1. Home
  2. Search "abstract"
  3. Print Page

Print Friendly Version Page

Print this page or go back to standard view.

8171 Search Results for abstract

The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the
The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the

FAF3572581: The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572581

The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

No. 5, Weehawken Series, c.1910 (oil on canvas board)
No. 5, Weehawken Series, c.1910 (oil on canvas board)

XMV3742601: No. 5, Weehawken Series, c.1910 (oil on canvas board), Marin, John (1870-1953) / Bridgeman Images

ID: XMV3742601

No. 5, Weehawken Series, c.1910 (oil on canvas board)

Marin, John (1870-1953)

Painting No.3, 1952 (oil on masonite)
Painting No.3, 1952 (oil on masonite)

CH1771784: Painting No.3, 1952 (oil on masonite), Kline, Franz (1910-62) / Bridgeman Images

ID: CH1771784

Painting No.3, 1952 (oil on masonite)

Kline, Franz (1910-62)

Clear Stream, 1959 (oil on canvas)
Clear Stream, 1959 (oil on canvas)

MYM5054317: Clear Stream, 1959 (oil on canvas), Mayer-Marton, Georg (1897-1960) / Bridgeman Images

ID: MYM5054317

Clear Stream, 1959 (oil on canvas)

Mayer-Marton, Georg (1897-1960)

The Wedding, 1958 (oil on canvas)
The Wedding, 1958 (oil on canvas)

CH1771821: The Wedding, 1958 (oil on canvas), Motherwell, Robert (1915-1991) / Bridgeman Images

ID: CH1771821

The Wedding, 1958 (oil on canvas)

Motherwell, Robert (1915-1991)

Composition (A) in Red and White, 1936 (oil on canvas)
Composition (A) in Red and White, 1936 (oil on canvas)

PWI200218: Composition (A) in Red and White, 1936 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: PWI200218

Composition (A) in Red and White, 1936 (oil on canvas)

Mondrian, Piet (1872-1944)

Bird, 1957-58 (oil on board)
Bird, 1957-58 (oil on board)

NUM168661: Bird, 1957-58 (oil on board), Braque, Georges (1882-1963) / Bridgeman Images

ID: NUM168661

Bird, 1957-58 (oil on board)

Braque, Georges (1882-1963)

The Tower (collage)
The Tower (collage)

SW53934: The Tower (collage), Oscar, A. (1919-94) / Bridgeman Images

ID: SW53934

The Tower (collage)

Oscar, A. (1919-94)

Ximena Hysterical
Ximena Hysterical

SW53938: Ximena Hysterical, Oscar, A. (1919-94) / Bridgeman Images

ID: SW53938

Ximena Hysterical

Oscar, A. (1919-94)

The Tottering Tower
The Tottering Tower

SW53935: The Tottering Tower, Oscar, A. (1919-94) / Bridgeman Images

ID: SW53935

The Tottering Tower

Oscar, A. (1919-94)

El Cid Series: El Cid's Weapon, c.1986 (oil on canvas)
El Cid Series: El Cid's Weapon, c.1986 (oil on canvas)

SW91793: El Cid Series: El Cid's Weapon, c.1986 (oil on canvas), Oscar, A. (1919-94) / Bridgeman Images

ID: SW91793

El Cid Series: El Cid's Weapon, c.1986 (oil on canvas)

Oscar, A. (1919-94)

At the Edge, 1990 (drypoint on Angoumois a la main paper)
At the Edge, 1990 (drypoint on Angoumois a la main paper)

PLL3956603: At the Edge, 1990 (drypoint on Angoumois a la main paper), Dunham, Carroll (b.1949) / Bridgeman Images

ID: PLL3956603

At the Edge, 1990 (drypoint on Angoumois a la main paper)

Dunham, Carroll (b.1949)

Study for the French Line Pier (one of six), 1940 (gouache on paper)
Study for the French Line Pier (one of six), 1940 (gouache on paper)

CH35240: Study for the French Line Pier (one of six), 1940 (gouache on paper), Leger, Fernand (1881-1955) / Bridgeman Images

ID: CH35240

Study for the French Line Pier (one of six), 1940 (gouache on paper)

Leger, Fernand (1881-1955)

The Branch, 1941 (bronze)
The Branch, 1941 (bronze)

NUM118014: The Branch, 1941 (bronze), Leger, Fernand (1881-1955) / Bridgeman Images

ID: NUM118014

The Branch, 1941 (bronze)

Leger, Fernand (1881-1955)

Study for the French Line Pier (one of six), 1940 (gouache on paper)
Study for the French Line Pier (one of six), 1940 (gouache on paper)

CH19652: Study for the French Line Pier (one of six), 1940 (gouache on paper), Leger, Fernand (1881-1955) / Bridgeman Images

ID: CH19652

Study for the French Line Pier (one of six), 1940 (gouache on paper)

Leger, Fernand (1881-1955)

Untitled, 1981 (acrylic on paper)
Untitled, 1981 (acrylic on paper)

KML242627: Untitled, 1981 (acrylic on paper), Malla, Keshav / Bridgeman Images

ID: KML242627

Untitled, 1981 (acrylic on paper)

Malla, Keshav

Untitled, 1985 (oil on canvas)
Untitled, 1985 (oil on canvas)

KML242622: Untitled, 1985 (oil on canvas), Malla, Keshav / Bridgeman Images

ID: KML242622

Untitled, 1985 (oil on canvas)

Malla, Keshav

Mosaic showing a scene of a wild beast hunt, detail
Mosaic showing a scene of a wild beast hunt, detail

FAF3564910: Mosaic showing a scene of a wild beast hunt, detail, Roman / Bridgeman Images

ID: FAF3564910

Mosaic showing a scene of a wild beast hunt, detail

Roman

Vertical motif, 1954 (copper sculpture)
Vertical motif, 1954 (copper sculpture)

GRL6283500: Vertical motif, 1954 (copper sculpture), Basaldella, Mirko (1910-69) / Bridgeman Images

ID: GRL6283500

Vertical motif, 1954 (copper sculpture)

Basaldella, Mirko (1910-69)

Chilkat Blanket (mountain-goat wool & yellow cedar bark)
Chilkat Blanket (mountain-goat wool & yellow cedar bark)

UEA420269: Chilkat Blanket (mountain-goat wool & yellow cedar bark), American School, (19th century) / Bridgeman Images

ID: UEA420269

Chilkat Blanket (mountain-goat wool & yellow cedar bark)

American School, (19th century)

Monument to the partisans. Work by Piero Bottoni located in the cemetery of the Certosa Monastery in Bologna
Monument to the partisans. Work by Piero Bottoni located in the cemetery of the Certosa Monastery in Bologna

FAF3575221: Monument to the partisans. Work by Piero Bottoni located in the cemetery of the Certosa Monastery in Bologna, Villani, Achille (1870-1945) / Bridgeman Images

ID: FAF3575221

Monument to the partisans. Work by Piero Bottoni located in the cemetery of the Certosa Monastery in Bologna

Villani, Achille (1870-1945)

Southern Hemisphere of the Earth cut at the equator, engraving by G. Zuliani taken from Tome I of the
Southern Hemisphere of the Earth cut at the equator, engraving by G. Zuliani taken from Tome I of the

FAF3572504: Southern Hemisphere of the Earth cut at the equator, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572504

Southern Hemisphere of the Earth cut at the equator, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta

Zuliani, G. (18th century)

Governances of Bourgogne, Franca Contea and Lyons, engraving by G. Zuliani taken from Tome I of the
Governances of Bourgogne, Franca Contea and Lyons, engraving by G. Zuliani taken from Tome I of the

FAF3572532: Governances of Bourgogne, Franca Contea and Lyons, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572532

Governances of Bourgogne, Franca Contea and Lyons, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the
The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the

FAF3572560: The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572560

The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the
Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the

FAF3572506: Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572506

Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

Farther and Hither Abruzzo, engraving by G. Zuliani taken from Tome II of the
Farther and Hither Abruzzo, engraving by G. Zuliani taken from Tome II of the

FAF3572570: Farther and Hither Abruzzo, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572570

Farther and Hither Abruzzo, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

The British Isles in which are found Albion or Greater Britain and Ivernia or Lesser Britain, engraving by G. Zuliani taken from Tome I of the
The British Isles in which are found Albion or Greater Britain and Ivernia or Lesser Britain, engraving by G. Zuliani taken from Tome I of the

FAF3572585: The British Isles in which are found Albion or Greater Britain and Ivernia or Lesser Britain, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images

ID: FAF3572585

The British Isles in which are found Albion or Greater Britain and Ivernia or Lesser Britain, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Zuliani, G. (18th century)

Tree, 1934 (painting)
Tree, 1934 (painting)

XMV6041507: Tree, 1934 (painting), Dove, Arthur Garfield (1880-1946) / Bridgeman Images

ID: XMV6041507

Tree, 1934 (painting)

Dove, Arthur Garfield (1880-1946)

Supremacistish 1, 1925 (etching)
Supremacistish 1, 1925 (etching)

KSL280740: Supremacistish 1, 1925 (etching), Moholy-Nagy, Laszlo (1895-1946) / Bridgeman Images

ID: KSL280740

Supremacistish 1, 1925 (etching)

Moholy-Nagy, Laszlo (1895-1946)

Untitled, 1980 (acrylic on paper)
Untitled, 1980 (acrylic on paper)

CH5615415: Untitled, 1980 (acrylic on paper), Raza, Syed Haider (1922-2016) / Bridgeman Images

ID: CH5615415

Untitled, 1980 (acrylic on paper)

Raza, Syed Haider (1922-2016)

The Revolt of the Sage, 1916 (oil on canvas)
The Revolt of the Sage, 1916 (oil on canvas)

ESC105517: The Revolt of the Sage, 1916 (oil on canvas), Chirico, Giorgio de (1888-1978) / Bridgeman Images

ID: ESC105517

The Revolt of the Sage, 1916 (oil on canvas)

Chirico, Giorgio de (1888-1978)

Keziah Gold and Marble, 2018 (digital)
Keziah Gold and Marble, 2018 (digital)

ANH5848847: Keziah Gold and Marble, 2018 (digital), Bodart, Florent / Bridgeman Images

ID: ANH5848847

Keziah Gold and Marble, 2018 (digital)

Bodart, Florent

Still Life; Nature Morte, 1927 (oil on canvas)
Still Life; Nature Morte, 1927 (oil on canvas)

CH656783: Still Life; Nature Morte, 1927 (oil on canvas), Valmier, Georges (1885-1937) / Bridgeman Images

ID: CH656783

Still Life; Nature Morte, 1927 (oil on canvas)

Valmier, Georges (1885-1937)

The Moon Was on the Declin, It Showed me the Grimace of an Englishman, a Lord Mal Fame, 1918 (watercolour on paper)
The Moon Was on the Declin, It Showed me the Grimace of an Englishman, a Lord Mal Fame, 1918 (watercolour on paper)

XIR245153: The Moon Was on the Declin, It Showed me the Grimace of an Englishman, a Lord Mal Fame, 1918 (watercolour on paper), Klee, Paul (1879-1940) / Bridgeman Images

ID: XIR245153

The Moon Was on the Declin, It Showed me the Grimace of an Englishman, a Lord Mal Fame, 1918 (watercolour on paper)

Klee, Paul (1879-1940)

Store Goods
Store Goods

SC17053: Store Goods, Oldenburg, Claes (1929-2022) / Bridgeman Images

ID: SC17053

Store Goods

Oldenburg, Claes (1929-2022)

Riverside Building Site No.2, 1951 (oil on canvas)
Riverside Building Site No.2, 1951 (oil on canvas)

FER183030: Riverside Building Site No.2, 1951 (oil on canvas), Kossoff, Leon (1926-2019) / Bridgeman Images

ID: FER183030

Riverside Building Site No.2, 1951 (oil on canvas)

Kossoff, Leon (1926-2019)


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.