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Armande-Louise-Marie de Chaulieu (Armande Louise Marie de Chaulieu) and Renee de Maucombe (puis de l'estorade) in Memoires de deux jeunes mariees”” by Honore de Balzac (Memoires de deux brides) is an epistolary novel by the French writer Honore de Balzac), 1874 (engraving)
Armande-Louise-Marie de Chaulieu (Armande Louise Marie de Chaulieu) and Renee de Maucombe (puis de l'estorade) in Memoires de deux jeunes mariees”” by Honore de Balzac (Memoires de deux brides) is an epistolary novel by the French writer Honore de Balzac), 1874 (engraving)

ELD4966200: Armande-Louise-Marie de Chaulieu (Armande Louise Marie de Chaulieu) and Renee de Maucombe (puis de l'estorade) in Memoires de deux jeunes mariees”” by Honore de Balzac (Memoires de deux brides) is an epistolary novel by the French writer Honore de Balzac), 1874 (engraving) / Bridgeman Images

Portrait of Jacques Balmat (1762-1834) a chamois hunter, crystalline and guide who made the first ascent of Mont Blanc (1762-1834) was a mountaineer, a Savoyard mountain guide) Engraving from Gaston Tissandier 1882
Portrait of Jacques Balmat (1762-1834) a chamois hunter, crystalline and guide who made the first ascent of Mont Blanc (1762-1834) was a mountaineer, a Savoyard mountain guide) Engraving from Gaston Tissandier 1882

ELD4951020: Portrait of Jacques Balmat (1762-1834) a chamois hunter, crystalline and guide who made the first ascent of Mont Blanc (1762-1834) was a mountaineer, a Savoyard mountain guide) Engraving from Gaston Tissandier 1882 / Bridgeman Images

Roman Antiquite: the Battle of Ausculum (279 BC) between the Roman army led by Publius Decius Mus, and the coalized troops of Epire, Taranto, Oscus, Samnites, under the command of the King of Epire Pyrrhus I - Battle of Asculum (279 BC) between the Romans under the command of Consul Publius Decius Mus and the combined Tarantine, Oscan, Samnite, and Epirote forces, under the command of the Greek king Pyrrhus of Epirus - Engraving from “Rom” by Wilhelm Wagner, 1862
Roman Antiquite: the Battle of Ausculum (279 BC) between the Roman army led by Publius Decius Mus, and the coalized troops of Epire, Taranto, Oscus, Samnites, under the command of the King of Epire Pyrrhus I - Battle of Asculum (279 BC) between the Romans under the command of Consul Publius Decius Mus and the combined Tarantine, Oscan, Samnite, and Epirote forces, under the command of the Greek king Pyrrhus of Epirus - Engraving from “Rom” by Wilhelm Wagner, 1862

ELD4965481: Roman Antiquite: the Battle of Ausculum (279 BC) between the Roman army led by Publius Decius Mus, and the coalized troops of Epire, Taranto, Oscus, Samnites, under the command of the King of Epire Pyrrhus I - Battle of Asculum (279 BC) between the Romans under the command of Consul Publius Decius Mus and the combined Tarantine, Oscan, Samnite, and Epirote forces, under the command of the Greek king Pyrrhus of Epirus - Engraving from “Rom” by Wilhelm Wagner, 1862 / Bridgeman Images

Old Houses in the West Port, near the Haunts of Burke and Hare, 1869 (engraving)
Old Houses in the West Port, near the Haunts of Burke and Hare, 1869 (engraving)

LLM5203122: Old Houses in the West Port, near the Haunts of Burke and Hare, 1869 (engraving), English School, (19th century) / Bridgeman Images

Blue dancer and double bass. 1891. Oil on wood
Blue dancer and double bass. 1891. Oil on wood

SYC5977509: Blue dancer and double bass. 1891. Oil on wood, Degas, Edgar (1834-1917) / Bridgeman Images

Merry Company (oil on canvas)
Merry Company (oil on canvas)

CH7273877: Merry Company (oil on canvas), Leyster, Judith (1600-60) / Bridgeman Images

Head of a man, after the antique (verso) (black and white chalk on blue paper)
Head of a man, after the antique (verso) (black and white chalk on blue paper)

CH7378026: Head of a man, after the antique (verso) (black and white chalk on blue paper), Tintoretta, Marietta Robusti (c.1550-90) / Bridgeman Images

L'Église de Varengeville, soleil couchant, 1882 (oil on canvas)
L'Église de Varengeville, soleil couchant, 1882 (oil on canvas)

CH6334491: L'Église de Varengeville, soleil couchant, 1882 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

The Three Huts, Tahiti, 1891-92 (oil on canvas)
The Three Huts, Tahiti, 1891-92 (oil on canvas)

XCS6041481: The Three Huts, Tahiti, 1891-92 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

A Youth Holding a Wine Cup, Safavid Isfahan (opaque pigments heightened with gold on paper)
A Youth Holding a Wine Cup, Safavid Isfahan (opaque pigments heightened with gold on paper)

CH6184892: A Youth Holding a Wine Cup, Safavid Isfahan (opaque pigments heightened with gold on paper), Persian School, (16th century) / Bridgeman Images

Masked figures taking coffee in the Caffè Florian, Venice (oil on canvas)
Masked figures taking coffee in the Caffè Florian, Venice (oil on canvas)

CH6256751: Masked figures taking coffee in the Caffè Florian, Venice (oil on canvas), Guardi, Francesco (1712-93) (attr. to) / Bridgeman Images

Low Tide, c.1915 (oil on board)
Low Tide, c.1915 (oil on board)

XMV5933138: Low Tide, c.1915 (oil on board), Potthast, Edward Henry (1857-1927) / Bridgeman Images

Tawny Owl and Chicks (w/c on paper)
Tawny Owl and Chicks (w/c on paper)

PBT3587867: Tawny Owl and Chicks (w/c on paper), Barrett, Peter (b.1935) / Bridgeman Images

Illustration from Shut,  pub. St. Petersburg, 1906 (colour litho)
Illustration from Shut,  pub. St. Petersburg, 1906 (colour litho)

STC2906948: Illustration from Shut, pub. St. Petersburg, 1906 (colour litho), Russian School, (20th century) / Bridgeman Images

Cover of Cartoon Alamanac,  Swamp, pub. St. Petersburg, 1906 (colour litho)
Cover of Cartoon Alamanac,  Swamp, pub. St. Petersburg, 1906 (colour litho)

STC2906951: Cover of Cartoon Alamanac, Swamp, pub. St. Petersburg, 1906 (colour litho), Russian School, (20th century) / Bridgeman Images

The Triple Entente (colour litho)
The Triple Entente (colour litho)

LLM3094176: The Triple Entente (colour litho), Dufresne, Paul (1885-1956) / Bridgeman Images

Loves me - loves me not - loves me, 2016 (oil on linen)
Loves me - loves me not - loves me, 2016 (oil on linen)

RCL3071966: Loves me - loves me not - loves me, 2016 (oil on linen), Campbell, Rebecca / Bridgeman Images

Several children of the Foundling Hospital, 1810 (engraving)
Several children of the Foundling Hospital, 1810 (engraving)

XLF3788121: Several children of the Foundling Hospital, 1810 (engraving), Hogarth, William (1697-1764) (after) / Bridgeman Images

Pays de Lotophages, Djerba, Tunisia, 1926 (oil on canvas)
Pays de Lotophages, Djerba, Tunisia, 1926 (oil on canvas)

MOU3900121: Pays de Lotophages, Djerba, Tunisia, 1926 (oil on canvas), Morris, Cedric (1889-1982) / Bridgeman Images

Dream of Venus, 1938 (gouache & w/c on paper)
Dream of Venus, 1938 (gouache & w/c on paper)

CH3576453: Dream of Venus, 1938 (gouache & w/c on paper), Dali, Salvador (1904-89) / Bridgeman Images

Maurice Leblanc holding a puppet by Arsène Lupin - in
Maurice Leblanc holding a puppet by Arsène Lupin - in

LSE4103046: Maurice Leblanc holding a puppet by Arsène Lupin - in "Je sais tout" of 15/04/1911 (print), Unknown Artist, (20th century) / Bridgeman Images

Portrait of Marc Chagall (1887 - 1985). photo sd.
Portrait of Marc Chagall (1887 - 1985). photo sd.

LSE4103186: Portrait of Marc Chagall (1887 - 1985). photo sd., Unknown photographer, (20th century) / Bridgeman Images

Under the equatorial sun: our effort to penetrate by rail continues across Africa. Thus, the Brazzaville line to the sea will intensify the exploitation of the Congo. But how many obstacles - nature of the terrain, humid and warm climate, labour difficulties - do engineers not encounter to carry out this civilizing work? - in
Under the equatorial sun: our effort to penetrate by rail continues across Africa. Thus, the Brazzaville line to the sea will intensify the exploitation of the Congo. But how many obstacles - nature of the terrain, humid and warm climate, labour difficulties - do engineers not encounter to carry out this civilizing work? - in

LSE4101742: Under the equatorial sun: our effort to penetrate by rail continues across Africa. Thus, the Brazzaville line to the sea will intensify the exploitation of the Congo. But how many obstacles - nature of the terrain, humid and warm climate, labour difficulties - do engineers not encounter to carry out this civilizing work? - in "Le Petite Journal" of 06/07/1924, Unknown Artist, (20th century) / Bridgeman Images

The Seeds of Death, anti-Nazi propaganda depicting a skeleton sowing swastikas, the seeds of hunger, war and fire, 1937 (litho)
The Seeds of Death, anti-Nazi propaganda depicting a skeleton sowing swastikas, the seeds of hunger, war and fire, 1937 (litho)

LLE6029797: The Seeds of Death, anti-Nazi propaganda depicting a skeleton sowing swastikas, the seeds of hunger, war and fire, 1937 (litho), Heartfield, John (1891-1968) / Bridgeman Images

Part of district burned in race riots, Tulsa, Oklahoma, June 1921 (b/w photo)
Part of district burned in race riots, Tulsa, Oklahoma, June 1921 (b/w photo)

XOS5863757: Part of district burned in race riots, Tulsa, Oklahoma, June 1921 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Wila, 1972 (oil, wood, burlap & paper on canvas)
Wila, 1972 (oil, wood, burlap & paper on canvas)

CH5903682: Wila, 1972 (oil, wood, burlap & paper on canvas), Pacheco, María Luisa (1919-82) / Bridgeman Images

Paris: Tour Eiffel & Champ De Mars (b/w photo)
Paris: Tour Eiffel & Champ De Mars (b/w photo)

LLM5987178: Paris: Tour Eiffel & Champ De Mars (b/w photo), French Photographer, (20th century) / Bridgeman Images

Circé, 1875 (oil on canvas)
Circé, 1875 (oil on canvas)

SBY6382584: Circé, 1875 (oil on canvas), Badin, Jean Jules (1843-c.1880) / Bridgeman Images

Portrait of the French prefet and resistant Jean Moulin (1899-1943) in Montpellier around 1939-40.
Portrait of the French prefet and resistant Jean Moulin (1899-1943) in Montpellier around 1939-40.

GIA4804985: Portrait of the French prefet and resistant Jean Moulin (1899-1943) in Montpellier around 1939-40., Bernard, Marcel (1902-1991) / Bridgeman Images

The Soft Clock, 1933 (Painting)
The Soft Clock, 1933 (Painting)

LRI4614153: The Soft Clock, 1933 (Painting), Dali, Salvador (1904-89) / Bridgeman Images

Battle of Grandson on 2 March 1476 between the Swiss Confederates and Charles the Bold, after Schilling's “” fooling Chronicle”.
Battle of Grandson on 2 March 1476 between the Swiss Confederates and Charles the Bold, after Schilling's “” fooling Chronicle”.

GIA4693987: Battle of Grandson on 2 March 1476 between the Swiss Confederates and Charles the Bold, after Schilling's “” fooling Chronicle”., Unknown Artist / Bridgeman Images

Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936.
Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936.

GIA4709187: Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936., Unknown photographer, (20th century) / Bridgeman Images

A young unemployed balancist, acrobat, walked in balance on a thread stretched between two Broadway skies in the hope of finding work, 1932 (print)
A young unemployed balancist, acrobat, walked in balance on a thread stretched between two Broadway skies in the hope of finding work, 1932 (print)

XEE4406648: A young unemployed balancist, acrobat, walked in balance on a thread stretched between two Broadway skies in the hope of finding work, 1932 (print), Matania, Ugo (1888-1979) / Bridgeman Images

Paris in the summer, we drink in front of the Wallace Fountain.
Paris in the summer, we drink in front of the Wallace Fountain.

XEE4408252: Paris in the summer, we drink in front of the Wallace Fountain., Unknown Artist, (20th century) / Bridgeman Images

Christmas party: a magnificent family meal to celebrate Christmas Eve, 1907 (print)
Christmas party: a magnificent family meal to celebrate Christmas Eve, 1907 (print)

XEE4408823: Christmas party: a magnificent family meal to celebrate Christmas Eve, 1907 (print), Unknown Artist / Bridgeman Images

Albert Camus and his secretary S. Agnely, at the NRF in 1957.
Albert Camus and his secretary S. Agnely, at the NRF in 1957.

LSE4402940: Albert Camus and his secretary S. Agnely, at the NRF in 1957., French Photographer, (20th century) / Bridgeman Images


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