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Photography 1953. Miss Zena Marshall the actress just back from far lands brought wit hher one of the Polaroid Cameras with which she intends to take pictures at the coronation. Here she checks what she will see from the place she will occupy near Hyde Park Corner. May 1953 D2760-002
Photography 1953. Miss Zena Marshall the actress just back from far lands brought wit hher one of the Polaroid Cameras with which she intends to take pictures at the coronation. Here she checks what she will see from the place she will occupy near Hyde Park Corner. May 1953 D2760-002

MPX5061788: Photography 1953. Miss Zena Marshall the actress just back from far lands brought wit hher one of the Polaroid Cameras with which she intends to take pictures at the coronation. Here she checks what she will see from the place she will occupy near Hyde Park Corner. May 1953 D2760-002 / Bridgeman Images

ID: MPX5061788

Photography 1953. Miss Zena Marshall the actress just back from far lands brought wit hher one of the Polaroid Cameras with which she intends to take pictures at the coronation. Here she checks what she will see from the place she will occupy near Hyde Park Corner. May 1953 D2760-002

D Day: Point du Hoc overlooking Omaha Beach after capture by US troops, 1944 (photo)
D Day: Point du Hoc overlooking Omaha Beach after capture by US troops, 1944 (photo)

ETE4863368: D Day: Point du Hoc overlooking Omaha Beach after capture by US troops, 1944 (photo) / Bridgeman Images

ID: ETE4863368

D Day: Point du Hoc overlooking Omaha Beach after capture by US troops, 1944 (photo)

Operation Anvil Dragoon: liberation of Marseilles, capture of Notre Dame de la Garde1944 (photo)
Operation Anvil Dragoon: liberation of Marseilles, capture of Notre Dame de la Garde1944 (photo)

ETE4852144: Operation Anvil Dragoon: liberation of Marseilles, capture of Notre Dame de la Garde1944 (photo) / Bridgeman Images

ID: ETE4852144

Operation Anvil Dragoon: liberation of Marseilles, capture of Notre Dame de la Garde1944 (photo)

The Rake's Progress
The Rake's Progress

XLE3752871: The Rake's Progress, Marney, Denis de (fl.1940-1959) / Bridgeman Images

ID: XLE3752871

The Rake's Progress

Marney, Denis de (fl.1940-1959)

Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009
Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009

NAM5926902: Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009, British School, (20th-21st century) / Bridgeman Images

ID: NAM5926902

Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009

British School, (20th-21st century)

Engraving of Gaston Tissandier's book “The wonders of photography”” (1873) - The experience of Professor Charles (circa 1780): using the principle of the dark chamber (camera obscura), Charles projects the face of one of his students, heavily illuminated by a ray of sun, on white paper soaked in silver chloride. Under the action of light, the exposed part darkens, cutting out the silhouette of the face, whose shadow has allowed the papuer to remain white.
Engraving of Gaston Tissandier's book “The wonders of photography”” (1873) - The experience of Professor Charles (circa 1780): using the principle of the dark chamber (camera obscura), Charles projects the face of one of his students, heavily illuminated by a ray of sun, on white paper soaked in silver chloride. Under the action of light, the exposed part darkens, cutting out the silhouette of the face, whose shadow has allowed the papuer to remain white.

PCT4259304: Engraving of Gaston Tissandier's book “The wonders of photography”” (1873) - The experience of Professor Charles (circa 1780): using the principle of the dark chamber (camera obscura), Charles projects the face of one of his students, heavily illuminated by a ray of sun, on white paper soaked in silver chloride. Under the action of light, the exposed part darkens, cutting out the silhouette of the face, whose shadow has allowed the papuer to remain white. / Bridgeman Images

ID: PCT4259304

Engraving of Gaston Tissandier's book “The wonders of photography”” (1873) - The experience of Professor Charles (circa 1780): using the principle of the dark chamber (camera obscura), Charles projects the face of one of his students, heavily illuminated by a ray of sun, on white paper soaked in silver chloride. Under the action of light, the exposed part darkens, cutting out the silhouette of the face, whose shadow has allowed the papuer to remain white.

View of the gallery of comrae anatomy of the museum national d'histoire naturelle in Paris, exhibition room under the Institut de Paleontologie, inaugurated in 1898 for the 1900 Paris exhibition, built by architect Ferdinand Dutert (1845-1906). French civil architecture. Photography, KIM Youngtae, Paris.
View of the gallery of comrae anatomy of the museum national d'histoire naturelle in Paris, exhibition room under the Institut de Paleontologie, inaugurated in 1898 for the 1900 Paris exhibition, built by architect Ferdinand Dutert (1845-1906). French civil architecture. Photography, KIM Youngtae, Paris.

YOU4420097: View of the gallery of comrae anatomy of the museum national d'histoire naturelle in Paris, exhibition room under the Institut de Paleontologie, inaugurated in 1898 for the 1900 Paris exhibition, built by architect Ferdinand Dutert (1845-1906). French civil architecture. Photography, KIM Youngtae, Paris. / Bridgeman Images

ID: YOU4420097

View of the gallery of comrae anatomy of the museum national d'histoire naturelle in Paris, exhibition room under the Institut de Paleontologie, inaugurated in 1898 for the 1900 Paris exhibition, built by architect Ferdinand Dutert (1845-1906). French civil architecture. Photography, KIM Youngtae, Paris.

Cardinal Francesco Marchetti tied Selvaggiani beats rituals three hammer blows to the Holy Door of the Basilica of John Lateran at the beginning of the Jubilee of the Redemption of 1933. Photography taken from the magazine
Cardinal Francesco Marchetti tied Selvaggiani beats rituals three hammer blows to the Holy Door of the Basilica of John Lateran at the beginning of the Jubilee of the Redemption of 1933. Photography taken from the magazine

FAF3570019: Cardinal Francesco Marchetti tied Selvaggiani beats rituals three hammer blows to the Holy Door of the Basilica of John Lateran at the beginning of the Jubilee of the Redemption of 1933. Photography taken from the magazine "L 'Illustration Italian" of April 9, 1933, n. 15, page 539 / Bridgeman Images

ID: FAF3570019

Cardinal Francesco Marchetti tied Selvaggiani beats rituals three hammer blows to the Holy Door of the Basilica of John Lateran at the beginning of the Jubilee of the Redemption of 1933. Photography taken from the magazine "L 'Illustration Italian" of April 9, 1933, n. 15, page 539

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692297: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692297

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

Romanesque art: The enema of the feet on the left, the arrest of Christ in the Garden of Olives and the Kiss of Judas. Detail view of the frescoes of the choir “La vie du Christ”” (13th century) from the church of Saint Martin (Saint Martin, 11th and 12th century) in Nohant Vic (Nohant-Vic), Indre (36400), Centre, France. Photography 2010
Romanesque art: The enema of the feet on the left, the arrest of Christ in the Garden of Olives and the Kiss of Judas. Detail view of the frescoes of the choir “La vie du Christ”” (13th century) from the church of Saint Martin (Saint Martin, 11th and 12th century) in Nohant Vic (Nohant-Vic), Indre (36400), Centre, France. Photography 2010

JEB4917711: Romanesque art: The enema of the feet on the left, the arrest of Christ in the Garden of Olives and the Kiss of Judas. Detail view of the frescoes of the choir “La vie du Christ”” (13th century) from the church of Saint Martin (Saint Martin, 11th and 12th century) in Nohant Vic (Nohant-Vic), Indre (36400), Centre, France. Photography 2010 / Bridgeman Images

ID: JEB4917711

Romanesque art: The enema of the feet on the left, the arrest of Christ in the Garden of Olives and the Kiss of Judas. Detail view of the frescoes of the choir “La vie du Christ”” (13th century) from the church of Saint Martin (Saint Martin, 11th and 12th century) in Nohant Vic (Nohant-Vic), Indre (36400), Centre, France. Photography 2010

The Italian Red Cross in London during the First World War: a room of the Hotel Picadilly-officer in the laboratory for the ladies who work for the Italian army. Photography taken from the magazine
The Italian Red Cross in London during the First World War: a room of the Hotel Picadilly-officer in the laboratory for the ladies who work for the Italian army. Photography taken from the magazine

FAF3570004: The Italian Red Cross in London during the First World War: a room of the Hotel Picadilly-officer in the laboratory for the ladies who work for the Italian army. Photography taken from the magazine "L 'Illustration Italian" of September 26, 1915, n. 39, page 269 / Bridgeman Images

ID: FAF3570004

The Italian Red Cross in London during the First World War: a room of the Hotel Picadilly-officer in the laboratory for the ladies who work for the Italian army. Photography taken from the magazine "L 'Illustration Italian" of September 26, 1915, n. 39, page 269

Camp for Syrian civil war refugees in Domiz - Iraq
Camp for Syrian civil war refugees in Domiz - Iraq

SZT5948600: Camp for Syrian civil war refugees in Domiz - Iraq / Bridgeman Images

ID: SZT5948600

Camp for Syrian civil war refugees in Domiz - Iraq

Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.
Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.

XEE4150989: Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861., French School, (19th century) / Bridgeman Images

ID: XEE4150989

Light Door Applies to Photography invented by Edouard Delessert (1828-1898). The mirror reflects the sun's rays and returns them to a lens that reunites them in a beam to make them converge on a cliche whose image, reproduced by a Daguerre camera, is fixed in the desired size on a prepared paper. Engraving in “” Le Monde Illustré”” n°232 of September 21, 1861.

French School, (19th century)

Statue of Mary Stuart (1542-1587), Queen of Scotland, Queen of France by her marriage to Francois II, she was imprisoned and executed for treason by her cousin, Elisabeth, Queen of England, Marble sculpture by Jean Jacques Feuchere (1807-1852), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.
Statue of Mary Stuart (1542-1587), Queen of Scotland, Queen of France by her marriage to Francois II, she was imprisoned and executed for treason by her cousin, Elisabeth, Queen of England, Marble sculpture by Jean Jacques Feuchere (1807-1852), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.

YOU4418772: Statue of Mary Stuart (1542-1587), Queen of Scotland, Queen of France by her marriage to Francois II, she was imprisoned and executed for treason by her cousin, Elisabeth, Queen of England, Marble sculpture by Jean Jacques Feuchere (1807-1852), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris., Feuchere, Jean-Jacques (1807-52) / Bridgeman Images

ID: YOU4418772

Statue of Mary Stuart (1542-1587), Queen of Scotland, Queen of France by her marriage to Francois II, she was imprisoned and executed for treason by her cousin, Elisabeth, Queen of England, Marble sculpture by Jean Jacques Feuchere (1807-1852), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.

Feuchere, Jean-Jacques (1807-52)

Statue of Zenobe Theophile Gram (1826-1901), electrician, Belgian inventor, father of the first electric generator, baptized dynamo Gram, bronze sculpture by Mathurin Moreau (1822-1912), installed on the tomb of the inventor at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.
Statue of Zenobe Theophile Gram (1826-1901), electrician, Belgian inventor, father of the first electric generator, baptized dynamo Gram, bronze sculpture by Mathurin Moreau (1822-1912), installed on the tomb of the inventor at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.

YOU4418957: Statue of Zenobe Theophile Gram (1826-1901), electrician, Belgian inventor, father of the first electric generator, baptized dynamo Gram, bronze sculpture by Mathurin Moreau (1822-1912), installed on the tomb of the inventor at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris., Moreau, Mathurin (1822-1912) / Bridgeman Images

ID: YOU4418957

Statue of Zenobe Theophile Gram (1826-1901), electrician, Belgian inventor, father of the first electric generator, baptized dynamo Gram, bronze sculpture by Mathurin Moreau (1822-1912), installed on the tomb of the inventor at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.

Moreau, Mathurin (1822-1912)

French infantry in the Somme
French infantry in the Somme

IMO2250085: French infantry in the Somme / Bridgeman Images

ID: IMO2250085

French infantry in the Somme

The Italian monuments and war: the southern flank of the Basilica of San Marco, the Acritani pillars and statues of the kings in Venice covered by a structure to protect the bombing during the war. Photography taken from the magazine
The Italian monuments and war: the southern flank of the Basilica of San Marco, the Acritani pillars and statues of the kings in Venice covered by a structure to protect the bombing during the war. Photography taken from the magazine

FAF3570012: The Italian monuments and war: the southern flank of the Basilica of San Marco, the Acritani pillars and statues of the kings in Venice covered by a structure to protect the bombing during the war. Photography taken from the magazine "L 'Illustration Italian" of October 14, 1917, n. 41, page 317 / Bridgeman Images

ID: FAF3570012

The Italian monuments and war: the southern flank of the Basilica of San Marco, the Acritani pillars and statues of the kings in Venice covered by a structure to protect the bombing during the war. Photography taken from the magazine "L 'Illustration Italian" of October 14, 1917, n. 41, page 317

At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.
At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.

YOU4419446: At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon., Raffaelli, Jean Francois (1850-1924) / Bridgeman Images

ID: YOU4419446

At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.

Raffaelli, Jean Francois (1850-1924)

Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869, publicity for a programme of matinee reserved for families showing two dancers in tutu on stage, Illustration en lithographie, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869, publicity for a programme of matinee reserved for families showing two dancers in tutu on stage, Illustration en lithographie, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419027: Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869, publicity for a programme of matinee reserved for families showing two dancers in tutu on stage, Illustration en lithographie, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae. / Bridgeman Images

ID: YOU4419027

Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869, publicity for a programme of matinee reserved for families showing two dancers in tutu on stage, Illustration en lithographie, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Romanesque art: Central view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. Photography 2010
Romanesque art: Central view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. Photography 2010

JEB4918212: Romanesque art: Central view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. Photography 2010 / Bridgeman Images

ID: JEB4918212

Romanesque art: Central view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. Photography 2010

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.
Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.

TEC4709296: Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on. / Bridgeman Images

ID: TEC4709296

Opera Garnier, 8 rue Scribe, Paris 9. Architecture by Charles Garnier, 1862-1875. Photography 1993. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. It was after Orsini's failed attempt to attack the Emperor on January 14, 1858, that it was decided to build a new opera in a space and on.

Apollo 11 Mission Eagle Has Landed
Apollo 11 Mission Eagle Has Landed

BOF781315: Apollo 11 Mission Eagle Has Landed / Bridgeman Images

ID: BOF781315

Apollo 11 Mission Eagle Has Landed

Chuck Berry in concert with two of his musicians, Paris, France, 1965 (b/w photo)
Chuck Berry in concert with two of his musicians, Paris, France, 1965 (b/w photo)

PCT4291013: Chuck Berry in concert with two of his musicians, Paris, France, 1965 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4291013

Chuck Berry in concert with two of his musicians, Paris, France, 1965 (b/w photo)

Unknown photographer, (20th century)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692316: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692316

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

'Nouvelles par l'image', poster produced by the Allied Information Service, September 1944 (litho)
'Nouvelles par l'image', poster produced by the Allied Information Service, September 1944 (litho)

XIR336598: 'Nouvelles par l'image', poster produced by the Allied Information Service, September 1944 (litho), French School, (20th century) / Bridgeman Images

ID: XIR336598

'Nouvelles par l'image', poster produced by the Allied Information Service, September 1944 (litho)

French School, (20th century)

Camp for Syrian civil war refugees in Arbat - Iraq
Camp for Syrian civil war refugees in Arbat - Iraq

SZT5948602: Camp for Syrian civil war refugees in Arbat - Iraq / Bridgeman Images

ID: SZT5948602

Camp for Syrian civil war refugees in Arbat - Iraq

Romanesque art: General view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. In the center, the Crucifixion. Photography 2010
Romanesque art: General view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. In the center, the Crucifixion. Photography 2010

JEB4918162: Romanesque art: General view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. In the center, the Crucifixion. Photography 2010 / Bridgeman Images

ID: JEB4918162

Romanesque art: General view of the frescoes of the nave of the church Saint Laurent (Saint-Laurent, 12th-13th century) of Lourouer-Saint-Laurent (Lourouer Saint Laurent), Indre (36100), Centre, France. Wall paintings on the walls of the nave and the choir, dating from the 12th and 13th centuries for the historical parts, and from the 15th century for the geometric motifs. In the center, the Crucifixion. Photography 2010

Poster for the invisible soul, piece of theatre by Claude Berton, represented in 1896 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie de Tancrede Synave (1870-1936), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster for the invisible soul, piece of theatre by Claude Berton, represented in 1896 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie de Tancrede Synave (1870-1936), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419048: Poster for the invisible soul, piece of theatre by Claude Berton, represented in 1896 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie de Tancrede Synave (1870-1936), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Synave, Tancrede (1870-1936) / Bridgeman Images

ID: YOU4419048

Poster for the invisible soul, piece of theatre by Claude Berton, represented in 1896 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie de Tancrede Synave (1870-1936), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Synave, Tancrede (1870-1936)

View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.
View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.

YOU4420081: View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris., Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853) / Bridgeman Images

ID: YOU4420081

View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.

Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853)

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)
View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

TEC4749189: View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo), Reichen, Bernard (b.1943) Robert, Philippe (20th) / Bridgeman Images

ID: TEC4749189

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

Reichen, Bernard (b.1943) Robert, Philippe (20th)

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)
View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

TEC4749201: View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo), Reichen, Bernard (b.1943) Robert, Philippe (20th) / Bridgeman Images

ID: TEC4749201

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

Reichen, Bernard (b.1943) Robert, Philippe (20th)

un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419051: un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Ibels, Henri-Gabriel (1867-1936) / Bridgeman Images

ID: YOU4419051

un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Ibels, Henri-Gabriel (1867-1936)

Interieur du Trump Tower
Interieur du Trump Tower

IMO2708826: Interieur du Trump Tower / Bridgeman Images

ID: IMO2708826

Interieur du Trump Tower

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692419: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692419

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692344: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692344

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692405: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692405

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)


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