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41915 Search Results for medieval or gothic or late medieval

Page from the Winchester Bible, c. 1150-80 (vellum)
Page from the Winchester Bible, c. 1150-80 (vellum)

XCF286461: Page from the Winchester Bible, c. 1150-80 (vellum), English School, (12th century) / Bridgeman Images

Ms 4 fol.66v St. Mark, from the Gospel of St. Riquier, c.800 (vellum)
Ms 4 fol.66v St. Mark, from the Gospel of St. Riquier, c.800 (vellum)

XIR400496: Ms 4 fol.66v St. Mark, from the Gospel of St. Riquier, c.800 (vellum), French School, (9th century) / Bridgeman Images

Windmill bench end (carved wood)
Windmill bench end (carved wood)

HGP327955: Windmill bench end (carved wood), English School / Bridgeman Images

Ms 9/1695 The Month of July, from the 'Psautier d'Ingeburg de Danemark, c.1210 (vellum) (see also 182704)
Ms 9/1695 The Month of July, from the 'Psautier d'Ingeburg de Danemark, c.1210 (vellum) (see also 182704)

CND181824: Ms 9/1695 The Month of July, from the 'Psautier d'Ingeburg de Danemark, c.1210 (vellum) (see also 182704), French School, (13th century) / Bridgeman Images

Jane Georgiana, Lady Seymour, Queen of Beauty (pencil and w/c on paper)
Jane Georgiana, Lady Seymour, Queen of Beauty (pencil and w/c on paper)

AJV341201: Jane Georgiana, Lady Seymour, Queen of Beauty (pencil and w/c on paper), Nixon, John Henry (1808-c.1850) / Bridgeman Images

Warwick Pageant: Piers Gaveston and Princess Margaret of Gloucester, 1906 (b/w photo)
Warwick Pageant: Piers Gaveston and Princess Margaret of Gloucester, 1906 (b/w photo)

WRK739755: Warwick Pageant: Piers Gaveston and Princess Margaret of Gloucester, 1906 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Madonna and Child (fresco)
Madonna and Child (fresco)

PRZ703230: Madonna and Child (fresco), Italian School / Bridgeman Images

Richard I, from 'Kings and Queens' by Eleanor and Herbert Farjeon, pub. 1932 (colour block print)
Richard I, from 'Kings and Queens' by Eleanor and Herbert Farjeon, pub. 1932 (colour block print)

STC323945: Richard I, from 'Kings and Queens' by Eleanor and Herbert Farjeon, pub. 1932 (colour block print), Thornycroft, Rosalind (1891-1973) / Bridgeman Images

'The Pantaloon', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)
'The Pantaloon', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)

MSC141933: 'The Pantaloon', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware), Marks, Henry Stacy (1829-98) (after) / Bridgeman Images

Nova 2644 fol.19v Gathering Pine Cones, 'Tacuinum Sanitatis' (vellum)
Nova 2644 fol.19v Gathering Pine Cones, 'Tacuinum Sanitatis' (vellum)

FAF203368: Nova 2644 fol.19v Gathering Pine Cones, 'Tacuinum Sanitatis' (vellum), Italian School, (14th century) / Bridgeman Images

Detail from the north rose window depicting Music from the Liberal Arts (stained glass)
Detail from the north rose window depicting Music from the Liberal Arts (stained glass)

XPC345131: Detail from the north rose window depicting Music from the Liberal Arts (stained glass), French School, (13th century) / Bridgeman Images

Man in the stocks
Man in the stocks

LAL319560: Man in the stocks, English School, (20th century) / Bridgeman Images

Geoffrey Chaucer, Troilus And Criseyde (colour litho)
Geoffrey Chaucer, Troilus And Criseyde (colour litho)

LLM2790408: Geoffrey Chaucer, Troilus And Criseyde (colour litho), Goble, Warwick (1862-1943) (after) / Bridgeman Images

Ms 209 f.8 The multitude adore God and the lamb, from the Lambeth Apocalypse, c.1260 (vellum)
Ms 209 f.8 The multitude adore God and the lamb, from the Lambeth Apocalypse, c.1260 (vellum)

LAM58081: Ms 209 f.8 The multitude adore God and the lamb, from the Lambeth Apocalypse, c.1260 (vellum), English School, (13th century) / Bridgeman Images

Historiated initial 'R' depicting Emperor Charlemagne (742-814) (vellum)
Historiated initial 'R' depicting Emperor Charlemagne (742-814) (vellum)

EDI38890: Historiated initial 'R' depicting Emperor Charlemagne (742-814) (vellum), French School, (14th century) / Bridgeman Images

Relief panels of subjects from the Book of Genesis, Romanesque, c.1120-38 (stone)
Relief panels of subjects from the Book of Genesis, Romanesque, c.1120-38 (stone)

TRD102490: Relief panels of subjects from the Book of Genesis, Romanesque, c.1120-38 (stone), Nicholaus (fl.1110-40) / Bridgeman Images

Inferno, Canto 30 : Myrrha, condemned for incest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : Myrrha, condemned for incest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745688: Inferno, Canto 30 : Myrrha, condemned for incest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 25 : Agnello transforming into a serpent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 25 : Agnello transforming into a serpent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745694: Inferno, Canto 25 : Agnello transforming into a serpent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 2 : Beatrice and Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 2 : Beatrice and Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745722: Inferno, Canto 2 : Beatrice and Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Byzantine Emperor
Byzantine Emperor

XLF3788235: Byzantine Emperor, Norris, Herbert (d.1950) (after) / Bridgeman Images

Alfred the Great in the Neat-Herd's Cottage, illustration from 'Madame Tussauds' (colour litho)
Alfred the Great in the Neat-Herd's Cottage, illustration from 'Madame Tussauds' (colour litho)

IL352873: Alfred the Great in the Neat-Herd's Cottage, illustration from 'Madame Tussauds' (colour litho), Davie, Howard (fl.1914-44) / Bridgeman Images

The lion symbol of St. Mark, from the pendentive of the choir dome (mosaic) (detail)
The lion symbol of St. Mark, from the pendentive of the choir dome (mosaic) (detail)

CPH183803: The lion symbol of St. Mark, from the pendentive of the choir dome (mosaic) (detail), Veneto-Byzantine School / Bridgeman Images

Saint Bonaventura praying, 1629 (oil on canvas)
Saint Bonaventura praying, 1629 (oil on canvas)

SKD474184: Saint Bonaventura praying, 1629 (oil on canvas), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

The Month of July, detail of the harvest, c.1400 (fresco)
The Month of July, detail of the harvest, c.1400 (fresco)

XIR239965: The Month of July, detail of the harvest, c.1400 (fresco), Bohemian School, (15th century) / Bridgeman Images

Paradiso, Canto 21  : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 21  : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745793: Paradiso, Canto 21 : The luminous souls sing, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 21  : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Paradiso, Canto 21  : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745616: Paradiso, Canto 21 : Beatrice and Dante in the sphere of Saturn, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745625: Paradiso, Canto 5 : The host of myriad glowing souls in the second realm, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745649: Purgatorio, Canto 19 : The poets ascend to the fifth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745716: Inferno, Canto 9 : The angel opens the gates, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745733: Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Mary breast feeding, from the Sigmund Chapel in Mariazell, c.1380 (painted linden wood)
Mary breast feeding, from the Sigmund Chapel in Mariazell, c.1380 (painted linden wood)

GNM284506: Mary breast feeding, from the Sigmund Chapel in Mariazell, c.1380 (painted linden wood), Austrian School, (14th century) / Bridgeman Images

John, King of England
John, King of England

XLF3782963: John, King of England / Bridgeman Images

Beds in 11th century England.
Beds in 11th century England.

XLF3787252: Beds in 11th century England. / Bridgeman Images

Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543)
Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543)

PFH2966241: Germany / Europe: A scene from 'The Dance of Death' by Hans Holbein the Younger (c.1497-1543), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

Ms Hunter 385 f.3r Hunting, from the 'Livre de la Chasse' by Gaston de Foix (vellum)
Ms Hunter 385 f.3r Hunting, from the 'Livre de la Chasse' by Gaston de Foix (vellum)

GUL174568: Ms Hunter 385 f.3r Hunting, from the 'Livre de la Chasse' by Gaston de Foix (vellum), French School, (15th century) / Bridgeman Images

Gateway to the Old City (photo)
Gateway to the Old City (photo)

XSP224347: Gateway to the Old City (photo) / Bridgeman Images


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