Print this page or go back to standard view.
NWI4930085: A werewolf, in the Middle Ages - Colorisee engraving after a bestiary of the 13th century, Historia Scolastica by Pierre the Eater (or Petrus Comestor or Manducator, ca. 1110-1179) - Medieval depiction of a werewolf - Hand-colored woodcut from Comestor's “” Historica Scholastica,”” a 13th-century Bestiary manuscript / Bridgeman Images
MPX5132585: Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A couple sit by the gardens in front of the building with castle keep looming in the background. 19th June, 1948 (b/w photo) / Bridgeman Images
FLO4594060: Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images
FLO4655625: Costume of a medieval princess (from Victorian staging of Shakespeare's As You Like It, Love's Labour's Lost). Handcoloured lithograph from Thomas Hailes Lacy's “” Female Costumes Historical, National and Dramatic in 200 Plates,” London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher. / Bridgeman Images