Print Friendly Version Page

41915 Search Results for medieval or gothic or late medieval

Virgin Surrounded by Angels (tempera & gold on panel)
Virgin Surrounded by Angels (tempera & gold on panel)

XIR238223: Virgin Surrounded by Angels (tempera & gold on panel), Bartolo di Fredi, also Manfredi de Battilori (1330-1410) / Bridgeman Images

Louis IV, Holy Roman Emperor
Louis IV, Holy Roman Emperor

XLF3793039: Louis IV, Holy Roman Emperor / Bridgeman Images

Paradiso, Canto 18 : In the sphere of Jupiter, the blessed souls circle to form letters, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 18 : In the sphere of Jupiter, the blessed souls circle to form letters, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745623: Paradiso, Canto 18 : In the sphere of Jupiter, the blessed souls circle to form letters, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Paramours and flatterers in the eighth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Paramours and flatterers in the eighth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745707: Inferno, Canto 18 : Paramours and flatterers in the eighth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Song of Songs, from the Queen Mary Psalter, late 1920s (w/c, gold leaf & ink on vellum)
The Song of Songs, from the Queen Mary Psalter, late 1920s (w/c, gold leaf & ink on vellum)

LIS423383: The Song of Songs, from the Queen Mary Psalter, late 1920s (w/c, gold leaf & ink on vellum), Mahoney, Dorothy (1902-84) / Bridgeman Images

Bust of Robert the Bruce (marble)
Bust of Robert the Bruce (marble)

HGP362699: Bust of Robert the Bruce (marble), Scottish School / Bridgeman Images

Emperor Maximilian I
Emperor Maximilian I

XLF3792383: Emperor Maximilian I / Bridgeman Images

Philosophers observing the stars  and writing in the dust of Mount Athos
Philosophers observing the stars  and writing in the dust of Mount Athos

XLA3756133: Philosophers observing the stars and writing in the dust of Mount Athos / Bridgeman Images

Part of the saga od Erik the red, from 'The Flatey Book', published by the Norroena Society in 1908 (colour litho)
Part of the saga od Erik the red, from 'The Flatey Book', published by the Norroena Society in 1908 (colour litho)

KWE387042: Part of the saga od Erik the red, from 'The Flatey Book', published by the Norroena Society in 1908 (colour litho), American School, (20th century) / Bridgeman Images

Panels depicting King David, Jesse and the Fall of Man, surrounded by prophets, evangelists and saints, c.1230 (tempera on panel)
Panels depicting King David, Jesse and the Fall of Man, surrounded by prophets, evangelists and saints, c.1230 (tempera on panel)

HRM422780: Panels depicting King David, Jesse and the Fall of Man, surrounded by prophets, evangelists and saints, c.1230 (tempera on panel), German School, (13th century) / Bridgeman Images

Foundation of a minster
Foundation of a minster

XLF3787794: Foundation of a minster / Bridgeman Images

King Edgar the Peaceable
King Edgar the Peaceable

XLF3783848: King Edgar the Peaceable / Bridgeman Images

St. Louis (1214-70) Leaving for the Crusade (vellum) (b/w photo)
St. Louis (1214-70) Leaving for the Crusade (vellum) (b/w photo)

XIR202722: St. Louis (1214-70) Leaving for the Crusade (vellum) (b/w photo), French School, (15th century) / Bridgeman Images

Ms 139/1363 f.14v The Temptation of Christ and Daniel before the god Baal and the dragon, from 'Le Miroir de l'Humaine Salvation' (vellum)
Ms 139/1363 f.14v The Temptation of Christ and Daniel before the god Baal and the dragon, from 'Le Miroir de l'Humaine Salvation' (vellum)

CND159020: Ms 139/1363 f.14v The Temptation of Christ and Daniel before the god Baal and the dragon, from 'Le Miroir de l'Humaine Salvation' (vellum), French School, (15th century) / Bridgeman Images

Chateau Saint-Jean in Nogent-le-Rotrou, France, in the 19th century, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho)
Chateau Saint-Jean in Nogent-le-Rotrou, France, in the 19th century, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho)

KWE468217: Chateau Saint-Jean in Nogent-le-Rotrou, France, in the 19th century, from 'French Pictures' by Rev. Samuel G. Green, published 1878 (litho), French School, (19th century) / Bridgeman Images

Charing Cross, London, c.1900 (photo)
Charing Cross, London, c.1900 (photo)

STC213521: Charing Cross, London, c.1900 (photo), English Photographer, (20th century) / Bridgeman Images

Coronation of the Virgin, 1488 (tempera on wood)
Coronation of the Virgin, 1488 (tempera on wood)

BFM286753: Coronation of the Virgin, 1488 (tempera on wood), Italian School, (15th century) / Bridgeman Images

The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork) (left panel) (see 146820-146822)
The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork) (left panel) (see 146820-146822)

KLN146819: The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork) (left panel) (see 146820-146822), Nicholas of Verdun (fl.1181-1205) / Bridgeman Images

Clovis (481-511) king of the Francs with his second wife Saint Clotilde (Clothilde) queen. Engraving by Lix.
Clovis (481-511) king of the Francs with his second wife Saint Clotilde (Clothilde) queen. Engraving by Lix.

GIA4706351: Clovis (481-511) king of the Francs with his second wife Saint Clotilde (Clothilde) queen. Engraving by Lix., Lix, Frederic Theodore (1830-97) / Bridgeman Images

The Passion of Jesus, 1365-1368 (fresco)
The Passion of Jesus, 1365-1368 (fresco)

MEP2627605: The Passion of Jesus, 1365-1368 (fresco), Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77) / Bridgeman Images

Gothic Art. Flanders. Rogier van der Weyden or Roger de la Pasture (1399 or 1400-1464). Early Flemish painter. Saint John the Baptist Altarpiece, 1455-1460. Left panel. The Naming of John the Baptist. Oil on oak panel. Gemaldegalerie, Berlin. Germany.
Gothic Art. Flanders. Rogier van der Weyden or Roger de la Pasture (1399 or 1400-1464). Early Flemish painter. Saint John the Baptist Altarpiece, 1455-1460. Left panel. The Naming of John the Baptist. Oil on oak panel. Gemaldegalerie, Berlin. Germany.

TRK697441: Gothic Art. Flanders. Rogier van der Weyden or Roger de la Pasture (1399 or 1400-1464). Early Flemish painter. Saint John the Baptist Altarpiece, 1455-1460. Left panel. The Naming of John the Baptist. Oil on oak panel. Gemaldegalerie, Berlin. Germany. / Bridgeman Images

Noli me tangere and Judas hanging himself, detail of diptych known as 'Latino' depicting scenes of Christ's Passion (ivory)
Noli me tangere and Judas hanging himself, detail of diptych known as 'Latino' depicting scenes of Christ's Passion (ivory)

FAF3085178: Noli me tangere and Judas hanging himself, detail of diptych known as 'Latino' depicting scenes of Christ's Passion (ivory), Italian School, (15th century) / Bridgeman Images

Ms 927 Fol.93v The Theory of Intellectual Virtues, from 'Ethics, Politics and Economics' by Aristotle (384-322 BC) (vellum)
Ms 927 Fol.93v The Theory of Intellectual Virtues, from 'Ethics, Politics and Economics' by Aristotle (384-322 BC) (vellum)

XIR165162: Ms 927 Fol.93v The Theory of Intellectual Virtues, from 'Ethics, Politics and Economics' by Aristotle (384-322 BC) (vellum), French School, (15th century) / Bridgeman Images

Martyrdom of Saint Clement, detail from an altar frontal with scenes from the life of Saint Clement, from the Church of Sant Climent de Taüll, Vall de Boi, Alta Ribagorça, 2nd half 13th century (tempera on panel) (detail of 498166)
Martyrdom of Saint Clement, detail from an altar frontal with scenes from the life of Saint Clement, from the Church of Sant Climent de Taüll, Vall de Boi, Alta Ribagorça, 2nd half 13th century (tempera on panel) (detail of 498166)

XIR498681: Martyrdom of Saint Clement, detail from an altar frontal with scenes from the life of Saint Clement, from the Church of Sant Climent de Taüll, Vall de Boi, Alta Ribagorça, 2nd half 13th century (tempera on panel) (detail of 498166), Catalan School, (13th century) / Bridgeman Images

Historiated initial 'O' depicting a griffin (vellum)
Historiated initial 'O' depicting a griffin (vellum)

XIR215623: Historiated initial 'O' depicting a griffin (vellum), French School, (14th century) / Bridgeman Images

Marco Polo, 19th century (engraving)
Marco Polo, 19th century (engraving)

XJF486331: Marco Polo, 19th century (engraving), Matteini, Teodoro (1754-1831) (after) / Bridgeman Images

Ms 65/1284 fol. 37 Baptism of St Augustine by St Ambrose, Très Riches Heures du Duc de Berry (vellum)
Ms 65/1284 fol. 37 Baptism of St Augustine by St Ambrose, Très Riches Heures du Duc de Berry (vellum)

CND898629: Ms 65/1284 fol. 37 Baptism of St Augustine by St Ambrose, Très Riches Heures du Duc de Berry (vellum), Limbourg, Pol de (d.c.1416) / Bridgeman Images

Two Princes, 1964 (tempera on canvas)
Two Princes, 1964 (tempera on canvas)

XAB311972: Two Princes, 1964 (tempera on canvas), Glazunov, Ilya (1930-2017) / Bridgeman Images

Deciphered neume notation The
Deciphered neume notation The

XLE3777571: Deciphered neume notation The / Bridgeman Images

View of the keep of the castle of Beynac from the inside of its enclosure, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New  Aquitaine, France.
View of the keep of the castle of Beynac from the inside of its enclosure, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New  Aquitaine, France.

YOU4420179: View of the keep of the castle of Beynac from the inside of its enclosure, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New Aquitaine, France. / Bridgeman Images

Ms 139/1363 fol.43r Gideon and Pharaoh and his army drowning in the Red Sea, from 'Le Miroir de l'Humaine Salvation' (vellum)
Ms 139/1363 fol.43r Gideon and Pharaoh and his army drowning in the Red Sea, from 'Le Miroir de l'Humaine Salvation' (vellum)

CND237963: Ms 139/1363 fol.43r Gideon and Pharaoh and his army drowning in the Red Sea, from 'Le Miroir de l'Humaine Salvation' (vellum), Flemish School, (15th century) / Bridgeman Images

Ms Lat. 7134 fol.1 Trepanation, from 'Chirugie de Maitre Rolandi' (vellum)
Ms Lat. 7134 fol.1 Trepanation, from 'Chirugie de Maitre Rolandi' (vellum)

CHT179389: Ms Lat. 7134 fol.1 Trepanation, from 'Chirugie de Maitre Rolandi' (vellum), French School, (14th century) / Bridgeman Images

The Month of October, detail of grape-pickers pressing grapes, c.1400 (fresco)
The Month of October, detail of grape-pickers pressing grapes, c.1400 (fresco)

XIR239976: The Month of October, detail of grape-pickers pressing grapes, c.1400 (fresco), Italian School, (15th century) / Bridgeman Images

Chateau de Savigny-sur-Orge  and Charles VII & Agnes Sorel (chromolitho)
Chateau de Savigny-sur-Orge  and Charles VII & Agnes Sorel (chromolitho)

LLM724747: Chateau de Savigny-sur-Orge and Charles VII & Agnes Sorel (chromolitho), French School, (19th century) / Bridgeman Images

Marys at the Sepulchre, detail of the soffit of the great arch at the end of the nave (mosaic)
Marys at the Sepulchre, detail of the soffit of the great arch at the end of the nave (mosaic)

CPH3527210: Marys at the Sepulchre, detail of the soffit of the great arch at the end of the nave (mosaic), Italian School, (12th century) / Bridgeman Images

Rouen: Entrée de la Salle des Pas Perdus, Palais du Justice, 1824 (litho)
Rouen: Entrée de la Salle des Pas Perdus, Palais du Justice, 1824 (litho)

XCL5671805: Rouen: Entrée de la Salle des Pas Perdus, Palais du Justice, 1824 (litho), Bonington, Richard Parkes (1802-28) / Bridgeman Images


Back to top