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41915 Search Results for medieval or gothic or late medieval

Warden Thomas Cranley (brass)
Warden Thomas Cranley (brass)

NCO412323: Warden Thomas Cranley (brass), English School, (14th century) / Bridgeman Images

Ms H 89 Doctors curing the sick, from an edition of 'Book of Surgery' by Rogier de Salerne (vellum)
Ms H 89 Doctors curing the sick, from an edition of 'Book of Surgery' by Rogier de Salerne (vellum)

XIR223822: Ms H 89 Doctors curing the sick, from an edition of 'Book of Surgery' by Rogier de Salerne (vellum), French School, (14th century) / Bridgeman Images

View of Reims Cathedral, France (photo)
View of Reims Cathedral, France (photo)

SGM468271: View of Reims Cathedral, France (photo) / Bridgeman Images

Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745689: Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo)
Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo)

HGP399341: Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo) / Bridgeman Images

Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745681: Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745684: Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745656: Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745729: Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving)
Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving)

XIR346154: Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo)
Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo)

XJF106650: Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving)
The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving)

STC955603: The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving), English School, (19th century) / Bridgeman Images

The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment)
The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment)

IBE5384774: The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment) / Bridgeman Images

Goodrich Castle (engraving)
Goodrich Castle (engraving)

LLM2793561: Goodrich Castle (engraving), English School, (19th century) / Bridgeman Images

Ms 728/312 fol.127v Trojans build Troy, Dido builds Carthage, Romulus builds Rome, French edition of original written by Jean de Courcy (c.1350-1431) (vellum)
Ms 728/312 fol.127v Trojans build Troy, Dido builds Carthage, Romulus builds Rome, French edition of original written by Jean de Courcy (c.1350-1431) (vellum)

CND71880: Ms 728/312 fol.127v Trojans build Troy, Dido builds Carthage, Romulus builds Rome, French edition of original written by Jean de Courcy (c.1350-1431) (vellum), French School, (15th century) / Bridgeman Images

B.N.Ms. Fr 103 f.1 Tristan and Iseult leave Ireland; Tristan drinks the potion; the bodies of Tristan and Iseult are brought home to Ireland, translated by Luce de Gast (vellum)
B.N.Ms. Fr 103 f.1 Tristan and Iseult leave Ireland; Tristan drinks the potion; the bodies of Tristan and Iseult are brought home to Ireland, translated by Luce de Gast (vellum)

COB739: B.N.Ms. Fr 103 f.1 Tristan and Iseult leave Ireland; Tristan drinks the potion; the bodies of Tristan and Iseult are brought home to Ireland, translated by Luce de Gast (vellum), French School, (15th century) / Bridgeman Images

The Shipman, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128912)
The Shipman, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128912)

SR21941: The Shipman, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128912), English School, (15th century) (after) / Bridgeman Images

The Cook, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128945)
The Cook, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128945)

SR21945: The Cook, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 128945), English School, (15th century) (after) / Bridgeman Images

Bronze sculpture of a lion erected in 1166 by Henry the Lion (1129-95) in the yard of the Dankwarderode (photo)
Bronze sculpture of a lion erected in 1166 by Henry the Lion (1129-95) in the yard of the Dankwarderode (photo)

STF250834: Bronze sculpture of a lion erected in 1166 by Henry the Lion (1129-95) in the yard of the Dankwarderode (photo), German School, (12th century) / Bridgeman Images

Detail from a window depicting scenes from the miracle of Theophilus (stained glass)
Detail from a window depicting scenes from the miracle of Theophilus (stained glass)

XPC345114: Detail from a window depicting scenes from the miracle of Theophilus (stained glass), French School, (13th century) / Bridgeman Images

William Longespee, 1st Earl of Salisbury (d.1226) after a mid-13th century manuscript in Cambridge University Library (litho)
William Longespee, 1st Earl of Salisbury (d.1226) after a mid-13th century manuscript in Cambridge University Library (litho)

STC109681: William Longespee, 1st Earl of Salisbury (d.1226) after a mid-13th century manuscript in Cambridge University Library (litho), Shaw, Henry (1800-73) / Bridgeman Images

Catalan Atlas, Sheet 7, 1375 (pen and coloured inks on parchment)
Catalan Atlas, Sheet 7, 1375 (pen and coloured inks on parchment)

XOS5054643: Catalan Atlas, Sheet 7, 1375 (pen and coloured inks on parchment), Cresques, Abraham (1325-87) / Bridgeman Images

Detail from the Catalan Atlas, Sheet 6, showing the Western Sahara and Mansa Musa, 1375 (pen with coloured inks on parchment)
Detail from the Catalan Atlas, Sheet 6, showing the Western Sahara and Mansa Musa, 1375 (pen with coloured inks on parchment)

XOS5054637: Detail from the Catalan Atlas, Sheet 6, showing the Western Sahara and Mansa Musa, 1375 (pen with coloured inks on parchment), Cresques, Abraham (1325-87) / Bridgeman Images

Lohengrin, 1908 (pastel on paper)
Lohengrin, 1908 (pastel on paper)

PNH351374: Lohengrin, 1908 (pastel on paper), Groux, Henri de (1867-1930) / Bridgeman Images

John Gedney in the Robes of the City Alderman, c.1450 (w/c on paper)
John Gedney in the Robes of the City Alderman, c.1450 (w/c on paper)

GHL36563: John Gedney in the Robes of the City Alderman, c.1450 (w/c on paper), Leigh, Roger (fl.1450) / Bridgeman Images

Ms 3142 fol.311r The Story of the Three Living Men and the Three Dead Men, from 'Recueil de Poesies Francaises', c.1280-90 (vellum)
Ms 3142 fol.311r The Story of the Three Living Men and the Three Dead Men, from 'Recueil de Poesies Francaises', c.1280-90 (vellum)

XIR182036: Ms 3142 fol.311r The Story of the Three Living Men and the Three Dead Men, from 'Recueil de Poesies Francaises', c.1280-90 (vellum), French School, (13th century) / Bridgeman Images

Pavement intarsia panel with signs of the zodiac, 1207 (marble)
Pavement intarsia panel with signs of the zodiac, 1207 (marble)

BAT237846: Pavement intarsia panel with signs of the zodiac, 1207 (marble), Italian School, (13th century) / Bridgeman Images

Ms 209 f.42 St. John in cauldron of boiling oil and St. John in exile, from the Lambeth Apocalypse, c.1260 (vellum)
Ms 209 f.42 St. John in cauldron of boiling oil and St. John in exile, from the Lambeth Apocalypse, c.1260 (vellum)

LAM58094: Ms 209 f.42 St. John in cauldron of boiling oil and St. John in exile, from the Lambeth Apocalypse, c.1260 (vellum), English School, (13th century) / Bridgeman Images

Basilica of St. Sernin, Toulouse (pencil & w/c on paper)
Basilica of St. Sernin, Toulouse (pencil & w/c on paper)

CHT868455: Basilica of St. Sernin, Toulouse (pencil & w/c on paper), Viollet-le-Duc, Eugene Emmanuel (1814-79) / Bridgeman Images

The castle of Saint-Gilles, view of the walls (photo)
The castle of Saint-Gilles, view of the walls (photo)

GDG279819: The castle of Saint-Gilles, view of the walls (photo) / Bridgeman Images

The castle of Saint-Gilles, detail, view of a stair (photo)
The castle of Saint-Gilles, detail, view of a stair (photo)

GDG279820: The castle of Saint-Gilles, detail, view of a stair (photo) / Bridgeman Images

Ms 75 f.27v People worship the dragon (vellum)
Ms 75 f.27v People worship the dragon (vellum)

LAM59012: Ms 75 f.27v People worship the dragon (vellum), French School, (13th century) / Bridgeman Images

Portrait of Aesop, from an illustrated translation of 'Aesop's Fables' by William Caxton (c.1422-91) 1434 (woodcut) (b/w photo)
Portrait of Aesop, from an illustrated translation of 'Aesop's Fables' by William Caxton (c.1422-91) 1434 (woodcut) (b/w photo)

XJF147342: Portrait of Aesop, from an illustrated translation of 'Aesop's Fables' by William Caxton (c.1422-91) 1434 (woodcut) (b/w photo), English School, (15th century) / Bridgeman Images

Relic ostensorium, from Venice, c.1350 (rock crystal, silver, gilt & enamel)
Relic ostensorium, from Venice, c.1350 (rock crystal, silver, gilt & enamel)

GNM282682: Relic ostensorium, from Venice, c.1350 (rock crystal, silver, gilt & enamel), Italian School, (14th century) / Bridgeman Images

Detail from the Miracle Window depicting pilgrims being healed at St. Thomas's shrine (stained glass)
Detail from the Miracle Window depicting pilgrims being healed at St. Thomas's shrine (stained glass)

XPC344986: Detail from the Miracle Window depicting pilgrims being healed at St. Thomas's shrine (stained glass), English School, (13th century) / Bridgeman Images

Detail from the Miracle Window depicting Petronilla's epileptic fit (stained glass)
Detail from the Miracle Window depicting Petronilla's epileptic fit (stained glass)

XPC344992: Detail from the Miracle Window depicting Petronilla's epileptic fit (stained glass), English School, (13th century) / Bridgeman Images


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