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1762 Search Results for horror

Study for 'The Wave', 1907 (charcoal)
Study for 'The Wave', 1907 (charcoal)

JLJ4674776: Study for 'The Wave', 1907 (charcoal), Schwabe, Carlos (1866-1926) / Bridgeman Images

Gin Lane, 1751 (engraving)
Gin Lane, 1751 (engraving)

XIR160657: Gin Lane, 1751 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Saturn Devouring His Son, 1821-23 (mural transferred to canvas)
Saturn Devouring His Son, 1821-23 (mural transferred to canvas)

XIR546: Saturn Devouring His Son, 1821-23 (mural transferred to canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

The Triumph of Death, c.1562 (oil on panel)
The Triumph of Death, c.1562 (oil on panel)

XIR457: The Triumph of Death, c.1562 (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

The Nightmare, 1790-91 (oil on canvas)
The Nightmare, 1790-91 (oil on canvas)

PWI83769: The Nightmare, 1790-91 (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

The Witches' Sabbath (oil on canvas)
The Witches' Sabbath (oil on canvas)

XIR109478: The Witches' Sabbath (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

Tondal's Vision (oil on panel)
Tondal's Vision (oil on panel)

XIR898329: Tondal's Vision (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

Triptych: The Temptation of St. Anthony (oil on panel)
Triptych: The Temptation of St. Anthony (oil on panel)

XIR59834: Triptych: The Temptation of St. Anthony (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

The Last Judgement, detail of Satan devouring the damned in hell, c.1431 (oil on panel)
The Last Judgement, detail of Satan devouring the damned in hell, c.1431 (oil on panel)

XIR185972: The Last Judgement, detail of Satan devouring the damned in hell, c.1431 (oil on panel), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

War, 1932 (mixed media on panel)
War, 1932 (mixed media on panel)

SKD157076: War, 1932 (mixed media on panel), Dix, Otto (1891-1969) / Bridgeman Images

The Colossus, c.1808 (oil on canvas)
The Colossus, c.1808 (oil on canvas)

XIR515: The Colossus, c.1808 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) (follower of) / Bridgeman Images

Poster advertising the French version of the film, 'The Horror of Dracula', 1958 (colour litho)
Poster advertising the French version of the film, 'The Horror of Dracula', 1958 (colour litho)

PER206033: Poster advertising the French version of the film, 'The Horror of Dracula', 1958 (colour litho), French School, (20th century) / Bridgeman Images

Hell (oil on panel)
Hell (oil on panel)

XIR16720: Hell (oil on panel), Bouts, Dirck (c.1415-75) / Bridgeman Images

Woman and Death, c.1517 (tempera on panel)
Woman and Death, c.1517 (tempera on panel)

XIR162341: Woman and Death, c.1517 (tempera on panel), Baldung Grien, Hans (1484/5-1545) / Bridgeman Images

Hell, 1622 (oil on canvas) (see 89774 for detail)
Hell, 1622 (oil on canvas) (see 89774 for detail)

XIR89773: Hell, 1622 (oil on canvas) (see 89774 for detail), Nome, Francois de (Monsu Desiderio) (1593-1644) / Bridgeman Images

Jesus Falls a Third Time, no. 9 in '14 Stations of the Cross' series, 2002 (acrylic on canvas) (see also 192720-727, 192729-733)
Jesus Falls a Third Time, no. 9 in '14 Stations of the Cross' series, 2002 (acrylic on canvas) (see also 192720-727, 192729-733)

LJA192728: Jesus Falls a Third Time, no. 9 in '14 Stations of the Cross' series, 2002 (acrylic on canvas) (see also 192720-727, 192729-733), James, Laura / Bridgeman Images

The Triumph of Death (fresco)
The Triumph of Death (fresco)

XIR59175: The Triumph of Death (fresco), Italian School, (15th century) / Bridgeman Images

The Black Death (gouache on paper)
The Black Death (gouache on paper)

LAL263121: The Black Death (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen)
Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen)

XIR154190: Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

Werewolves, illustration for 'Legendes Rustiques' by George Sand (1804-76) 1858 (litho)
Werewolves, illustration for 'Legendes Rustiques' by George Sand (1804-76) 1858 (litho)

CHT170907: Werewolves, illustration for 'Legendes Rustiques' by George Sand (1804-76) 1858 (litho), Sand, Baron Dudevant Jean Francois Maurice (1823-89) / Bridgeman Images

Cassandra (w/c on paper)
Cassandra (w/c on paper)

MAA200891: Cassandra (w/c on paper), Sandys, Anthony Frederick Augustus (1829-1904) / Bridgeman Images

At night Group of naked sleepers, one of them in the midst of a nightmare, 1890 (oil on canvas)
At night Group of naked sleepers, one of them in the midst of a nightmare, 1890 (oil on canvas)

NUM121809: At night Group of naked sleepers, one of them in the midst of a nightmare, 1890 (oil on canvas), Hodler, Ferdinand (1853-1918) / Bridgeman Images

Front cover of 'Dracula' by Bram Stoker (1847-1912) 1920 (litho)
Front cover of 'Dracula' by Bram Stoker (1847-1912) 1920 (litho)

CHT167946: Front cover of 'Dracula' by Bram Stoker (1847-1912) 1920 (litho), Falke, Pierre (1884-1947) / Bridgeman Images

Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil)
Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil)

XND70236: Illustrations of the Book of Job; Job's Evil Dreams, showing Job's God, who has become Satan with cloven hoof and entwined by a serpent, pointing to the Mosaic Tablets of the Law, 1825 (pen, w/c over pencil), Blake, William (1757-1827) / Bridgeman Images

Caricature of the first Impressionist Exhibition in Paris, 'Revolution in Painting! And a terrorizing beginning', 1874 (engraving)
Caricature of the first Impressionist Exhibition in Paris, 'Revolution in Painting! And a terrorizing beginning', 1874 (engraving)

CHT164327: Caricature of the first Impressionist Exhibition in Paris, 'Revolution in Painting! And a terrorizing beginning', 1874 (engraving), Cham (Amedee Charles Henri de Noe) (1818-79) / Bridgeman Images

The Banquet in the Pinewoods: Scene III of The Story of Nastagio degli Onesti, c.1483 (tempera on panel)
The Banquet in the Pinewoods: Scene III of The Story of Nastagio degli Onesti, c.1483 (tempera on panel)

XIR38736: The Banquet in the Pinewoods: Scene III of The Story of Nastagio degli Onesti, c.1483 (tempera on panel), Botticelli, Sandro (1444/5-1510) (and workshop) / Bridgeman Images

King Harold is killed and the English turn in flight, Bayeux Tapestry (wool embroidery on linen)
King Harold is killed and the English turn in flight, Bayeux Tapestry (wool embroidery on linen)

XIR181084: King Harold is killed and the English turn in flight, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

Joseph's Coat, 1630 (oil on canvas)
Joseph's Coat, 1630 (oil on canvas)

XIR55705: Joseph's Coat, 1630 (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

Statue of Vlad Tepes (Dracula) Tirgoviste Park, Wallachia, Romania, 1993 (b/w photo)
Statue of Vlad Tepes (Dracula) Tirgoviste Park, Wallachia, Romania, 1993 (b/w photo)

TMA96804: Statue of Vlad Tepes (Dracula) Tirgoviste Park, Wallachia, Romania, 1993 (b/w photo) / Bridgeman Images

Microcosm dedicated to the London Water Companies: Monster soup commonly called Thames Water, being a correct representation of that precious stuff doled out to us!!!, engraved and published in 1828 by Thomas McLean (1788-1835) (etching)
Microcosm dedicated to the London Water Companies: Monster soup commonly called Thames Water, being a correct representation of that precious stuff doled out to us!!!, engraved and published in 1828 by Thomas McLean (1788-1835) (etching)

XCF38171: Microcosm dedicated to the London Water Companies: Monster soup commonly called Thames Water, being a correct representation of that precious stuff doled out to us!!!, engraved and published in 1828 by Thomas McLean (1788-1835) (etching), Heath, William (1795-1840) (after) / Bridgeman Images

The Norman cavalry attacks the English shield-wall and battle is joined, Bayeux Tapestry (wool embroidery on linen)
The Norman cavalry attacks the English shield-wall and battle is joined, Bayeux Tapestry (wool embroidery on linen)

XIR159133: The Norman cavalry attacks the English shield-wall and battle is joined, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

Wolf by Mike Nichols, 1994 (photo)
Wolf by Mike Nichols, 1994 (photo)

DIL4062564: Wolf by Mike Nichols, 1994 (photo) / Bridgeman Images

Count Dracula, illustration from the second issue of 'Boszorkany' (colour litho)
Count Dracula, illustration from the second issue of 'Boszorkany' (colour litho)

CHT167810: Count Dracula, illustration from the second issue of 'Boszorkany' (colour litho), Kolonics, Istvan (b.1955) / Bridgeman Images

'The Fall of the House of Usher' by Edgar Allan Poe
'The Fall of the House of Usher' by Edgar Allan Poe

XLA3755639: 'The Fall of the House of Usher' by Edgar Allan Poe, Rackham, Arthur (1867-1939) / Bridgeman Images

A Concert of Hector Berlioz (1803-69) in 1846 (engraving)
A Concert of Hector Berlioz (1803-69) in 1846 (engraving)

XIR176097: A Concert of Hector Berlioz (1803-69) in 1846 (engraving), Geiger, Andreas (1765-1856) / Bridgeman Images

Self Portrait Screaming
Self Portrait Screaming

MG38398: Self Portrait Screaming, Schiele, Egon (1890-1918) / Bridgeman Images


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