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7043 Search Results for carving

Ceres head. From Roman provinces in North Africa. Museum of Mediterranean Archaeology of Marseille
Ceres head. From Roman provinces in North Africa. Museum of Mediterranean Archaeology of Marseille

JEB4907996: Ceres head. From Roman provinces in North Africa. Museum of Mediterranean Archaeology of Marseille / Bridgeman Images

Jordan. The treasor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage.
Jordan. The treasor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage.

JEB4952091: Jordan. The treasor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage. / Bridgeman Images

Jordan. Detail of the upper part of the Tresor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage.
Jordan. Detail of the upper part of the Tresor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage.

JEB4952111: Jordan. Detail of the upper part of the Tresor, The Khazneh, is the tomb of King Aretas IV. The city of Petra was founded by the Nabateans on the route of caravans from Yemen to the Mediterranean ports. Apogee between -100Av JC to+100Ap JC. The site was discovered in 1812 by Switzerland's Johan Burckardt. Site classified in 1985 as World Heritage. / Bridgeman Images

Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000.
Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000.

TEC4556943: Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000. / Bridgeman Images

Karnak/Luxor, Wall carving, Vulture, Duck, Bee, Cobra (photo)
Karnak/Luxor, Wall carving, Vulture, Duck, Bee, Cobra (photo)

JLF3476449: Karnak/Luxor, Wall carving, Vulture, Duck, Bee, Cobra (photo) / Bridgeman Images

Ancient Egypt, Carving, Hunters in the papyrus swamps, Mastaba/Tomb of Ti, Saqqara, 5th Dynasty, Spearing hippopotamus and a crocodile (photo)
Ancient Egypt, Carving, Hunters in the papyrus swamps, Mastaba/Tomb of Ti, Saqqara, 5th Dynasty, Spearing hippopotamus and a crocodile (photo)

JLF3476158: Ancient Egypt, Carving, Hunters in the papyrus swamps, Mastaba/Tomb of Ti, Saqqara, 5th Dynasty, Spearing hippopotamus and a crocodile (photo) / Bridgeman Images

Model of a chedi or reliquary tower (wood)
Model of a chedi or reliquary tower (wood)

LIT389844: Model of a chedi or reliquary tower (wood), Thai School / Bridgeman Images

The Monkey Sculptor, from 'La Grande Singerie', c.1735 (mural)
The Monkey Sculptor, from 'La Grande Singerie', c.1735 (mural)

CND310276: The Monkey Sculptor, from 'La Grande Singerie', c.1735 (mural), Huet, Christophe (1700-59) / Bridgeman Images

Panel depicting a dignitary with attendants watching a female dancer, Qianlong period, 1736-95 (one of a pair) (polychrome ivory) (see 206572)
Panel depicting a dignitary with attendants watching a female dancer, Qianlong period, 1736-95 (one of a pair) (polychrome ivory) (see 206572)

PFR206571: Panel depicting a dignitary with attendants watching a female dancer, Qianlong period, 1736-95 (one of a pair) (polychrome ivory) (see 206572), Chinese School (18th century) / Bridgeman Images

Box formerly owned by Captain Thomas Hardy (wood & silver)
Box formerly owned by Captain Thomas Hardy (wood & silver)

TML314169: Box formerly owned by Captain Thomas Hardy (wood & silver), English School, (18th century) / Bridgeman Images

SCDA Design (Welsh slate)
SCDA Design (Welsh slate)

LIS2627077: SCDA Design (Welsh slate), McKenzie, John (1897-1972) / Bridgeman Images

End of a Ruyi Sceptre (pale celadon) (detail of 194444)
End of a Ruyi Sceptre (pale celadon) (detail of 194444)

PFR241132: End of a Ruyi Sceptre (pale celadon) (detail of 194444), Chinese School (18th century) / Bridgeman Images

Relief panel depicting a group of putti, c.1600 (oak)
Relief panel depicting a group of putti, c.1600 (oak)

JBT160342: Relief panel depicting a group of putti, c.1600 (oak), German School, (17th century) / Bridgeman Images

Walking stick, Maasai people (Kenya), collected between 1960-73 (wood, leather, fur, textile & pigment)
Walking stick, Maasai people (Kenya), collected between 1960-73 (wood, leather, fur, textile & pigment)

LWE410497: Walking stick, Maasai people (Kenya), collected between 1960-73 (wood, leather, fur, textile & pigment), African, (20th century) / Bridgeman Images

Relief depicting Ramesses II (1279-1213 BC) making ritual offerings to the family of Osiris, detail of the right hand side with Ramesses offering two flasks of wine to Horus, from Abydos, New Kingdom (limestone)
Relief depicting Ramesses II (1279-1213 BC) making ritual offerings to the family of Osiris, detail of the right hand side with Ramesses offering two flasks of wine to Horus, from Abydos, New Kingdom (limestone)

XIR172245: Relief depicting Ramesses II (1279-1213 BC) making ritual offerings to the family of Osiris, detail of the right hand side with Ramesses offering two flasks of wine to Horus, from Abydos, New Kingdom (limestone), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images

Gravestones with Hebrew inscriptions in the Old Jewish cemetery in the Old Town (photo)
Gravestones with Hebrew inscriptions in the Old Jewish cemetery in the Old Town (photo)

STF241840: Gravestones with Hebrew inscriptions in the Old Jewish cemetery in the Old Town (photo) / Bridgeman Images

Yakut Saddle (silver with wood)
Yakut Saddle (silver with wood)

XBP235780: Yakut Saddle (silver with wood), Siberian School / Bridgeman Images

View of the Temple of Masks, Mayan classical epoch (photo)
View of the Temple of Masks, Mayan classical epoch (photo)

STF277751: View of the Temple of Masks, Mayan classical epoch (photo), Mayan / Bridgeman Images

Hieroglyphs, detail from the large stone tablet in the Great Palace, 720 (carved stone)
Hieroglyphs, detail from the large stone tablet in the Great Palace, 720 (carved stone)

STF276124: Hieroglyphs, detail from the large stone tablet in the Great Palace, 720 (carved stone), Mayan / Bridgeman Images

The Bretagne (engraving)
The Bretagne (engraving)

LIP2771616: The Bretagne (engraving), English School, (19th century) / Bridgeman Images

Replica of a gold shrine from the tomb of Tutankhamun, 1924 (painted wood)
Replica of a gold shrine from the tomb of Tutankhamun, 1924 (painted wood)

HHM3057050: Replica of a gold shrine from the tomb of Tutankhamun, 1924 (painted wood), Aumonier, William (1869-1943) / Bridgeman Images

Benzaiten playing a biwa (pine)
Benzaiten playing a biwa (pine)

XIR227657: Benzaiten playing a biwa (pine), Japanese School, (20th century) / Bridgeman Images

Yelizarov house, from the Medvazhegorsky district, Kharelia, re-erected at Khizi, 19th century (photo)
Yelizarov house, from the Medvazhegorsky district, Kharelia, re-erected at Khizi, 19th century (photo)

GIP129433: Yelizarov house, from the Medvazhegorsky district, Kharelia, re-erected at Khizi, 19th century (photo) / Bridgeman Images

View of a wall at the Temple of Horus, Edfu, Aswan (photo)
View of a wall at the Temple of Horus, Edfu, Aswan (photo)

JBG374101: View of a wall at the Temple of Horus, Edfu, Aswan (photo) / Bridgeman Images

Jordan. Debut of the street called “” of the facades”” (-50 Av JC a+50 Ap JC), Amyrian, Roman and Greek style. Petra site
Jordan. Debut of the street called “” of the facades”” (-50 Av JC a+50 Ap JC), Amyrian, Roman and Greek style. Petra site

JEB4952145: Jordan. Debut of the street called “” of the facades”” (-50 Av JC a+50 Ap JC), Amyrian, Roman and Greek style. Petra site / Bridgeman Images

Hatshepsut crowned by goddess and Amon Ra, Karnak/Luxor (photo)
Hatshepsut crowned by goddess and Amon Ra, Karnak/Luxor (photo)

JLF3476454: Hatshepsut crowned by goddess and Amon Ra, Karnak/Luxor (photo) / Bridgeman Images

Nubian troops carrying shields, Temple of Rameses II and Nefertari, Abu Simbel (photo)
Nubian troops carrying shields, Temple of Rameses II and Nefertari, Abu Simbel (photo)

JLF3476492: Nubian troops carrying shields, Temple of Rameses II and Nefertari, Abu Simbel (photo) / Bridgeman Images

Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone)
Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone)

JPC238284: Back of a throne, from Usumacinta, from the Saenz Collection, Puebla, Mexico, Late Classic Period (600-900 AD) (stone), Mayan / Bridgeman Images

Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.
Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.

LSE4322522: Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006., Korean school, (10th century) / Bridgeman Images

Relics of Bunyan (engraving)
Relics of Bunyan (engraving)

LLM3622872: Relics of Bunyan (engraving), English School, (19th century) / Bridgeman Images

Relief plaque with a banquet scene, c.2600–2500 BC (gypsum alabaster)
Relief plaque with a banquet scene, c.2600–2500 BC (gypsum alabaster)

XOS5049855: Relief plaque with a banquet scene, c.2600–2500 BC (gypsum alabaster), Sumerian / Bridgeman Images

Doorway to Chaityas, Pashupatinath temple, Nepal
Doorway to Chaityas, Pashupatinath temple, Nepal

SBA3362294: Doorway to Chaityas, Pashupatinath temple, Nepal / Bridgeman Images

19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum
19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum

FBU4239393: 19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum / Bridgeman Images

19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum
19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum

FBU4239446: 19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum / Bridgeman Images

19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum
19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum

FBU4239459: 19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum / Bridgeman Images

19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum
19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum

FBU4239465: 19th century Maori sculpture (1870), decoration of a meeting house, wood sculpture, New Zealand, Dunedin museum / Bridgeman Images


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