1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

1104779 Search Results

Portrait of Queen Victoria of Hanover (1919-1901), 1901 (print)
Portrait of Queen Victoria of Hanover (1919-1901), 1901 (print)

LSE4327215: Portrait of Queen Victoria of Hanover (1919-1901), 1901 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327215

Portrait of Queen Victoria of Hanover (1919-1901), 1901 (print)

Unknown Artist, (20th century)

Official portrait of the coronation of the new King Edward VII (1841-1910) King of the United Kingdom of England and Ireland and Emperor of India. Engraving in
Official portrait of the coronation of the new King Edward VII (1841-1910) King of the United Kingdom of England and Ireland and Emperor of India. Engraving in

LSE4327223: Official portrait of the coronation of the new King Edward VII (1841-1910) King of the United Kingdom of England and Ireland and Emperor of India. Engraving in "Le petit journal" 3/2/1901. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327223

Official portrait of the coronation of the new King Edward VII (1841-1910) King of the United Kingdom of England and Ireland and Emperor of India. Engraving in "Le petit journal" 3/2/1901. Selva Collection.

Unknown Artist, (20th century)

In Noisy Le Sec, where a terrible accident occurred during the night, the old men suffering from the cold lit the stove, forgetting to close the lid, letting the carbon dioxide escape that caused them to suffocate. Engraving in
In Noisy Le Sec, where a terrible accident occurred during the night, the old men suffering from the cold lit the stove, forgetting to close the lid, letting the carbon dioxide escape that caused them to suffocate. Engraving in

LSE4327242: In Noisy Le Sec, where a terrible accident occurred during the night, the old men suffering from the cold lit the stove, forgetting to close the lid, letting the carbon dioxide escape that caused them to suffocate. Engraving in "Le petit journal" 17/3/1901. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327242

In Noisy Le Sec, where a terrible accident occurred during the night, the old men suffering from the cold lit the stove, forgetting to close the lid, letting the carbon dioxide escape that caused them to suffocate. Engraving in "Le petit journal" 17/3/1901. Selva Collection.

Unknown Artist, (20th century)

Portrait of Pope Leon XIII (1810-1903), 256th Pope of the Catholic Church. Engraving in
Portrait of Pope Leon XIII (1810-1903), 256th Pope of the Catholic Church. Engraving in

LSE4327710: Portrait of Pope Leon XIII (1810-1903), 256th Pope of the Catholic Church. Engraving in "Le petit journal" 19/7/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327710

Portrait of Pope Leon XIII (1810-1903), 256th Pope of the Catholic Church. Engraving in "Le petit journal" 19/7/1903. Selva Collection.

Unknown Artist, (20th century)

The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of
The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of

LSE4327724: The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of "live the nation”. Engraving in "Le petit journal" 20/9/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327724

The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of "live the nation”. Engraving in "Le petit journal" 20/9/1903. Selva Collection.

Unknown Artist, (20th century)

Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.
Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.

LSE4327770: Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection., Sine, (Sinet, Maurice) (1928-2016) / Bridgeman Images

ID: LSE4327770

Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.

Sine, (Sinet, Maurice) (1928-2016)

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327789: Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327789

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.
Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.

LSE4327846: Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327846

Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.

LSE4327854: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327854

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.

In St. John's of Newfoundland, nine boats caught nearly 100,000 seals, the hunt begins in February, while the small seals are well developed but not yet strong enough to flee, so the massacre begins, the young seals are stunned and still alive for the most part, on site, then their skin with fat adherent is transported into the vessels. Engraving in
In St. John's of Newfoundland, nine boats caught nearly 100,000 seals, the hunt begins in February, while the small seals are well developed but not yet strong enough to flee, so the massacre begins, the young seals are stunned and still alive for the most part, on site, then their skin with fat adherent is transported into the vessels. Engraving in

LSE4327559: In St. John's of Newfoundland, nine boats caught nearly 100,000 seals, the hunt begins in February, while the small seals are well developed but not yet strong enough to flee, so the massacre begins, the young seals are stunned and still alive for the most part, on site, then their skin with fat adherent is transported into the vessels. Engraving in "Le petit journal" 15/6/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327559

In St. John's of Newfoundland, nine boats caught nearly 100,000 seals, the hunt begins in February, while the small seals are well developed but not yet strong enough to flee, so the massacre begins, the young seals are stunned and still alive for the most part, on site, then their skin with fat adherent is transported into the vessels. Engraving in "Le petit journal" 15/6/1902. Selva Collection.

Unknown Artist, (20th century)

A rescuer dog, a new land (Newfoundland) of the prefecture of Paris, jumps into the Seine to rescue a man who falls into the water, then reports to the watchman. Engraving in
A rescuer dog, a new land (Newfoundland) of the prefecture of Paris, jumps into the Seine to rescue a man who falls into the water, then reports to the watchman. Engraving in

LSE4327561: A rescuer dog, a new land (Newfoundland) of the prefecture of Paris, jumps into the Seine to rescue a man who falls into the water, then reports to the watchman. Engraving in "Le petit journal" 22/6/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327561

A rescuer dog, a new land (Newfoundland) of the prefecture of Paris, jumps into the Seine to rescue a man who falls into the water, then reports to the watchman. Engraving in "Le petit journal" 22/6/1902. Selva Collection.

Unknown Artist, (20th century)

At the Mont-de-Piete (Mont de Piete), a financial institution in Paris, created in the 17th century, to allow the most destitute to escape the loan sharks by making pawn loans; the illustration shows the store rooms where the pawn items are stored, as well as the sales room where the auctioneer is responsible for selling the items which have not been withdrawn after one year of deposit. Engraving in
At the Mont-de-Piete (Mont de Piete), a financial institution in Paris, created in the 17th century, to allow the most destitute to escape the loan sharks by making pawn loans; the illustration shows the store rooms where the pawn items are stored, as well as the sales room where the auctioneer is responsible for selling the items which have not been withdrawn after one year of deposit. Engraving in

LSE4327566: At the Mont-de-Piete (Mont de Piete), a financial institution in Paris, created in the 17th century, to allow the most destitute to escape the loan sharks by making pawn loans; the illustration shows the store rooms where the pawn items are stored, as well as the sales room where the auctioneer is responsible for selling the items which have not been withdrawn after one year of deposit. Engraving in "Le petit journal" 29/6/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327566

At the Mont-de-Piete (Mont de Piete), a financial institution in Paris, created in the 17th century, to allow the most destitute to escape the loan sharks by making pawn loans; the illustration shows the store rooms where the pawn items are stored, as well as the sales room where the auctioneer is responsible for selling the items which have not been withdrawn after one year of deposit. Engraving in "Le petit journal" 29/6/1902. Selva Collection.

Unknown Artist, (20th century)

A 6-year-old child saves four people from drowning, near Gueret on the Thaurion (or Taurion, a tributary of Vienna), their boat capsized because of the current and the boy hastened to give them a pole to pull them out of the water. Engraving in
A 6-year-old child saves four people from drowning, near Gueret on the Thaurion (or Taurion, a tributary of Vienna), their boat capsized because of the current and the boy hastened to give them a pole to pull them out of the water. Engraving in

LSE4327583: A 6-year-old child saves four people from drowning, near Gueret on the Thaurion (or Taurion, a tributary of Vienna), their boat capsized because of the current and the boy hastened to give them a pole to pull them out of the water. Engraving in "Le petit journal" 13/7/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327583

A 6-year-old child saves four people from drowning, near Gueret on the Thaurion (or Taurion, a tributary of Vienna), their boat capsized because of the current and the boy hastened to give them a pole to pull them out of the water. Engraving in "Le petit journal" 13/7/1902. Selva Collection.

Unknown Artist, (20th century)

A six-year-old girl, travelling alone on the Frankfurt-Mulhouse train, with a sign around her neck indicating the address of her destination, like a live parcel, was arrested by the German police in Berlin. Engraving in
A six-year-old girl, travelling alone on the Frankfurt-Mulhouse train, with a sign around her neck indicating the address of her destination, like a live parcel, was arrested by the German police in Berlin. Engraving in

LSE4327617: A six-year-old girl, travelling alone on the Frankfurt-Mulhouse train, with a sign around her neck indicating the address of her destination, like a live parcel, was arrested by the German police in Berlin. Engraving in "Le petit journal" 19/10/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327617

A six-year-old girl, travelling alone on the Frankfurt-Mulhouse train, with a sign around her neck indicating the address of her destination, like a live parcel, was arrested by the German police in Berlin. Engraving in "Le petit journal" 19/10/1902. Selva Collection.

Unknown Artist, (20th century)

In Paris, behind the Palais des Invalides, a young girl of good society is abducted by a man who wins her car, despite the protests of friends who accompany her. Engraving in
In Paris, behind the Palais des Invalides, a young girl of good society is abducted by a man who wins her car, despite the protests of friends who accompany her. Engraving in

LSE4327629: In Paris, behind the Palais des Invalides, a young girl of good society is abducted by a man who wins her car, despite the protests of friends who accompany her. Engraving in "Le petit journal" 21/12/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327629

In Paris, behind the Palais des Invalides, a young girl of good society is abducted by a man who wins her car, despite the protests of friends who accompany her. Engraving in "Le petit journal" 21/12/1902. Selva Collection.

Unknown Artist, (20th century)

During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in
During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in

LSE4327930: During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in "Le pelerin" 29/04/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327930

During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in "Le pelerin" 29/04/1900. Selva Collection.

French School, (20th century)

Two scenes of martyrdom presented in the pavilion of Catholic missions at the Paris Universal Exhibition, the first depicts the martyrdom of evangelizers in North Africa and the second in the Extreme East. Engraving in
Two scenes of martyrdom presented in the pavilion of Catholic missions at the Paris Universal Exhibition, the first depicts the martyrdom of evangelizers in North Africa and the second in the Extreme East. Engraving in

LSE4327938: Two scenes of martyrdom presented in the pavilion of Catholic missions at the Paris Universal Exhibition, the first depicts the martyrdom of evangelizers in North Africa and the second in the Extreme East. Engraving in "Le pelerin" 3/06/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327938

Two scenes of martyrdom presented in the pavilion of Catholic missions at the Paris Universal Exhibition, the first depicts the martyrdom of evangelizers in North Africa and the second in the Extreme East. Engraving in "Le pelerin" 3/06/1900. Selva Collection.

French School, (20th century)

The last assault and capture of Pekin, on August 18, 1900, by international troops (French and Russian troops), delivating the foreign legations besieged by boxers and reduced to famine for more than two months. Engraving in
The last assault and capture of Pekin, on August 18, 1900, by international troops (French and Russian troops), delivating the foreign legations besieged by boxers and reduced to famine for more than two months. Engraving in

LSE4327942: The last assault and capture of Pekin, on August 18, 1900, by international troops (French and Russian troops), delivating the foreign legations besieged by boxers and reduced to famine for more than two months. Engraving in "Le pelerin" 2/09/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327942

The last assault and capture of Pekin, on August 18, 1900, by international troops (French and Russian troops), delivating the foreign legations besieged by boxers and reduced to famine for more than two months. Engraving in "Le pelerin" 2/09/1900. Selva Collection.

French School, (20th century)

By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in
By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in

LSE4327943: By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in "Le pelerin" 24/06/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327943

By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in "Le pelerin" 24/06/1900. Selva Collection.

French School, (20th century)

The French colony of Kobe (Japan) has just raised a monument to the Caravan crew, collided with a Japanese cruiser; on the day of the inauguration of the stele, the local population and the authorities came to express their sympathy and respect by laying commemorative wreaths of flowers. Engraving in
The French colony of Kobe (Japan) has just raised a monument to the Caravan crew, collided with a Japanese cruiser; on the day of the inauguration of the stele, the local population and the authorities came to express their sympathy and respect by laying commemorative wreaths of flowers. Engraving in

LSE4327453: The French colony of Kobe (Japan) has just raised a monument to the Caravan crew, collided with a Japanese cruiser; on the day of the inauguration of the stele, the local population and the authorities came to express their sympathy and respect by laying commemorative wreaths of flowers. Engraving in "Le petit journal" 27/10/1901. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327453

The French colony of Kobe (Japan) has just raised a monument to the Caravan crew, collided with a Japanese cruiser; on the day of the inauguration of the stele, the local population and the authorities came to express their sympathy and respect by laying commemorative wreaths of flowers. Engraving in "Le petit journal" 27/10/1901. Selva Collection.

Unknown Artist, (20th century)

A child abduction in Pont-a-Mousson, on the way to school, a 10-year-old girl is abducted by a couple of itinerant basket merchants, a winemaker, witness of the scene, jumps in pursuit of the trailer gun from her beche to pick up the child. Engraving in
A child abduction in Pont-a-Mousson, on the way to school, a 10-year-old girl is abducted by a couple of itinerant basket merchants, a winemaker, witness of the scene, jumps in pursuit of the trailer gun from her beche to pick up the child. Engraving in

LSE4327489: A child abduction in Pont-a-Mousson, on the way to school, a 10-year-old girl is abducted by a couple of itinerant basket merchants, a winemaker, witness of the scene, jumps in pursuit of the trailer gun from her beche to pick up the child. Engraving in "Le petit journal" 2/2/1902. Selva Collection., Yrondy, Charles Gaston (1885-1960) / Bridgeman Images

ID: LSE4327489

A child abduction in Pont-a-Mousson, on the way to school, a 10-year-old girl is abducted by a couple of itinerant basket merchants, a winemaker, witness of the scene, jumps in pursuit of the trailer gun from her beche to pick up the child. Engraving in "Le petit journal" 2/2/1902. Selva Collection.

Yrondy, Charles Gaston (1885-1960)

On the Isle of Wight (England), a brig failed at St. Catherine was demembre by the storm and barrels of wine and brandy were thrown on the beach, in the morning a crowd of men and women took hold of the barrels and started drinking and filling all kinds of containers. Engraving in
On the Isle of Wight (England), a brig failed at St. Catherine was demembre by the storm and barrels of wine and brandy were thrown on the beach, in the morning a crowd of men and women took hold of the barrels and started drinking and filling all kinds of containers. Engraving in

LSE4327533: On the Isle of Wight (England), a brig failed at St. Catherine was demembre by the storm and barrels of wine and brandy were thrown on the beach, in the morning a crowd of men and women took hold of the barrels and started drinking and filling all kinds of containers. Engraving in "Le petit journal" 27/4/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327533

On the Isle of Wight (England), a brig failed at St. Catherine was demembre by the storm and barrels of wine and brandy were thrown on the beach, in the morning a crowd of men and women took hold of the barrels and started drinking and filling all kinds of containers. Engraving in "Le petit journal" 27/4/1902. Selva Collection.

Unknown Artist, (20th century)

The final scene of Cavalleria rusticana, opera by Mascagni, at the teatro alla scala in 1891
The final scene of Cavalleria rusticana, opera by Mascagni, at the teatro alla scala in 1891

LRI4565961: The final scene of Cavalleria rusticana, opera by Mascagni, at the teatro alla scala in 1891, Bonamore, A. (fl.1901) (after) / Bridgeman Images

ID: LRI4565961

The final scene of Cavalleria rusticana, opera by Mascagni, at the teatro alla scala in 1891

Bonamore, A. (fl.1901) (after)

Automobile: view of the triple car Phaeton Lorraine Dietrich, 1907 (photo)
Automobile: view of the triple car Phaeton Lorraine Dietrich, 1907 (photo)

JLJ4566005: Automobile: view of the triple car Phaeton Lorraine Dietrich, 1907 (photo), French School, (20th century) / Bridgeman Images

ID: JLJ4566005

Automobile: view of the triple car Phaeton Lorraine Dietrich, 1907 (photo)

French School, (20th century)

Frontispice of Twilight, pastoral poem n. 5 by Jules Massenet.
Frontispice of Twilight, pastoral poem n. 5 by Jules Massenet.

LRI4566013: Frontispice of Twilight, pastoral poem n. 5 by Jules Massenet., Unknown Artist, (20th century) / Bridgeman Images

ID: LRI4566013

Frontispice of Twilight, pastoral poem n. 5 by Jules Massenet.

Unknown Artist, (20th century)

Frontispiece of duetto Se quel dio che agli astri impera by Giovanni Simone Mayr.
Frontispiece of duetto Se quel dio che agli astri impera by Giovanni Simone Mayr.

LRI4566022: Frontispiece of duetto Se quel dio che agli astri impera by Giovanni Simone Mayr. / Bridgeman Images

ID: LRI4566022

Frontispiece of duetto Se quel dio che agli astri impera by Giovanni Simone Mayr.

Frontispiece of Didone, opera by Saverio Mercadante
Frontispiece of Didone, opera by Saverio Mercadante

LRI4566045: Frontispiece of Didone, opera by Saverio Mercadante / Bridgeman Images

ID: LRI4566045

Frontispiece of Didone, opera by Saverio Mercadante

Portrait of the Ann, Elisabeth de Brancovan Comtesse Mathieu de Noailles (oil on canvas)
Portrait of the Ann, Elisabeth de Brancovan Comtesse Mathieu de Noailles (oil on canvas)

JLJ4566100: Portrait of the Ann, Elisabeth de Brancovan Comtesse Mathieu de Noailles (oil on canvas), Unknown Artist, (20th century) / Bridgeman Images

ID: JLJ4566100

Portrait of the Ann, Elisabeth de Brancovan Comtesse Mathieu de Noailles (oil on canvas)

Unknown Artist, (20th century)

Portraits of Niccolo Antonio Zingarelli, Giuseppe Sarti, Giacomo Tritto and Giovanni Paisiello (engraving, 19th century)
Portraits of Niccolo Antonio Zingarelli, Giuseppe Sarti, Giacomo Tritto and Giovanni Paisiello (engraving, 19th century)

LRI4565220: Portraits of Niccolo Antonio Zingarelli, Giuseppe Sarti, Giacomo Tritto and Giovanni Paisiello (engraving, 19th century) / Bridgeman Images

ID: LRI4565220

Portraits of Niccolo Antonio Zingarelli, Giuseppe Sarti, Giacomo Tritto and Giovanni Paisiello (engraving, 19th century)

Portrait of Franz Schubert (engraving, 1873)
Portrait of Franz Schubert (engraving, 1873)

LRI4565285: Portrait of Franz Schubert (engraving, 1873), Deblois, Charles-Alphonse (b.1822) / Bridgeman Images

ID: LRI4565285

Portrait of Franz Schubert (engraving, 1873)

Deblois, Charles-Alphonse (b.1822)

A pastry shop, 17th century (engraving)
A pastry shop, 17th century (engraving)

JLJ4565292: A pastry shop, 17th century (engraving), Bosse, Abraham (1602-76) / Bridgeman Images

ID: JLJ4565292

A pastry shop, 17th century (engraving)

Bosse, Abraham (1602-76)

Prehistory: Dolmen de l'Etang, la, Ville, 1878 (w/c)
Prehistory: Dolmen de l'Etang, la, Ville, 1878 (w/c)

JLJ4565320: Prehistory: Dolmen de l'Etang, la, Ville, 1878 (w/c), Dumoutet, Jules (1815-1880) / Bridgeman Images

ID: JLJ4565320

Prehistory: Dolmen de l'Etang, la, Ville, 1878 (w/c)

Dumoutet, Jules (1815-1880)

Portrait of Luigi Ricci (engraving, 19th century)
Portrait of Luigi Ricci (engraving, 19th century)

LRI4564930: Portrait of Luigi Ricci (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4564930

Portrait of Luigi Ricci (engraving, 19th century)

Unknown Artist, (19th century)

Frontispiece of Mignon, melody by Charles Gounod (19th century)
Frontispiece of Mignon, melody by Charles Gounod (19th century)

LRI4564116: Frontispiece of Mignon, melody by Charles Gounod (19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4564116

Frontispiece of Mignon, melody by Charles Gounod (19th century)

Unknown Artist, (19th century)

Sheet music cover of the tarantella Vocca e Rosa by Enrico de Leva, 1889
Sheet music cover of the tarantella Vocca e Rosa by Enrico de Leva, 1889

LRI4563565: Sheet music cover of the tarantella Vocca e Rosa by Enrico de Leva, 1889, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4563565

Sheet music cover of the tarantella Vocca e Rosa by Enrico de Leva, 1889

Unknown Artist, (19th century)

First page of the musical score of Svenami ormai crudele, in Gli Orazi e i Curiazi by Domenico Cimarosa, c. 1798
First page of the musical score of Svenami ormai crudele, in Gli Orazi e i Curiazi by Domenico Cimarosa, c. 1798

LRI4563573: First page of the musical score of Svenami ormai crudele, in Gli Orazi e i Curiazi by Domenico Cimarosa, c. 1798, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4563573

First page of the musical score of Svenami ormai crudele, in Gli Orazi e i Curiazi by Domenico Cimarosa, c. 1798

Unknown artist, (18th century)


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.