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41988 Search Results for medieval or gothic or late medieval

Historiated initial 'R' depicting the Annunciation, 1448-49 (vellum)
Historiated initial 'R' depicting the Annunciation, 1448-49 (vellum)

BAT56727: Historiated initial 'R' depicting the Annunciation, 1448-49 (vellum), Strozzi, Zanobi di Benedetto (1412-68) / Bridgeman Images

Kubilai Khan giving to Nicolo and Marco Polo the safe-conduct to Peking, 15th century (illumination)
Kubilai Khan giving to Nicolo and Marco Polo the safe-conduct to Peking, 15th century (illumination)

TAD1754103: Kubilai Khan giving to Nicolo and Marco Polo the safe-conduct to Peking, 15th century (illumination) / Bridgeman Images

Yseult drinking the Philtre, England, c.1900 (drawing)
Yseult drinking the Philtre, England, c.1900 (drawing)

CCI1810111: Yseult drinking the Philtre, England, c.1900 (drawing), Beardsley, Aubrey (1872-98) / Bridgeman Images

Coronation of french king Charles VII in presence of Joan of Arc on july 17, 1429 (engraving)
Coronation of french king Charles VII in presence of Joan of Arc on july 17, 1429 (engraving)

CCI1933313: Coronation of french king Charles VII in presence of Joan of Arc on july 17, 1429 (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

King Henry VII (mezzotint)
King Henry VII (mezzotint)

LLH3639030: King Henry VII (mezzotint), English School, (18th century) / Bridgeman Images

Naked woman. Ballad a friend, poeme. circa 1930 (illustration)
Naked woman. Ballad a friend, poeme. circa 1930 (illustration)

CCI6437898: Naked woman. Ballad a friend, poeme. circa 1930 (illustration), Unknown Artist, (20th century) / Bridgeman Images

Habit of (Lady Elizabeth) Queen to King Henry VII in 1490 (engraving)
Habit of (Lady Elizabeth) Queen to King Henry VII in 1490 (engraving)

LLR3640583: Habit of (Lady Elizabeth) Queen to King Henry VII in 1490 (engraving), English School, (18th century) / Bridgeman Images

Loosing the palfreys at the coronation of King Edward I (litho)
Loosing the palfreys at the coronation of King Edward I (litho)

LLM2800839: Loosing the palfreys at the coronation of King Edward I (litho), Paget, Henry Marriott (1856-1936) (after) / Bridgeman Images

War of the Two Roses: death of King Richard III (1452-1485) during the Battle of Bosworth Field, which between the 22/08/1485 Richard III and Henri, Duke of Richmond. The latter received the crown of the dechu king and became Henry VII known as Henry Tudor (1457-1509). Illustration of the English Civil War born by the division of the successors of King Edward III (1327-1377) into two branches. The War of the Roses: death of Richard the Third at the Battle of Bosworth Field, 22 August 1485. Richard was killed on the battlefield and the crown passed to the Lancastrian champion, Henry Tudor (1457-1509) who, as Henry VII, became the first Tudor monarch of England.
War of the Two Roses: death of King Richard III (1452-1485) during the Battle of Bosworth Field, which between the 22/08/1485 Richard III and Henri, Duke of Richmond. The latter received the crown of the dechu king and became Henry VII known as Henry Tudor (1457-1509). Illustration of the English Civil War born by the division of the successors of King Edward III (1327-1377) into two branches. The War of the Roses: death of Richard the Third at the Battle of Bosworth Field, 22 August 1485. Richard was killed on the battlefield and the crown passed to the Lancastrian champion, Henry Tudor (1457-1509) who, as Henry VII, became the first Tudor monarch of England.

XEE4188374: War of the Two Roses: death of King Richard III (1452-1485) during the Battle of Bosworth Field, which between the 22/08/1485 Richard III and Henri, Duke of Richmond. The latter received the crown of the dechu king and became Henry VII known as Henry Tudor (1457-1509). Illustration of the English Civil War born by the division of the successors of King Edward III (1327-1377) into two branches. The War of the Roses: death of Richard the Third at the Battle of Bosworth Field, 22 August 1485. Richard was killed on the battlefield and the crown passed to the Lancastrian champion, Henry Tudor (1457-1509) who, as Henry VII, became the first Tudor monarch of England., English School, (19th century) / Bridgeman Images

Helmet found at Bosworth Field, and flexible cuirass of metal laminae on leather said to have belonged to King Henry VIII, illustration from 'Military Antiquities...' by Francis Grose, 1812 (engraving)
Helmet found at Bosworth Field, and flexible cuirass of metal laminae on leather said to have belonged to King Henry VIII, illustration from 'Military Antiquities...' by Francis Grose, 1812 (engraving)

FLO5324058: Helmet found at Bosworth Field, and flexible cuirass of metal laminae on leather said to have belonged to King Henry VIII, illustration from 'Military Antiquities...' by Francis Grose, 1812 (engraving), English School, (19th century) / Bridgeman Images

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633775: Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Henry V, illustration for 'The British Sovereigns', c.1825 (engraving)
Henry V, illustration for 'The British Sovereigns', c.1825 (engraving)

LLM6020283: Henry V, illustration for 'The British Sovereigns', c.1825 (engraving), English School, (19th century) / Bridgeman Images

House that the Earl of Richmond stayed in before the Battle of Bosworth, Shrewsbury (litho)
House that the Earl of Richmond stayed in before the Battle of Bosworth, Shrewsbury (litho)

LLM6028928: House that the Earl of Richmond stayed in before the Battle of Bosworth, Shrewsbury (litho), Roe, Fred (1864-1947) / Bridgeman Images

Sir John Falstaff in 'Henry V' by William Shakespeare (colour litho)
Sir John Falstaff in 'Henry V' by William Shakespeare (colour litho)

XLA3755102: Sir John Falstaff in 'Henry V' by William Shakespeare (colour litho), English School / Bridgeman Images

Merlin c.1897  (lithograph)
Merlin c.1897  (lithograph)

LLM3097928: Merlin c.1897 (lithograph), Beardsley, Aubrey (1872-98) (after) / Bridgeman Images

Portrait of Tennyson and Characters from the Idylls, Frontispiece to Tennyson's 'Idylls of the King', c.1878 (engraving)
Portrait of Tennyson and Characters from the Idylls, Frontispiece to Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649271: Portrait of Tennyson and Characters from the Idylls, Frontispiece to Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Lancelot approaching the Castle of Astolat, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Lancelot approaching the Castle of Astolat, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649282: Lancelot approaching the Castle of Astolat, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Lancelot bids adieu to Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Lancelot bids adieu to Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649284: Lancelot bids adieu to Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Portrait of Elizabeth of York, 1935 (litho)
Portrait of Elizabeth of York, 1935 (litho)

DGC3060343: Portrait of Elizabeth of York, 1935 (litho) / Bridgeman Images

Detail of the Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)
Detail of the Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)

LAF472373: Detail of the Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

The Annunciation between Saint Bernard and Pope Callixtus III  1456 (illumination)
The Annunciation between Saint Bernard and Pope Callixtus III  1456 (illumination)

MEP3706069: The Annunciation between Saint Bernard and Pope Callixtus III 1456 (illumination) / Bridgeman Images

Enfire of Gervais de Larchamp 15th century, Romanesque crypt, Bayeux Cathedral
Enfire of Gervais de Larchamp 15th century, Romanesque crypt, Bayeux Cathedral

ITR7134959: Enfire of Gervais de Larchamp 15th century, Romanesque crypt, Bayeux Cathedral, Unknown Artist, (15th century) / Bridgeman Images

Portrait of Dante Alighiri wearing a headdress with the brow crowned with laurel, 1917 (print)
Portrait of Dante Alighiri wearing a headdress with the brow crowned with laurel, 1917 (print)

FAF3561188: Portrait of Dante Alighiri wearing a headdress with the brow crowned with laurel, 1917 (print) / Bridgeman Images

Receiving the King (litho)
Receiving the King (litho)

LLM5992356: Receiving the King (litho), Dudley, Robert Ambrose (1867-1951) / Bridgeman Images

Edward the Black Prince (engraving)
Edward the Black Prince (engraving)

LLE812361: Edward the Black Prince (engraving), English School, (19th century) / Bridgeman Images

King Henry V (aquatint)
King Henry V (aquatint)

LLM958029: King Henry V (aquatint), English School, (19th century) / Bridgeman Images

Battle of Agincourt (gouache on paper)
Battle of Agincourt (gouache on paper)

LAL264646: Battle of Agincourt (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

French under fire at the battle of Agincourt
French under fire at the battle of Agincourt

LAL453175: French under fire at the battle of Agincourt, Doughty, C.L. (1913-85) / Bridgeman Images

The Battle Of Agincourt (engraving)
The Battle Of Agincourt (engraving)

LLM3655206: The Battle Of Agincourt (engraving), English School, (19th century) / Bridgeman Images

Richard Beauchamp, Duke of Warwick, receiving the title of the Captain of Calais, in the name of King Henry V (colour engraving)
Richard Beauchamp, Duke of Warwick, receiving the title of the Captain of Calais, in the name of King Henry V (colour engraving)

NWI4834607: Richard Beauchamp, Duke of Warwick, receiving the title of the Captain of Calais, in the name of King Henry V (colour engraving) / Bridgeman Images

English Fleet of the time of Henry V, illustration for 'The Popular History of England' by Charles Knight, 1857 (engraving) (engraving)
English Fleet of the time of Henry V, illustration for 'The Popular History of England' by Charles Knight, 1857 (engraving) (engraving)

LLM5206932: English Fleet of the time of Henry V, illustration for 'The Popular History of England' by Charles Knight, 1857 (engraving) (engraving), English School, (19th century) / Bridgeman Images

In the Sphere of Mars, Dante meets the spirit of his ancestor Cacciaguida. Illustration of the Canto XV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
In the Sphere of Mars, Dante meets the spirit of his ancestor Cacciaguida. Illustration of the Canto XV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561245: In the Sphere of Mars, Dante meets the spirit of his ancestor Cacciaguida. Illustration of the Canto XV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

Paving Tiles of the Fourteenth and Fifteenth Centuries (chromolitho)
Paving Tiles of the Fourteenth and Fifteenth Centuries (chromolitho)

LLM668144: Paving Tiles of the Fourteenth and Fifteenth Centuries (chromolitho), French School, (19th century) / Bridgeman Images

Death comes to the Musician, from 'Der Todten Tanz', published Basel, 1843 (litho)
Death comes to the Musician, from 'Der Todten Tanz', published Basel, 1843 (litho)

KWE278040: Death comes to the Musician, from 'Der Todten Tanz', published Basel, 1843 (litho) / Bridgeman Images

Portrait of J. Daurat, Portrait of Jodelle, Portrait of P. Ronsard (engraving)
Portrait of J. Daurat, Portrait of Jodelle, Portrait of P. Ronsard (engraving)

LLM1094606: Portrait of J. Daurat, Portrait of Jodelle, Portrait of P. Ronsard (engraving), French School, (19th century) / Bridgeman Images


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