GIA4777700:
The pirate feast: the crew of Edward Teach dit Barbenoire (Blackbeard or Blackbeard, 1680-1718) and Charles Vane feasted on the coast of Carolina towards the end of the 17th century. Engraving of “” The pirate own book”” 1837., Anonymous / Bridgeman Images
ID: GIA4777700
The pirate feast: the crew of Edward Teach dit Barbenoire (Blackbeard or Blackbeard, 1680-1718) and Charles Vane feasted on the coast of Carolina towards the end of the 17th century. Engraving of “” The pirate own book”” 1837.
Anonymous
GIA4777799:
Scene on the deck of a pirate ship. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4777799
Scene on the deck of a pirate ship. 19th century engraving.
Unknown Artist, (19th century)
GIA4777824:
La vie des pirates sur l'île de Madagascar. Engraving of “The pirate own book” 1837., Anonymous / Bridgeman Images
ID: GIA4777824
La vie des pirates sur l'île de Madagascar. Engraving of “The pirate own book” 1837.
Anonymous
GIA4777843:
Portrait of a pirate on the deck of his ship., Anonymous / Bridgeman Images
ID: GIA4777843
Portrait of a pirate on the deck of his ship.
Anonymous
GIA4780199:
Le pirate Jack Ballister ""The story of Jack Ballister's fortunes"" in ""Book of pirates Buccaneers and Marooners of the spanish Main"" , illustre par Howard Pyle (1853-1911), illustrateur americain, 1895., Pyle, Howard (1853-1911) / Bridgeman Images
ID: GIA4780199
Le pirate Jack Ballister ""The story of Jack Ballister's fortunes"" in ""Book of pirates Buccaneers and Marooners of the spanish Main"" , illustre par Howard Pyle (1853-1911), illustrateur americain, 1895.
Pyle, Howard (1853-1911)
GIA4780236:
Henry Giffard's captive balloon in 1878., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4780236
Henry Giffard's captive balloon in 1878.
Unknown Artist, (19th century)
GIA4780659:
The Turtle and the two Ducks. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images
ID: GIA4780659
The Turtle and the two Ducks. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
Chauveau, Francois (1613-76)
GIA4792980:
View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792980
View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century
Unknown Artist, (19th century)
GIA4793169:
Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images
ID: GIA4793169
Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
French School, (18th century)
GIA4793270:
Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images
ID: GIA4793270
Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
French School, (18th century)
GIA4793290:
Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images
ID: GIA4793290
Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
French School, (18th century)
GIA4793323:
Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images
ID: GIA4793323
Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
French School, (18th century)
GIA4793388:
Portrait of Sully Prudhomme (Armand Sully-Prudhomme dit) (Sully Prud'homme, Sully Prud'homme) (1839-1907), French poet., French School, (19th century) / Bridgeman Images
ID: GIA4793388
Portrait of Sully Prudhomme (Armand Sully-Prudhomme dit) (Sully Prud'homme, Sully Prud'homme) (1839-1907), French poet.
French School, (19th century)
GIA4793487:
Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images
ID: GIA4793487
Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Italian School, (18th century)
GIA4793506:
Scene 4 of Act I of the comic piece “” L'impresario delle Smirne”” (L'impresario de Smyrne) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images
ID: GIA4793506
Scene 4 of Act I of the comic piece “” L'impresario delle Smirne”” (L'impresario de Smyrne) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Italian School, (18th century)
GIA4793536:
Scene 13 of Act I of the comic piece “” La dama prudente”” (The prudent wife) (1751) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images
ID: GIA4793536
Scene 13 of Act I of the comic piece “” La dama prudente”” (The prudent wife) (1751) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Italian School, (18th century)
GIA4793689:
Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images
ID: GIA4793689
Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Italian School, (18th century)
GIA4793857:
Portrait of Charles I (Carol I) (1839-1914), King of Romania., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4793857
Portrait of Charles I (Carol I) (1839-1914), King of Romania.
Unknown Artist, (19th century)
GIA4791899:
Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
ID: GIA4791899
Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Italian School, (17th century)
GIA4791920:
Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
ID: GIA4791920
Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Italian School, (17th century)
GIA4791960:
Different types of human monsters: the manticore you a cat with child legs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
ID: GIA4791960
Different types of human monsters: the manticore you a cat with child legs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Italian School, (17th century)
GIA4792011:
Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
ID: GIA4792011
Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Italian School, (17th century)
GIA4792041:
Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images
ID: GIA4792041
Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Italian School, (17th century)
GIA4792092:
A marine monster beats a swimmer near the coast of Norway. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567., Unknown Artist, (16th century) / Bridgeman Images
ID: GIA4792092
A marine monster beats a swimmer near the coast of Norway. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.
Unknown Artist, (16th century)
GIA4792141:
Representation of a comet above the town of Athenes in 1878., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792141
Representation of a comet above the town of Athenes in 1878.
Unknown Artist, (19th century)
GIA4792196:
Representation of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), a Polish doctor and astronomer. Manuscript from the 18th century., Unknown artist, (18th century) / Bridgeman Images
ID: GIA4792196
Representation of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), a Polish doctor and astronomer. Manuscript from the 18th century.
Unknown artist, (18th century)
GIA4792257:
Emigration of Armenians to Russia. 19th century engraving, Italian School, (19th century) / Bridgeman Images
ID: GIA4792257
Emigration of Armenians to Russia. 19th century engraving
Italian School, (19th century)
GIA4792336:
Representation of sirenes. 16th century engraving, Unknown Artist, (16th century) / Bridgeman Images
ID: GIA4792336
Representation of sirenes. 16th century engraving
Unknown Artist, (16th century)
GIA4792348:
Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images
ID: GIA4792348
Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century
Unknown artist, (18th century)
GIA4792422:
While waiting for harvest time: peasants rest. Sicily 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792422
While waiting for harvest time: peasants rest. Sicily 19th century engraving
Unknown Artist, (19th century)
GIA4792514:
A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792514
A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century
Unknown Artist, (19th century)
GIA4792648:
The rowers on a boat on the Anapo River in Sicily., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792648
The rowers on a boat on the Anapo River in Sicily.
Unknown Artist, (19th century)
GIA4792656:
A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792656
A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century
Unknown Artist, (19th century)
GIA4792754:
Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving), Thevet, Andre (1504-92) (after) / Bridgeman Images
ID: GIA4792754
Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving)
Thevet, Andre (1504-92) (after)
GIA4792789:
Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792789
Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century
Unknown Artist, (19th century)
GIA4792799:
View of the city of Trieste (in the Austrian period), engraving from 1885, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4792799
View of the city of Trieste (in the Austrian period), engraving from 1885