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41988 Search Results for medieval or gothic or late medieval

Sir Palomides Making Great Sorrow and Mourning for La Beale Isoud, 1894 (engraving)
Sir Palomides Making Great Sorrow and Mourning for La Beale Isoud, 1894 (engraving)

STC3598157: Sir Palomides Making Great Sorrow and Mourning for La Beale Isoud, 1894 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images

Borromeo Book of Hours, 15th century (vellum)
Borromeo Book of Hours, 15th century (vellum)

MEV5049639: Borromeo Book of Hours, 15th century (vellum), Predis, Cristoforo de (1440-86) / Bridgeman Images

Barnard Castle, Durham (engraving)
Barnard Castle, Durham (engraving)

LLE3638558: Barnard Castle, Durham (engraving), English School, (19th century) / Bridgeman Images

Before the battle of Agincourt - War of 100 years: Battle of Azincourt (Pas-de-Calais) October 25, 1415 - Avant La bataille d'Azincourt - engraving from “” L'histoire de France racontee à mes grandenfants””” - by Francois Guizot - 1872-1876
Before the battle of Agincourt - War of 100 years: Battle of Azincourt (Pas-de-Calais) October 25, 1415 - Avant La bataille d'Azincourt - engraving from “” L'histoire de France racontee à mes grandenfants””” - by Francois Guizot - 1872-1876

XEE4160913: Before the battle of Agincourt - War of 100 years: Battle of Azincourt (Pas-de-Calais) October 25, 1415 - Avant La bataille d'Azincourt - engraving from “” L'histoire de France racontee à mes grandenfants””” - by Francois Guizot - 1872-1876, Unknown Artist, (19th century) / Bridgeman Images

Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678379: Richard de Vere, 11th Earl of Oxford, 1416, commander at the Battle of Agincourt. He wears a suit of armour with small pallettes, bassinet wreath and inscription on the forehead plate. Tilting helmet and shield with coat of arms (quarterly gules and or; a mullet argent) on the ground. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

The burghers of Calais
The burghers of Calais

LLM455277: The burghers of Calais, Lix, Frederic Theodore (1830-97) (after) / Bridgeman Images

Harfleur besieged by King Henry V (gouache on paper)
Harfleur besieged by King Henry V (gouache on paper)

LAL724148: Harfleur besieged by King Henry V (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)
Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)

XIR183104: Harold's ships are blown to the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

The knight battles the dragon (chromolitho)
The knight battles the dragon (chromolitho)

LLR735734: The knight battles the dragon (chromolitho), European School, (19th century) / Bridgeman Images

Detail of the Catalan Atlas, copy of the original created in 1375 (pen and coloured inks on parchment)
Detail of the Catalan Atlas, copy of the original created in 1375 (pen and coloured inks on parchment)

XOS5054650: Detail of the Catalan Atlas, copy of the original created in 1375 (pen and coloured inks on parchment), Cresques, Abraham (1325-87) (after) / Bridgeman Images

Catalan Atlas, Spain
Catalan Atlas, Spain

XOS5054660: Catalan Atlas, Spain, Cresques, Abraham (1325-87) (after) / Bridgeman Images

The Queen of France (chromolitho)
The Queen of France (chromolitho)

LLR735480: The Queen of France (chromolitho), European School, (19th century) / Bridgeman Images

View of the room of King Charles VII in the castle of Chinon, where he received the maid of Orléans - watercolour, 1699
View of the room of King Charles VII in the castle of Chinon, where he received the maid of Orléans - watercolour, 1699

LSE4100118: View of the room of King Charles VII in the castle of Chinon, where he received the maid of Orléans - watercolour, 1699, French School, (17th century) / Bridgeman Images

The Annunciation (painting)
The Annunciation (painting)

JEB4962243: The Annunciation (painting), Lieferinxe, Josse (Master of St. Sebastian) (fl.1493-1508) / Bridgeman Images

Study of Guinevere for 'Sir Launcelot in the Queen's Chamber', 1857 (pencil & w/c on paper)
Study of Guinevere for 'Sir Launcelot in the Queen's Chamber', 1857 (pencil & w/c on paper)

MAN5858706: Study of Guinevere for 'Sir Launcelot in the Queen's Chamber', 1857 (pencil & w/c on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Hundred Years' War (1337 to 1453): Edward III of England (1312-1377) leading the English army through the Somme in France. Colour engraving of the 19th century
Hundred Years' War (1337 to 1453): Edward III of England (1312-1377) leading the English army through the Somme in France. Colour engraving of the 19th century

NWI4945960: Hundred Years' War (1337 to 1453): Edward III of England (1312-1377) leading the English army through the Somme in France. Colour engraving of the 19th century / Bridgeman Images

Becket before his enemies in the Council Hall at Northampton, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Becket before his enemies in the Council Hall at Northampton, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385233: Becket before his enemies in the Council Hall at Northampton, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

Portrait of Edward I, from the Chapter House, York Minster (stained glass)
Portrait of Edward I, from the Chapter House, York Minster (stained glass)

BAL51399: Portrait of Edward I, from the Chapter House, York Minster (stained glass), English School / Bridgeman Images

King William I pays court to the English leaders, illustration from 'A Chronicle of England 55 BC to  1485 AD, 1864 (colour litho)
King William I pays court to the English leaders, illustration from 'A Chronicle of England 55 BC to  1485 AD, 1864 (colour litho)

LLM339204: King William I pays court to the English leaders, illustration from 'A Chronicle of England 55 BC to 1485 AD, 1864 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

Sir Thomas Wolsey (c.1475-1530) (engraving)
Sir Thomas Wolsey (c.1475-1530) (engraving)

KWE188560: Sir Thomas Wolsey (c.1475-1530) (engraving), English School, (19th century) / Bridgeman Images

Mongolia: Entertainment at the Court of the Great Khan in Khanbaliq, c. 1410 (illumination)
Mongolia: Entertainment at the Court of the Great Khan in Khanbaliq, c. 1410 (illumination)

PFH3432046: Mongolia: Entertainment at the Court of the Great Khan in Khanbaliq, c. 1410 (illumination) / Bridgeman Images

100-year war: Edward Plantagenet (Edward of Woodstock Brackembury, 1330-1376), called the Black Prince, prostrates himself before his father, King Edward III of England (1312-1377), after defeating the French army at the Battle of Crecy on 26 August 1346. The Black Prince, Edward, kneeling to receive Edward the Third blessing after the battle of Crecy.
100-year war: Edward Plantagenet (Edward of Woodstock Brackembury, 1330-1376), called the Black Prince, prostrates himself before his father, King Edward III of England (1312-1377), after defeating the French army at the Battle of Crecy on 26 August 1346. The Black Prince, Edward, kneeling to receive Edward the Third blessing after the battle of Crecy.

XEE4188322: 100-year war: Edward Plantagenet (Edward of Woodstock Brackembury, 1330-1376), called the Black Prince, prostrates himself before his father, King Edward III of England (1312-1377), after defeating the French army at the Battle of Crecy on 26 August 1346. The Black Prince, Edward, kneeling to receive Edward the Third blessing after the battle of Crecy., English School, (19th century) / Bridgeman Images

Mary Tudor, daughter of Henry VII of England, Queen to King Louis XII of France, 1827 (engraving)
Mary Tudor, daughter of Henry VII of England, Queen to King Louis XII of France, 1827 (engraving)

FLO4657321: Mary Tudor, daughter of Henry VII of England, Queen to King Louis XII of France, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Genghis Khan escapes his enemies by hiding in the bushes, c.1410-12 (tempera on vellum)
Genghis Khan escapes his enemies by hiding in the bushes, c.1410-12 (tempera on vellum)

TAD1742055: Genghis Khan escapes his enemies by hiding in the bushes, c.1410-12 (tempera on vellum), French School, (15th century) / Bridgeman Images

Statues in the New Palace at Westminster (engraving)
Statues in the New Palace at Westminster (engraving)

LIP1601979: Statues in the New Palace at Westminster (engraving), English School, (19th century) / Bridgeman Images

Nicolo Matteo and Marco Polo leave the court of Kubilai Khan, 1867(engraving)
Nicolo Matteo and Marco Polo leave the court of Kubilai Khan, 1867(engraving)

LLM2811343: Nicolo Matteo and Marco Polo leave the court of Kubilai Khan, 1867(engraving), Italian School, (19th century) / Bridgeman Images

The King fell so hard that blood spurted from his nose, illustration from 'Les Chroniqueurs de L'histoire de France' by Madame de Witt, 1866 (engraving)
The King fell so hard that blood spurted from his nose, illustration from 'Les Chroniqueurs de L'histoire de France' by Madame de Witt, 1866 (engraving)

LLM2787362: The King fell so hard that blood spurted from his nose, illustration from 'Les Chroniqueurs de L'histoire de France' by Madame de Witt, 1866 (engraving), French School, (19th century) / Bridgeman Images

York and Lancaster, illustration for 'Crusaders' by Hugh Chesterman, 1946 (litho)
York and Lancaster, illustration for 'Crusaders' by Hugh Chesterman, 1946 (litho)

LLM6003998: York and Lancaster, illustration for 'Crusaders' by Hugh Chesterman, 1946 (litho), Chesterman, Hugh (1884-1941) / Bridgeman Images

The Great Khan in Peking, c.1410-12 (tempera on vellum)
The Great Khan in Peking, c.1410-12 (tempera on vellum)

XIR167308: The Great Khan in Peking, c.1410-12 (tempera on vellum), Boucicaut Master, (fl.1390-1430) (and workshop) / Bridgeman Images

The Marriage of Harold with Aldyth, Sister to Edwin and Morcar, illustration from 'The Norman Conquest', 1866 (litho)
The Marriage of Harold with Aldyth, Sister to Edwin and Morcar, illustration from 'The Norman Conquest', 1866 (litho)

LLM456968: The Marriage of Harold with Aldyth, Sister to Edwin and Morcar, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

William, bent upon invading England, begs for the Aid of Philip I of France, and of Baldwin Earl of Flanders his Father-in-Law, illustration from 'The Norman Conquest', 1866 (litho)
William, bent upon invading England, begs for the Aid of Philip I of France, and of Baldwin Earl of Flanders his Father-in-Law, illustration from 'The Norman Conquest', 1866 (litho)

LLM456975: William, bent upon invading England, begs for the Aid of Philip I of France, and of Baldwin Earl of Flanders his Father-in-Law, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

William Consults the Nobles and Merchants of his Dukedom, for help in his Design, illustration from 'The Norman Conquest', 1866 (litho)
William Consults the Nobles and Merchants of his Dukedom, for help in his Design, illustration from 'The Norman Conquest', 1866 (litho)

LLM456976: William Consults the Nobles and Merchants of his Dukedom, for help in his Design, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

William displays the Relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, illustration from 'The Norman Conquest', 1866 (litho)
William displays the Relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, illustration from 'The Norman Conquest', 1866 (litho)

LLM456979: William displays the Relics of St. Valery, to allay the discontent of a portion of his troops at the proposed invasion, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

Harold's Interview with Tostig, his brother, and with Hardrada, Tostig's Ally, before the Battle of Stamford Bridge, illustration from 'The Norman Conquest', 1866 (litho)
Harold's Interview with Tostig, his brother, and with Hardrada, Tostig's Ally, before the Battle of Stamford Bridge, illustration from 'The Norman Conquest', 1866 (litho)

LLM456984: Harold's Interview with Tostig, his brother, and with Hardrada, Tostig's Ally, before the Battle of Stamford Bridge, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

Henry VII, 1600-1700 (oil on wood)
Henry VII, 1600-1700 (oil on wood)

XOS5917385: Henry VII, 1600-1700 (oil on wood), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

Illustration for The Decameron of Boccaccio (colour litho)
Illustration for The Decameron of Boccaccio (colour litho)

LLM5204757: Illustration for The Decameron of Boccaccio (colour litho), Derrick, Thomas (1885-1954) / Bridgeman Images


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