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Pelagius of Asturias - Pelage the Conquerant - Portrait of Pelayo King of Asturias and Head of the Visigoths (? , 718 in Cangas, 737). after hombres y Mujeres celebres. Barcelona 1877.
Pelagius of Asturias - Pelage the Conquerant - Portrait of Pelayo King of Asturias and Head of the Visigoths (? , 718 in Cangas, 737). after hombres y Mujeres celebres. Barcelona 1877.

XEE4403730: Pelagius of Asturias - Pelage the Conquerant - Portrait of Pelayo King of Asturias and Head of the Visigoths (? , 718 in Cangas, 737). after hombres y Mujeres celebres. Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images

The interview  between Pius XI and Benito Mussolini. 1932 (illustration)
The interview  between Pius XI and Benito Mussolini. 1932 (illustration)

XEE4403887: The interview between Pius XI and Benito Mussolini. 1932 (illustration), Pisani, Vittorio (1899-1974) / Bridgeman Images

The hanging gardens of the legendary queen Semiramis in Babylon, one of the seven wonders of the world. Engraving from 1829 in “Old History” by Rollin.
The hanging gardens of the legendary queen Semiramis in Babylon, one of the seven wonders of the world. Engraving from 1829 in “Old History” by Rollin.

XEE4404008: The hanging gardens of the legendary queen Semiramis in Babylon, one of the seven wonders of the world. Engraving from 1829 in “Old History” by Rollin., Unknown Artist, (19th century) / Bridgeman Images

Cinderella tries the slipper. Anonymous illustration for “” Cinderella””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Cinderella tries the slipper. Anonymous illustration for “” Cinderella””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404250: Cinderella tries the slipper. Anonymous illustration for “” Cinderella””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Installation of the trasatlantic electric cable intended to connect Europe to America in 1865. Buoy system used to keep the electrical cable from breaking during installation. The vessel in charge of the operation was the Great Eastern. Engraving from 1865.
Installation of the trasatlantic electric cable intended to connect Europe to America in 1865. Buoy system used to keep the electrical cable from breaking during installation. The vessel in charge of the operation was the Great Eastern. Engraving from 1865.

XEE4404379: Installation of the trasatlantic electric cable intended to connect Europe to America in 1865. Buoy system used to keep the electrical cable from breaking during installation. The vessel in charge of the operation was the Great Eastern. Engraving from 1865., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Hans Christian Andersen (1805-1875), Danish writer.
Portrait of Hans Christian Andersen (1805-1875), Danish writer.

XEE4404499: Portrait of Hans Christian Andersen (1805-1875), Danish writer., Unknown Artist, (19th century) / Bridgeman Images

Alexandre Dumas's Three Musketeers, illustration from the beginning of the 20th century - in Journal des novels illustrés.
Alexandre Dumas's Three Musketeers, illustration from the beginning of the 20th century - in Journal des novels illustrés.

XEE4414679: Alexandre Dumas's Three Musketeers, illustration from the beginning of the 20th century - in Journal des novels illustrés., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Maximilian Marie Isidore by Robespierre (1758-1794), French politician.
Portrait of Maximilian Marie Isidore by Robespierre (1758-1794), French politician.

XEE4412383: Portrait of Maximilian Marie Isidore by Robespierre (1758-1794), French politician., Unknown Artist / Bridgeman Images

Silence, the enemy is looking for your confidences - Second World War Poster, February 1940 (colour litho)
Silence, the enemy is looking for your confidences - Second World War Poster, February 1940 (colour litho)

XEE4412018: Silence, the enemy is looking for your confidences - Second World War Poster, February 1940 (colour litho), Colin, Paul (1892-1985) / Bridgeman Images

La Marseillaise (colour litho)
La Marseillaise (colour litho)

LLE3103713: La Marseillaise (colour litho), Dore, Gustave (1832-83) / Bridgeman Images

Asakusa Honganji temple in the Eastern capital (Edo), c.1830 (woodblock print)
Asakusa Honganji temple in the Eastern capital (Edo), c.1830 (woodblock print)

XOS3428172: Asakusa Honganji temple in the Eastern capital (Edo), c.1830 (woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

Art Deco bandeau, c.1924 (diamonds, pearls & platinum)
Art Deco bandeau, c.1924 (diamonds, pearls & platinum)

CH3329218: Art Deco bandeau, c.1924 (diamonds, pearls & platinum), Cartier / Bridgeman Images

Charles III the Fat (839-88) pays off the Viking invaders in 886 - Charles III 3 le Gros (839-888) Emperor of West (881-887) and Regent of France (884-887) camped under the walls of Paris without daring to fight the Normans, preferring to buy their retirement at silver price - Engraving 1825 in “Histoire de France represented by synoee ptics dediee to the children of France and employee for their education”” - Steel engraving by Ambroise Tardieu
Charles III the Fat (839-88) pays off the Viking invaders in 886 - Charles III 3 le Gros (839-888) Emperor of West (881-887) and Regent of France (884-887) camped under the walls of Paris without daring to fight the Normans, preferring to buy their retirement at silver price - Engraving 1825 in “Histoire de France represented by synoee ptics dediee to the children of France and employee for their education”” - Steel engraving by Ambroise Tardieu

XEE4147379: Charles III the Fat (839-88) pays off the Viking invaders in 886 - Charles III 3 le Gros (839-888) Emperor of West (881-887) and Regent of France (884-887) camped under the walls of Paris without daring to fight the Normans, preferring to buy their retirement at silver price - Engraving 1825 in “Histoire de France represented by synoee ptics dediee to the children of France and employee for their education”” - Steel engraving by Ambroise Tardieu, Tardieu, Ambroise (1788-1841) / Bridgeman Images

Portrait of Matteo Ricci (1552-1610), Italian Jesuit, Founder of the Catholic Mission in China - Portrait of Matteo Ricci (1552-1610) Italian missionary, founder of the Jesuit mission in China
Portrait of Matteo Ricci (1552-1610), Italian Jesuit, Founder of the Catholic Mission in China - Portrait of Matteo Ricci (1552-1610) Italian missionary, founder of the Jesuit mission in China

XEE4147595: Portrait of Matteo Ricci (1552-1610), Italian Jesuit, Founder of the Catholic Mission in China - Portrait of Matteo Ricci (1552-1610) Italian missionary, founder of the Jesuit mission in China, Unknown Artist / Bridgeman Images

Portrait of Theroigne de Mericourt (1762-1817), French revolutionary - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Theroigne de Mericourt (1762-1817), French revolutionary - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150686: Portrait of Theroigne de Mericourt (1762-1817), French revolutionary - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - Engraving of 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection
Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - Engraving of 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection

XEE4150869: Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - Engraving of 1863 in “Le Livre Rouge - Histoire De L'echafaud en France” by Dupray de La Maherie - Private collection, Anonymous / Bridgeman Images

Industrial Revolution - Puddling furnace - Puddler Ovens (Puddlage) - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection
Industrial Revolution - Puddling furnace - Puddler Ovens (Puddlage) - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection

XEE4146581: Industrial Revolution - Puddling furnace - Puddler Ovens (Puddlage) - Engraving in “” Sciences made available to all - Popular physics and chemistry” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

The auditorium of the Theatre des Funambules in Paris in the 19th Century - Theatre des Funambules, boulevard du Temple a Paris, in the 19th century - Engraving by Henri Valentin (1822-1886) in “Tableau-de-Paris” by Edmond Texier 1852
The auditorium of the Theatre des Funambules in Paris in the 19th Century - Theatre des Funambules, boulevard du Temple a Paris, in the 19th century - Engraving by Henri Valentin (1822-1886) in “Tableau-de-Paris” by Edmond Texier 1852

XEE4148334: The auditorium of the Theatre des Funambules in Paris in the 19th Century - Theatre des Funambules, boulevard du Temple a Paris, in the 19th century - Engraving by Henri Valentin (1822-1886) in “Tableau-de-Paris” by Edmond Texier 1852, Valentin, Henry Augustin (1822-86) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice see the angels with Christ on the cross - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice see the angels with Christ on the cross - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145421: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 14: Dante and Beatrice see the angels with Christ on the cross - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 8: Charles Martel addresses Dante and Beatrice - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 8: Charles Martel addresses Dante and Beatrice - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145428: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 8: Charles Martel addresses Dante and Beatrice - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 5: The host of myriad glowing souls in the second realm - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 5: The host of myriad glowing souls in the second realm - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145431: The Divine Comedy (La Divina Commedia, La Divine Comedie), Paradiso, Canto 5: The host of myriad glowing souls in the second realm - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145740: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Louis XIV King of France liked to hear Jean Racine read and brought him in when he was sick. Engraving by A. Duruy in “” Illustrations litteraires de la France; or, Galerie anecdotique de nos principaux auteurs ints par leurs actions et leurs inscriptions”” by J.B. Maigrot. 1865. Private collection.
Louis XIV King of France liked to hear Jean Racine read and brought him in when he was sick. Engraving by A. Duruy in “” Illustrations litteraires de la France; or, Galerie anecdotique de nos principaux auteurs ints par leurs actions et leurs inscriptions”” by J.B. Maigrot. 1865. Private collection.

XEE4142462: Louis XIV King of France liked to hear Jean Racine read and brought him in when he was sick. Engraving by A. Duruy in “” Illustrations litteraires de la France; or, Galerie anecdotique de nos principaux auteurs ints par leurs actions et leurs inscriptions”” by J.B. Maigrot. 1865. Private collection., Duruy, A. (19th century) / Bridgeman Images

First World War (1914-1918): An ambulance car from a machine gun company received 73 bullets while evacuating wounds from the French army. In “” the Mirror”” of April 18, 1915.
First World War (1914-1918): An ambulance car from a machine gun company received 73 bullets while evacuating wounds from the French army. In “” the Mirror”” of April 18, 1915.

XEE4143766: First World War (1914-1918): An ambulance car from a machine gun company received 73 bullets while evacuating wounds from the French army. In “” the Mirror”” of April 18, 1915., French Photographer, (20th century) / Bridgeman Images

Nikolacki Nitropolos, wearing the standard of the Cross at the Fortress of Salona taken from the Ottoman Empire, Easter Day 1821. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on the places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.
Nikolacki Nitropolos, wearing the standard of the Cross at the Fortress of Salona taken from the Ottoman Empire, Easter Day 1821. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on the places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825.

XEE4124001: Nikolacki Nitropolos, wearing the standard of the Cross at the Fortress of Salona taken from the Ottoman Empire, Easter Day 1821. in “” Journey to Athenes and Constantinople, or collection of Greek and Ottoman portraits, views and costumes, painted on the places of after nature, lithographs and colories by Louis Dupre (1789-1837), pupil of David.1825., Dupre, Louis (1789-1837) / Bridgeman Images

Detail of 25991: The headline of “” The Morning”” of 12/11/1918 announcing “” Germany has surrendered - War is won””
Detail of 25991: The headline of “” The Morning”” of 12/11/1918 announcing “” Germany has surrendered - War is won””

XEE4104057: Detail of 25991: The headline of “” The Morning”” of 12/11/1918 announcing “” Germany has surrendered - War is won””, Anonymous / Bridgeman Images

Expedition to America (1799-1804) by Alexander von Humboldt (1769-1859) and Aime Bonpland (1773-1858): Omaguas Indians (Amazonia, Peru) - illustration from “The Great Mariners of the 18th century”, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne
Expedition to America (1799-1804) by Alexander von Humboldt (1769-1859) and Aime Bonpland (1773-1858): Omaguas Indians (Amazonia, Peru) - illustration from “The Great Mariners of the 18th century”, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne

XEE4162381: Expedition to America (1799-1804) by Alexander von Humboldt (1769-1859) and Aime Bonpland (1773-1858): Omaguas Indians (Amazonia, Peru) - illustration from “The Great Mariners of the 18th century”, 1879 - 1 of the 3 volumes of the “Histoire generale des grands voyages et des grands voyageurs” by Jules Verne, Unknown Artist, (19th century) / Bridgeman Images

Paul Ree (1849-1901) English philosopher - Lou Andreas-Salome (1861-1937) (Andreas Salome) Russian psychoanalyst - Friedrich Nietzsche (1844-1900) German philosopher - May 1882 (Lucerne, Atelier Jules Bonnet)
Paul Ree (1849-1901) English philosopher - Lou Andreas-Salome (1861-1937) (Andreas Salome) Russian psychoanalyst - Friedrich Nietzsche (1844-1900) German philosopher - May 1882 (Lucerne, Atelier Jules Bonnet)

XEE4160031: Paul Ree (1849-1901) English philosopher - Lou Andreas-Salome (1861-1937) (Andreas Salome) Russian psychoanalyst - Friedrich Nietzsche (1844-1900) German philosopher - May 1882 (Lucerne, Atelier Jules Bonnet), Unknown photographer, (19th century) / Bridgeman Images

Masers De Latude escaping from the Bastille - Escape de la Bastille by Jean Henry, dit Danry, dit Masers de Latude (1725-1805) - engraving in “” Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre and Edmond Allonier -
Masers De Latude escaping from the Bastille - Escape de la Bastille by Jean Henry, dit Danry, dit Masers de Latude (1725-1805) - engraving in “” Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre and Edmond Allonier -

XEE4160092: Masers De Latude escaping from the Bastille - Escape de la Bastille by Jean Henry, dit Danry, dit Masers de Latude (1725-1805) - engraving in “” Dictionnaire populaire illustrious”” - 1864 - by Joseph Decembre and Edmond Allonier -, Unknown Artist, (19th century) / Bridgeman Images

Cafe on the Grands Boulevards on a summer evening 1869 - Paris - Cafe on the Grands Boulevards on a summer evening - 1869
Cafe on the Grands Boulevards on a summer evening 1869 - Paris - Cafe on the Grands Boulevards on a summer evening - 1869

XEE4161443: Cafe on the Grands Boulevards on a summer evening 1869 - Paris - Cafe on the Grands Boulevards on a summer evening - 1869, Unknown Artist, (19th century) / Bridgeman Images

Arthur Rimbaud, French poet and adventurer - Portrait of Arthur Rimbaud (1859 - 1891) is 17 years old. Photograph by Carjat.
Arthur Rimbaud, French poet and adventurer - Portrait of Arthur Rimbaud (1859 - 1891) is 17 years old. Photograph by Carjat.

XEE4163742: Arthur Rimbaud, French poet and adventurer - Portrait of Arthur Rimbaud (1859 - 1891) is 17 years old. Photograph by Carjat., Carjat, Etienne (1828-1906) (after) / Bridgeman Images

Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673) Chromolithography circa 1890.
Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673) Chromolithography circa 1890.

XEE4170701: Portrait of Jean Baptiste Poquelin dit Moliere (1622-1673) Chromolithography circa 1890., Unknown Artist, (19th century) / Bridgeman Images

Practical delivery on a chair for delivery in the 16th century. Engraving In “” THE FEMME MEDECIN DU HOME “” A book of hygiene and family medicine including particularly the diseases of women and children by Dr. Anna Fisher. Around 1910.
Practical delivery on a chair for delivery in the 16th century. Engraving In “” THE FEMME MEDECIN DU HOME “” A book of hygiene and family medicine including particularly the diseases of women and children by Dr. Anna Fisher. Around 1910.

XEE4159681: Practical delivery on a chair for delivery in the 16th century. Engraving In “” THE FEMME MEDECIN DU HOME “” A book of hygiene and family medicine including particularly the diseases of women and children by Dr. Anna Fisher. Around 1910., French School, (20th century) / Bridgeman Images

Diplodocus fossil at the Natural History Museum of Paris. Engraving from the newspaper
Diplodocus fossil at the Natural History Museum of Paris. Engraving from the newspaper

XEE4174689: Diplodocus fossil at the Natural History Museum of Paris. Engraving from the newspaper " Le Petit Parisien”, 10/05/1908 (engraving), French School, (20th century) / Bridgeman Images

Siege of Lille in 1792: Maes wig using a bomb shatter as a beard dish to shave a client. Engraving in “” Le petit parisien”” on 16/10/1892. Private Collection
Siege of Lille in 1792: Maes wig using a bomb shatter as a beard dish to shave a client. Engraving in “” Le petit parisien”” on 16/10/1892. Private Collection

XEE4176897: Siege of Lille in 1792: Maes wig using a bomb shatter as a beard dish to shave a client. Engraving in “” Le petit parisien”” on 16/10/1892. Private Collection, Anonymous / Bridgeman Images

Settling of accounts between Uncle Sam, the symbol of the United States, and Marianne, representing France over the money lent on the one hand during the First World War and the United States War of Independence (and the Lafayette expedition). Cover from “” Le petit journal”” of 09/05/1920 Collection privee - Settlement of accounts between Uncle Sam, symbol of the United States, and Marianne, Emblem of France, following the American War of Independence and World War I, Frontpage of French newspaper Le petit journal, May 9, 1920, Private Collection
Settling of accounts between Uncle Sam, the symbol of the United States, and Marianne, representing France over the money lent on the one hand during the First World War and the United States War of Independence (and the Lafayette expedition). Cover from “” Le petit journal”” of 09/05/1920 Collection privee - Settlement of accounts between Uncle Sam, symbol of the United States, and Marianne, Emblem of France, following the American War of Independence and World War I, Frontpage of French newspaper Le petit journal, May 9, 1920, Private Collection

XEE4188257: Settling of accounts between Uncle Sam, the symbol of the United States, and Marianne, representing France over the money lent on the one hand during the First World War and the United States War of Independence (and the Lafayette expedition). Cover from “” Le petit journal”” of 09/05/1920 Collection privee - Settlement of accounts between Uncle Sam, symbol of the United States, and Marianne, Emblem of France, following the American War of Independence and World War I, Frontpage of French newspaper Le petit journal, May 9, 1920, Private Collection, Anonymous / Bridgeman Images


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