Print Friendly Version Page

789967 Search Results

The pirate feast: the crew of Edward Teach dit Barbenoire (Blackbeard or Blackbeard, 1680-1718) and Charles Vane feasted on the coast of Carolina towards the end of the 17th century. Engraving of “” The pirate own book”” 1837.
The pirate feast: the crew of Edward Teach dit Barbenoire (Blackbeard or Blackbeard, 1680-1718) and Charles Vane feasted on the coast of Carolina towards the end of the 17th century. Engraving of “” The pirate own book”” 1837.

GIA4777700: The pirate feast: the crew of Edward Teach dit Barbenoire (Blackbeard or Blackbeard, 1680-1718) and Charles Vane feasted on the coast of Carolina towards the end of the 17th century. Engraving of “” The pirate own book”” 1837., Anonymous / Bridgeman Images

Scene on the deck of a pirate ship. 19th century engraving.
Scene on the deck of a pirate ship. 19th century engraving.

GIA4777799: Scene on the deck of a pirate ship. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

La vie des pirates sur l'île de Madagascar. Engraving of “The pirate own book” 1837.
La vie des pirates sur l'île de Madagascar. Engraving of “The pirate own book” 1837.

GIA4777824: La vie des pirates sur l'île de Madagascar. Engraving of “The pirate own book” 1837., Anonymous / Bridgeman Images

Portrait of a pirate on the deck of his ship.
Portrait of a pirate on the deck of his ship.

GIA4777843: Portrait of a pirate on the deck of his ship., Anonymous / Bridgeman Images

Le pirate Jack Ballister
Le pirate Jack Ballister

GIA4780199: Le pirate Jack Ballister ""The story of Jack Ballister's fortunes"" in ""Book of pirates Buccaneers and Marooners of the spanish Main"" , illustre par Howard Pyle (1853-1911), illustrateur americain, 1895., Pyle, Howard (1853-1911) / Bridgeman Images

Henry Giffard's captive balloon in 1878.
Henry Giffard's captive balloon in 1878.

GIA4780236: Henry Giffard's captive balloon in 1878., Unknown Artist, (19th century) / Bridgeman Images

The Turtle and the two Ducks. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
The Turtle and the two Ducks. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

GIA4780659: The Turtle and the two Ducks. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images

View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century
View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century

GIA4792980: View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793169: Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793270: Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.

GIA4793290: Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images

Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793323: Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Portrait of Sully Prudhomme (Armand Sully-Prudhomme dit) (Sully Prud'homme, Sully Prud'homme) (1839-1907), French poet.
Portrait of Sully Prudhomme (Armand Sully-Prudhomme dit) (Sully Prud'homme, Sully Prud'homme) (1839-1907), French poet.

GIA4793388: Portrait of Sully Prudhomme (Armand Sully-Prudhomme dit) (Sully Prud'homme, Sully Prud'homme) (1839-1907), French poet., French School, (19th century) / Bridgeman Images

Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793487: Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Scene 4 of Act I of the comic piece “” L'impresario delle Smirne”” (L'impresario de Smyrne) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 4 of Act I of the comic piece “” L'impresario delle Smirne”” (L'impresario de Smyrne) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793506: Scene 4 of Act I of the comic piece “” L'impresario delle Smirne”” (L'impresario de Smyrne) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Scene 13 of Act I of the comic piece “” La dama prudente”” (The prudent wife) (1751) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 13 of Act I of the comic piece “” La dama prudente”” (The prudent wife) (1751) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793536: Scene 13 of Act I of the comic piece “” La dama prudente”” (The prudent wife) (1751) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.

GIA4793689: Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images

Portrait of Charles I (Carol I) (1839-1914), King of Romania.
Portrait of Charles I (Carol I) (1839-1914), King of Romania.

GIA4793857: Portrait of Charles I (Carol I) (1839-1914), King of Romania., Unknown Artist, (19th century) / Bridgeman Images

Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791899: Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791920: Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: the manticore you a cat with child legs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: the manticore you a cat with child legs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791960: Different types of human monsters: the manticore you a cat with child legs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792011: Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792041: Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

A marine monster beats a swimmer near the coast of Norway. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.
A marine monster beats a swimmer near the coast of Norway. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.

GIA4792092: A marine monster beats a swimmer near the coast of Norway. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567., Unknown Artist, (16th century) / Bridgeman Images

Representation of a comet above the town of Athenes in 1878.
Representation of a comet above the town of Athenes in 1878.

GIA4792141: Representation of a comet above the town of Athenes in 1878., Unknown Artist, (19th century) / Bridgeman Images

Representation of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), a Polish doctor and astronomer. Manuscript from the 18th century.
Representation of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), a Polish doctor and astronomer. Manuscript from the 18th century.

GIA4792196: Representation of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), a Polish doctor and astronomer. Manuscript from the 18th century., Unknown artist, (18th century) / Bridgeman Images

Emigration of Armenians to Russia. 19th century engraving
Emigration of Armenians to Russia. 19th century engraving

GIA4792257: Emigration of Armenians to Russia. 19th century engraving, Italian School, (19th century) / Bridgeman Images

Representation of sirenes. 16th century engraving
Representation of sirenes. 16th century engraving

GIA4792336: Representation of sirenes. 16th century engraving, Unknown Artist, (16th century) / Bridgeman Images

Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century
Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century

GIA4792348: Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images

While waiting for harvest time: peasants rest. Sicily 19th century engraving
While waiting for harvest time: peasants rest. Sicily 19th century engraving

GIA4792422: While waiting for harvest time: peasants rest. Sicily 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century
A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century

GIA4792514: A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

The rowers on a boat on the Anapo River in Sicily.
The rowers on a boat on the Anapo River in Sicily.

GIA4792648: The rowers on a boat on the Anapo River in Sicily., Unknown Artist, (19th century) / Bridgeman Images

A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century
A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century

GIA4792656: A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving)
Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving)

GIA4792754: Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving), Thevet, Andre (1504-92) (after) / Bridgeman Images

Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century
Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century

GIA4792789: Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of the city of Trieste (in the Austrian period), engraving from 1885
View of the city of Trieste (in the Austrian period), engraving from 1885

GIA4792799: View of the city of Trieste (in the Austrian period), engraving from 1885, Unknown Artist, (19th century) / Bridgeman Images


Back to top