian School, (14th century) / Bridgeman Images

Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)
Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

STC746961: Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving) , Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

Armour (gouache on paper)
Armour (gouache on paper)

LAL724181: Armour (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

An Infantryman at an Inn (litho)
An Infantryman at an Inn (litho)

LLM2794640: An Infantryman at an Inn (litho), Forestier, Amedee (1854-1930) (after) / Bridgeman Images

General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching)
General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching)

STC3090271: General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching), English School, (19th century) / Bridgeman Images

Ferdinand III of Castile, (1199-1252) King of Castile from 1217 and King of Leon from 1230 - Marriage of Ferdinand III, or Saint Ferdinand of Castile (1199-1252), he confers himself the order of chivalry - Engraving of 1846 in “” Lives of the saints”””. Private collection.
Ferdinand III of Castile, (1199-1252) King of Castile from 1217 and King of Leon from 1230 - Marriage of Ferdinand III, or Saint Ferdinand of Castile (1199-1252), he confers himself the order of chivalry - Engraving of 1846 in “” Lives of the saints”””. Private collection.

XEE4153975: Ferdinand III of Castile, (1199-1252) King of Castile from 1217 and King of Leon from 1230 - Marriage of Ferdinand III, or Saint Ferdinand of Castile (1199-1252), he confers himself the order of chivalry - Engraving of 1846 in “” Lives of the saints”””. Private collection., Anonymous / Bridgeman Images

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -
The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -

PCT4297748: The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore - / Bridgeman Images

Warrior of Ombai with armour, shield and kris. He wears his hair tied up in a plume. Man of Ombai Island (Ombay), Indonesia. Handcoloured copperplate engraving after an illustration by Jacques Arago from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.
Warrior of Ombai with armour, shield and kris. He wears his hair tied up in a plume. Man of Ombai Island (Ombay), Indonesia. Handcoloured copperplate engraving after an illustration by Jacques Arago from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

FLO4695470: Warrior of Ombai with armour, shield and kris. He wears his hair tied up in a plume. Man of Ombai Island (Ombay), Indonesia. Handcoloured copperplate engraving after an illustration by Jacques Arago from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824. / Bridgeman Images

Japan: Samurai warrior on horseback. Ikuta Yoshiharu, c.1850
Japan: Samurai warrior on horseback. Ikuta Yoshiharu, c.1850

PFH1188815: Japan: Samurai warrior on horseback. Ikuta Yoshiharu, c.1850 / Bridgeman Images

Japan: Standing Samurai. Torii Kiyomasu (active c.1704-1718)
Japan: Standing Samurai. Torii Kiyomasu (active c.1704-1718)

PFH1188823: Japan: Standing Samurai. Torii Kiyomasu (active c.1704-1718) / Bridgeman Images

Hunter on a Horse, c.1600 (ink and w/c on paper)
Hunter on a Horse, c.1600 (ink and w/c on paper)

XOS996649: Hunter on a Horse, c.1600 (ink and w/c on paper), Mughal School, (17th century) / Bridgeman Images

Portrait of Dilir Khan, c.1760, from the Large Clive Album
Portrait of Dilir Khan, c.1760, from the Large Clive Album

STC153451: Portrait of Dilir Khan, c.1760, from the Large Clive Album, Mughal School (18th century) / Bridgeman Images

Helmet from a suit of armour of the time of King Charles I, breastplate, tassets and pouldron 3, ancient pertuisan 4, sword with silver hilt 5 and hammer of arms from the Tower of London 6
Helmet from a suit of armour of the time of King Charles I, breastplate, tassets and pouldron 3, ancient pertuisan 4, sword with silver hilt 5 and hammer of arms from the Tower of London 6

FLO5324061: Helmet from a suit of armour of the time of King Charles I, breastplate, tassets and pouldron 3, ancient pertuisan 4, sword with silver hilt 5 and hammer of arms from the Tower of London 6 / Bridgeman Images

Karl, from Die Rauber (The Robbers) by Friedrich Schiller (colour litho)
Karl, from Die Rauber (The Robbers) by Friedrich Schiller (colour litho)

LLM3626468: Karl, from Die Rauber (The Robbers) by Friedrich Schiller (colour litho), German School, (19th century) / Bridgeman Images

Fudō Myōō, early 13th century (lacquer and gold with crystal)
Fudō Myōō, early 13th century (lacquer and gold with crystal)

XOS3617915: Fudō Myōō, early 13th century (lacquer and gold with crystal), Kaikei (fl.1183-1223) / Bridgeman Images

Habit of the Duke of Burgundy in 1700 (engraving)
Habit of the Duke of Burgundy in 1700 (engraving)

LLR3640544: Habit of the Duke of Burgundy in 1700 (engraving), English School, (18th century) / Bridgeman Images

Frieze of the Liberal Arts and Mechanics (Fregio delle arti liberali e meccaniche), 1502, 16th Century (fresco), 77 x 1588 cm
Frieze of the Liberal Arts and Mechanics (Fregio delle arti liberali e meccaniche), 1502, 16th Century (fresco), 77 x 1588 cm

MEP3599419: Frieze of the Liberal Arts and Mechanics (Fregio delle arti liberali e meccaniche), 1502, 16th Century (fresco), 77 x 1588 cm / Bridgeman Images


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