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76762 Search Results for medieval or gothic or late medieval

Edward III, c.1600 (oil on panel)
Edward III, c.1600 (oil on panel)

ROC1074716: Edward III, c.1600 (oil on panel), English School, (16th century) / Bridgeman Images

Stone Colonnette (photo)
Stone Colonnette (photo)

EHT335193: Stone Colonnette (photo) / Bridgeman Images

The Nave of Altenberg Church (photo)
The Nave of Altenberg Church (photo)

XIR386295: The Nave of Altenberg Church (photo) / Bridgeman Images

Detail of the carved capitals on the south porch, 1265-98 (photo)
Detail of the carved capitals on the south porch, 1265-98 (photo)

XJL87116: Detail of the carved capitals on the south porch, 1265-98 (photo), French School, (13th century) / Bridgeman Images

Melancholic Apostle, originally from Sainte-Chapelle de Paris (stone)
Melancholic Apostle, originally from Sainte-Chapelle de Paris (stone)

XIR156171: Melancholic Apostle, originally from Sainte-Chapelle de Paris (stone), French School, (14th century) / Bridgeman Images

Window depicting the Stoning and then the Crucifixion of Saint Agricole (stained glass)
Window depicting the Stoning and then the Crucifixion of Saint Agricole (stained glass)

PC1278275: Window depicting the Stoning and then the Crucifixion of Saint Agricole (stained glass), French School, (13th century) / Bridgeman Images

Window depicting Coronation of the Virgin by the Trinity (stained glass)
Window depicting Coronation of the Virgin by the Trinity (stained glass)

PC1278289: Window depicting Coronation of the Virgin by the Trinity (stained glass), French School, (13th century) / Bridgeman Images

Window depicting the Prophets Jonah, Micah and Sophonias (stained glass)
Window depicting the Prophets Jonah, Micah and Sophonias (stained glass)

PC1279300: Window depicting the Prophets Jonah, Micah and Sophonias (stained glass), French School, (13th century) / Bridgeman Images

Window depicting Noli Me Tangere (stained glass)
Window depicting Noli Me Tangere (stained glass)

PC1279308: Window depicting Noli Me Tangere (stained glass), French School, (13th century) / Bridgeman Images

Facade of the Cathedral of Notre-Dame, 13th-16th century (photo)
Facade of the Cathedral of Notre-Dame, 13th-16th century (photo)

XIR243478: Facade of the Cathedral of Notre-Dame, 13th-16th century (photo), French School / Bridgeman Images

Detail from a window depicting scenes from the life of St. Stephen: bishop and casket (stained glass)
Detail from a window depicting scenes from the life of St. Stephen: bishop and casket (stained glass)

XPC344902: Detail from a window depicting scenes from the life of St. Stephen: bishop and casket (stained glass), French School, (13th century) / Bridgeman Images

Ms 286/1075 fol.15v Man holding a knife, from the Latin edition of 'Libellus de Moribus' written by Jacques de Cessoles (vellum)
Ms 286/1075 fol.15v Man holding a knife, from the Latin edition of 'Libellus de Moribus' written by Jacques de Cessoles (vellum)

CND71881: Ms 286/1075 fol.15v Man holding a knife, from the Latin edition of 'Libellus de Moribus' written by Jacques de Cessoles (vellum), Italian School, (14th century) / Bridgeman Images

Gothic architecture. History of Death, Burial and Assumption of the Virgin (detail): 1st medallion of the centre representing the funerary cortege. Stained glass from the low south coast. Cathedrale de Chartres.
Gothic architecture. History of Death, Burial and Assumption of the Virgin (detail): 1st medallion of the centre representing the funerary cortege. Stained glass from the low south coast. Cathedrale de Chartres.

JEB4845211: Gothic architecture. History of Death, Burial and Assumption of the Virgin (detail): 1st medallion of the centre representing the funerary cortege. Stained glass from the low south coast. Cathedrale de Chartres. / Bridgeman Images

The flogging of Christ, 1457 (tempera on wood)
The flogging of Christ, 1457 (tempera on wood)

FIA5328854: The flogging of Christ, 1457 (tempera on wood), Koerbecke, Johann (fl.1446-91) / Bridgeman Images

Yaroslav the Wise, Grand Prince of Kyiv, 1882 (tempera on varnish)
Yaroslav the Wise, Grand Prince of Kyiv, 1882 (tempera on varnish)

FIA5375583: Yaroslav the Wise, Grand Prince of Kyiv, 1882 (tempera on varnish), Morozov, Aleksandr Ivanovich (1835-1904) / Bridgeman Images

The Wife of Bath's Tale, from 'The Canterbury Tales' by Geoffrey Chaucer, c.1958 (w/c & pencil on paper)
The Wife of Bath's Tale, from 'The Canterbury Tales' by Geoffrey Chaucer, c.1958 (w/c & pencil on paper)

CEC131741: The Wife of Bath's Tale, from 'The Canterbury Tales' by Geoffrey Chaucer, c.1958 (w/c & pencil on paper), Bawden, Edward (1903-89) / Bridgeman Images

The healing of the hemorrhage, mosaic, north wall, upper level, Basilica of Sant'Apollinare Nuovo (UNESCO World Heritage Site, 1996), Ravenna, Emilia-Romagna. Italy, 5th-6th century.
The healing of the hemorrhage, mosaic, north wall, upper level, Basilica of Sant'Apollinare Nuovo (UNESCO World Heritage Site, 1996), Ravenna, Emilia-Romagna. Italy, 5th-6th century.

DGA763786: The healing of the hemorrhage, mosaic, north wall, upper level, Basilica of Sant'Apollinare Nuovo (UNESCO World Heritage Site, 1996), Ravenna, Emilia-Romagna. Italy, 5th-6th century. / Bridgeman Images

Clipei connected by pairs of dolphins with images of St James, St Paul, Christ, St Peter and St Andrew, mosaic, intrados of the arch at the entrance to the presbytery, Basilica of San Vitale, Ravenna, Emilia-Romagna. Italy, 6th century
Clipei connected by pairs of dolphins with images of St James, St Paul, Christ, St Peter and St Andrew, mosaic, intrados of the arch at the entrance to the presbytery, Basilica of San Vitale, Ravenna, Emilia-Romagna. Italy, 6th century

DGA758236: Clipei connected by pairs of dolphins with images of St James, St Paul, Christ, St Peter and St Andrew, mosaic, intrados of the arch at the entrance to the presbytery, Basilica of San Vitale, Ravenna, Emilia-Romagna. Italy, 6th century / Bridgeman Images

Thebaide, 1420 (tempera on panel)
Thebaide, 1420 (tempera on panel)

FIA5399430: Thebaide, 1420 (tempera on panel), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Inferno, Canto VIII. Dante and Virgil observe the Wrathful and the Sullen in Styx; Phlegyas ferries Dante and Virgil who pushes Filippo Argenti away from the boat. Priamo della Quercia. 1442-1450
Inferno, Canto VIII. Dante and Virgil observe the Wrathful and the Sullen in Styx; Phlegyas ferries Dante and Virgil who pushes Filippo Argenti away from the boat. Priamo della Quercia. 1442-1450

BL5341686: Inferno, Canto VIII. Dante and Virgil observe the Wrathful and the Sullen in Styx; Phlegyas ferries Dante and Virgil who pushes Filippo Argenti away from the boat. Priamo della Quercia. 1442-1450 / Bridgeman Images

Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984733: Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

The chhristianization of Poland, 966 - The Christianization of Poland, 966, 1889 (oil on wood)
The chhristianization of Poland, 966 - The Christianization of Poland, 966, 1889 (oil on wood)

FIA5409803: The chhristianization of Poland, 966 - The Christianization of Poland, 966, 1889 (oil on wood), Matejko, Jan (1838-93) / Bridgeman Images

The Seal of King Edward III of England (metal)
The Seal of King Edward III of England (metal)

DGA672482: The Seal of King Edward III of England (metal), English School, (14th century) / Bridgeman Images

the towers of the facade, on the right the watchman's house, cathedral of Saint Vincent de Bayeux
the towers of the facade, on the right the watchman's house, cathedral of Saint Vincent de Bayeux

ITR7135163: the towers of the facade, on the right the watchman's house, cathedral of Saint Vincent de Bayeux / Bridgeman Images

Cathedral of St Andrew of Bordeaux
Cathedral of St Andrew of Bordeaux

FBU7128462: Cathedral of St Andrew of Bordeaux / Bridgeman Images

Paradiso, Canto 19  : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885   (digitally coloured engraving)
Paradiso, Canto 19  : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885   (digitally coloured engraving)

GIA745613: Paradiso, Canto 19 : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745620: Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745728: Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

View of the Ruins of the Monk's Dormitory (dorter) of Battle Abbey, East Sussex (photo)
View of the Ruins of the Monk's Dormitory (dorter) of Battle Abbey, East Sussex (photo)

BAL6016: View of the Ruins of the Monk's Dormitory (dorter) of Battle Abbey, East Sussex (photo) / Bridgeman Images

Richard the Lionheart (1157-1199) listen music. Engraving. coloured.
Richard the Lionheart (1157-1199) listen music. Engraving. coloured.

TRK1150000: Richard the Lionheart (1157-1199) listen music. Engraving. coloured. / Bridgeman Images

Guinevere and her ladies in the golden days, illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho)
Guinevere and her ladies in the golden days, illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho)

IL274108: Guinevere and her ladies in the golden days, illustration from 'Idylls of the King' by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho), Fortescue-Brickdale, Eleanor (1871-1945) / Bridgeman Images

Attacking a stronghold, miniature from
Attacking a stronghold, miniature from

IBE5342678: Attacking a stronghold, miniature from "Synopsis historiarum", c.1126-1150, 12th century (illuminated manuscript), Scylitzes, John (fl.1081) / Bridgeman Images

11th century calendar: Cutting wood in June
11th century calendar: Cutting wood in June

XLF3787251: 11th century calendar: Cutting wood in June / Bridgeman Images

Figures of shepherds and animals, detail from Triumph of Cross from medallion of apse (mosaic)
Figures of shepherds and animals, detail from Triumph of Cross from medallion of apse (mosaic)

DGA763556: Figures of shepherds and animals, detail from Triumph of Cross from medallion of apse (mosaic), Italian School, (12th century) / Bridgeman Images

Eleonora Duse in Francesca da Rimini
Eleonora Duse in Francesca da Rimini

XLE3755893: Eleonora Duse in Francesca da Rimini, Unknown photographer, (19th century) / Bridgeman Images

Vue des ruines du chateau de Tintagel en Cornouailles, associe a la legende du roi Arthur. Grande Bretagne   Looking out to sea from the ruins of Tintagel Castle, Cornwall, 1995. The Castle is built on a spectacular promontory, and the site was occupied from the 5th-6th century AD. This romantic spot is linked with the Arthurian legends, and was considered a possible site of Camelot and the Round Table.
Vue des ruines du chateau de Tintagel en Cornouailles, associe a la legende du roi Arthur. Grande Bretagne   Looking out to sea from the ruins of Tintagel Castle, Cornwall, 1995. The Castle is built on a spectacular promontory, and the site was occupied from the 5th-6th century AD. This romantic spot is linked with the Arthurian legends, and was considered a possible site of Camelot and the Round Table.

HIM5247973: Vue des ruines du chateau de Tintagel en Cornouailles, associe a la legende du roi Arthur. Grande Bretagne Looking out to sea from the ruins of Tintagel Castle, Cornwall, 1995. The Castle is built on a spectacular promontory, and the site was occupied from the 5th-6th century AD. This romantic spot is linked with the Arthurian legends, and was considered a possible site of Camelot and the Round Table. / Bridgeman Images


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