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Panther Chameleon (Furcifer Pardalis), Reunion Island (photo)
Panther Chameleon (Furcifer Pardalis), Reunion Island (photo)

SRB1202852: Panther Chameleon (Furcifer Pardalis), Reunion Island (photo) / Bridgeman Images

Lighthouse, Sainte Suzanne, Reunion Island (photo)
Lighthouse, Sainte Suzanne, Reunion Island (photo)

SRB1202859: Lighthouse, Sainte Suzanne, Reunion Island (photo) / Bridgeman Images

Herd of young Bullocks in field, Gower, S.Wales, UK (photo)
Herd of young Bullocks in field, Gower, S.Wales, UK (photo)

POV1275004: Herd of young Bullocks in field, Gower, S.Wales, UK (photo) / Bridgeman Images

Hotel of the swimming pool of the Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 20214 (photo)
Hotel of the swimming pool of the Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 20214 (photo)

OMG4707852: Hotel of the swimming pool of the Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 20214 (photo) / Bridgeman Images

The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo)
The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo)

OMG4707929: The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo) / Bridgeman Images

The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo)
The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo)

OMG4708035: The Molitor pool reopened on 19 May 2014 after two years of work, photo taken in 2014 (photo) / Bridgeman Images

Musee d'Orsay, 1 rue de Bellechasse, Paris 75007. Architects of rehabilitation: ACT Architecture and Gae Aulenti, 1986-1900. Former Gare d'Orsay, built by Victor Laloux and inaugurated for the Universal Exhibition in Paris on 14 July 1900. Saving from demolition, the former station became a museum for national art collections from 1850 to 1914.
Musee d'Orsay, 1 rue de Bellechasse, Paris 75007. Architects of rehabilitation: ACT Architecture and Gae Aulenti, 1986-1900. Former Gare d'Orsay, built by Victor Laloux and inaugurated for the Universal Exhibition in Paris on 14 July 1900. Saving from demolition, the former station became a museum for national art collections from 1850 to 1914.

TEC4700610: Musee d'Orsay, 1 rue de Bellechasse, Paris 75007. Architects of rehabilitation: ACT Architecture and Gae Aulenti, 1986-1900. Former Gare d'Orsay, built by Victor Laloux and inaugurated for the Universal Exhibition in Paris on 14 July 1900. Saving from demolition, the former station became a museum for national art collections from 1850 to 1914. / Bridgeman Images

Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy
Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy

CUB4830063: Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy / Bridgeman Images

Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy
Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy

CUB4830072: Vineyards, Castel San Lorenzo, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy / Bridgeman Images

Olive groove, Alburni mountains, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy
Olive groove, Alburni mountains, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy

CUB4830193: Olive groove, Alburni mountains, Parco Nazionale del Cilento e Vallo di Diano, Campania, Italy / Bridgeman Images

Escalator, Indipendenza street, Salerno, Campania, Italy
Escalator, Indipendenza street, Salerno, Campania, Italy

CUB4829361: Escalator, Indipendenza street, Salerno, Campania, Italy / Bridgeman Images

Roman thermae, Chieti, Abruzzo, Italy
Roman thermae, Chieti, Abruzzo, Italy

CUB4839005: Roman thermae, Chieti, Abruzzo, Italy / Bridgeman Images

Foreshortening, Historic centre, Lanciano, Abruzzo, Italy
Foreshortening, Historic centre, Lanciano, Abruzzo, Italy

CUB4838308: Foreshortening, Historic centre, Lanciano, Abruzzo, Italy / Bridgeman Images

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.

TEC4727079: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992. / Bridgeman Images

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992.

TEC4727238: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rehabilitated in 1660 by Francois Mansart. Dedicated to the history of Paris, this grand museum has occupied two adjoining hotels since 1991: Hotel Carnavalet, one of the most beautiful hotels of the Parisian Renaissance and Hotel Le Peletier de Saint-Fargeau, built in the 18th century. In 1660, Francois Mansart was commissioned to expand and modernize it. In the foreground is the Victory Court with French gardens. Photograph 1992. / Bridgeman Images

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Entrée du Musee Carnavalet, one of the most beautiful Renaissance realizations in Paris. The facade on the street leads to the Renaissance work portal, which is embraced in the architecture of Francois Mansart. The bas-reliefs of the portal are from the middle of the 17th century with the exception of the eardrum, a little later. Photograph 1992.
The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Entrée du Musee Carnavalet, one of the most beautiful Renaissance realizations in Paris. The facade on the street leads to the Renaissance work portal, which is embraced in the architecture of Francois Mansart. The bas-reliefs of the portal are from the middle of the 17th century with the exception of the eardrum, a little later. Photograph 1992.

TEC4727281: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart. Entrée du Musee Carnavalet, one of the most beautiful Renaissance realizations in Paris. The facade on the street leads to the Renaissance work portal, which is embraced in the architecture of Francois Mansart. The bas-reliefs of the portal are from the middle of the 17th century with the exception of the eardrum, a little later. Photograph 1992. / Bridgeman Images

Local handicrafts, Sassi typical houses in tuff miniature, Matera, Basilicata, Italy
Local handicrafts, Sassi typical houses in tuff miniature, Matera, Basilicata, Italy

CUB4834231: Local handicrafts, Sassi typical houses in tuff miniature, Matera, Basilicata, Italy / Bridgeman Images

Cityscape, Matera, Basilicata, Italy
Cityscape, Matera, Basilicata, Italy

CUB4834871: Cityscape, Matera, Basilicata, Italy / Bridgeman Images

Santa Maria delle Malve rocky church, Sasso Caveoso, Matera, Basilicata, Italy
Santa Maria delle Malve rocky church, Sasso Caveoso, Matera, Basilicata, Italy

CUB4834715: Santa Maria delle Malve rocky church, Sasso Caveoso, Matera, Basilicata, Italy / Bridgeman Images

San Michele Arcangelo collegiate church, Città Sant'Angelo, Abruzzo, Italy
San Michele Arcangelo collegiate church, Città Sant'Angelo, Abruzzo, Italy

CUB4841795: San Michele Arcangelo collegiate church, Città Sant'Angelo, Abruzzo, Italy / Bridgeman Images

Foreshortening, Gesualdo, Irpinia, Campania, Italy
Foreshortening, Gesualdo, Irpinia, Campania, Italy

CUB4832517: Foreshortening, Gesualdo, Irpinia, Campania, Italy / Bridgeman Images

Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy
Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy

CUB4832816: Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy / Bridgeman Images

Preparation of Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy
Preparation of Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy

CUB4832917: Preparation of Pecorino Bagnolese cheese, Nigro cheese maker, Bagnoli Irpino, Campania, Italy / Bridgeman Images

Preparation of bread, Di Milia bakery, Calitri, Campania, Italy
Preparation of bread, Di Milia bakery, Calitri, Campania, Italy

CUB4832942: Preparation of bread, Di Milia bakery, Calitri, Campania, Italy / Bridgeman Images

Cityscape, Calitri, Irpinia, Campania, Italy
Cityscape, Calitri, Irpinia, Campania, Italy

CUB4833162: Cityscape, Calitri, Irpinia, Campania, Italy / Bridgeman Images

Foreshortening, Montefalcione, Campania, Italy
Foreshortening, Montefalcione, Campania, Italy

CUB4831976: Foreshortening, Montefalcione, Campania, Italy / Bridgeman Images

San Clemente abbey, Castiglione a Casauria, Abruzzo, Italy
San Clemente abbey, Castiglione a Casauria, Abruzzo, Italy

CUB4846015: San Clemente abbey, Castiglione a Casauria, Abruzzo, Italy / Bridgeman Images

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599803: Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599810: Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

Virgin, Avenue des Champs Elysees, Paris 8th arrondissement.
Virgin, Avenue des Champs Elysees, Paris 8th arrondissement.

TEC4594897: Virgin, Avenue des Champs Elysees, Paris 8th arrondissement. / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595847: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595711: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

Avenue des Champs Elysees, Paris 8th arrondissement. Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) had Andre LeNotre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called l'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.
Avenue des Champs Elysees, Paris 8th arrondissement. Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) had Andre LeNotre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called l'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.

TEC4595140: Avenue des Champs Elysees, Paris 8th arrondissement. Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) had Andre LeNotre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called l'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. / Bridgeman Images

Avenue Montaigne, Paris 8th arrondissement.
Avenue Montaigne, Paris 8th arrondissement.

TEC4595402: Avenue Montaigne, Paris 8th arrondissement. / Bridgeman Images

The Gucci shop, 21 rue Royale in Paris.
The Gucci shop, 21 rue Royale in Paris.

TEC4596360: The Gucci shop, 21 rue Royale in Paris. / Bridgeman Images

Laduree, rrue Royale in Paris. Photography 21/08/07.
Laduree, rrue Royale in Paris. Photography 21/08/07.

TEC4596430: Laduree, rrue Royale in Paris. Photography 21/08/07. / Bridgeman Images


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