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41917 Search Results for medieval or gothic or late medieval

Panel from an organ case, c. 1510-20 (oak with traces of polychromy)
Panel from an organ case, c. 1510-20 (oak with traces of polychromy)

XOS5043017: Panel from an organ case, c. 1510-20 (oak with traces of polychromy), Netherlandish School (16th century) / Bridgeman Images

f.86, initial R from a gradual, late 15th century (ink, tempera & gold leaf on parchment)
f.86, initial R from a gradual, late 15th century (ink, tempera & gold leaf on parchment)

DTR5981902: f.86, initial R from a gradual, late 15th century (ink, tempera & gold leaf on parchment), Master of the Saluces Hours (late 15th century) (attr. to) / Bridgeman Images

Map
Map

UTD4919047: Map "" Hamburg and the surrounding in the year 1070 ", 1866 (engraving) / Bridgeman Images

Harun al-Rashid , the fifth Abbasid Caliph, copperplate engraving from Strahlheim, 1840s (engraving)
Harun al-Rashid , the fifth Abbasid Caliph, copperplate engraving from Strahlheim, 1840s (engraving)

UTD4919670: Harun al-Rashid , the fifth Abbasid Caliph, copperplate engraving from Strahlheim, 1840s (engraving) / Bridgeman Images

Exterior view, Chepstow Castle, Monmouthshire, South Wales (photo)
Exterior view, Chepstow Castle, Monmouthshire, South Wales (photo)

JB24669: Exterior view, Chepstow Castle, Monmouthshire, South Wales (photo) / Bridgeman Images

Caernarfon Castle, Wales (photo)
Caernarfon Castle, Wales (photo)

HGP355151: Caernarfon Castle, Wales (photo) / Bridgeman Images

The Moscow Kremlin at the Time Of Tsar Ivan I Kalita (1288-1340), early 20th century (litho)
The Moscow Kremlin at the Time Of Tsar Ivan I Kalita (1288-1340), early 20th century (litho)

FIA5374774: The Moscow Kremlin at the Time Of Tsar Ivan I Kalita (1288-1340), early 20th century (litho), Vasnetsov, Apollinari Mikhailovich (1856-1933) / Bridgeman Images

Representation of Saint Thomas, detail of the Altarpiece of Saint Thomas, from the church of Sant Feliu, in Lledo d'Emporda, 14th century (painting)
Representation of Saint Thomas, detail of the Altarpiece of Saint Thomas, from the church of Sant Feliu, in Lledo d'Emporda, 14th century (painting)

IBE5376335: Representation of Saint Thomas, detail of the Altarpiece of Saint Thomas, from the church of Sant Feliu, in Lledo d'Emporda, 14th century (painting) / Bridgeman Images

Bedside of the Basilica of Saint Madeleine in Vezelay, 1120-1150 (photography)
Bedside of the Basilica of Saint Madeleine in Vezelay, 1120-1150 (photography)

ITR6434442: Bedside of the Basilica of Saint Madeleine in Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434480: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434483: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434505: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434680: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434709: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434714: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434720: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)
Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography)

ITR6434762: Basilica of Saint Madeleine, Vezelay, 1120-1150 (photography), Romanesque, (12th century) / Bridgeman Images

Urbino, Italy (photo)
Urbino, Italy (photo)

BSI7111165: Urbino, Italy (photo) / Bridgeman Images

Streets of the old walled medieval town of Montblanc, TARRAGONA, 2021 (photo)
Streets of the old walled medieval town of Montblanc, TARRAGONA, 2021 (photo)

SRB7204096: Streets of the old walled medieval town of Montblanc, TARRAGONA, 2021 (photo) / Bridgeman Images

Porch lintel decorated with carvings. San Zeno Maggiore. Verona
Porch lintel decorated with carvings. San Zeno Maggiore. Verona

FBU7125801: Porch lintel decorated with carvings. San Zeno Maggiore. Verona / Bridgeman Images

Romanesque art: Cathedrale Notre Dame, La Charite sur Loire (Charite-sur-Loire), Nievre, Burgundy, France. The eardrum of the Transfiguration. Low right lintel representing the “Presentation at the temple””. Symeon (or Simeon or Simon). carries the Child Jesus. The largest church in Europe after that of Cluny Abbey. Photography
Romanesque art: Cathedrale Notre Dame, La Charite sur Loire (Charite-sur-Loire), Nievre, Burgundy, France. The eardrum of the Transfiguration. Low right lintel representing the “Presentation at the temple””. Symeon (or Simeon or Simon). carries the Child Jesus. The largest church in Europe after that of Cluny Abbey. Photography

JEB4922110: Romanesque art: Cathedrale Notre Dame, La Charite sur Loire (Charite-sur-Loire), Nievre, Burgundy, France. The eardrum of the Transfiguration. Low right lintel representing the “Presentation at the temple””. Symeon (or Simeon or Simon). carries the Child Jesus. The largest church in Europe after that of Cluny Abbey. Photography / Bridgeman Images

Santa Maria Assunta Cathedral and Ducal Palace, Urbino, Italy (photo)
Santa Maria Assunta Cathedral and Ducal Palace, Urbino, Italy (photo)

BSI7111170: Santa Maria Assunta Cathedral and Ducal Palace, Urbino, Italy (photo) / Bridgeman Images

Santa Maria Assunta Cathedral, Urbino, Italy (photo)
Santa Maria Assunta Cathedral, Urbino, Italy (photo)

BSI7111176: Santa Maria Assunta Cathedral, Urbino, Italy (photo) / Bridgeman Images

Cattedrale di Santa Maria Assunta. Statua di Raffaello Sanzio, Urbino, Italy (photo)
Cattedrale di Santa Maria Assunta. Statua di Raffaello Sanzio, Urbino, Italy (photo)

BSI7111186: Cattedrale di Santa Maria Assunta. Statua di Raffaello Sanzio, Urbino, Italy (photo) / Bridgeman Images

Historic centre, Urbino, Italy (photo)
Historic centre, Urbino, Italy (photo)

BSI7111200: Historic centre, Urbino, Italy (photo) / Bridgeman Images

Ducal Palace, Urbino, Italy (photo)
Ducal Palace, Urbino, Italy (photo)

BSI7111219: Ducal Palace, Urbino, Italy (photo) / Bridgeman Images

Ducal Palace, Urbino, Italy (photo)
Ducal Palace, Urbino, Italy (photo)

BSI7111220: Ducal Palace, Urbino, Italy (photo) / Bridgeman Images

Exterior view of the East Range, Caerlaverock Castle, Dumfries, begun 1634 (photo)
Exterior view of the East Range, Caerlaverock Castle, Dumfries, begun 1634 (photo)

JB24653: Exterior view of the East Range, Caerlaverock Castle, Dumfries, begun 1634 (photo) / Bridgeman Images

El Cid (c.1040-99) (engraving)
El Cid (c.1040-99) (engraving)

KWE151770: El Cid (c.1040-99) (engraving), English School, (19th century) / Bridgeman Images

Benedict I, pope in 575-579 (print)
Benedict I, pope in 575-579 (print)

PVD1698757: Benedict I, pope in 575-579 (print) / Bridgeman Images

Tartessian Art (Tartessos civilization): gold belt (detail) with an inscription from the tresor of Aliseda, Spain, 7th century (stone)
Tartessian Art (Tartessos civilization): gold belt (detail) with an inscription from the tresor of Aliseda, Spain, 7th century (stone)

IBE5342086: Tartessian Art (Tartessos civilization): gold belt (detail) with an inscription from the tresor of Aliseda, Spain, 7th century (stone) / Bridgeman Images

Alchemy formula. Page taken from the codex
Alchemy formula. Page taken from the codex

IBE5352504: Alchemy formula. Page taken from the codex "Liber Quintae Essentae” by philosopher and mystic Ramon Llull (1235-1315) (engraving) / Bridgeman Images

Chateau du Pin ( Le Pin castle ).   Jura. France.
Chateau du Pin ( Le Pin castle ).   Jura. France.

GNG7057173: Chateau du Pin ( Le Pin castle ). Jura. France. / Bridgeman Images

Notre Dame de Paris cathedral. Western facade. St Anne portal. Life of the Virgin Mary, Paris, France
Notre Dame de Paris cathedral. Western facade. St Anne portal. Life of the Virgin Mary, Paris, France

GNG5274763: Notre Dame de Paris cathedral. Western facade. St Anne portal. Life of the Virgin Mary, Paris, France / Bridgeman Images

Malbork, Marienberg, medieval fortress of the teutonic order; one of the worlds biggest surviving complex of gothic architecture, former capital of the Teutonic Order State, built 13th century, European Museums Night 2008
Malbork, Marienberg, medieval fortress of the teutonic order; one of the worlds biggest surviving complex of gothic architecture, former capital of the Teutonic Order State, built 13th century, European Museums Night 2008

FRM566068: Malbork, Marienberg, medieval fortress of the teutonic order; one of the worlds biggest surviving complex of gothic architecture, former capital of the Teutonic Order State, built 13th century, European Museums Night 2008 / Bridgeman Images

MS Hunter 229 ff.15v-16r Pentecost and Christ in Glory, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum)
MS Hunter 229 ff.15v-16r Pentecost and Christ in Glory, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum)

GUL5675686: MS Hunter 229 ff.15v-16r Pentecost and Christ in Glory, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum), English School, (12th century) / Bridgeman Images


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